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JONATHAN SCHWARTZ EDITOR FEATURES I WANT YOU BACK Amazon Studios Prod: Peter Safran, Isaac Aptaker, Dir: Jason Orley Elizabeth Berger THE SLEEPOVER Netflix Prod: Mickey Liddell, Jennifer Monroe Dir: Trish Sie Pete Shilaimon STUBER 20th Century Fox Prod: Jonathan Goldstein Dir: Michael Dowse John Francis Daley, Nicholas Thomason THE SPY WHO DUMPED ME Lionsgate Entertainment Prod: Ron Howard, Brian Grazer, Julie Oh Dir: Susanna Fogel Erica Huggins MIKE AND DAVE NEED 20th Century Fox Prod: Peter Chernin, David Ready Dir: Jake Szymanski WEDDING DATES Jenno Topping LET’S BE COPS 20th Century Fox Prod: Simon Kinberg, Luke Greenfield Dir: Luke Greenfield IN LIEU OF FLOWERS Patina Pictures Prod: Jason Mandl, K’Dee Miller Dir: William Savage ALLEGIANCE Five By Eight Productions Prod: Sean Mullin, Daryl Freimark Dir: Michael Connors THE HEART SPECIALIST Freestyle Releasing Prod: Dennis Cooper, Kristin Overn Dir: Dennis Cooper WHAT’S YOUR NUMBER? ‡ 20th Century Fox Prod: Beau Flynn, Tripp Vinson Dir: Mark Mylod IT’S COMPLICATED ‡ Universal Pictures Prod: Scott Rudin, Nancy Meyers Dir: Nancy Meyers W. ‡ Lionsgate Entertainment Prod: Bill Block, Moritz Borman Dir: Oliver Stone RIGHTEOUS KILL ‡ Overture Films Prod: Alexandra Milchan, Avi Lerner Dir: Jon Avnet LIONS FOR LAMBS ‡ MGM Prod: Tracy Falco, Andrew Hauptman Dir: Robert Redford DECK THE HALLS ‡ 20th Century Fox Prod: Michael Costigan, Arnon Milchan Dir: John Whitesell DATE MOVIE ‡ 20th Century Fox Prod: Paul Schiff, Jason Friedberg Dir: Aaron Seltzer TELEVISION UTOPIA (Season 1) Amazon Prod: Gillian Flynn, Toby Haynes, Dir: Susanna Fogel Jessica Rhoades UNIT ZERO (Pilot) ABC Studios / ABC Prod: Toni Collette, Kenya Barris Dir: David Gordon Green FRIENDS FROM COLLEGE (Season 1) Netflix Prod: Nick Stoller, Francesca Delbanco Dir: Nick Stoller BALLERS (Season 1) HBO Prod: Stephen Levinson, Mark Wahlberg Dir: Various GETTING ON (Season 2) HBO Prod: Will Scheffer, Mark Olsen Dir: Various GOOD SESSION (Pilot) Warner Bros. TV / CBS Prod: Matthew Miller, John Hamburg Dir: John Hamburg MIXOLOGY (Pilot) ABC Studios / ABC Prod: Jon Lucas, Scott Moore, Bari Halle Dir: Larry Charles THE NEIGHBORS (Season 1) ABC Studios / ABC Prod: Dan Fogelman, Jeff Morton Dir: Various PRAIRIE DOGS (Pilot) ABC Studios / ABC Prod: Jeff Filgo, Jackie Filgo Dir: Luke Greenfield THE BIG C (Season 3) Sony / Showtime Prod: Neal Moritz, Vivian Cannon, Jenny Bicks Dir: Various HOUSE OF LIES (Season 1) Sony / Showtime Prod: Matthew Carnahan, Jessika Borsiczky Dir: Various MODERN FAMILY (Seasons 1&2) 20th Century Fox / ABC Prod: Steven Levitan, Christopher Lloyd Dir: Various 2011 Emmy Nomination – Outstanding Picture Editing for a Comedy Series 2011 A.C.E. "Eddie" Award Winner – Best Edited Half-Hour Series for Television 2010 Emmy Nomination – Outstanding Picture Editing for a Comedy Series ZOMBIES&CHEERLEADERS (Pilot) Disney / Disney Channel Prod: David Light, Joseph Raso, Eric Weinberg Dir: Todd Strauss-Schulson I HATE THAT I LOVE YOU (Pilot) 20th Century Fox / NBC Prod: Jhoni Marchinko Dir: Nicole Holofcener TRAFFIC LIGHT (Pilot)* 20th Century Fox / FOX Prod: Bob Fisher, David Hemingson Dir: Christopher Koch * as Additional Editor ‡ as Assistant Editor 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Documentary/Nonfiction Program Adam Ruins Everything Adam Ruins Guns November 27, 2018 Adam Conover takes aim at both sides of the gun debate by explaining why an assault weapons ban would be ineffective at stopping gun violence, outlining how the Second Amendment has been twisted to benefit the NRA, and revealing that liberal and conservative gun policies have impacted people of color. Tim Wilkime, Directed by America To Me Listen To The Poem! September 30, 2018 Spring semester brings fresh challenges. Jada clashes with junior Diane over her new film. Brendan recalls a racially charged basketball past. Tiara and the cheerleading squad go for the gold. Charles’ poetry slam team faces an epic challenge. Steve James, Directed by American Dream/American Knightmare December 21, 2018 Documentary that delves into the life and exploits of the iconic Death Row Records co-founder Suge Knight, and the era in gangsta rap he presided over. Through a series of face-to-face interviewers, Knight reveals exactly how it all happened and why it all fell apart. Antoine Fuqua, Directed by American Experience: The Circus October 08, 2018 - October 09, 2018 American Experience: The Circus explores the colorful history of this popular, influential and distinctly American form of entertainment, from the first one-ring show at the end of the 18th century to 1956, when the Ringling Bros. and Barnum & Bailey big top was pulled down for the last time. Sharon Grimberg, Directed by American Experience: The Eugenics Crusade October 16, 2018 American Experience: The Eugenics Crusade explores the unknown campaign to breed a “better” American race.
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Television Academy
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The Last Laugh
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'Choctaw: a Cultural Awakening' Book Launch Held Over 18 Years Old?
Durant Appreciation Cultural trash dinner for meetings in clean up James Frazier Amarillo and Albuquerque Page 5 Page 6 Page 20 BISKINIK CHANGE SERVICE REQUESTED PRESORT STD P.O. Box 1210 AUTO Durant OK 74702 U.S. POSTAGE PAID CHOCTAW NATION BISKINIKThe Official Publication of the Choctaw Nation of Oklahoma May 2013 Issue Tribal Council meets in regular April session Choctaw Days The Choctaw Nation Tribal Council met in regular session on April 13 at Tvshka Homma. Council members voted to: • Approve Tribal Transporta- returning to tion Program Agreement with U.S. Department of Interior Bureau of Indian Affairs • Approve application for Transitional Housing Assis- tance Smithsonian • Approve application for the By LISA REED Agenda Support for Expectant and Par- Choctaw Nation of Oklahoma 10:30 a.m. enting Teens, Women, Fathers Princesses – The Lord’s Prayer in sign language and their Families Choctaw Days is returning to the Smithsonian’s Choctaw Social Dancing • Approve application for the National Museum of the American Indian in Flutist Presley Byington Washington, D.C., for its third straight year. The Historian Olin Williams – Stickball Social and Economic Develop- Dr. Ian Thompson – History of Choctaw Food ment Strategies Grant event, scheduled for June 21-22, will provide a 1 p.m. • Approve funds and budget Choctaw Nation cultural experience for thou- Princesses – Four Directions Ceremony for assets for Independence sands of visitors. Choctaw Social Dancing “We find Choctaw Days to be just as rewarding Flutist Presley Byington Grant Program (CAB2) Soloist Brad Joe • Approve business lease for us as the people who come to the museum say Storyteller Tim Tingle G09-1778 with Vangard Wire- it is for them,” said Chief Gregory E.
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THE LAST LAUGH” TRT: 01:27:54:14 PRODUCER: Tangerine Entertainment
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Comedy in America
Modleski, T. “The Women Who Knew Too Much: Hitchcock and Feminist Theory.” In Leo Braudy and Marshall Cohen (Ed.), Film Theory and Criticism (pp. 849-861). Oxford, England: Oxford University Press, 1988. Mulvey, L. “Visual Pleasure and Narrative Cinema.” In Leo Braudy and Marshall Cohen (Ed.), Film Theory and Criticism (pp. 837-848). Oxford, England: Oxford University Press, 1975. VOL 4 | 36 WHAT’S SO FUNNY: COMEDY IN AMERICA EMILY MOUSSEAU-DOUGLAS ased on reviews and articles I had read about the new faux documentary Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, I Bexpected that when I actually saw it, I would be disgusted. I imagined sitting low in my theatre seat, covering my eyes, horrified by the displays on the screen. When I finally got to see the movie, I was disappointed at my lack of disgust and horror. It was not nearly as outrageous or offensive as I felt all those articles had promised it would be. My disappointment made me think about my extensive exposure to vulgar comedy and the nature of comedy in America. Perhaps I have been desensitized to bodily functions and nudity, especially when they are presented in the name of comedy. Perhaps years filled with American Pie’s and Scary Movie’s, capped by the summer of raunchy sex farces (like Wedding Crashers and The 40-Year-Old Virgin) have made it hard for me to be shocked and appalled by anything, even the scene of a hairy naked man wrestling a fat naked man, which constitutes the climax of the Borat movie.
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Set Decorator Features Television
set decorator 310.503.0691 [email protected] features DORFMAN IN LOVE Leonard Hill Productions Executive Producer: Philip Waley Director: Brad Leong MINI'S FIRST TIME Trigger Street Productions Production Designer: Linda Burton Producers: Kevin Spacey, Dana Brunetti Director: Nick Guthe A VIEW FROM THE TOP Miramax Production Designer: Dan Davis Producers: Brad Grey, Alan Blomquist, Bobby Cohen Director: Bruno Bareto CORKY ROMANO Touchstone Production Designer: Peter Politanoff Producers: Robert Simonds, Ira Schuman Director: Rob Pritts SIMPATICO Axiom Entertainment Production Designer: Amy Ancona Producers: Dan Lupovitz, Sue Baden-Powell Director: Matthew Warchus THE WONDERFUL ICE CREAM SUIT Walt Disney Co. Production Designer: Stuart Blatt Producers: Roy Disney, Laura Medina Director: Stuart Gordon TOM AND HUCK Walt Disney Co. Production Designer: Gemma Jackson Producers: Lawrence Mark, Barry Bernardi Director: Peter Hewitt PULP FICTION Miramax Production Designer: David Wasco Producer: Lawrence Bender Director: Quentin Tarantino Set Decorator: Sandy Wasco Buyer: Ellen Brill LARGER THAN LIFE Additional Photography MGM/UA Production Designer: Marcia Hinds Producer: Susan Baden-Powell Director: Howard Franklin television AQUARIUS NBC Series, ITV Studios Production Designer: Carlos Barbosa Producers: John McNamara, Jonas Pate, Vahan Moosekian AMERICAN HORROR STORY: COVEN Fx Series, Fox Television Production Designer: Mark Worthington Producers: Ryan Murphy, Dante Di Loreto, Brad Falchuk AMERICAN HORROR STORY: ASYLUM Fx Series, Fox Television
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Professional Letter
MARK SCHEIB EDITOR TELEVISION BETAS (Season 1) Amazon Studios Prod: Alan Cohen, Alan Freedland, Dir: Various Michael Lehmann FAMILY TOOLS (Season 1) ABC Studios/ABC Prod: Bobby Bowman, Joshua Sternin, Dir: Various Jeffery Ventimilia THE PAUL REISER SHOW (Series) Warner Bros./NBC Prod: Paul Reiser, Jonathan Shapiro, Dir: Various Craig Knizek THE SIMPSONS (Season 21) 20th Century Fox/FOX Prod: Richard Sakai, Matt Groening Dir: Various (Animatic Editor) CAVEMEN (Season 1) ABC Studios/ABC Prod: Mike Schiff, Bill Gordon Dir: Various IF YOU LIVED HERE CBS Paramount/FOX Prod: Ted Cohen, Andrew Reich Dir: Peter Lauer YOU’D BE HOME BY NOW (Pilot) RELATED (Series) Warner Bros./WB Prod: Robert Lloyd Lewis, Marta Kauffman Dir: Various MONK (Season 4) USA Prod: Andy Breckman Dir: Various SO NOTORIOUS (Series) NBC Universal/VH1 Prod: Chris Alberghini, Michael Chessler Dir: Various CRACKING UP (Series) 20th Century Fox/FOX Prod: Mike White, Alan J. Higgins Dir: Various ARRESTED DEVELOPMENT 20th Century Fox/FOX Prod: Mitchell Hurwitz Dir: Various (Season 1; 2 Episodes) MALCOLM IN THE MIDDLE Regency/FOX Prod: Linwood Boomer, Alan J. Higgins Dir: Various (Seasons 2 & 3) *2003 Emmy Award – Outstanding Picture Editing in a Single Camera Comedy Series TRASH (Pilot) Regency/FOX Prod: Chris Thompson, Robert Lloyd Lewis Dir: Michael Lehmann THE TICK (Series) Columbia-TriStar/FOX Prod: Larry Charles, Barry Josephson Dir: Various DEFINITELY, MAYBE (Pilot) 20th Century Fox/UPN Prod: Bob Greenblatt, David Janollari Dir: Peter Lauer DILBERT (Series) Columbia-TriStar/UPN Prod: Larry Charles, Richard Raynis Dir: Various MEN IN BLACK (Series) Columbia-TriStar/WB Prod: Richard Raynis Dir: Various FEATURES MARDI GRAS Screen Gems Prod: Beau Marks, Charlie Lyons Dir: Phil Dornfeld THE SIMPSONS MOVIE (Second Editor) 20th Century Fox Prod: James L.
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Sean Albertson
STEVEN RASCH, A.C.E. EDITOR FEATURES THE CONFIRMATION Brightlight Pictures/ Prod: Todd Hoffman, Robert Halmi Dir: Bob Nelson Bungalow Media + Entertainment DUMB AND DUMBER TO Universal Prod: Bobby Farrelly, Peter Farrelly, Dir: Bobby Farrelly, Bradley Thomas, Charles B. Wessler Peter Farrelly CLEAR HISTORY HBO Prod: Larry David, Monica Levinson Dir: Greg Mottola SERIOUS MOONLIGHT Magnolia Prod: Andy Ostroy, Michael Roiff Dir: Cheryl Hines I WANT SOMEONE TO Miramax Prod: Jeff Garlin, Erin O’Malley, Steve Pink Dir: Jeff Garlin EAT CHEESE WITH TELEVISION CURB YOUR ENTHUSIASM HBO Prod: Larry David, Jeff Schaffer, Jeff Garlin Dir: Various (Seasons 1-11) (Editor/Music Supervisor) *Nominated, Emmy Award, 2020 – Outstanding Comedy Series *Winner, Emmy Award, 2012 – Outstanding Single-Camera Picture Editing for a Comedy Series *Winner, A.C.E (Eddie) Award, 2008, 2012 – Best Edited Half-Hour Series for Television HOME ECONOMICS (Season 1) Lionsgate TV/ABC Prod: John Aboud, Michael Colton Dir: Peter Atencio #BLACKAF (Season 1) Netflix Prod: Kenya Barris, Hale Rothstein, Jamila Hunter Dir: Various Mychelle Deschamps DAN THE WEATHERMAN (Pilot) FOX Prod: Marty Adelstein, Jeff Morton Dir. Seth Gordon YOUNG SHELDON (Season 1) CBS Prod: Chuck Lorre, Steven Molaro Dir: Various VEEP (Season 5) HBO Prod: David Mandel, Julia Louis-Dreyfus Dir: Various *Winner, A.C.E (Eddie) Award, 2016 – Best Edited Half-Hour Series for Television *Nominated, Emmy Award, 2016 – Outstanding Single-Camera Picture Editing for a Comedy Series CRASHING (Season 1) HBO Prod: Judd Apatow, Judah Miller, Pete Holmes Dir: Various GETTING ON (Seasons 1 & 3) HBO Prod: Mark Olsen, Will Scheffer Dir: Various KING OF 7B (Pilot) ABC Studios/ABC Prod: Dan Fogelman, Jess Rosenthal, Dir: David Frankel Barbara Stoll BACKSTROM 20th Century Fox/FOX Prod: Hart Hanson, Rainn Wilson, Josh Levy Dir: Various MODERN FAMILY (Season 3) 20th Century Fox/ABC Prod: Christopher Lloyd, Steve Levitan Dir: Various *Nominated, Emmy Award, 2012 – Best Editing *Nominated, A.C.E.
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Nomination Press Release
Brad Walsh, Executive Producer Outstanding Comedy Series Jeff Morton, Co-Executive Producer The Big Bang Theory • CBS • Chuck Lorre Jeffery Richman, Co-Executive Producer Productions, Inc. in association with Warner Abraham Higginbotham, Co-Executive Producer Bros. Television Cindy Chupack, Co-Executive Producer Chuck Lorre, Executive Producer Chris Smirnoff, Producer Bill Prady, Executive Producer Steven Molaro, Executive Producer 30 Rock • NBC • Broadway Video, Little Dave Goetsch, Co-Executive Producer Stranger, Inc. in association with Universal Television Eric Kaplan, Co-Executive Producer Lorne Michaels, Executive Producer Jim Reynolds, Co-Executive Producer Tina Fey, Executive Producer Peter Chakos, Supervising Producer Robert Carlock, Executive Producer Steve Holland, Supervising Producer Marci Klein, Executive Producer Maria Ferrari, Producer David Miner, Executive Producer Faye Oshima Belyeu, Produced By Jeff Richmond, Executive Producer Curb Your Enthusiasm • HBO • HBO John Riggi, Executive Producer Entertainment Ron Weiner, Co-Executive Producer Larry David, Executive Producer Matt Hubbard, Co-Executive Producer Jeff Garlin, Executive Producer Kay Cannon, Supervising Producer Gavin Polone, Executive Producer Vali Chandrasekaran, Supervising Producer Alec Berg, Executive Producer Josh Siegal, Supervising Producer David Mandel, Executive Producer Dylan Morgan, Supervising Producer Jeff Schaffer, Executive Producer Luke Del Tredici, Supervising Producer Larry Charles, Executive Producer Jerry Kupfer, Producer Tim Gibbons, Executive
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HARDWICK, Anthony (P.!2) ! SHADOW BOXERS Katya Bankowsky Swerve Films *1999 Seattle Intl
! ANTHONY HARDWICK ! Director of Photography !FEATURES: DIRECTOR: COMPANY: !BRUNO Larry Charles Universal !RELIGULOUS Larry Charles Lionsgate !BORAT – THE MOVIE Larry Charles 20th Century Fox THE GRAND Zak Penn 20th Century Fox ! !TELEVISION: DIRECTOR: COMPANY: !UNSTRUNG (Pilot) Jay Karas ABC Family !BLACK-ISH (Pilot) James Griffiths ABC/ABC Studios !THE COMEDIANS (Pilot) Larry Charles FX/TVM Productions !TWISTED (Season 1) Gavin Polone, Various ABC Family/Prodco RIZZOLI AND ISLES Michael Robin, TNT/Warner Horizon (Seasons 1- 4) Michael Zinberg, ! Michael Katleman, Various !BENT Various NBC/Quill Entertainment !OUTNUMBERED (Pilot) Larry Charles FOX/20th Century Fox IMPORTANT THINGS Various Comedy Central !WITH DEMETRI MARTIN (Season 1) !OUR SHOW (Pilot) Larry Charles NBC/Warner Bros. !ENTOURAGE (Seasons 4 & 6) Julian Farino, Various HBO !TRUST ME Michael Robin, Various TNT KANYE WEST HBO PROJECT Larry Charles HBO !WELCOME TO THE CAPTAIN John Hamburg CBS/Paramount TRACY ULLMAN’S Troy Miller Showtime !STATE OF THE UNION ! ! DOCUMENTARIES: DIRECTOR: COMPANY: CONTINUED WPA | Worldwide Production Agency 144 N. Robertson Boulevard | Suite A | West Hollywood | 90048 ph: 310.659.9965 | www.wp-a.com HARDWICK, Anthony (p.!2) ! SHADOW BOXERS Katya Bankowsky Swerve Films *1999 Seattle Intl. Film Festival – 3rd Place, Best Documentary *1999 Florida Film festival – Special Jury Award for Best First Feature !*2000 Santa Monica Film Festival – Best Documentary FRAT HOUSE Todd Phillips, Andrew Gurland HBO *1998 Sundance Film Festival, !Grand Jury Prize Winner BLACK SABBATH: Jeb Brien Automatic Productions !“LAST SUPPER” TOUR !PREAKNESS 125TH ANNIVERSARY Trent Cooper Smithsonian !PORTRAIT OF ABBEY Carol Friedman Dominick Films ! COMMERCIALS:! Bank of America, Need for Speed: Hot Pursuit Video Game, Corona Light, Arby’s, Toyota, Hitachi, Rolling Rock ! DIRECTORS:! Todd Phillips, Larry Charles, Mark Mylod, Ken Whittingham, Christopher Guest ! Professional !Affiliations: DGA, Local 600, Society of Operating Cameramen (S.O.C.) WPA | Worldwide Production Agency 144 N.
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1 Introduction Beginning in the Early 1970S, a Shift Occurred in the World
1 Introduction Beginning in the early 1970s, a shift occurred in the world of television comedy. New network executives came in and decided to change the content that was being put on the air. The popular TV shows of the 1960s were based in fantasy and did not address any relevant issues. Programs like Bewitched, I Dream of Jeannie, Green Acres and Petticoat Junction were some of the highest rated shows of the decade. The reasons for these show’s success are many. One being they appealed to audiences young and old. Television had become cheap enough to be nearly ubiquitous in the U.S. and therefore a family activity. Also, commercial sponsors were and continue to be the loudest voice in determining a program’s content, and wanted to attract the largest audience possible. “And let’s face it, if you’re a salesman and your goal is to sell as many cans of dog food or tubes of toothpaste as you possibly can, the last thing you want to do is offend any potential customers.” 1 After the Communist threat or “red scare” became a lesser issue in the late 1960s, networks felt as though they could depart from traditional, antiquated values and address real societal issues. However, producers and network executives felt as though the best way to portray these issues was through the situation comedy genre. Early sitcoms like The Mary Tyler Moore Show, All in the Family, Maude and Soap all tackled issues that were extremely relevant in the lives of many Americans as well as in the greater American culture.
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