Annual Review 1997 Computacenter Annual Review 1997

Total Page:16

File Type:pdf, Size:1020Kb

Annual Review 1997 Computacenter Annual Review 1997 00 Computacenter annual review 1997 Computacenter annual review 1997 Annual review 1997 Computacenter plc, Computacenter House, 93/101 Blackfriars Road, London SE1 8HL Telephone 0171 620 2222, Fax 0171 261 0510, www.computacenter.com 1 Computacenter annual review 1997 1 Introduction 2 Financial highlights Computacenter specialises in the provision 5 Chairman’s statement 6 Chief Executive’s review of distributed information technology and related 10 PRISM services 18 Group management and directors services to large corporate and public sector 20 Branch locations and international partners 22 Finance Director’s report organisations. The Group has operations in the 24 Auditors’ report on the summarised accounts UK, France and Germany. 25 Business report 28 Group profit and loss account 29 Group statement of total recognised Computacenter markets its services as PRISM. gains and losses 30 Group balance sheet These services address all stages of the 31 Company balance sheet 32 Group statement of cash flows technology life-cycle, from the Planning and Requisition of appropriate technology, through its Implementation within a company’s existing infrastructure to its subsequent Support and Management. Computacenter aims to be the preferred partner of organisations seeking to implement and support distributed IT. 2 Computacenter annual review 1997 3 Computacenter annual review 1997 Financial highlights Operating profit for the Group rose by 31.1% from £39.9 million to £52.3 million. In 1997 the Computacenter Group continued its unbroken record of growth in turnover and Fully diluted earnings per share increased from UK profit before tax. 13.1p in 1996 to 17.4p in 1997. Total Group turnover for the year increased by 28.5% from £882 million in 1996 to £1,133 million in 1997. Group turnover (£m) Group operating profit (£m) Group profit before tax (£m) Group fully diluted earnings per share (pence) 463.0 564.1 882.5 1,133.5 8.5 13.2 39.9 52.3 7.3 12.2 34.2 47.1 1.7 4.6 13.1 17.4 1994 1995 1996 1997 1994 1995 1996 1997 1994 1995 1996 1997 1994 1995 1996 1997 The figures shown for 1995 and 1996 have been extracted from the statutory accounts of the Group for the period 2 October 1995 to 31 December 1996 and of the consolidated statutory accounts of Computacenter Ltd for the year ended 31 December 1995 in order to provide a meaningful 12 month comparison. The figures for 1994 are from the consolidated statutory accounts of Computacenter Ltd for the year ended 31 December 1994. 4 Computacenter annual review 1997 5 Computacenter annual review 1997 Chairman’s statement “Computacenter is a people business and a service business. The quality of our service depends entirely on the quality, teamwork and motivation of our staff.” This Annual Report is the last We wrote in last year’s report that intention to float. And new schemes for Computacenter as a private our objective is to build a truly have been put in place, such as a Company. On Thursday 21 May 1998 great Company. Sharesave scheme, which are Computacenter plc was floated on the accessible to all staff. We laid emphasis on our core values London stock exchange. The offer which are to earn the loyalty of Over the last 17 years Computacenter was over 12 times over-subscribed. customers, staff and shareholders by has established an extremely strong The market’s enthusiasm for the delivering outstanding long-term value. competitive position in a market which issue reflected the Company’s is expected to continue to grow. Our continued success and positive We said that it is our strategic and staff are responsible for enabling us to growth prospects. operational objectives, not our reach this position. Computacenter is financial results, which drive our In the year to 31 December 1997, a people business and a service business. Profits are a consequence Group turnover was up over 28% to business. The quality of our service not a cause. £1.13 billion compared to 1996 and depends entirely on the quality, pre-tax profits rose almost 39% to These remain the principles on which teamwork and motivation of our staff. £47.1 million. our success is based. This is a landmark year for The founding shareholders and At the time of the flotation 17% of Computacenter. I would like to thank the management team have great the equity was held by over 700 all of our staff personally for their confidence in the future of the employees, excluding the founders. professionalism, commitment and business and have retained the vast Most of these employee shareholders hard work and I look forward to our majority of their shareholdings, selling have been with the Company at least continued success. just sufficient to enable the flotation four years and many much longer. to take place. The flotation has enabled us to provide liquidity to these loyal staff The timing of the offer reflects and also to provide a practical route management’s desire to continue to Philip Hulme, Chairman to continue to involve our staff in the realise its vision for the Company and ownership of the Company in the hold true to the principles which have future. On flotation, free shares were guided the Company’s success since issued to all employees who were it was founded in 1981. with the company on 31 March, the date of the announcement of the 6 Computacenter annual review 1997 7 Computacenter annual review 1997 Chief Executive’s review “In 1997 our largest ten accounts comprised four clearing banks, three investment banks, “In 1997 Computacenter’s customer base a leading telecommunications company, included significant relationships with a leading IT services organisation and 51 of the UK’s FTSE 100 companies.” one of the UK’s largest oil companies.” Computacenter is the largest The product of this investment is a From our original base in the South of We remain focused on the continual A new Enhanced Warranty £1 million of orders a day and UK-owned company specialising year-on-year progressive improvement England, we now have an international investment in, and development of, maintenance service extended providing easy access for customers in providing distributed information in the quality and effectiveness of network of sales and service operations our services, infrastructure, systems standard manufacturer warranties by to information on stock availability, technology and related services our services, continual innovation with over 30 offices in the UK, France and people. During 1997, a wide providing a cost-effective next-day delivery and prices. On-Trac is now to large corporate and public in service range and delivery and and Germany. range of initiatives were taken to on-site service for new equipment. installed with over 300 customers in sector organisations. the building of economies of scale, strengthen our business and build It also allows the price for one, two the UK, France and Germany. We were delighted last year to receive all of which benefit both us and our competitive advantage. or three years’ support to be bundled Our strategic objective is to be these Computing magazine’s 1997 Award Over the year, our internal IT customers and underpin our long-term into the capital purchase price. organisations’ preferred partner when for Excellence in Technical Support, infrastructure enjoyed over 99.9% customer relationships. Services they wish to implement and support recognising our new Enhanced We introduced a new call management system availability. distributed IT. The results show in our continued Warranty service. Computacenter continued to enhance system, ‘Lynx’, at the CallCenter, our growth. Group turnover has now and develop its services and saw software support facility. This enabled Infrastructure We work with our customers to help The Company also won two doubled over the past two years. increased revenues from these the centre’s 65 employees to handle them realise the potential of the EuroChannels Innovator Awards The bulk of our equipment is Our number of employees increased activities in 1997. 135,000 calls during the year. technology whilst at the same time for Best European Customer distributed from our logistics centre from 1,744 at the end of 1995 to managing their costs of ownership. Support Services and for European Technical services were developed at Radlett, Hertfordshire. 3,245 at the end of last year. Over the Internal systems Reseller of the Year. These were around enterprise networking Over the years, we have invested in past three years, our profit before tax In 1997, Radlett handled 357,000 won against competing entries and cabling infrastructures, Over 90 of the 150 people employed in developing a wide range of services, has increased from £12.2 million to system units – an average of almost from across Europe. management of systems and our internal IT division are focused on together with systems and best £47.1 million and our after-tax 1,000 for each day of the year. networks across the enterprise, the development and implementation practice, which can be replicated earnings from £7.1 million to The Computing award reflected the SAP infrastructure installations, of new proprietary systems. 60% of systems are now despatched across our customer base. We have £31.1 million. views of end-users; the EuroChannel and Unix implementations. with all software pre-configured to also invested in our centralised awards those of the industry on a On-Trac, our customer procurement 91% of our turnover came from New services also covered specific customer requirements. systems and facilities. range of services including Help Desk and tracking software, now handles selling directly to corporate and public emerging technologies such support from our CallCenter. some 35% of our business, sector companies.
Recommended publications
  • WEEKEND PRESS KIT V2
    2 WEEKEND LOGLINE A one-night stand that becomes something more - an unconventional love story between two young men trying to make sense of their lives. SHORT SYNOPSIS On a Friday night after hanging out with his straight mates, Russell heads out to a nightclub, alone and on the pull. Just before closing time he picks up Glen. And so begins a weekend - in bars and in bedrooms, getting drunk and taking drugs, telling stories and having sex - that will resonate throughout their lives. PRODUCTION NOTES Weekend is the second feature by director Andrew Haigh and stars newcomers Tom Cullen and Chris New. It was produced by Glendale Picture Company with The Bureau, and Co- produced with Synchronicity Films through support from EM Media (the East Midlands regional funding organisation). The film shot for 17 days entirely on location in Nottingham, UK. It premiered at the SXSW Film Festival in 2011 winning the Emerging Visions Audience Award and picking up North American distribution with IFC’s Sundance Selects label. They will release the film theatrically in the US on Sept 23rd. During the US festival run it also picked up the Grand Jury Prize and Best Actor Award at the Nashville Film Festival and the Grand Jury Prize at Outfest in Los Angeles. In New York it opened the BAMCinemaFest where A.O. Scott of The New York Times called the film ‘Perfectly realised - a bracing, present-tense exploration of sex, intimacy and love’. Paul Brunick in his review for Film Comment said the film was ‘a work of surpassing emotional insight and artistic accomplishment.
    [Show full text]
  • WHAT the BUTLER SAW: Know-The-Show Guide
    The Shakespeare Theatre of New Jersey WHAT THE BUTLER SAW: Know-the-Show Guide What the Butler Saw by Joe Orton Know-the-Show Audience Guide researched and written by the Education Department of Artwork by Scott McKowen The Shakespeare Theatre of New Jersey WHAT THE BUTLER SAW: Know-the-Show Guide In this Guide – About Joe Orton........................................................................................................................ 2 – The Works of Joe Orton ............................................................................................................. 4 – What the Butler Saw: A Synopsis .............................................................................................. 5 – About What the Butler Saw ....................................................................................................... 6 – Who’s Who in the Play ............................................................................................................. 7 – The Changing Face of Theatre in the 60s ................................................................................... 8 – Joe Orton’s Contemporaries ...................................................................................................... 9 – Farce: A Brief Overview .......................................................................................................... 10 – Orton and Farce ...................................................................................................................... 11 – Commentary & Criticism .......................................................................................................
    [Show full text]
  • I, Daniel Blake
    SCREEN January – March 2017 Films include Jackie La La Land Moana A United Kingdom Chi-Raq Rogue One (A Star Wars Story) Fantastic Beasts and BOOK Where To Find Them ONLINE The Edge Of Seventeen all tickets only £6.50* (advance online booking only, must be purchased minimum 24 hours before screening) www.onfife.com All Hard of Hearing (HOH) screenings have subtitles on screen. Fri 13 Jan 11am & 7.30pm The Girl On The Train Rating 15 I Running Time 1h 52min I USA I 2016 Directed by Tate Taylor Starring Emily Blunt, Haley Bennett, Rebecca Ferguson In this psychological thriller, Rachel watches the perfect couple: Megan and Scott Hipwell. After seeing Megan with another man, Rachel is so distraught she turns to alcohol and heads out for a night in the city. Rachel awakens to discover that Megan's disappearance is headline news but discovers her own interest in the couple's lives also makes her a suspect. Sat 14 Jan 3pm Trolls Rating U I Running Time 1h 32min I USA I 2016 Directed by Walt Dohrn, Mike Mitchell Voices Anna Kendrick, Justin Timberlake Branch is a grumpy loner who is quite content living on his own away from the ridiculously happy population of Troll Village. When the village is invaded by Ogres, the annoyingly chirpy leader comes to Branch for help. As the unlikely pair go on a journey to rescue their kidnapped friends, they both find themselves realising what they have been missing. Sat 14 Jan 7.30pm Doctor Strange Rating 12A I Running Time 1h 55min I USA I 2016 Directed by Scott Derrickson Starring Benedict Cumberbatch, Chiwetel Ejiofor A mystical adventure based on the Marvel Comics character whose life is ruined when his hands are damaged in a crash.
    [Show full text]
  • ‚Gutes' Theater
    VS PLUS Zusatzinformationen zu Medien des VS Verlags ‚Gutes’ Theater Theaterfinanzierung und Theaterangebot in Großbritannien und Deutschland im Vergleich 2011 | Erstauflage Anhang Tabellen [Text eingeben] www.viewegteubner.de www.vs -verlag.de Inhaltsverzeichnis Tab. 1: Internationale Definitionen von Kultur, Kultursektor, Kulturindustrien....................................4 Tab. 2: Kulturfinanzierung, GB, 1998/99, in ₤ Mio. und %...................................................................5 Tab. 3: Zentralstaatliche Kulturförderung in GB, 1998/99, in ₤ Mio. und %......................................... 5 Tab. 4: Anteil Kultursponsoring am BIP, D vs. GB, 1999-2007............................................................5 Tab. 5 Production categories , TMA (Beschreibung der Sparten für die Umfrage), ab 1993 ...............6 Tab. 6a: Production categories , SOLT .................................................................................................... 7 Tab. 6b: Sub genres und other production criteria , SOLT ......................................................................7 Tab. 7: Verteilung der deutschen Theater nach Träger, 1990-2005 .......................................................8 Tab. 8: Verteilung Rechtsträger und -formen der deutschen öffentlichen Theaterunternehmen............ 8 Tab. 9: Londoner Theater (SOLT-Mitgliedschaft).................................................................................9 Tab. 10: Wichtigste Londoner Theater, A-Z, Sitzplatzkapazitäten, Eigentümer/ Betreiber..................
    [Show full text]
  • BREYER P-ORRIDGE (Genesis P-Orridge) 1950 Born in Manchester, UK Lives and Works in New York Selected Solo Exhibitions 2014 “
    BREYER P-ORRIDGE (Genesis P-Orridge) 1950 Born in Manchester, UK Lives and works in New York Selected Solo Exhibitions 2014 “Life as a Cheap Suitcase,” Summerhall, Edinburgh, Scotland 2013 S/he is Her/e, Andy Warhol Museum, Pittsburgh PA 2012 La Centrale Galerie Powerhouse, Montreal, Canada NADA Art Fair Miami, INVISIBLE-EXPORTS booth #305, Miami, FL I’m Mortality, INVISIBLE-EXPORTS, New York THEE…NESS: An Evening with Genesis BREYER P-ORRIDGE, Salvor Projects, New York 2011 Blood – Sex – Magick, Christine Konig Galerie, Vienna, Austria 2010 Spillage… Rupert Goldsworthy Gallery, Berlin, Germany 2009 30 Years of Being Cut Up, INVISIBLE-EXPORTS, New York 2008 Collaborative Works, Mason Gross Galleries, Rutgers University, New Brunswick NJ 2006 We Are But One…, Participant Inc., New York 2004 Painful But Fabulous, Kunstlerhaus Bethanien, Berlin, Germany Regeneration Hex, Ecart Gallery, Art Fair, Basel, Switzerland 2003 Painful But Fabulous, A22 Gallery, London UK BREYER P-ORRIDGE Sigils, VAV Gallery, Concordia University, Montreal, Canada 2002 Genesis P-Orridge, Galerie Station/Mousonturm, Frankfurt, Germany 2001 Expanded Photographs 1970-2001, ECART Gallery, Art 32 Basel, Sweizer Mustermesse, Basel, Switzerland Candy Factory (with Eric Heist), Centre Of Attention, London, England Candy Factory (with Eric Heist), TEAM Gallery, Chelsea, New York 1995 Genesis P-Orridge-Works, SERFOZO Artadventures, Zurich, Switzerland 1994 Esoterrorist - Retrospective, Rita Dean Gallery, San Diego, CA 1976 Marianne Deson Gallery, Chicago, IL N.A.M.E. Gallery, Chicago, IL Kit Schwartz Studio, Chicago, IL Idea Gallery, Santa Monica, CA Los Angelis Institute Of Contemporary Arts, Los Angeles, CA Prostitution, Institute Of Contempoary Arts, London, England. (Retrospective). Great Building Crack-Up, New York Akumulatory Gallery, Poznan, Poland (Retrospective) G.P-O Vs G.P-O, Ecart Gallery, Geneva, Switzerland (Book of postal art and collages based upon legal prosecution of G.P-O's art by British police).
    [Show full text]
  • Kirsty Besterman
    Kirsty Besterman Theatre Title Role Director Producer Macbeth Lady Macbeth Rufus Norris/Liz Stevenson National Theatre Tour Genesis Inc Daisy Laurie Sansom Hampstead Theatre Winter Solstice Bettina Alice Malin ATC Betrayal Emma Jo Newman Salisbury Playhouse They Drink It In The Congo Jenny, Meredith, Carmen, InternMike Longhurst Almeida Theatre Arcadia Lady Croom Blanche McIntyre ETT & ATG Tipping The Velvet Diana Lyndsey Turner Lyric Hammersmith Private Lives Amanda Martin Duncan Royal Lyceum Theatre Tonight At 8.30 Louise, Stella Blanche McIntyre ETT Separate Tables Mrs Shankland & Miss Railton-BellGareth Machin Salisbury Playhouse Dangerous Corner Freda Gareth Machin Salisbury Playhouse peter And Wendy (workshop) Mrs Darling Jonathan Mumby RSC If Only (workshop) Jo Angus Jackson Chichester Theatre School For Scandal Lady Teasle Jessica Swale Park Theatre The Precariat Bethan Chris New The Finborough The Great Gatsby Daisy Peter Joucla Wilton's Music Hall Playhouse Creatures Mrs Marshall Michael Oakley Chichester Theatre Twelfth Night Olivia Charlie Walker Wise Ludlow Festival The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 The Importance Of Being EarnestGwendolen Steve Unwin Rose Theatre Kingston Foxfinder Judith Blanche McIntyre Finborough Theatre Amy's View Amy Zoe Waterman Nottingham Playhouse Edmund Fortune Teller Elliot Cowan Wiltons Music Hall Much Ado About Nothing Beatrice Joanne Howarth Shakespeare's Globe Liberty Rose Guy Retallack Shakespeare's Globe Plunder Prudence Heather Davies Watermill Holding Fire Various Mark Rosenblatt Shakespeare's Globe Merchant Of Venice Portia Rebecca Gatward Shakespeare's Globe The Rivals Julia Chris Morahan Bath & Tour Othello Bianca Declan Donnellan International Tour King Lear Cordelia Declan Donnellan RSC Academy Private Lives Amanda Simply Theatre, Geneva Film Title Role Director Producer Rupture Ruby Hamzah Jamjoom MBC Studios Ederlezi Rising Computer Lazar Bodroza Chicken Mrs Rickson Joe A Stephenson B Good Pic.
    [Show full text]
  • Annual Report and Accounts
    ANNUAL REPORT AND ACCOUNTS Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk 2007/ 2008 132nd report of the Board Chairman’s report 03 To be submitted to the Annual General Meeting of the Governors convened for Monday Artistic Director’s report 05 22 September 2008. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is hereby given Executive Director’s report 07 that the Annual General Meeting of the Governors will be held in Facts and figures 08 – 09 The Courtyard Theatre, Stratford-upon-Avon on Monday 22 September 2008 commencing at 3.30pm, to consider the The Histories 10 – 17 report of the Board and the Statement of Financial Activities and the Balance Sheet of the Corporation at 31 March New work 18 – 21 2008, to elect the Board for the ensuing year, and to transact such Touring 22 – 25 business as may be transacted at the Annual General Meetings of the Royal Shakespeare Company. Transformation 26 – 29 By order of the Board Stand Up For Shakespeare 30 – 33 Vikki Heywood Secretary to the Governors Financial review of the year 34 – 37 Summary accounts 38 – 41 Supporting our work 42 – 43 Year in performance 44 – 47 Acting companies 48 – 49 The Company 50 – 51 Corporate governance 52 – 53 Associate artists/Advisors 54 – 55 Photo: Ellie Kurttz Constitution 56 Jonathan Slinger and Clive Wood in Henry IV part II Chairman’s report In 2007/8 we brought many of our ambitions to life.
    [Show full text]
  • Alan Johnston Petition
    ALAN JOHNSTON PETITION BBC News website users around the world have written in their thousands to demand the release of BBC Gaza correspondent Alan Johnston. An online petition was started on Monday, 2 April. It states: “We, the undersigned, demand the immediate release of BBC Gaza correspondent Alan Johnston. We ask again that everyone with influence on this situation increase their efforts, to ensure that Alan is freed quickly and unharmed.” More than 120,000 have now signed. The latest names to be added are published below. A Agocs Perth, Australia A L Chamberlain Reno, Nevada A and D Davies London, United USA Kingdom A Lowe Manchester, England A Appleyard Wellington, New A M Kaim United Kingdom Zealand A Maybank London, UK A Attallah Seattle,wa,usa A N M Saleque Dhaka, A Brownley Virginia USA Bangladesh A Burman London A Salim Nottingham, England A COHEN LONDON, UK A van der Merwe Pretoria, South A Dhaliwal Canterbury, UK Africa A Evans UK A Webster A Ferrer MM, Philippines A White Inverness, Scotland A Gorita Bucharest, Romania A Wittcoff Washington, DC A HILL mk A Stenlake Selsey, England A Holland Cambridge, England A Allan morpeth northumberland A Howse Wallingford, UK A. E. Owenson Livingston West A K Chew Herts, UK Lothian Scotland A Khan Doha, Qatar A. Gawrysiak Penrith, Cumbria A Knowles Leigh, Greater A. Luis Miguel Toledo Makati, Manchester Philippines A. Patton Letterkenny, Ireland Abdul Foday Durham, North A. Plummer Milton Keynes Carolina,USA A.B.M. Nurul Islam Vienna, ABDUL JABBAR KARACHI Austria PAKISTAN A.DELEON Oslo Norway Abdul kader Lokhandwala A.E.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-1-107-01625-5 - Christopher Marlowe in Context Edited by Emily C. Bartels and Emma Smith Frontmatter More information CHRISTOPHER MARLOWE IN CONTEXT A contemporary of William Shakespeare and Ben Jonson , Christopher Marlowe was one of the most infl uential early modern dramatists, whose life and mysterious death have long been the sub- ject of critical and popular speculation. Th is collection sets Marlowe’s plays and poems in their historical context, exploring his world and his wider cultural infl uence. Chapters by leading international schol- ars discuss both his major and lesser-known works. Divided into three sections, ‘Marlowe’s works’, ‘Marlowe’s world’, and ‘Reception’, the book ranges from Marlowe’s relationship with his own audience through to adaptations of his plays for modern cinema. Other con- texts for Marlowe include history and politics, religion, and science. Discussions of Marlowe’s critics and Marlowe’s appeal today, in per- formance, literature, and biography, show how and why his works continue to resonate; and a comprehensive further reading list pro- vides helpful suggestions for those who want to fi nd out more. emily c. bartels is Professor of English at Rutgers University and Director of the Bread Loaf School of English, Middlebury College. She is author of Spectacles of Strangeness: Imperialism, Alienation, and Marlowe (1993), which won the Roma Gill Prize for Best Work on Christopher Marlowe, 1993–94, and Speaking of the Moor: From Alcazar to Othello (2008). She has edited Critical Essays on Christopher Marlowe (1997) and published essays on early modern drama, race, gender, and survivorship.
    [Show full text]
  • LINGUA FRANCA by Peter Nichols
    Press Information 1980-2010 30TH ANNIVERSARY OF THE FINBOROUGH THEATRE Summer Season 2010 Cherub Company London in association with Neil McPherson for the Finborough Theatre presents The World Premiere of a new play by Peter Nichols LINGUA FRANCA by Peter Nichols. Directed by Michael Gieleta. Designed by James Macnamara. Cast: Enzo Cilenti. Ian Gelder. Rula Lenska. Abigail McKern. Chris New. Charlotte Randle. Natalie Walter. “We must learn to be Europeans. Forgive and forget is our only hope” The Cherub Company returns to the Finborough Theatre with the world premiere of a brand new play by Peter Nichols, Lingua Franca, opening Tuesday, 13 July 2010 (Press Night: Friday, 16 July 2010 to Sunday, 18 July 2010) as part of the Finborough Theatre’s 30th anniversary year. Lingua Franca follows innocent abroad, Steven Flowers, as he travels from National Service in South-East Asia to 1950’s Florence. He soon finds himself working for a chaotically-run language school, together with a cosmopolitan muddle of seven foreign misfits killing their post-war nihilism in the cafés of Florence, the cradle of Renaissance high culture. Based around a leading character in Peter Nichols’ acclaimed work Privates on Parade, and inspired by his own experiences, Lingua Franca is a fast-paced, sexually-charged story, and both a damning indictment and a celebration of sexual freedom. Playing with notions of xenophobia and deep-seated cultural stereotypes, nationalist foibles and prejudices clash and sparkle to high comic effect as Steven tries to make sense of his own life and a Europe at peace after so many years of war.
    [Show full text]
  • Teaching, Participation and Research Annual Review 2008/09 Teaching, Participation and Research Annual Review 2008/09
    For more information about the TPR Department work of the Teaching, Participation Teaching, Participation and Research department at the Sue Emmas Young Vic please contact Associate Artistic Director and Research Young Vic Jennie McCusker Annual Review 2008/09 66 The Cut Head of TPR London SE1 8LZ Alex Brierley T + 44 (0) 20 7922 2800 Schools and Colleges Projects Manager E [email protected] [email protected] Kirstin Shirling [email protected] Two Boroughs Projects Manager [email protected] Gabby Vautier Directors Programme Line Producer Michael Ager TPR Technician Francesca Hayward Directors Programme Assistant Dorienne Thomas TPR Assistant By involving young people and our Our work is focused on three Key Facts and Figures ‘Being responsible diverse local community in everything key areas: we do we seek to develop the interest, – 2822 young people took part in for learning my lines, Teaching, skills, ambition and confidence of both Teaching workshops and projects. The majority getting to rehearsals practitioners and audiences of the future. Our work with schools and colleges were aged between 8 and 25 and – Free and subsidised tickets were from Lambeth and Southwark on time and working Our Teaching, Participation and – Supportive workshops in school with the director gave Participation Research (TPR) programme enables and on stage – 269 opportunities were provided 10,000 school children and local – Comprehensive resource packs for teachers, including free tickets, me an idea of how residents to see productions and – Work experience placements professional development workshops, professionals are take part in a range of workshops, – Annual theatre festivals access to theatre professionals and expected to be.’ and productions and training schemes.
    [Show full text]
  • Lingua Franca | Theatre Review | Stage | the Guardian 26/07/2014 15:07
    Lingua Franca | Theatre review | Stage | The Guardian 26/07/2014 15:07 Search Lingua Franca Finborough, London 4 / 5 Michael Billington Follow @billicritic Follow @guardianstage The Guardian, Monday 19 July 2010 22.16 BST Natalie Walter (Heidi Schumann) and Chris New (Steven Flowers) in Lingua Franca. Photograph: Tristram Kenton for the Guardian Peter Nichols has always had a gift for turning a personal memoir into a political metaphor; and in this richly enjoyable new play he uses a Florentine language school in the 1950s as a means of exploring a fractious, war-haunted Europe in which the Brits are perpetual misfits awaiting American cultural colonisation. But, as always, Nichols gets his point across through acerbic comedy. Lingua Franca Last seen in Privates on Parade as a naive national serviceman, by Peter Nichols Finborough theatre, his hero, Steven Flowers, is now a chippy radical who has arrived London in Italy to teach English. Having instantly offended his students Chris New, Natalie by calling them "bambini", Steven sparks trouble among the staff Walter, Charlotte Randle, Ian Gelder, by arousing the romantic hopes of a lonely fellow Brit while Abigail ​McKern Directed by Michael having an affair with an antisemitic German. But what is http://www.theguardian.com/stage/2010/jul/19/lingua-franca-theatre-review/print Page 1 of 3 Lingua Franca | Theatre review | Stage | The Guardian 26/07/2014 15:07 Gielata impressive is how many balls Nichols manages to keep in the air. Until 7 August Box office: He captures the hilarity of the language lessons, and provides a 0844 847 1652 finboroughtheatre.co.uk deeply critical self-portrait.
    [Show full text]