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												L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. - 
												
												True Blue and Trusted
TRUE BLUE AND TRUSTED By R. A. Anderson and R. L. Sweeney Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © By Eldridge Publishing Company Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=349 True Blue and Trusted -2- STORY OF THE PLAY It’s fun, it’s laughs, it’s “let-down-your-hair.” Here’s an old- time melodrama in which everyone has a good time. J. Tamarack Gargle, who is the villain and landlord of the heroine’s home, threatens to evict the entire family unless Lily Lackamoney, the heroine, promises to marry him. Perplexed as what to do, Lily decides to go to the big city to find the hero, Balderdash Trustworthy, who is in the city trying to find a rich friend that will help in the plight of the Lackamoneys. The first person that Lily meets is Maxine Mascarra, the villainess. Gargle employs Maxine to help him get rid of Trustworthy. They unknowingly attempt to “polish off” a wrong victim. Eventually they manage to dump Trustworthy into the river. When Maxine asks Gargle to pay her off for her help, he casts her aside. - 
												
												True Blue and Trusted
TRUE BLUE AND TRUSTED By R. A. Anderson and R. L. Sweeney Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © By Eldridge Publishing Company Download your complete script from Eldridge Publishing https://histage.com/true-blue-and-trusted True Blue and Trusted -2- STORY OF THE PLAY It’s fun, it’s laughs, it’s “let-down-your-hair.” Here’s an old- time melodrama in which everyone has a good time. J. Tamarack Gargle, who is the villain and landlord of the heroine’s home, threatens to evict the entire family unless Lily Lackamoney, the heroine, promises to marry him. Perplexed as what to do, Lily decides to go to the big city to find the hero, Balderdash Trustworthy, who is in the city trying to find a rich friend that will help in the plight of the Lackamoneys. The first person that Lily meets is Maxine Mascarra, the villainess. Gargle employs Maxine to help him get rid of Trustworthy. They unknowingly attempt to “polish off” a wrong victim. Eventually they manage to dump Trustworthy into the river. When Maxine asks Gargle to pay her off for her help, he casts her aside. - 
												
												ALLISA SWANSON Costume Designer
ALLISA SWANSON Costume Designer https://www.allisaswanson.com/ Selected Television: FIREFLY LANE (Pilot, S1&2) – Netflix / Brightlight Pictures – Maggie Friedman, creator TURNER & HOOCH (Pilot, S1) – 20th Century Fox / Disney+ – Matt Nix, writer – McG, pilot dir. ALIVE (Pilot) – CBS Studios – Uta Briesewitz, director ANOTHER LIFE (Pilot, S1) – Netflix / Halfire Entertainment – Aaron Martin, creator ONCE UPON A TIME (S7 eps. 716-722) – Disney/ABC TV – Edward Kitsis & Adam Horowitz, creators *NOMINATED, Excellence in Costume Design in TV – Sci-Fi/Fantasy - CAFTCAD Awards THE 100 (S3 + S4) – Alloy Entertainment / Warner Bros. / The CW – Jason Rothenberg, creator DEAD OF SUMMER (Pilot, S1) Disney / ABC / Freeform – Ian Goldberg, Adam Horowitz & Eddy Kitsis, creators MORTAL KOMBAT: LEGACY (Mini Series) – Warner Bros. – Kevin Tancharoen, director BEYOND SHERWOOD (TV Movie) – SyFy / Starz – Peter DeLuise, director KNIGHTS OF BLOODSTEEL (Mini-Series) – SyFy / Reunion Pictures – Phillip Spink, director SEA BEAST (TV Movie) – SyFy / NBC Universal TV – Paul Ziller, director EDGEMONT (S1 - S5) – CBC / Water Street Pictures / Fox Family Channel – Ian Weir, creator Selected Features: COFFEE & KAREEM – Netflix / Pacific Electric Picture Company – Michael Dowse, director GOOD BOYS (Addt’l Photo. )– Universal / Good Universe / Point Grey Pictures – Gene Stupnitsky, dir. DARC – Netflix / JRN Productions – Nick Powell, director THE UNSPOKEN – Lighthouse Pictures / Paladin – Sheldon Wilson, director THE MARINE: HOMEFRONT – WWE Studios – Scott Wiper, director ICARUS/THE KILLING MACHINE – Cinetel Films – Dolph Lundgren, director SPACE BUDDIES – Walt Disney Home Entertainment – Robert Vince, director DANCING TREES – NGN Productions – Anne Wheeler, director THE BETRAYED – MGM – Amanda Gusack, director SNOW BUDDIES – Walt Disney Home Entertainment – Robert Vince, director BLONDE & BLONDER – Rigel Entertainment – Bob Clark, director CHESTNUT: HERO OF CENTRAL PARK – Miramax / Keystone Entertainment – Robert Vince, dir. - 
												
												Foot Pedestal Brooke Mckenzie Sroufe
Shattered Moments: The Fall from My 30-Foot Pedestal Brooke McKenzie Sroufe Faculty Advisor: Margaret Sartor Graduate Liberal Studies April 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in Graduate Liberal Studies in the Graduate School of Duke University. Copyright by Brooke McKenzie Sroufe 2015 Abstract Part One of my final project consists of a series of creative non-fiction stories detailing a traumatic accident I experienced in 2009. The stories examine my physical and emotional recovery. I have also written stories about my strongest childhood memories to explore the events that helped shape the beliefs I held at the time of my accident. The stories are not linear, but span from my childhood to the three years following my accident. Through these stories, I hope to contribute to greater conversations about trauma, emerging adulthood, and identity— particularly among young people. Part Two of the project analyzes the question of trauma and the necessity of narrative following trauma. I break this section of the project into three short essays addressing different aspects of trauma and narrative: a history of trauma, the need for memoir, and posttraumatic growth. I reference three larger works within these essays and relate the authors’ arguments and theories to my traumatic experience and to the process of writing my stories. In addition to these written parts, I include personal photographs throughout the project. These pictures, like my stories, are not linear. They are visual pieces of my shattered life puzzle, showing me before and after my fall from the 30-foot pedestal I’d created for myself. - 
												
												The Lily Pool, the Mirrors, and the Outsiders: Envisioning Home and England in Virginia Woolf's Between the Acts
Concentric: Literary and Cultural Studies 38.1 March 2012: 249-275 The Lily Pool, the Mirrors, and the Outsiders: Envisioning Home and England in Virginia Woolf’s Between the Acts Ching-fang Tseng Department of English National Taiwan Normal University, Taiwan Abstract Written against the historical context of the threats of fascism and World War II, Between the Acts’s portrayal of rural England that highlights its traditional way of life, the everlasting rural landscape, and the pageant then in vogue seemingly echoes the prevailing national imagination during the war-crisis years. Rather than replicating the nostalgic ruralist vision of England on the verge of war, the novel not only furthers Woolf’s critique of the dictators in England in Three Guineas, but also enacts the essay’s visionary idea of the “Outsiders’ Society” in the setting of the English country. A prominent figure in Between the Acts is the cultivated observer in rural England, who is there to apprehend landscape as well as the universal evolutionary order. Encapsulating the ocularized social power of the ruling landowning class, he embodies Englishness and “civilization” as the apex of the developmental progress of humankind. Woolf responds to such Englishness by positing episodes in the novel involving La Trobe’s village pageant. The pageant invokes an “Outsiders’ Society” composed of heterogeneous, anonymous private spectators in resistance to the hegemonic perception of the gentry-audience, thus making the latter think home landscape, “Ourselves,” and civilization in a different light. At the same time, the “Outsiders’ Society” is also enacted through Between the Acts’s multi-layered, open-ended, and self-reflexive form, which disallows closure and totality of meaning and predominance of the authorial vision. - 
												
												Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level. - 
												
												BIOGRAPHY COLIN O’DONOGHUE ‘Gordon “Gordo” Cooper’
BIOGRAPHY COLIN O’DONOGHUE ‘Gordon “Gordo” Cooper’ Colin O’Donoghue plays the role of original Mercury 7 astronaut ‘Gordon “Gordo” Cooper’ in National Geographic’s original scripted series THE RIGHT STUFF on Disney+, based on Tom Wolfe’s bestselling nonfiction series, which dramatically explores the early days of the NASA space program. A native of Drogheda, Ireland, and a graduate of the Gaiety School of Acting in Dublin, Colin’s early career consisted of predominately theater and television work in Ireland and the UK. In 2003, Colin won the Irish Film and Television Award for Best New Talent for his role as ‘Norman’ in the made-for-TV movie “Home For Christmas.” Soon after, he had stints on “Proof,” “Fair City,” the mini-series “Rebel Heart” and “The Clinic” for Irish Television. He appeared in Season 3 of the hit Showtime series “The Tudors” as ‘Duke Philip of Bavaria,’ where he caught the eye of many industry followers. In 2010, Colin decided to head to Hollywood, where he instantly landed the lead role of ‘Michael Kovak’ and worked alongside Academy-Award winner Sir Anthony Hopkins in the New Line Cinema feature “The Rite,” directed by Mikael Hafstrom. The following year, he starred in the ABC pilot “Identity,” opposite Angela Bassett for executive producer Mark Gordon (“Grey’s Anatomy,” “Criminal Minds,” “Private Practice”), and booked the co-lead opposite BAFTA winner Noel Clarke in Johannes Roberts’ sci-fi film “Storage 24” for Universal Pictures Home Entertainment. In 2012, Colin booked a series regular role on ABC’s hit series “Once Upon A Time” and played fan-favorite ‘Captain Hook,’ which was created by Adam Horowitz and Edward Kitsis (“Lost,” “Felicity”). - 
												
												Deconstruction of Peter Pan's Character in Edward Kitsis' And
Deconstruction of Peter Pan’s Character in Edward Kitsis’ and Adam Horowitz’s Once Upon a Time, Season Three (2013) - Alya Safira (p.10-21) 10 Deconstruction of Peter Pan’s Character in Edward Kitsis’ and Adam Horowitz’s Once Upon a Time, Season Three (2013) Alya Safira1, Eni Nur Aeni2, Mimien Aminah Sudja’ie3 Department of English Language and Literature, Jenderal Soedirman University [email protected], [email protected], [email protected] Article History: Abstract. The purpose of this research is to find out the First Received: deconstruction of Peter Pan’s character in Kitsis’ and Horowitz’s 21/05/2020 work as described in Barrie’s Peter Pan. Kitsis’ and Horowitz’s Once Upon a Time, Season Three is the first film that deconstructs the Final Revision: character of Peter Pan from Barrie’s Peter Pan. The qualitative 28/06/2020 method is used in analyzing the main data that are taken from both works, Barrie’s Peter Pan and Kitsis’ and Horowitz’s Once Upon a Available online: Time, Season Three. The data analysis starts by selecting the data 30/06/2020 from re-watching and re-reading the works. Then analyzing them using the theory of deconstruction, character and characterization and cinematography. The theory is used to find the binary opposition and analyzing the characteristics of Peter Pan in both works. The cinematography is also needed to support the analysis and strengthens the argument of the analysis from the character’s deconstruction. The result of the analysis shows that the characteristic of Peter Pan in Barrie’s Peter Pan is deconstructed from hero into villain. - 
												
												First Place Flash Fiction, Grades 7-8 Lily Wissler the Ten O'clock News
First Place Flash Fiction, Grades 7-8 Lily Wissler The Ten O’clock News Jane Matthers felt her traitorous lips lift into a smile, though she did not let it drop right away. Swishing around the remainder of the drink in front of her, Jane was leaning on her elbows, balancing on the edge of her bar stool. She was antsy for something, though she would never admit to what it was. That was a secret she’d take with her to the grave. If the undisclosed were an object, she would carry it between her painstakingly sanitized hands and clutch it in front of her carefully chosen cardigan. Jane had been a cautious child. Picking and pulling apart her every movement. Her words had always been so premeditated that she often found herself saying things that belonged to future conversations. The quality showed now as she shushed her hiccupy-giggles with an ease that had been practiced for years. Jane recounted the evening’s events. The screams played over in her head like her own personal soundtrack. She had felt comfort in the stabbing and slashing. There was neatness to it like a freshly printed dictionary. Jane wasn’t as careful to withhold her giggles this time. She felt wise. She had taken care of everything, tied every loose end. What she hadn’t accounted for was the mess. Jane had to burn the cashmere sweater, but it was worth it. After the first spike of adrenaline, she knew it was worth it. With restless limbs, and soaring spirits, Jane watched the TVs before her. - 
												
												Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, - 
												
												2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.