DOCSLIB.ORG

Alexandra Faye Braithwaite Sound Designer/Composer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alexandra Faye Braithwaite Sound Designer/Composer Alexandra Faye Braithwaite Sound Designer/Composer Agents Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes SHINING CITY Stratford East Dir. Nadia Fall 2021 PURPLE SNOWFLAKES AND Abbey Theatre/Royal Court Theatre Dir. Alice Fitzgerald TITTY WANKS (Jerwood Theatre Upstairs) 2021 ENDURANCE HOME MCR Dir. Jennifer 2021 Jackson TOM'S MIDNIGHT GARDEN Theatre By The Lake Dir. Liz Stevenson 2021 Radio Production Company Notes WELCOME TO IRAN BBC Radio 3 Sound Designer 2021 Dir. Nadia Fall United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes OPERATION CRUCIBLE Sheffield Crucible Studio Dir. Bryony Shanahan 2021 GROAN UPS UK Tour / Mischief Theatre Dir. Kirsty Patrick Ward 2021 HOME I'M DARLING Theatre By The Lake/Stephen Dir. Liz Stevenson 2021 Joseph Theatre/Bolton Octagon BLOODY ELLE Royal Exchange Dir. Bryony Shanahan 2021 NEVILLE'S ISLAND Queen's Theatre Hornchurch Dir. Emma Baggott 2021 ONCE UPON A CHRISTMAS Theatre Clwyd Dir. Tamara Harvey 2020 THE UNDERSTUDY Palace Theatre Co-Creator of Sound, Music 2020 and Effects Dir. Giles Croft WUTHERING HEIGHTS Royal Exchange Dir. Bryony Shanahan 2020 A CHRISTMAS CAROL Theatre Clwyd Dir. Liz Stevenson 2019 LIGHT FALLS Royal Exchange Dir. Sarah Frankcom 2019 GROAN UPS Vaudeville Theatre / Mischief Theatre Dir. Kirsty Patrick Ward 2019 TOAST The Lowry / Traverse Theatre / UK Dir. Jonnie Riordan 2019 Tour ENOUGH Traverse Theatre Dir. Bryony Shanahan 2019 HOW NOT TO DROWN Traverse Theatre Dir. Neil Bettles 2019 THE AUDIENCE Nuffield Theatre Dir. Sam Hodges 2019 HAMLET Leeds Playhouse Dir. Amy Leach 2019 ROMEO & JULIET UK Tour Dir. Paul Warwick 2019 COUGAR Orange Tree Theatre Dir. Chelsea Walker 2019 ORIGINAL DEATH RABBIT Jermyn Street Theatre Dir. Hannah Joss 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes LOVE LIES BLEEDING Print Room Dir. Jack McNamara 2018 DEALING WITH CLAIR Orange Tree Theatre Dir. Richard Twyman 2018 MY NAME IS RACHEL CORRIE Almadina Theatre, Beirut Dir. Rachel Valentine Smith 2018 DISTANCE Park Theatre Dir. Simon Pittman 2018 SPARKS HighTide Festival Dir. Jessica Edwards 2018 THINGS OF DRY HOURS Young Vic Dir. Debbie Hannan 2018 TALKING HEADS West Yorkshire Playhouse Dir. John R. Wilkinson, Amy 2018 Leach & James Brining GROTTY The Bunker Dir. Hannah Hauer-King 2018 GRUMPY OLD WOMEN IIII UK Tour Dir. Owen Lewis 2018 ACCEPTANCE Hampstead Theatre Dir. Anna Ledwich 2018 PAPER. SCISSORS. STONE The Vaults Dir. Hannah Joss 2018 CHICKEN SOUP Sheffield Crucible Dir. Bryony Shanahan 2018 DUBLIN CAROL Sherman Theatre Dir. Matthew Xia 2018 KANYE THE FIRST HighTide Festival Dir. Andy Twyman 2017 ROOM! Theatre Royal Stratford East / Dir. Cora Bissett 2017 Dundee Rep / The Abbey JAM Finborough Theatre Dir. Tommo Fowler 2017 MISERABLE DRUNK GAY Battersea Arts Centre Dir. Fin Den Hertog MESS 2017 WHEN I AM QUEEN The Almeida Dir. Elayce Ismail 2017 RUDOLPH West Yorkshire Playhouse Dir. Eva Sampson 2016 DIARY OF A MADMAN Gate Theatre / Traverse Theatre Dir. Chris Haydon 2016 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE REMAINS OF MAISIE Abbey Theatre Dir. Ellen McDougall DUGGAN 2016 TORCH New Diorama Dir. Jessica Edwards 2016 SIMON SLACK THE Soho Theatre Dir. Vicky Jones FANTASIST 2016 THE FUTURE The Yard Dir. Ned Glasier 2016 HAPPY TO HELP Park Theatre Dir. Roxy Cooke 2016 THE TEMPEST Royal & Derngate Dir. Caroline Steinbeis 2016 GRUMPY OLD WOMEN III UK Tour Dir. Owen Lewis 2016 MY BEAUTIFUL BLACK DOG Southbank Centre Dir. Laura Keefe 2016 BUTTER The Vaults Dir. Grace Gummer 2016 BOAT Company Three Dir. Ned Glacier & Amy 2016 Hodge FEED Company Three Dir. Miranda Cromwell 2016 THE ROLLING STONE Orange Tree Theatre Dir. Ellen McDougall 2016 JUICY AND DELICIOUS Nuffield Theatre Dir. Anthony Lau 2015 CECILIA King's Head Theatre Dir. India Crawford 2015 HAMLET IS DEAD, NO Arcola Theatre Dir. Andrea Ferran GRAVITY 2015 PLAY FOR THE GENERAL Finborough Theatre Dir. Chris New ELECTION 2015 THE FLANNELETTES King's Head Theatre Dir. Mike Bradwell 2015 REMOTE The Drum / Theatre Royal Plymouth Dir. Tom O'Brien 2015 HIS DARK MATERIALS North Wall Arts Centre Becky Clarke 2014 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes WIND IN THE WILLOWS North Wall Arts Centre Dir. Lucy Maycock 2014 FASTEST CLOCK IN THE Old Red Lion Dir. Tom O'Brien UNIVERSE 2013 XY Theatre 503 Dir. Various 2013 CAN'T STAND UP FOR White Bear Theatre Dir. Jane Moriarty FALLING DOWN 2013 THE SHELTER Riverside Studios Dir. Natalie Ibu 2013 PROJECT S.T.R.I.P Tara Arts Dir. Prav MJ 2013 LONELY SOLDIERS Arts Theatre Dir. Prav MJ 2013 DREAMER EXAMINES HIS Old Red Lion Dir. Anil Douglas PILLOW 2013 FAUSTUS Old Laundry Theatre Dir. Richard Beecham 2012 BLACKOUT Castle Theatre Dir. Sarah Chiswell 2012 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Load more

Recommended publications
  • WEEKEND PRESS KIT V2
    2 WEEKEND LOGLINE A one-night stand that becomes something more - an unconventional love story between two young men trying to make sense of their lives. SHORT SYNOPSIS On a Friday night after hanging out with his straight mates, Russell heads out to a nightclub, alone and on the pull. Just before closing time he picks up Glen. And so begins a weekend - in bars and in bedrooms, getting drunk and taking drugs, telling stories and having sex - that will resonate throughout their lives. PRODUCTION NOTES Weekend is the second feature by director Andrew Haigh and stars newcomers Tom Cullen and Chris New. It was produced by Glendale Picture Company with The Bureau, and Co- produced with Synchronicity Films through support from EM Media (the East Midlands regional funding organisation). The film shot for 17 days entirely on location in Nottingham, UK. It premiered at the SXSW Film Festival in 2011 winning the Emerging Visions Audience Award and picking up North American distribution with IFC’s Sundance Selects label. They will release the film theatrically in the US on Sept 23rd. During the US festival run it also picked up the Grand Jury Prize and Best Actor Award at the Nashville Film Festival and the Grand Jury Prize at Outfest in Los Angeles. In New York it opened the BAMCinemaFest where A.O. Scott of The New York Times called the film ‘Perfectly realised - a bracing, present-tense exploration of sex, intimacy and love’. Paul Brunick in his review for Film Comment said the film was ‘a work of surpassing emotional insight and artistic accomplishment.
    [Show full text]
  • WHAT the BUTLER SAW: Know-The-Show Guide
    The Shakespeare Theatre of New Jersey WHAT THE BUTLER SAW: Know-the-Show Guide What the Butler Saw by Joe Orton Know-the-Show Audience Guide researched and written by the Education Department of Artwork by Scott McKowen The Shakespeare Theatre of New Jersey WHAT THE BUTLER SAW: Know-the-Show Guide In this Guide – About Joe Orton........................................................................................................................ 2 – The Works of Joe Orton ............................................................................................................. 4 – What the Butler Saw: A Synopsis .............................................................................................. 5 – About What the Butler Saw ....................................................................................................... 6 – Who’s Who in the Play ............................................................................................................. 7 – The Changing Face of Theatre in the 60s ................................................................................... 8 – Joe Orton’s Contemporaries ...................................................................................................... 9 – Farce: A Brief Overview .......................................................................................................... 10 – Orton and Farce ...................................................................................................................... 11 – Commentary & Criticism .......................................................................................................
    [Show full text]
  • I, Daniel Blake
    SCREEN January – March 2017 Films include Jackie La La Land Moana A United Kingdom Chi-Raq Rogue One (A Star Wars Story) Fantastic Beasts and BOOK Where To Find Them ONLINE The Edge Of Seventeen all tickets only £6.50* (advance online booking only, must be purchased minimum 24 hours before screening) www.onfife.com All Hard of Hearing (HOH) screenings have subtitles on screen. Fri 13 Jan 11am & 7.30pm The Girl On The Train Rating 15 I Running Time 1h 52min I USA I 2016 Directed by Tate Taylor Starring Emily Blunt, Haley Bennett, Rebecca Ferguson In this psychological thriller, Rachel watches the perfect couple: Megan and Scott Hipwell. After seeing Megan with another man, Rachel is so distraught she turns to alcohol and heads out for a night in the city. Rachel awakens to discover that Megan's disappearance is headline news but discovers her own interest in the couple's lives also makes her a suspect. Sat 14 Jan 3pm Trolls Rating U I Running Time 1h 32min I USA I 2016 Directed by Walt Dohrn, Mike Mitchell Voices Anna Kendrick, Justin Timberlake Branch is a grumpy loner who is quite content living on his own away from the ridiculously happy population of Troll Village. When the village is invaded by Ogres, the annoyingly chirpy leader comes to Branch for help. As the unlikely pair go on a journey to rescue their kidnapped friends, they both find themselves realising what they have been missing. Sat 14 Jan 7.30pm Doctor Strange Rating 12A I Running Time 1h 55min I USA I 2016 Directed by Scott Derrickson Starring Benedict Cumberbatch, Chiwetel Ejiofor A mystical adventure based on the Marvel Comics character whose life is ruined when his hands are damaged in a crash.
    [Show full text]
  • ‚Gutes' Theater
    VS PLUS Zusatzinformationen zu Medien des VS Verlags ‚Gutes’ Theater Theaterfinanzierung und Theaterangebot in Großbritannien und Deutschland im Vergleich 2011 | Erstauflage Anhang Tabellen [Text eingeben] www.viewegteubner.de www.vs -verlag.de Inhaltsverzeichnis Tab. 1: Internationale Definitionen von Kultur, Kultursektor, Kulturindustrien....................................4 Tab. 2: Kulturfinanzierung, GB, 1998/99, in ₤ Mio. und %...................................................................5 Tab. 3: Zentralstaatliche Kulturförderung in GB, 1998/99, in ₤ Mio. und %......................................... 5 Tab. 4: Anteil Kultursponsoring am BIP, D vs. GB, 1999-2007............................................................5 Tab. 5 Production categories , TMA (Beschreibung der Sparten für die Umfrage), ab 1993 ...............6 Tab. 6a: Production categories , SOLT .................................................................................................... 7 Tab. 6b: Sub genres und other production criteria , SOLT ......................................................................7 Tab. 7: Verteilung der deutschen Theater nach Träger, 1990-2005 .......................................................8 Tab. 8: Verteilung Rechtsträger und -formen der deutschen öffentlichen Theaterunternehmen............ 8 Tab. 9: Londoner Theater (SOLT-Mitgliedschaft).................................................................................9 Tab. 10: Wichtigste Londoner Theater, A-Z, Sitzplatzkapazitäten, Eigentümer/ Betreiber..................
    [Show full text]
  • BREYER P-ORRIDGE (Genesis P-Orridge) 1950 Born in Manchester, UK Lives and Works in New York Selected Solo Exhibitions 2014 “
    BREYER P-ORRIDGE (Genesis P-Orridge) 1950 Born in Manchester, UK Lives and works in New York Selected Solo Exhibitions 2014 “Life as a Cheap Suitcase,” Summerhall, Edinburgh, Scotland 2013 S/he is Her/e, Andy Warhol Museum, Pittsburgh PA 2012 La Centrale Galerie Powerhouse, Montreal, Canada NADA Art Fair Miami, INVISIBLE-EXPORTS booth #305, Miami, FL I’m Mortality, INVISIBLE-EXPORTS, New York THEE…NESS: An Evening with Genesis BREYER P-ORRIDGE, Salvor Projects, New York 2011 Blood – Sex – Magick, Christine Konig Galerie, Vienna, Austria 2010 Spillage… Rupert Goldsworthy Gallery, Berlin, Germany 2009 30 Years of Being Cut Up, INVISIBLE-EXPORTS, New York 2008 Collaborative Works, Mason Gross Galleries, Rutgers University, New Brunswick NJ 2006 We Are But One…, Participant Inc., New York 2004 Painful But Fabulous, Kunstlerhaus Bethanien, Berlin, Germany Regeneration Hex, Ecart Gallery, Art Fair, Basel, Switzerland 2003 Painful But Fabulous, A22 Gallery, London UK BREYER P-ORRIDGE Sigils, VAV Gallery, Concordia University, Montreal, Canada 2002 Genesis P-Orridge, Galerie Station/Mousonturm, Frankfurt, Germany 2001 Expanded Photographs 1970-2001, ECART Gallery, Art 32 Basel, Sweizer Mustermesse, Basel, Switzerland Candy Factory (with Eric Heist), Centre Of Attention, London, England Candy Factory (with Eric Heist), TEAM Gallery, Chelsea, New York 1995 Genesis P-Orridge-Works, SERFOZO Artadventures, Zurich, Switzerland 1994 Esoterrorist - Retrospective, Rita Dean Gallery, San Diego, CA 1976 Marianne Deson Gallery, Chicago, IL N.A.M.E. Gallery, Chicago, IL Kit Schwartz Studio, Chicago, IL Idea Gallery, Santa Monica, CA Los Angelis Institute Of Contemporary Arts, Los Angeles, CA Prostitution, Institute Of Contempoary Arts, London, England. (Retrospective). Great Building Crack-Up, New York Akumulatory Gallery, Poznan, Poland (Retrospective) G.P-O Vs G.P-O, Ecart Gallery, Geneva, Switzerland (Book of postal art and collages based upon legal prosecution of G.P-O's art by British police).
    [Show full text]
  • Kirsty Besterman
    Kirsty Besterman Theatre Title Role Director Producer Macbeth Lady Macbeth Rufus Norris/Liz Stevenson National Theatre Tour Genesis Inc Daisy Laurie Sansom Hampstead Theatre Winter Solstice Bettina Alice Malin ATC Betrayal Emma Jo Newman Salisbury Playhouse They Drink It In The Congo Jenny, Meredith, Carmen, InternMike Longhurst Almeida Theatre Arcadia Lady Croom Blanche McIntyre ETT & ATG Tipping The Velvet Diana Lyndsey Turner Lyric Hammersmith Private Lives Amanda Martin Duncan Royal Lyceum Theatre Tonight At 8.30 Louise, Stella Blanche McIntyre ETT Separate Tables Mrs Shankland & Miss Railton-BellGareth Machin Salisbury Playhouse Dangerous Corner Freda Gareth Machin Salisbury Playhouse peter And Wendy (workshop) Mrs Darling Jonathan Mumby RSC If Only (workshop) Jo Angus Jackson Chichester Theatre School For Scandal Lady Teasle Jessica Swale Park Theatre The Precariat Bethan Chris New The Finborough The Great Gatsby Daisy Peter Joucla Wilton's Music Hall Playhouse Creatures Mrs Marshall Michael Oakley Chichester Theatre Twelfth Night Olivia Charlie Walker Wise Ludlow Festival The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 The Importance Of Being EarnestGwendolen Steve Unwin Rose Theatre Kingston Foxfinder Judith Blanche McIntyre Finborough Theatre Amy's View Amy Zoe Waterman Nottingham Playhouse Edmund Fortune Teller Elliot Cowan Wiltons Music Hall Much Ado About Nothing Beatrice Joanne Howarth Shakespeare's Globe Liberty Rose Guy Retallack Shakespeare's Globe Plunder Prudence Heather Davies Watermill Holding Fire Various Mark Rosenblatt Shakespeare's Globe Merchant Of Venice Portia Rebecca Gatward Shakespeare's Globe The Rivals Julia Chris Morahan Bath & Tour Othello Bianca Declan Donnellan International Tour King Lear Cordelia Declan Donnellan RSC Academy Private Lives Amanda Simply Theatre, Geneva Film Title Role Director Producer Rupture Ruby Hamzah Jamjoom MBC Studios Ederlezi Rising Computer Lazar Bodroza Chicken Mrs Rickson Joe A Stephenson B Good Pic.
    [Show full text]
  • Annual Report and Accounts
    ANNUAL REPORT AND ACCOUNTS Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk 2007/ 2008 132nd report of the Board Chairman’s report 03 To be submitted to the Annual General Meeting of the Governors convened for Monday Artistic Director’s report 05 22 September 2008. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is hereby given Executive Director’s report 07 that the Annual General Meeting of the Governors will be held in Facts and figures 08 – 09 The Courtyard Theatre, Stratford-upon-Avon on Monday 22 September 2008 commencing at 3.30pm, to consider the The Histories 10 – 17 report of the Board and the Statement of Financial Activities and the Balance Sheet of the Corporation at 31 March New work 18 – 21 2008, to elect the Board for the ensuing year, and to transact such Touring 22 – 25 business as may be transacted at the Annual General Meetings of the Royal Shakespeare Company. Transformation 26 – 29 By order of the Board Stand Up For Shakespeare 30 – 33 Vikki Heywood Secretary to the Governors Financial review of the year 34 – 37 Summary accounts 38 – 41 Supporting our work 42 – 43 Year in performance 44 – 47 Acting companies 48 – 49 The Company 50 – 51 Corporate governance 52 – 53 Associate artists/Advisors 54 – 55 Photo: Ellie Kurttz Constitution 56 Jonathan Slinger and Clive Wood in Henry IV part II Chairman’s report In 2007/8 we brought many of our ambitions to life.
    [Show full text]
  • Alan Johnston Petition
    ALAN JOHNSTON PETITION BBC News website users around the world have written in their thousands to demand the release of BBC Gaza correspondent Alan Johnston. An online petition was started on Monday, 2 April. It states: “We, the undersigned, demand the immediate release of BBC Gaza correspondent Alan Johnston. We ask again that everyone with influence on this situation increase their efforts, to ensure that Alan is freed quickly and unharmed.” More than 120,000 have now signed. The latest names to be added are published below. A Agocs Perth, Australia A L Chamberlain Reno, Nevada A and D Davies London, United USA Kingdom A Lowe Manchester, England A Appleyard Wellington, New A M Kaim United Kingdom Zealand A Maybank London, UK A Attallah Seattle,wa,usa A N M Saleque Dhaka, A Brownley Virginia USA Bangladesh A Burman London A Salim Nottingham, England A COHEN LONDON, UK A van der Merwe Pretoria, South A Dhaliwal Canterbury, UK Africa A Evans UK A Webster A Ferrer MM, Philippines A White Inverness, Scotland A Gorita Bucharest, Romania A Wittcoff Washington, DC A HILL mk A Stenlake Selsey, England A Holland Cambridge, England A Allan morpeth northumberland A Howse Wallingford, UK A. E. Owenson Livingston West A K Chew Herts, UK Lothian Scotland A Khan Doha, Qatar A. Gawrysiak Penrith, Cumbria A Knowles Leigh, Greater A. Luis Miguel Toledo Makati, Manchester Philippines A. Patton Letterkenny, Ireland Abdul Foday Durham, North A. Plummer Milton Keynes Carolina,USA A.B.M. Nurul Islam Vienna, ABDUL JABBAR KARACHI Austria PAKISTAN A.DELEON Oslo Norway Abdul kader Lokhandwala A.E.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-1-107-01625-5 - Christopher Marlowe in Context Edited by Emily C. Bartels and Emma Smith Frontmatter More information CHRISTOPHER MARLOWE IN CONTEXT A contemporary of William Shakespeare and Ben Jonson , Christopher Marlowe was one of the most infl uential early modern dramatists, whose life and mysterious death have long been the sub- ject of critical and popular speculation. Th is collection sets Marlowe’s plays and poems in their historical context, exploring his world and his wider cultural infl uence. Chapters by leading international schol- ars discuss both his major and lesser-known works. Divided into three sections, ‘Marlowe’s works’, ‘Marlowe’s world’, and ‘Reception’, the book ranges from Marlowe’s relationship with his own audience through to adaptations of his plays for modern cinema. Other con- texts for Marlowe include history and politics, religion, and science. Discussions of Marlowe’s critics and Marlowe’s appeal today, in per- formance, literature, and biography, show how and why his works continue to resonate; and a comprehensive further reading list pro- vides helpful suggestions for those who want to fi nd out more. emily c. bartels is Professor of English at Rutgers University and Director of the Bread Loaf School of English, Middlebury College. She is author of Spectacles of Strangeness: Imperialism, Alienation, and Marlowe (1993), which won the Roma Gill Prize for Best Work on Christopher Marlowe, 1993–94, and Speaking of the Moor: From Alcazar to Othello (2008). She has edited Critical Essays on Christopher Marlowe (1997) and published essays on early modern drama, race, gender, and survivorship.
    [Show full text]
  • LINGUA FRANCA by Peter Nichols
    Press Information 1980-2010 30TH ANNIVERSARY OF THE FINBOROUGH THEATRE Summer Season 2010 Cherub Company London in association with Neil McPherson for the Finborough Theatre presents The World Premiere of a new play by Peter Nichols LINGUA FRANCA by Peter Nichols. Directed by Michael Gieleta. Designed by James Macnamara. Cast: Enzo Cilenti. Ian Gelder. Rula Lenska. Abigail McKern. Chris New. Charlotte Randle. Natalie Walter. “We must learn to be Europeans. Forgive and forget is our only hope” The Cherub Company returns to the Finborough Theatre with the world premiere of a brand new play by Peter Nichols, Lingua Franca, opening Tuesday, 13 July 2010 (Press Night: Friday, 16 July 2010 to Sunday, 18 July 2010) as part of the Finborough Theatre’s 30th anniversary year. Lingua Franca follows innocent abroad, Steven Flowers, as he travels from National Service in South-East Asia to 1950’s Florence. He soon finds himself working for a chaotically-run language school, together with a cosmopolitan muddle of seven foreign misfits killing their post-war nihilism in the cafés of Florence, the cradle of Renaissance high culture. Based around a leading character in Peter Nichols’ acclaimed work Privates on Parade, and inspired by his own experiences, Lingua Franca is a fast-paced, sexually-charged story, and both a damning indictment and a celebration of sexual freedom. Playing with notions of xenophobia and deep-seated cultural stereotypes, nationalist foibles and prejudices clash and sparkle to high comic effect as Steven tries to make sense of his own life and a Europe at peace after so many years of war.
    [Show full text]
  • Teaching, Participation and Research Annual Review 2008/09 Teaching, Participation and Research Annual Review 2008/09
    For more information about the TPR Department work of the Teaching, Participation Teaching, Participation and Research department at the Sue Emmas Young Vic please contact Associate Artistic Director and Research Young Vic Jennie McCusker Annual Review 2008/09 66 The Cut Head of TPR London SE1 8LZ Alex Brierley T + 44 (0) 20 7922 2800 Schools and Colleges Projects Manager E [email protected] [email protected] Kirstin Shirling [email protected] Two Boroughs Projects Manager [email protected] Gabby Vautier Directors Programme Line Producer Michael Ager TPR Technician Francesca Hayward Directors Programme Assistant Dorienne Thomas TPR Assistant By involving young people and our Our work is focused on three Key Facts and Figures ‘Being responsible diverse local community in everything key areas: we do we seek to develop the interest, – 2822 young people took part in for learning my lines, Teaching, skills, ambition and confidence of both Teaching workshops and projects. The majority getting to rehearsals practitioners and audiences of the future. Our work with schools and colleges were aged between 8 and 25 and – Free and subsidised tickets were from Lambeth and Southwark on time and working Our Teaching, Participation and – Supportive workshops in school with the director gave Participation Research (TPR) programme enables and on stage – 269 opportunities were provided 10,000 school children and local – Comprehensive resource packs for teachers, including free tickets, me an idea of how residents to see productions and – Work experience placements professional development workshops, professionals are take part in a range of workshops, – Annual theatre festivals access to theatre professionals and expected to be.’ and productions and training schemes.
    [Show full text]
  • Lingua Franca | Theatre Review | Stage | the Guardian 26/07/2014 15:07
    Lingua Franca | Theatre review | Stage | The Guardian 26/07/2014 15:07 Search Lingua Franca Finborough, London 4 / 5 Michael Billington Follow @billicritic Follow @guardianstage The Guardian, Monday 19 July 2010 22.16 BST Natalie Walter (Heidi Schumann) and Chris New (Steven Flowers) in Lingua Franca. Photograph: Tristram Kenton for the Guardian Peter Nichols has always had a gift for turning a personal memoir into a political metaphor; and in this richly enjoyable new play he uses a Florentine language school in the 1950s as a means of exploring a fractious, war-haunted Europe in which the Brits are perpetual misfits awaiting American cultural colonisation. But, as always, Nichols gets his point across through acerbic comedy. Lingua Franca Last seen in Privates on Parade as a naive national serviceman, by Peter Nichols Finborough theatre, his hero, Steven Flowers, is now a chippy radical who has arrived London in Italy to teach English. Having instantly offended his students Chris New, Natalie by calling them "bambini", Steven sparks trouble among the staff Walter, Charlotte Randle, Ian Gelder, by arousing the romantic hopes of a lonely fellow Brit while Abigail ​McKern Directed by Michael having an affair with an antisemitic German. But what is http://www.theguardian.com/stage/2010/jul/19/lingua-franca-theatre-review/print Page 1 of 3 Lingua Franca | Theatre review | Stage | The Guardian 26/07/2014 15:07 Gielata impressive is how many balls Nichols manages to keep in the air. Until 7 August Box office: He captures the hilarity of the language lessons, and provides a 0844 847 1652 finboroughtheatre.co.uk deeply critical self-portrait.
    [Show full text]