Author's Notes: the Games
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UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
The First but Hopefully Not the Last: How the Last of Us Redefines the Survival Horror Video Game Genre
The College of Wooster Open Works Senior Independent Study Theses 2018 The First But Hopefully Not the Last: How The Last Of Us Redefines the Survival Horror Video Game Genre Joseph T. Gonzales The College of Wooster, [email protected] Follow this and additional works at: https://openworks.wooster.edu/independentstudy Part of the Other Arts and Humanities Commons, and the Other Film and Media Studies Commons Recommended Citation Gonzales, Joseph T., "The First But Hopefully Not the Last: How The Last Of Us Redefines the Survival Horror Video Game Genre" (2018). Senior Independent Study Theses. Paper 8219. This Senior Independent Study Thesis Exemplar is brought to you by Open Works, a service of The College of Wooster Libraries. It has been accepted for inclusion in Senior Independent Study Theses by an authorized administrator of Open Works. For more information, please contact [email protected]. © Copyright 2018 Joseph T. Gonzales THE FIRST BUT HOPEFULLY NOT THE LAST: HOW THE LAST OF US REDEFINES THE SURVIVAL HORROR VIDEO GAME GENRE by Joseph Gonzales An Independent Study Thesis Presented in Partial Fulfillment of the Course Requirements for Senior Independent Study: The Department of Communication March 7, 2018 Advisor: Dr. Ahmet Atay ABSTRACT For this study, I applied generic criticism, which looks at how a text subverts and adheres to patterns and formats in its respective genre, to analyze how The Last of Us redefined the survival horror video game genre through its narrative. Although some tropes are present in the game and are necessary to stay tonally consistent to the genre, I argued that much of the focus of the game is shifted from the typical situational horror of the monsters and violence to the overall narrative, effective dialogue, strategic use of cinematic elements, and character development throughout the course of the game. -
Jocelyn Fung ART DIRECTION & TEAM LEADERSHIP for GAMES & DIGITAL EXPERIENCES
Jocelyn Fung ART DIRECTION & TEAM LEADERSHIP FOR GAMES & DIGITAL EXPERIENCES 533 8TH ST - APT 2L SUMMARY BROOKLYN NY - 11215 [email protected] Directed and actively participated in art asset production for 8 successful casual (929) 237-9231 game launches. Managed the execution of 100+ marketing campaigns per month for live games. Hands-on creative problem solving and team growth. KEY SKILLS Excellent with typographic layouts, eyeballing pixel nudges with eerie accuracy, and 6 YEARS as senior management balancing colour and space to optimize user experiences and marketing hooks. 20+ YEARS design experience with a focus on the aesthetics of RECENT WORK HISTORY interaction and digital products BLUEBAT GAMES | GREENTUBE-NOVOMATIC VANCOUVER, BC TECHNICAL SKILLS CREATIVE AND MARKETING DIRECTOR Photoshop / Illustrator Dec 2015 – Present Adobe XD Art Direction, Strategy, and Creative Vision. Art Process Architecture. Brand JIRA / Confluence / Airtable Consistency. Project Scoping and Management. Retention/Engagement Slack Marketing Strategy and Design Direction. Visual UX Specialist. SVN / Perforce Cross-Functional Team Communication. Presentations for External Microsoft Office 365 / G Suite Stakeholders. Outsource/Freelance Management. Maya / 3DS Max / Zbrush SENIOR ARTIST Aug 2012 - Dec 2015 EDUCATION UI Concept Design and Asset Production, Graphic Design for Marketing and Business Development, Outsource Management UNIVERSITY OF BRITISH COLUMBIA SLANT SIX GAMES 1998 – 2002 VANCOUVER, BC BACHELOR OF ARTS ARTIST | Jun 2007 - Aug 2012 Sociology and Gender Studies Graphics for SOCOM, Fire Team Bravo, Resident Evil: Operation Raccoon City ART INSTITUTE OF ELECTRONIC ARTS - BLACK BOX VANCOUVER VANCOUVER, BC 2002 – 2004 ARTIST | Sept 2004 - Jun 2007 DIPLOMA Graphics for Need for Speed Most Wanted, Need for Speed Carbon, EA Skate Game Art and Animation. -
Resident Evil 3 Ships 2 Million Units Just Five Days After Release
April 13, 2020 Press Release 3-1-3, Uchihiranomachi, Chuo-ku Osaka, 540-0037, Japan Capcom Co., Ltd. Haruhiro Tsujimoto, President and COO (Code No. 9697 First Section of Tokyo Stock Exchange) Resident Evil 3 Ships 2 Million Units Five Days After Release - Following Resident Evil 2, Capcom again succeeds in reimagining iconic IP - Capcom Co., Ltd. (Capcom) today announced that shipments of Resident Evil 3 for the PlayStation®4 computer entertainment system, the Xbox One family of devices including Xbox One X, and PC exceeded 2 million units worldwide five days following release. The Resident Evil franchise features survival horror games in which players utilize a variety of weapons and other items to escape terrifying situations. Cumulative sales of the games in the series now total 95 million units* since the first title debuted in 1996. More than 20 years later, continuous support from the passionate fan base across the globe makes it Capcom’s flagship game series. The new Resident Evil 3 is a reimagining of the 1999 release of Resident Evil 3: Nemesis, which went on to sell a cumulative 3.5 million units. The new game incorporates fresh ideas and utilizes the latest technology, leveraging Capcom’s proprietary RE Engine. In addition to putting a fresh twist on the original’s story and setting, the game boasts new play experiences even for fans who played the predecessor. Further, the title gives players the chance to enjoy both single player and multiplayer fun with the inclusion of Resident Evil Resistance, an asymmetrical online multiplayer title that was honored with an award in the Future Division of the Japan Game Awards: 2019. -
ANNOUNCE RESIDENT EVIL: DEGENERATION First Full-Length CG Motion Picture Based Upon the RESIDENT EVIL Video Game Franchise
<Press Material> July 28, 2008 CAPCOM AND SONY PICTURES ENTERTAINMENT JAPAN ANNOUNCE RESIDENT EVIL: DEGENERATION First full-length CG motion picture based upon the RESIDENT EVIL video game franchise Details presented at Comic-Con International 2008 in San Diego CAPCOM Co., Ltd. (Osaka, Japan – Representative Director and President, Haruhiro Tsujimoto; hereinafter “CAPCOM”) and Sony Pictures Entertainment Japan Co., Ltd. (Tokyo Japan – Representative Director and President, Ken Munekata; hereinafter “SPEJ”) held a press conference at the Comic-Con International 2008 (San Diego, CA) and announced the details of “RESIDENT EVIL: Degeneration” <aka "biohazard : DEGENERATION"(Japanese Title)>, the co-produced full-length CG motion picture film to the world. “Resident Evil: DEGENERATION” is the first full-length CG motion picture film based upon the Resident Evil video game franchise initially released in 1996. The film is directed by Makoto Kamiya (special effects director -- “Sinking of Japan”, “L Change the WorLd”), written by Shotaro Suga (“Ghost in the shell STAND ALONE COMPLEX”, “CASSHERN”), and produced by Hiroyuki Kobayashi of CAPCOM who has worked on video games such as “Resident Evil 4” and “Devil May Cry 4.” Digital Frontier (“APPLESEED”, “EX MACHINA”) has worked on the CGI production.. The film will be screened digitally at theaters from October 18th in 3 major cities in Japan <Shinjyuku Piccadilly (Tokyo), Umeda Burg 7 (Osaka), Midland Square Cinema (Nagoya)>, limited for 2 weeks.. Director: Makoto Kamiya, Special Effects Director (“Sinking of Japan”, “L Change the WorLd”) Writer: Shotaro Suga, (“Ghost in the shell STAND ALONE COMPLEX”, “CASSHERN”) Production: Digital Frontier (“APPLESEED”, “EX MACHINA”) Producer: Hiroyuki Kobayashi, CAPCOM (“RESIDENT EVIL 4”, “DEVIL MAY CRY 4”) (screened digitally, screen time approx. -
Video Games and the Mobilization of Anxiety and Desire
PLAYING THE CRISIS: VIDEO GAMES AND THE MOBILIZATION OF ANXIETY AND DESIRE BY ROBERT MEJIA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Kent A. Ono, Chair Professor John Nerone Professor Clifford Christians Professor Robert A. Brookey, Northern Illinois University ABSTRACT This is a critical cultural and political economic analysis of the video game as an engine of global anxiety and desire. Attempting to move beyond conventional studies of the video game as a thing-in-itself, relatively self-contained as a textual, ludic, or even technological (in the narrow sense of the word) phenomenon, I propose that gaming has come to operate as an epistemological imperative that extends beyond the site of gaming in itself. Play and pleasure have come to affect sites of culture and the structural formation of various populations beyond those conceived of as belonging to conventional gaming populations: the workplace, consumer experiences, education, warfare, and even the practice of politics itself, amongst other domains. Indeed, the central claim of this dissertation is that the video game operates with the same political and cultural gravity as that ascribed to the prison by Michel Foucault. That is, just as the prison operated as the discursive site wherein the disciplinary imaginary was honed, so too does digital play operate as that discursive site wherein the ludic imperative has emerged. To make this claim, I have had to move beyond the conventional theoretical frameworks utilized in the analysis of video games. -
Folha De Rosto ICS.Cdr
“For when established identities become outworn or unfinished ones threaten to remain incomplete, special crises compel men to wage holy wars, by the cruellest means, against those who seem to question or threaten their unsafe ideological bases.” Erik Erikson (1956), “The Problem of Ego Identity”, p. 114 “In games it’s very difficult to portray complex human relationships. Likewise, in movies you often flit between action in various scenes. That’s very difficult to do in games, as you generally play a single character: if you switch, it breaks immersion. The fact that most games are first-person shooters today makes that clear. Stories in which the player doesn’t inhabit the main character are difficult for games to handle.” Hideo Kojima Simon Parkin (2014), “Hideo Kojima: ‘Metal Gear questions US dominance of the world”, The Guardian iii AGRADECIMENTOS Por começar quero desde já agradecer o constante e imprescindível apoio, compreensão, atenção e orientação dos Professores Jean Rabot e Clara Simães, sem os quais este trabalho não teria a fruição completa e correta. Um enorme obrigado pelos meses de trabalho, reuniões, telefonemas, emails, conversas e oportunidades. Quero agradecer o apoio de família e amigos, em especial, Tia Bela, João, Teté, Ângela, Verxka, Elma, Silvana, Noëmie, Kalashnikov, Madrinha, Gaivota, Chacal, Rita, Lina, Tri, Bia, Quelinha, Fi, TS, Cinco de Sete, Daniel, Catarina, Professor Albertino, Professora Marques e Professora Abranches, tanto pelas forças de apoio moral e psicológico, pelas recomendações e conselhos de vida, e principalmente pela amizade e memórias ao longo desta batalha. Por último, mas não menos importante, quero agradecer a incessante confiança, companhia e aceitação do bom e do mau pela minha Twin, Safira, que nunca me abandonou em todo o processo desta investigação, do meu caminho académico e da conquista da vida e sonhos. -
Resident Evil 5 Pc Download Full Resident Evil 5 Gold Edition PC Free Download
resident evil 5 pc download full resident evil 5 gold edition PC Free Download. resident evil 5 gold edition PC Free Download is a direct link for torrent kickass and windows.From ocean of games you can download this game .This is an awesome Action, Adventure game. Overview of resident evil 5 gold edition PC:- This awesome game has been developed by Capcom and published under the banner of Capcom .You can also download Mall Empire. resident evil 5 gold edition PC survival horror genre returns with another entry. This time, you are placed in Bioterriorism security assessment as approved by the Alliance (BSAA), which partnered with Shiva alomar to get rid of the threat of terrorism in Africa Chris Redfield boots. Story Kijuju, pressure player in a fictional region of Africa. It is gradually starts but Ricardo Irving, after a bio-organic weapons (BOW) is the first encounter with what is trying to sell on the black market soon become interesting. In short, brilliant and very fun gameplay. By Capcom’s “E” key press is improved easily accessible and player of the operating system will allow the inventory to switch weapons in real time.You can also download Paint the Town Red. Features Of resident evil 5 gold edition PC :-If you are a game addict then definitely you will love to play this game .Lot’s of features of this game few are. Awesome action game Free to play. System Requirements for resident evil 5 gold edition PC :-Before you install this game to your PC make sure your system meets min requirements to download this game. -
“Resident Evil 6” Will Launch on November 22, 2012 in Japan
January 20, 2012 Press Release 3-1-3, Uchihiranomachi, Chuo-ku Osaka, 540-0037, Japan Capcom Co., Ltd. Haruhiro Tsujimoto, President and COO (Code No. 9697 Tokyo - Osaka Stock Exchange) “Resident Evil 6” Will Launch on November 22, 2012 in Japan - The first addition in three and a half years to the world’s leading name in the survival horror video game category - Capcom Co., Ltd. (Capcom) is pleased to announce that sales of the Japanese version of “Resident Evil 6” for the “PlayStation®3”, Xbox 360® and PC*1 will begin on November 22, 2012. “Resident Evil” is a series of survival horror games in which players attempt to escape from zombies by using a variety of weapons and other items. Cumulative sales of this series total 47 million units*2 since the first title debuted in 1996, making it Capcom’s flagship game series. “Resident Evil 5”, the most recent title in the series, went on sale in March 2009 and ranks first among “Resident Evil” titles with global shipments of 5.8 million units*3. These figures demonstrate that even today, 15 years after the debut of the first “Resident Evil” game, this series remains very popular worldwide. Capcom aims to position “Resident Evil 6” as the company’s leading title in order to continue building on past success in the global video game market. To accomplish this goal, the creation of this game is proceeding in the world’s most advanced game development environment. The objective is to create the world’s best content yet in the horror entertainment sector. -
Found in Translation: Evolving Approaches for the Localization of Japanese Video Games
arts Article Found in Translation: Evolving Approaches for the Localization of Japanese Video Games Carme Mangiron Department of Translation, Interpreting and East Asian Studies, Universitat Autònoma de Barcelona, 08193 Bellaterra, Barcelona, Spain; [email protected] Abstract: Japanese video games have entertained players around the world and played an important role in the video game industry since its origins. In order to export Japanese games overseas, they need to be localized, i.e., they need to be technically, linguistically, and culturally adapted for the territories where they will be sold. This article hopes to shed light onto the current localization practices for Japanese games, their reception in North America, and how users’ feedback can con- tribute to fine-tuning localization strategies. After briefly defining what game localization entails, an overview of the localization practices followed by Japanese developers and publishers is provided. Next, the paper presents three brief case studies of the strategies applied to the localization into English of three renowned Japanese video game sagas set in Japan: Persona (1996–present), Phoenix Wright: Ace Attorney (2005–present), and Yakuza (2005–present). The objective of the paper is to analyze how localization practices for these series have evolved over time by looking at industry perspectives on localization, as well as the target market expectations, in order to examine how the dialogue between industry and consumers occurs. Special attention is given to how players’ feedback impacted on localization practices. A descriptive, participant-oriented, and documentary approach was used to collect information from specialized websites, blogs, and forums regarding localization strategies and the reception of the localized English versions. -
Annual Report 2010
The Latest Development Report The creative talents who hold the keys to the future Aspiring to be the Ultimate Game Development Force for Next-Generation Success Capcom is strengthening the foundations of its development structure to encourage individual employees to contribute to the creation of authentic games that fascinate users all over the world. Jun Takeuchi Deputy Head of Consumer Games R&D Division and General Manager of R&D Production Department Producer of “Onimusha 3”, “Lost Planet Extreme Condition” and “Resident Evil 5”, as well as leader of organizational reform in consumer game development management. 1 Cultivating Multi-Talented Creators creators and development studios within a flexible In a gaming context, the organizational reform of organizational framework that grows or shrinks as Capcom’s Development Department has advanced necessary. to the second level. The first level targeted development The key directors in the matrix make decisions efficiency by establishing a lateral connection linking regarding overall cost, schedule and quality from the personnel separated across different title projects. perspective of company management while enhancing This structure succeeded in creating “Resident Evil 5” the quality and speed of title development using and “Monster Hunter Tri”. the “MT Framework”, Capcom’s original common The second level involves promoting the advancement development tool. of even further forward facing organizational reforms. The first step is to develop the capabilities of each Creating World-Class Games creator, cultivating multi-talented personnel who In May 2010, we released “Lost Planet 2”, the latest possess a wide range of knowledge, skills and edition to this series that has become popular around specialization that goes beyond job description. -
Cutscenes, Agency and Innovation Ben Browning a Thesis In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Concordia University Research Repository Should I Skip This?: Cutscenes, Agency and Innovation Ben Browning A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montreal, Quebec, Canada April 2016 © Ben Browning CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Ben Browning Entitled: Should I Skip This?: Cutscenes, Agency and Innovation and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Darren Wershler External Examiner Peter Rist Examiner Marc Steinberg Supervisor Approved by Haidee Wasson Graduate Program Director Catherine Wild Dean of the Faculty of Fine Arts Date ___________________________________ iii ABSTRACT Should I Skip This?: Cutscenes, Agency and Innovation Ben Browning The cutscene is a frequently overlooked and understudied device in video game scholarship, despite its prominence in a vast number of games. Most gaming literature and criticism concludes that cutscenes are predetermined narrative devices and nothing more. Interrogating this general critical dismissal of the cutscene, this thesis argues that it is a significant device that can be used to re-examine a number of important topics and debates in video game studies. Through an analysis of cutscenes deriving from the Metal Gear Solid (Konami, 1998) and Resident Evil (Capcom, 1996) franchises, I demonstrate the cutscene’s importance within (1) studies of video game agency and (2) video game promotion.