Spain: 17Th and 18Th Centuries
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Women's Clothing in the 18Th Century
National Park Service Park News U.S. Department of the Interior Pickled Fish and Salted Provisions A Peek Inside Mrs. Derby’s Clothes Press: Women’s Clothing in the 18th Century In the parlor of the Derby House is a por- trait of Elizabeth Crowninshield Derby, wearing her finest apparel. But what exactly is she wearing? And what else would she wear? This edition of Pickled Fish focuses on women’s clothing in the years between 1760 and 1780, when the Derby Family were living in the “little brick house” on Derby Street. Like today, women in the 18th century dressed up or down depending on their social status or the work they were doing. Like today, women dressed up or down depending on the situation, and also like today, the shape of most garments was common to upper and lower classes, but differentiated by expense of fabric, quality of workmanship, and how well the garment fit. Number of garments was also determined by a woman’s class and income level; and as we shall see, recent scholarship has caused us to revise the number of garments owned by women of the upper classes in Essex County. Unfortunately, the portrait and two items of clothing are all that remain of Elizabeth’s wardrobe. Few family receipts have survived, and even the de- tailed inventory of Elias Hasket Derby’s estate in 1799 does not include any cloth- ing, male or female. However, because Pastel portrait of Elizabeth Crowninshield Derby, c. 1780, by Benjamin Blythe. She seems to be many other articles (continued on page 8) wearing a loose robe over her gown in imitation of fashionable portraits. -
La Literatura Griega En La Obra En Prosa De Francisco De Quevedo
La literatura griega en la obra en prosa de Francisco de Quevedo José María CAMACHO RoJO Jesús María GARCÍA GONZÁLEZ Universidad de Granada Abtract The aim of this paper is to provide a general about the open question of the limitations of Quevedo's knowledge of Greek and to examine the numerous mentions and quotations of Greek authors that can be found in his prose writings. These references, in addition to be used in order to recreate themes of the Greek literature, have other purpose: they support his political, philosophical, ethical and literary thesis and his commitment to christianize the antiquity. l. El presente trabajo, cuyo alcance matizaremos más adelante, tiene su origen en las lecturas previas a una edición del tratado de Quevedo sobre la Doctrina estoica que venimos pergeñando. Hizo también que nos pareciera oportuno un esbozo de este tema el hecho de que en la bibliografía sobre Quevedo no hayamos encontrado ningún título que pretenda abarcar de manera global la presencia de la "cultura griega" en sus escritos'. La admiración de Quevedo por el mundo clásico es un lugar común en la valoración de su obra. En términos cabales lo ha expresado Eduardo Acosta, excelente editor de la Defensa de Epicuro contra la común opinión: "A lo largo de su intensa trayectoria vital (1580-1645), la admiración por la cultura clásica fue una de las constantes más arraigadas en la sólida, pero también variopinta y cambiante l. Cf. CROSBY, J.O., Guia bibliográfica para el esrudio cririco de Quevedo, London, Grant & Cutler Ltd, 1976,y CAMACHO ROJO, J.M., "Latradición clásica en las literaturas hispánicas: esbozo de un ensayo bibliográfico", Florenria lliberrirana 2 (1991), pp. -
6.3 the Recognition of Cave Art in the Iberian Peninsula and the Making of Prehistoric Archeology, 1878-1929
6.3 The Recognition of Cave Art in the Iberian Peninsula and the Making of Prehistoric Archeology, 1878-1929 José María LanzaroTe-Guiral In May 1921, the Exhibition of Spanish Prehistoric Art (Exposición de arte pre- histórico español) opened its doors in Madrid. Hosted by the National Library and inaugurated by King Alphonse XIII, the exhibition presented prehistoric cave art as the first chapter of the Spanish art tradition, placing the peninsula at the cultural origins of Western civilization. This exhibition was conceived of to showcase the work undertaken by Spanish scholars in this field since 1902, when cave art was recognized as such by the international scientific community. Moreover, the organizers did not miss the chance to highlight that it was ‘foreign’ prehistorians, particularly French ones, who had first denied the authenticity of those figurative representations discovered in a Spanish cave in 1878. Inspired by an essentialist conception of national history, this exhibition contributed to define a constructed object of study, ‘Spanish prehistoric art’, which was elevated to the status of national heritage and played a strong role for national identity definition from then on. In order to better understand the role of cave art research in the making of prehistoric archeology I shall deconstruct this hybrid object: What was the in- tellectual and social process that led to the definition of ‘Spanish prehistoric art’? And in order to answer this question, this paper is concerned with the process of configuration of scientific categories and it is divided in two main sections. The first one analyzes the construction of the concept ‘prehistoric art’ between 1878 and 1902, paying particular attention to the Altamira affair, namely the discov- ery, early rejection and definitive recognition of the first prehistoric decorated cave. -
Art History of Spain in the History of Western Art, Spain
Art History of Spain In the history of Western Art, Spain occupies a very significant and distinct position; after the French and the Italians, the Spanish are probably the most important contributors to the development and evolution of art in the Western Hemisphere. Over the centuries, numerous Spanish artists have contributed heavily to the development of European art in almost all the “major” fields like painting, sculpture and architecture. While Spanish art has had deep linkages with its French and Italian counterparts, Spain’s unique geographic location has allowed it to evolve its own distinct characteristics that set it quite apart from other European artistic traditions. Spain’s fascinating history of conquest and trade is inextricably linked to the evolution of its art. Cave Paintings of Altamira, Spain The earliest inhabitants of what is now modern-day Spain were known for their rich art traditions, especially with respect to cave-paintings from the Stone Age. The Iberian Mediterranean Basin in the regions of Aragon and Castile-La Mancha in eastern Spain, and the world famous Altamira Cave paintings in Cantabria are both UNESCO World Heritage sites that showcase vivid cave paintings from the Stone Age. Pre-Romanesque Period Over the course of history, Spain has been deeply influenced by the culture art of its neighbors, who were more often than not its conquerors. The Roman control over Hispania, from 2nd century BC to 5th century AD, had a deep influence on Spain, especially in its architecture dating from that period. The Aqueduct of Segovia, Alcantara Bridge and the Tower of Hercules Lighthouse are some of the important monuments from that period that still survive to-date. -
Map As Tapestry: Science and Art in Pedro Teixeira's 1656 Representation of Madrid
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: http://www.tandfonline.com/loi/rcab20 Map as Tapestry: Science and Art in Pedro Teixeira's 1656 Representation of Madrid Jesús Escobar To cite this article: Jesús Escobar (2014) Map as Tapestry: Science and Art in Pedro Teixeira's 1656 Representation of Madrid, The Art Bulletin, 96:1, 50-69, DOI: 10.1080/00043079.2014.877305 To link to this article: http://dx.doi.org/10.1080/00043079.2014.877305 Published online: 25 Apr 2014. Submit your article to this journal Article views: 189 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Download by: [Northwestern University] Date: 22 September 2016, At: 08:04 Map as Tapestry: Science and Art in Pedro Teixeira’s 1656 Representation of Madrid Jesus Escobar “Mantua of the Carpentana, or Madrid, Royal City” reads the attributed to the overreach of Philip IV’s royal favorite and Latin inscription on the banderole that hovers above Pedro prime minister, Gaspar de Guzman, the count-duke of Teixeira’s monumental map of the Spanish capital, the Topo- Olivares (1587–1645). In 1640, in the midst of the Thirty graphia de la Villa de Madrid (Topography of the town of Years’ War, rebellions arose in Catalonia and Portugal, com- Madrid) (Fig. 1). The text refers to a place from the distant pounding the monarchy’s ongoing financial crises and lead- Roman past, the purported origin of Madrid, as well as the ing to Olivares’s ouster. -
The Social Realm of 18Th Century British Ambassadors to France
University of Vermont ScholarWorks @ UVM UVM College of Arts and Sciences College Honors Theses Undergraduate Theses 2015 The Social Realm of 18th Century British Ambassadors to France Andrew M. Bowen Follow this and additional works at: https://scholarworks.uvm.edu/castheses Recommended Citation Bowen, Andrew M., "The Social Realm of 18th Century British Ambassadors to France" (2015). UVM College of Arts and Sciences College Honors Theses. 15. https://scholarworks.uvm.edu/castheses/15 This Undergraduate Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM College of Arts and Sciences College Honors Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. 1 History Thesis The Social Realm of 18th Century British Ambassadors to France By Andrew Bowen Advisor: Paul Deslandes, Professor of History 2 INTRODUCTION This thesis will seek to explain British actions and relations with France both leading up to and during the American and French Revolutions. This time period is critical to understanding the nature of British-French relations for nearly the next century. Existing literature provides some information on political aspects of relations between Britain and France during this period but ignores the important social and familial aspects of ambassadors lives and policies. By fleshing out the influences of individual ambassadors during this period from their social and political relations with their French counterparts we are able to shed light on any possible changes to British policy vis-a-vis France. These social and personal relations could have changed the course of British and French relations over the next century by occurring in this very formative time for both countries. -
Dirección General De Bibliotecas, Archivos Y Museos
DIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS SUBDIRECCIÓN GENERAL DE BIBLIOTECAS, ARCHIVOS Y MUSEOS DEPARTAMENTO DE PATRIMONIO BIBLIOGRÁFICO Y DOCUMENTAL ARCHIVO DE VILLA THE ARCHIVO DE VILLA (TOWN ARCHIVE) OF MADRID The Archivo de Villa of Madrid contains, throughout its more than 18,500 running metres of shelves, documents created and received at the Madrid City Council since 1152. This archive was first mentioned in a Royal Provision of Charles V –Charles I of the Spanish empire– (1525), although the so-called 'ark of the three keys', a medieval deposit for the parchments of Madrid, is repeatedly mentioned in the books of resolutions since the 15th century. The Archive was finally set up in the 18th century. In 1748, the first professional archivist was appointed. The first regulations and operation instructions for the archive were approved in 1753 and it became a "Public Office" with the right to issue official certificates by virtue of a Royal Decree in 1781. This Institution was opened for research in 1844. It has changed its headquarters several times: Tower of the San Salvador church and Monastery of Santo Domingo (15th to 17th century), First Town Hall of Madrid (17th century-1868), Second Town Hall “Casa Panadería” in Plaza Mayor (1868-1987), Conde Duque barracks (1987-), but the custody of the materials it contains was never interrupted, not even during the Peninsular War (1808-1814), or during the Spanish Civil War (1936-1939). COLLECTIONS Except for two small acquisitions of private archives, the collections come from the Madrid City Council itself and from the City Councils that were annexed to Madrid during the fifties, in the past century. -
Quevedo En Revisión Con Sus Contemporáneos: El Caso De Cervantes1
QUEVEDO EN REVISIÓN CON SUS CONTEMPORÁNEOS: EL CASO DE CERVANTES1 ISABEL PÉREZ CUENCA Universidad San Pablo-CEU La bibliografía que pone en contacto la obra de Cervantes con la de Quevedo es escasa si la comparamos con el ingente número de estudios publicados sobre ambos autores en los que se analizan diversos aspectos de sus vidas y obras.2 Sin lugar a dudas, las vidas de estos autores son harto diferentes y los puntos coincidentes entre ellas apenas existen. Francisco de Quevedo nace en el año 1580, 33 años después que Miguel de Cervantes,3 por lo que, cuando el primero se inicia en las artes de las letras, el segundo ya es un hombre maduro, con una gran experiencia vital a sus espaldas y no pocos fracasos literarios. Sus vidas discurrieron por caminos dispares; a la obvia diferencia de edad, debe sumarse una situación social y económica muy diferente. Aun así, coinciden en las mismas ciudades en dos momentos y es muy posible que entonces llegasen a conocerse. La primera vez pudo ser en el año 1604, cuando la Corte se encontraba en Valladolid, ciudad a la cual, desde el año 1600, fueron llegando escritores, unos ya con una reconocida obra, caso de Góngora, otros de cierta edad, intentando hallar la senda que les diese una vida acomodada y tranquila, caso de Cervantes, y otros en busca de notoriedad, como Quevedo. Cervantes recalará en Valladolid después de viajar a Italia, pasar por el ejército, quedar manco de la mano izquierda por un arcabuzado recibido en la batalla de Lepanto, ser apresado por el turco y sufrir un largo cautiverio en Argel, conocer la prisión en la Península, y, tras escribir y 1 Una versión extensa de este trabajo se expuso en el II Curso-Simposio «Cervantes y el Quijote*, dirigido por Antonio Rey Hazas y Juan de la Cruz Martín (Madrid, 31 de marzo de 2005), y se publicará en el volumen del mencionado curso con el título «Cervantes y Quevedo». -
36 Seventeenth-Century News
36 seventeenth-century news the clockwork universe while leaving God with room to act led him to believe that some divine purposes can be known and that science was the right way to achieve that knowledge. The addition of a small collection of “Strange Reports” to his Experimenta & Observationes Physicae (1691) reflects this interest in extraordinary phenomena. They were natural anomalies that could not be explained through the basic tenets of mechanical worldview. Moreover, one must recall Boyle’s distinction between “supernatural” and “preternatural,” the last indicating perfect natural phenomena transgressing the ordinary course of nature. This collection of essays is the last of a series of collections by Mi- chael Hunter, Emeritus Professor of History at Birkbeck, University of London. As it deals with some specific aspects of Boyle’s thought and personal events, it is suitable to readers who have already acquired a basic knowledge of the topics belonging to the Scientific Revolution, the discussion on science in modern Britain, and the impact of the Irish scientist on the achievement of the scientific account of nature. The Spanish Golden Age: Painting and Sculpture in the Time of Velázquez, exhibition catalogue, München: Hirmer, 2016. 334 pp. + 122 colored plates. €29. Review by Livia Stoenescu, Texas A&M University. The catalogue associated with the exhibitions El Siglo de Oro: The Age of Velázquez (Gemäldegalerie – Staatliche Museen zu Berlin, 2016) and The Spanish Golden Age: Painting and Sculpture in the Time of Velázquez (Kunsthalle der Hypo – Kulturstiftung 2016/2017) is a scholarly undertaking. While the exhibitions’ purview was to present the German public with an unprecedentedly comprehensive access to leading seventeenth-century Spanish artists, the catalogue provided the theoretical undergirding for such enterprise. -
Madrid First Published in August 2011 by City Travel Review, Inc
A Young Person’s Guide to Madrid First published in August 2011 by City Travel Review, Inc. All words and photos that appear in this guide are property of the respective writers and photographers. Copyright © 2011 2 Bienvenidos to Madrid! Madrid is a fantastic city and well worth a visit. Whether you are staying for a while or just make a quick stop. This guide will help you get as much as possible out of it as you will hopefully find what you’re looking for and make it a great stay! This guide is the result of our three weeks together during the hottest time in Madrid! Fourteen of us came from all over Europe for the ‘City Travel Review’ project. We set out to work together to write a guide showing everything Madrid has to offer, specifically focusing on young people like ourselves. It was a fantastic time with excursions to neighbouring places such as Toledo, pub-crawls through the centre and even a bullfight! Although we all chose our own subjects to write about, we worked together to give you a complete overview of everything that there is to do in Madrid. Eating and drinking, palaces and museums, fashion and sports. Whatever you’re looking for and all Madrid has to offer, we will guide you to it. Enjoy your stay in Madrid! Your City Travel Review Team 2011 Contents Page 6-10 Introduction - Top things to see and do - Tips for Tourists Page 11-30 Experience Madrid - Overview of Madrid - Accommodation for young people - Public Transport - Different ways to experience Madrid - One Day in Madrid - Learning Spanish - Toledo Page 31-49 History -
Classics and Charity: the English Grammar School in the 18Th Century. Final Report. INSTITUTION Michigan Univ., Ann Arbor
DOCUMENT RESUME ED 054 038 SO 001 840 AUTHOR Tompson, Richard S. TITLE Classics and Charity: The English Grammar School in the 18th Century. Final Report. INSTITUTION Michigan Univ., Ann Arbor. Dept of History. SPONS AGENCY Office of Education (DHEW) , Washington, D.C. BUREAU NO BR-5-8442 PUB DATE Sep 66 CONTRACT OEC-5-10-332 NOTE 20p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Classical Languages, Curriculum Development, Educational Change, *Educational Development, Educational Finance, *Educational History, Educational Legislation, Elementary Education, General Education, School Role, School Surveys, *Secondary Education, Transitional Schools, Tuition Grants IDENTIFIERS *England, English Grammar Schools ABSTRACT The aim of this study was to examine English secondary education and its emergence in modern form in the 18th century. Three hundred thirty-four grammar schools (more than 50% of those in the 18th century) in 15 counties comprised the sample. County records, educational essays, and other sources were consulted for a general survey of, among other things, changes in curriculum and charity provisions. The study concludes with a new perspective on 18th century grammar schools: 1) they frequently engaged in curriculum changes, adding English grammar, math, modern languages, and technical subjects to the Greek and Latin curriculum; 2) grammar school charity resources failed to expand sufficiently in the 18th century; and, 3)the relatively fluid state of the grammar schools was itself changed and hardened, circa 1800. This delayed further reform of the schools for at least a generation and tended to mask the positive efforts of the 18th century. Appended are primary source locations and a selected list of titles of secondary sources; full bibliographic listings are included in the author's 1967 doctoral thesis, University of Michigan, based on this study.(Author/DJB) / 07409-1-F THE UNIVERSITY OF MICHIGAN CC) COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS Nr\ Department of History CD Lr1 U.S. -
Life Is a Dream' ('La Vida Es WASHINGTON, D.C
PERFORMING ARTS 'Life is a Dream' ('La vida es WASHINGTON, D.C. sueño') Mon, June 02, 2014 6:15 pm Venue Former Residence of the Ambassadors of Spain, 2801 16th St. NW, Washington, DC 20009 View map Admission Buy tickets. Admission and reception: $10. Doors open with a Cava and Spanish tapas reception at 6:15 pm. Reading begins at 7 pm. Credits Presented by SPAIN arts & culture and the Shakespeare Theatre SPAIN arts & culture & the Shakespeare Theatre Company Company. Image: Edward Gero and the cast of Henry IV in rehearsal with present a staged reading of Calderón de la Barca’s Michael Kahn by Elayna Speight. masterpiece, translated by Helen Edmundson and directed by Gus Heagerty. Once you believe that life is a dream, how do you live? In this special presentation at the elegant former residence of the Ambassadors of Spain, Calderón’s immortal philosophical masterpiece comes to thrilling life in this one-night-only staged reading performed by some of Washington’s finest actors. When a prophecy toys with the freedom of a Polish Prince, and a Princess takes on a disguise to find her true love, they begin to question the nature of reality itself. Packed with swordfights, love scenes, comic interludes, and poetry to rival Shakespeare, come see the play that critics consider the greatest work of the Spanish Golden Age. Join us after the reading for a discussion with the director, Gus Heagerty, dramaturg, Drew Lichtenberg and Rick Davis, Executive Director of the Hylton Performing Arts Center and Professor of Theater at George Mason University.