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MARK SCHEIB EDITOR TELEVISION BETAS (Season 1) Amazon Studios Prod: Alan Cohen, Alan Freedland, Dir: Various Michael Lehmann FAMILY TOOLS (Season 1) ABC Studios/ABC Prod: Bobby Bowman, Joshua Sternin, Dir: Various Jeffery Ventimilia THE PAUL REISER SHOW (Series) Warner Bros./NBC Prod: Paul Reiser, Jonathan Shapiro, Dir: Various Craig Knizek THE SIMPSONS (Season 21) 20th Century Fox/FOX Prod: Richard Sakai, Matt Groening Dir: Various (Animatic Editor) CAVEMEN (Season 1) ABC Studios/ABC Prod: Mike Schiff, Bill Gordon Dir: Various IF YOU LIVED HERE CBS Paramount/FOX Prod: Ted Cohen, Andrew Reich Dir: Peter Lauer YOU’D BE HOME BY NOW (Pilot) RELATED (Series) Warner Bros./WB Prod: Robert Lloyd Lewis, Marta Kauffman Dir: Various MONK (Season 4) USA Prod: Andy Breckman Dir: Various SO NOTORIOUS (Series) NBC Universal/VH1 Prod: Chris Alberghini, Michael Chessler Dir: Various CRACKING UP (Series) 20th Century Fox/FOX Prod: Mike White, Alan J. Higgins Dir: Various ARRESTED DEVELOPMENT 20th Century Fox/FOX Prod: Mitchell Hurwitz Dir: Various (Season 1; 2 Episodes) MALCOLM IN THE MIDDLE Regency/FOX Prod: Linwood Boomer, Alan J. Higgins Dir: Various (Seasons 2 & 3) *2003 Emmy Award – Outstanding Picture Editing in a Single Camera Comedy Series TRASH (Pilot) Regency/FOX Prod: Chris Thompson, Robert Lloyd Lewis Dir: Michael Lehmann THE TICK (Series) Columbia-TriStar/FOX Prod: Larry Charles, Barry Josephson Dir: Various DEFINITELY, MAYBE (Pilot) 20th Century Fox/UPN Prod: Bob Greenblatt, David Janollari Dir: Peter Lauer DILBERT (Series) Columbia-TriStar/UPN Prod: Larry Charles, Richard Raynis Dir: Various MEN IN BLACK (Series) Columbia-TriStar/WB Prod: Richard Raynis Dir: Various FEATURES MARDI GRAS Screen Gems Prod: Beau Marks, Charlie Lyons Dir: Phil Dornfeld THE SIMPSONS MOVIE (Second Editor) 20th Century Fox Prod: James L. Brooks, Richard Sakai Dir: David Silverman DROP DEAD SEXY (Re-cut) Arrival Pictures Prod: Richard Middleton Dir: Michael Phillip SHORT FILMS JESUS & HUTCH Boulder Films Prod: Kathleen M. Courtney Dir: Paul Harrison THE BEL AIR WITCH PROJECT Trimark Pics Prod: Kent Kubena, R.D. Robb Dir: Mark Mowe TELEVISION SPECIALS 2003 MTV MOVIE AWARDS “Matrix Reloaded/ Film Short” – Tenth Planet / MTV EDDIE GRIFFIN: VOODOO CHILD – Mesmerize Productions / HBO THE FOURTH ANNUAL SCREEN ACTORS GUILD AWARDS – Mesmerize / TNT 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions.
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25995 Yamaha
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