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Seeing the Supernatural
SEEING THE SUPERNATURAL How to Sense, Discern and Battle in the Spiritual Realm JENNIFER EIVAZ G Jennifer Eivaz, Seeing the Supernatural Chosen Books, a division of Baker Publishing Group, © 2017. Used by permission. (Unpublished manuscript—copyright protected Baker Publishing Group) © 2017 by Jennifer Eivaz Published by Chosen Books 11400 Hampshire Avenue South Bloomington, Minnesota 55438 www.chosenbooks.com Chosen Books is a division of Baker Publishing Group, Grand Rapids, Michigan Printed in the United States of America All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—for example, electronic, pho- tocopy, recording—without the prior written permission of the publisher. The only exception is brief quotations in printed reviews. Library of Congress Control Number: 2017941812 ISBN 978-0-8007-9854-3 Unless otherwise indicated, Scripture quotations are from the Holy Bible, New Inter- national Version®. NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission of Zondervan. All rights reserved worldwide. www.zondervan.com Scripture quotations identified amp are from the Amplified® Bible, copyright © 2015 by The Lockman Foundation. Used by permission. (www.Lockman.org) Scripture quotations identified esv are from The Holy Bible, English Standard Ver- sion® (ESV®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. ESV Text Edition: 2011 Scripture quotations identified mounce are from THE MOUNCE REVERSE-INTER- LINEAR NEW TESTAMENT Copyright © 2011 by Robert H Mounce and William D Mounce. Used by permission. All rights reserved worldwide. Scripture quotations identified nasb are from the New American Standard Bible®, copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lock- man Foundation. -
C Asper the Friendly Ghost Jumpchain
C asper The Friendly Ghost Jumpchain Welcome to the Worlds of Casper the Friendly Ghost... Alive or dead you'll be spending the next ten years dwelling here. The Worlds of Casper have one common theme, ghosts should be scary; those that won't be mean, will be disciplined. Here, Have 1000 Casper Points to get you started. Location To start off roll 1d8 to determine your location or pay 50cp to choose 1. 1950's Animated Casper – Noveltoons/HarveyToons. - This is the world of the original Casper cartoons, Casper 'lives' with his three 'Uncles' the Terrible Trio; Fatso, Fusso, and Lazo pressure poor Casper into being mean when he just want's to make friends. You may be able to make friends with the family of Richie Rich while you are here. 2. 1960's New Casper Cartoon Show – Casper and his friends, the ghost horse Nightmare, and Wendy the Good Little Witch, are all somewhat ostracized by their peers as they just want to be nice. This world features many elements from classic fantasy, enchanted forests, A Toyland, even Alien visitors. 3. 1970's Casper TV Specials by Hanna-Barbera - Casper Celebrated Both Halloween and Christmas with the Hanna-Barbera Gang. Yogi Bear, Snagglepuss, Huckleberry Hound et cetra. Why not visit Jellystone park while you're here? 4. 1990's Casper Film/The Spooktacular New Adventures of Casper series - This is the only version of Casper to have a Human Life to be remembered. C. McFadden is the son of a mysterious inventor and owner of Whipstaff Manor. -
(2011), I Found a Relationship Between a Local “Vanishing Hitchhiker” Legend and a Murder That Took Place Near Owego, New York About 180 Years Ago
THE WHITE LADY O F DEVIL ’S ELBOW ELI za BETH TU C KER While doing research for my book Haunted Southern Tier (2011), I found a relationship between a local “Vanishing Hitchhiker” legend and a murder that took place near Owego, New York about 180 years ago. This legend, “The White Lady of Devil’s Elbow,” raises an interesting question. To what extent can speculation about a violent death that happened many years ago influence the development of a local legend that belongs to a migratory legend pattern? This essay will explore the development of “The White Lady of Devil’s Elbow” from the early 1900s to the present, examining legend texts and reports of “White Lady” pranks played by teenagers. It will also delve into the White Lady’s symbolic meaning, in an effort to explain why she has been important to young people in upstate New York for many years. Near Owego, New York on Route 17C, some people who have driven past a hill called Devil’s Elbow have claimed to have startling experiences. Legends about these experiences describe a young woman wearing a long white dress. Narrators who learned her story in the early twentieth century have described her as a young Victorian lady carrying calling cards who travels in a horse-drawn carriage. In the 1980s, 1990s, and early twenty-first century, adolescent and young adult narrators have described her as a prom queen or a bride. Before vanishing, she asks the driver to stop at the bottom of Devil’s Elbow Hill. When the driver goes to a nearby house to ask about the young woman, he learns that she died in an accident on the hill many years ago. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: O Lynn, Aidan Anthony Title: Ghosts of War and Spirits of Place Spectral Belief in Early Modern England and Protestant Germany General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Ghosts of Place and Spirits of War: Spectral Belief in Early Modern England and Protestant Germany Aidan Anthony O’Lynn A dissertation submitted to the University of Bristol in accordance with the requirements for the award of the degree of Doctor of Philosophy in the Faculty of Arts School of History August 2018 Word Count: 79950 i Abstract This thesis focuses on themes of place and war in the development of ghostlore in Early Modern Protestant Germany and England. -
Haunting Experiences Diane Goldstein, Sylvia Grider, Jeannie Banks Thomas
Haunting Experiences Diane Goldstein, Sylvia Grider, Jeannie Banks Thomas Published by Utah State University Press Goldstein, Diane & Grider, Sylvia & Thomas, Banks. Haunting Experiences: Ghosts in Contemporary Folklore. Logan: Utah State University Press, 2007. Project MUSE., https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/9397 No institutional affiliation (2 Feb 2019 09:46 GMT) Introduction Old Spirits in New Bottles Bottle Trees and Cell Phones Bright wind chimes composed of enticing, candy-colored, pastel bits of glass are for sale at the Winchester Mystery House gift shop (fi gure 1). Some of the glass is formed into colorful bottles reminiscent of those in the southern supernatural tradition of bottle trees, a custom depicted in movies such as Ray (2004), a biopic about African American musician Ray Charles, or Because of Winn-Dixie (2005), a children’s fi lm about a beloved dog. The famous southern writer Eudora Welty photographed them. A contemporary southern author, Dennis Covington, describes them: “If you happen to have evil spirits, you put bottles on the branches of a [bare] tree in your yard. The more colorful the glass, the better, I suppose. The evil spirits get trapped in the bottles and won’t do you any harm. This is what Southerners in the country do with evil spirits” (1995, xv). Bottle trees are a product of southern African American cul- ture. Jim Martin says that glassblowing and bottle making existed as early as the ninth century in Africa. The practice of hanging objects from trees to ward off evil spirits is also African, and the bottle tree itself is Kongo-derived. -
By Hans Corneel De Roos, MA Email: [email protected] Dedicated to Richie, Jane and Jiven, Who Shared the Excitement of This Strange Discovery with Me
WAS THE PREFACE TO THE SWEDISH DRACULA VERSION WRITTEN BY A PRIEST? BERNHARD WADSTRÖM AND THE “WHITE LADY” by Hans Corneel de Roos, MA Email: [email protected] Dedicated to Richie, Jane and Jiven, who shared the excitement of this strange discovery with me. Note: References to the Swedish text of the Dagen variant of Mörkrets makter are given in [square brackets], indicating the page numbers as given in the newspaper serialization. For the section describing Harker’s adventures in Transylvania (up to the middle of page 196), the Dagen and the Aftonbladets Halfvecko- upplaga variants have the same text and identical page numbers; in fact, these serializations must have been printed from the same matrices. The Tip-Top republication of 1916-1918 was typeset in a different format, without continuous page numbers. Note: The Icelandic text of Makt myrkranna and the Swedish text of the variants of Mörkrets makter are in the public domain; my translations of these texts and my comments are protected by international copyright laws. Hans Corneel de Roos | 26 May 2018 | Vamped.org | World Dracula Day Special | Was the Preface to the Swedish Dracula Version Written by a Priest? Bernhard Wadström and the “White Lady” | Page 2 WAS THE PREFACE TO THE SWEDISH DRACULA VERSION WRITTEN BY A PRIEST? BERNHARD WADSTRÖM AND THE “WHITE LADY” by Hans Corneel de Roos, MA For 52 months now, the question whether Bram Stoker personally contributed to the modified plot and the changed style of Makt myrkranna, the Icelandic version of Dracula, has haunted me. A surprising discovery I made at the start of May 2018 now throws a new light on the matter and dramatically narrows down the options. -
The Holy Spirit.Pages
The Holy Spirit The Holy Spirit is: -- God (Gen. 1:2; Acts 5:3-4) -- A Person (Rev. 22:17) -- The Comforter (Jn. 16:7 KJV) -- The Convictor (Jn. 16:8) -- The Counselor (Jn. 16:12-15) -- The Teacher (Jn. 14:26) -- The Empowerer (Acts 1:8) -- The Presence of Jesus in the here and now (Matt. 28:20) -- The Sealer (Eph. 1:13-14) The Holy Spirit is not: -- a mystical fog (Isa. 11:2) -- Casper the Friendly Ghost (Acts 5:1-11) -- a spirit of fear (Rom. 8:15; 2 Tim. 1:7) -- A power to be used for your own selfish gain (Acts 8:9-25) -- an impersonal power source to make meetings better (Jn. 15:26) The Holy Spirit is described as: -- a dove (Matt. 3:17; Luke 3:22) -- fire (Matt. 3:11) -- wind (Jn. 3:8; Acts 2:2) -- water (Jn. 7:37-39) -- oil (Heb. 1:9) -- wine (Acts 2:13) -- a “down payment” guaranteeing our salvation (2 Cor. 1:21-22) -- a sensitive entity that can be quenched or grieved because of sin (Eph. 4:29-30; 1 Thess. 5:18-19) You receive the Holy Spirit upon accepting Jesus... The Holy Spirit seals you -- He puts the imprint of God upon you, securing your salvation and depositing in you various gifts and revelations of Jesus Christ. These are a down payment for everything you will receive when you are raised from the dead (Eph. 1:13-14). You know you are “sealed” in the Holy Spirit when you exhibit faith in Jesus and a love for other Christians (Eph. -
LEASK-DISSERTATION-2020.Pdf (1.565Mb)
WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A. -
Cinemeducation Movies Have Long Been Utilized to Highlight Varied
Cinemeducation Movies have long been utilized to highlight varied areas in the field of psychiatry, including the role of the psychiatrist, issues in medical ethics, and the stigma toward people with mental illness. Furthermore, courses designed to teach psychopathology to trainees have traditionally used examples from art and literature to emphasize major teaching points. The integration of creative methods to teach psychiatry residents is essential as course directors are met with the challenge of captivating trainees with increasing demands on time and resources. Teachers must continue to strive to create learning environments that give residents opportunities to apply, analyze, synthesize, and evaluate information (1). To reach this goal, the use of film for teaching may have advantages over traditional didactics. Films are efficient, as they present a controlled patient scenario that can be used repeatedly from year to year. Psychiatry residency curricula that have incorporated viewing contemporary films were found to be useful and enjoyable pertaining to the field of psychiatry in general (2) as well as specific issues within psychiatry, such as acculturation (3). The construction of a formal movie club has also been shown to be a novel way to teach psychiatry residents various aspects of psychiatry (4). Introducing REDRUMTM Building on Kalra et al. (4), we created REDRUMTM (Reviewing [Mental] Disorders with a Reverent Understanding of the Macabre), a Psychopathology curriculum for PGY-1 and -2 residents at Rutgers Robert Wood Johnson Medical School. REDRUMTM teaches topics in mental illnesses by use of the horror genre. We chose this genre in part because of its immense popularity; the tropes that are portrayed resonate with people at an unconscious level. -
Beyond the Vampire: Revamping Thai Monsters for the Urban Age
eTropic 16.1 (2017): ‘Tropical Liminal: Urban Vampires & Other Bloodsucking Monstrosities’ Special Issue | 31 Beyond the Vampire: Revamping Thai Monsters for the Urban Age Katarzyna Ancuta King Mongkut's Institute of Technology Ladkrabang, Thailand Abstract This article revisits two of the most iconic Thai monstrosities, phi pop and phi krasue, whose changing representation owes equally as much to local folklore, as to their ongoing reinterpretations in popular culture texts, particularly in film and television. The paper discusses two such considerations, Paul Spurrier’s P (2005) and Yuthlert Sippapak’s Krasue Valentine (2006), films that reject the long-standing notion that animistic creatures belong in the countryside and portray phi pop and phi krasue’s adaptation to city life. Though commonplace, animistic beliefs and practices have been deemed incompatible with the dominant discourses of modernization and urbanization that characterise twenty-first century Thailand. Creatures like phi pop and phi krasue have been branded as uncivilised superstition and ridiculed through their unflattering portrayals in oddball comedies. This article argues that by inviting these monsters to relocate to contemporary Bangkok, Spurrier and Sippapak redefine their attributes for the modern urban setting and create hybrids by blending local beliefs and cinematic conventions. The creatures’ predatory character is additionally augmented by the portrayal of the city as itself vampiric. The article therefore reads these predatory spirits in parallel with the metaphor of the female vampire – a sexually aggressive voracious creature that threatens male patriarchal order and redefines motherhood. Keywords: phi pop, phi krasue, monsters, evil spirits, Thai horror film, the monstrous feminine f we define the vampire as an undead revenant sustained by consuming (preferably I human) blood, then it is safe to say there are no vampires in Thailand. -
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7. The Transnational Uncanny Child Abstract Chapter Seven considers the Hollywood J-horror remakes and Spanish- American coproductions that emerged in the early 21st century as a response to the globally successful boom of uncanny child films. The chapter considers how this assemblage of films is self-consciously trans- national, as the uncanny child becomes disconcertingly ungrounded from specific visions of national identity. In these films, the uncanny children stage direct confrontations with the child’s shifting role in postmodern culture. Through their cultural hybridity, the uncanny children in transnational horror navigate tensions underlying not only shifting understandings of childhood but changing global cinema cultures in the early 2000s. Keywords: Transnational cinema, Childhood, Globalization, Deterrito- rialization, Cultural hybridity Through their deployment of uncanny children who expose and trouble the child’s overdetermined, sometimes paradoxical temporal function, all the films discussed in this book so far communicate with one another in profound ways. Previous chapters have outlined how the uncanny child emerges from culturally specific contexts as an embodiment and agent of trauma at the turn of the 21st century, aestheticizing a breach in linear narratives of personal and national identity. The uncanny child is thus a product of this unsettled moment of transition in which entrenched histori- cal narratives seemed to waver, harnessing this liminality to problematize the child’s imbrication in progressive temporal modes with specific cultural functions. Though these films emerge from and speak to culturally specific contexts, they exchange themes and aesthetics in a manner that helps them to envision new ways for the child to erupt through its symbolic bounds at the millennial turn, as traditional understandings of childhood’s symbolic function started to come undone. -
2E Haunted Houses
BA RBAR A VIL L IE RS D C H ESS O F C L E VE L AN D , U . m th m z z o tu z t t r in in o e e af e W g . K 3 :2 e HA UN T E D H O US E S T ALES O F T HE SUPERNAT URAL With S o me Acco unt o f H ereditary C ur s e s a n d Fa mil y Le g e n ds By CH A RL E S G A R PE R Ill ustr ated by the A uthor a n ha t ohnson sa id I mer ely me to say w J . T hat i n the cour se of some sex tho usand year s A 11 nations ha ve beli eved tha t f rom the dead A visitant at interva ls appea r s ; t s str n t u on this str a n e hea d A nd wha e a g es p g , bar the r eason rear s ’ ‘ nst such hehe s some thin str on er sh ll Gaz . “g In its beha t those den who w ill f YRO N . lf . y LON DON H L T D C H A PM A N 85 A L L , . 1 907 P RE FA CE vii lands o distant seas and amon the most un is f , g l etter ed sava es r eli ion has been ever o und g , g f , as inva r ia bl th li h t this an d y e be ef in g os s .