Slater Bradley Studio [email protected] www.slaterbradley.com

Slater Bradley

1975 born in San Francisco, CA

Education:

1998 BA, University of California, Los Angeles, CA

Solo Exhibitions:

2014 LOOP Fair, Barcelona, Spain (under the auspices of Galeria Filomena Soares, forthcoming May 2014)

2013 Sean Kelly Gallery, New York, NY, A Point Beyond the Tree Johnson Museum of Art, Cornell University, Ithaca, NY, Sequoia: Recent Work by Slater Bradley Galería Helga de Alvear, Madrid, Spain, she was my la jetée 21c Museum, Bentonville, AR, Slater Bradley and Ed Lachman: Dead Ringer

2012 Max Wigram Gallery, London, England, Slater Bradley: Nudes Galeria Filomena Soares, Lisbon, Portugal, Melancholia Team Gallery, New York, NY, Don’t Let Me Disappear

2011 Aspen Art Museum, Aspen, CO, Slater Bradley and Ed Lachman: Look Up and Stay in Touch (cat.) Max Wigram Gallery, London, England, NEVER BET AGAINST ME Galería Helga de Alvear, Madrid, Spain, Slater Bradley and Ed Lachman: Shadow

2010 Whitney Museum of American Art, New York, NY, Slater Bradley and Ed Lachman: Shadow (curated by Chrissie Iles) PSM Galerie, Berlin, Germany, CLEAN SLATE

2009 Team Gallery, New York, NY, if we were immortal Max Wigram Gallery, London, England, Boulevard of broken dreams Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, nothing changes how it used to be

2008 Taka Ishii Gallery, Tokyo, Japan, Perfect Empathy 2007 Blum & Poe, Los Angeles, CA, Hope From A Dark Place Max Wigram Gallery, London, England,The Unreleased Factory Galería Helga de Alvear, Madrid, Spain, Tonic-Clonic The Armory Show, New York, NY (under the auspices of Team Gallery) Contemporary Art Museum, St. Louis, MO

2006 Team Gallery, New York, NY, The Abandonments Max Wigram Gallery, London, England, In a Mixed State

2005 Taka Ishii Gallery, Tokyo, Japan, Uncharted Settlements Galerie Lisa Ruyter, Vienna, Austria, Intermission Savannah College of Art and Design, Savannah, GA, Lifetime Achievement Award (cat., curated by Matthew Mascotte) UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, Slater Bradley/ MATRIX 216: The Year of the Doppelganger The Solomon R. Guggenheim Museum, New York, NY, Recent Acquisitions: Slater Bradley’s Doppelganger Trilogy (curated by Nancy Spector)

2004 Blum & Poe, Los Angeles, CA, The Doppelganger Trilogy Team Gallery, New York, NY, STONED & DETHRONED

2003 MW Projects, London, England, Nobody Gives a Fuck What You Go Do With Your Life Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY (cat.)

2002 The Armory Photography Show, New York, NY (under the auspices of Team Gallery) Team Gallery, New York, NY, Here are the Young Men Universitätsstadt Kaiserslautern, Kaiserslautern, Germany Art + Public, Geneva, Switzerland Arndt & Partner, Berlin, Germany, Keys in the Mailbox

2001 Video Cube, FIAC, Paris, France (under the auspices of Galerie Yvon Lambert) Statements, Art | 32 | Basel, Switzerland, (under the auspices of Team Gallery) Galerie Yvon Lambert, Paris, France, Trompe Le Monde Refusalon, San Francisco, CA, Home Town Hero

2000 P.S.1, Long Island City, NY, Special Projects Series (curated by Klaus Biesenbach) Team Gallery, New York, NY, Charlatan Irvine Fine Arts Center, Irvine, CA, I was rooting for you

1999 Team Gallery, New York, NY, The Fried Liver Attack Selected Group Exhibitions:

2014 Le 106, Rouen, France, mythOmania (forthcoming May 2014, curated by Stephane Malfettes) Paris Photo, Los Angeles, CA, Screaming (forthcoming April 2014, will travel to Fotofocus Biennial, Cincinnati, OH, in October 2014, curated by Kevin Moore) EYE Film Museum, Amsterdam, The Netherlands, Cinema Remake (forthcoming March 2014) Zabludowicz Collection, London, England, Infinite City (forthcoming February 2014)

2013 CCA Wattis Institute for Contemporary Arts, San Francisco, CA, City of Disappearances Centro+Centro Palacio de Cibeles, Madrid, Spain, EL ARTE DEL PRESENTE. COLECCIÓN HELGA DE ALVEAR, Mecenazgo al servicio del arte. Eric Firestone Gallery, East Hampton, NY, Seventh-Inning Stretch 21c Museum, Cincinnati, OH, Dis-semblance: Perceiving and Projecting Identity Rongwrong Gallery, Amsterdam, The Netherlands, Public Display of Affection

2012 Art Academy Minerva, Groningen, The Netherlands, In Search Of... Eric Firestone Gallery, East Hampton, NY, Parts & Service Los Angeles County Museum of Art, Los Angeles, CA, Figure and Form in Contemporary Photography The Hole, New York, NY, Portrait of a Generation 28th Hamburg International Short Film Festival, Hamburg, Germany, Untied Tastes of America (curated by David Gryn) La Colección Jumex, Mexico City, Mexico, Poule! (curated by Michel Blancsubé)

2011 Art | Basel | Miami | Beach, Miami, FL, Art | Video (under the auspices of Team Gallery and Blum & Poe Gallery) Hospicio Cabañas, Guadalajara, Mexico, Now (curated by Victor Zamudio-Taylor) Sheldon Art Gallery, St. Louis, MO, I’ll Be Your Mirror RH Gallery, New York, NY, Melodymania StandART Video Series, Curated by Creative Time Garage Projects, 54th Venice Biennale, Venice, Italy, Commercial Break (curated by Neville Wakefield) Kraków Photomonth, Kraków, Poland, Alias (curated by Adam Broomberg & Oliver Chaharin) Ellipse Foundation, Cascais, Portugal, The Last First Decade (curated by Alexandre Melo and Ivo André Braz) Casino Luxembourg - Forum d’art contemporain, Luxembourg, Second Lives : Jeux masqués et autres Je

2010 The Guggenheim Museum, Bilbao, Spain, Haunted Gallery Koko, Tokyo, Japan, NEW YORK The Loudest Lambert Collection, Avignon, France, I Believe in Miracles Magazzino D’Arte Moderna, Rome, Italy, Landscapes Galeria Filomena Soares, Lisbon, Portugal, This is My Condition (curated by Alexandre Melo) Seattle Art Museum, Seattle, WA, Kurt (curated by Michael Darling) Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain, Sur le Dandysme Museo Universitario del Chopo, Mexico City, Mexico, Dracula Effect Centro de Artes Visuales Fundacion Helga de Alvear, Caceres, Spain, Margenes de Silencio Solyanka State Gallery, Moscow, Russia, HOW TO KILL A CELEBRITY (curated by David Gryn, Pinky Ghundale and Katya Bochavar) LAND, Los Angeles, CA, The secret (still) knows Chelsea Art Museum, New York, NY, Fourteen Again 2009 Charest Weinberg Gallery, Miami, FL, Herd Thinner (curated by David Hunt) NYCAMS, New York, NY, Incarnational Aesthetics (curated by Jenny Jaskey and Stamatina Gregory) P.S.1, Long Island City, NY, 100 Years (Version #2) Lead Apron, Los Angeles, CA, Geography of the Imagination (curated by Michael Briggs) Guggenheim Museum, Bilbao, Spain, Videowork from the Collection Blum & Poe, Los Angeles, CA, Inaugural Group Exhibition La Colección Jumex, Mexico City, Mexico, Nothingness and Being (curated by Shamim M. Momin) 2009-2007 Museum of Contemporary Art, Chicago, IL, Sympathy for the Devil: Art and Rock and Roll since 1967 (traveled to the Museum of Contemporary Art, Miami, FL and Musée d’ Art Contemporain de Montréal, Montréal, Canada, curated by Dominic Molon)

2008 Sean Kelly Gallery, New York, NY, Cancelled, Erased and Removed Domus Artium 02, Salamanca, Spain, Rock My Religion (curated by Javier Panera) Centro Cultural de Cascais, Cascais, Portugal, Young at Heart (Remix) (curated by Alexandre Melo) Paul Stolper Gallery, London, England, Accessories to an Artwork (curated by Peter Saville) Malmo Konsthall, Malmo, Sweden, Auto Stop New Orleans Museum of Art, New Orleans, LA, A Curators Gift: Contemporary Photography from Diego Cortez Center for Visual Art, Metropolitian State University, Denver, CO, still: Slater Bradley, Sally Mann, Nigel Poor (curated by Greg Watts and Cinthia Fiss) Kunstnernes Hus, Oslo, Norway, The Ghost in the Machine (curated by Elisabeth Byre and Susanne Sather) Casino Luxembourg, Luxembourg, VOLUME(S) (curated by Marc Clement and Kevin Muhlen) Wilkinson Gallery, London, England, The Object is in the Mirror (Part II), (curated by Max Henry)

2007 Layr Wuestenhagen Contemporary, Vienna, Austria, The Object is in the Mirror (curated by Max Henry) Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, The Present Order is the Disorder of the Future (curated by Karel Schampers) Herbert F. Johnson Museum of Art, Ithaca, NY, Stop, Look and Listen (traveled to Haggerty Museum of Art, Marquette University, Milwaukee, WI, curated by Andrea Inselmann) Arndt & Partner, Berlin, Germany, Sweet Bird of Youth (curated by Hedi Silmane) TH Inside, Milan, Italy, Noise (curated by Elena Bordignon)

2006 Ellipse Foundation, Cascais, Portugal, Open House Galeria Presença, Porto, Portugal, Young at Heart (curated by Alexandre Melo) Busan Museum of Modern Art, Busan, Korea, Busan Biennale (cat.) Aspen Art Museum, Aspen, CO, Belief and Doubt (curated by Heidi Zuckerman Jacobson, cat.) Madre Modern Art Museum, Naples, Italy, People (curated by Eduardo Cicelyn and Mario Codagnato) Andersen Gallery, Copenhagen, Denmark, Boisterous Kunsthalle Mannheim, Mannheim, Germany, Full House Collection Lambert, Avignon, France, Figures of the Player, the Paradox of the Actor Pitti Foundation, Florence, Italy, Human Game, Winners and Losers (curated by Frencesco Bonami) University of Alabama Visual Arts Gallery, Birmingham, AL, Smoke and Mirrors: Deception in Contemporary Art Discoteca di Stato E Museo dell’Audiovisivo Auditorium, Rome, Italy, Setting the Scene (curated by Adrienne Drake) Schirn Kunsthalle Frankfurt, Frankfurt, Germany, Youth of Today (curated by Matthias Ulrich) Mary Boone Gallery, New York, NY, I Love My Scene: Scene 2 (curated by José Freire)

2005 De Appel Foundation, Amsterdam, The Netherlands, The Gravity in Art (curated by Theo Tegelaers and Rene Daalder) Galerie Yvon Lambert, Paris, France, Le Studio: Slater Bradley Kunsthalle Wien, Vienna, Austria, Superstars-The Principle of Renown (traveled to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Atrium 2002, Salamanca, Spain, curated by Thomas Mießgang, Heike Eipeldauer and Florian Steininger, cat.) Estudio Helga de Alvear, Madrid, Spain, 3 or 4 Stories Contemporary Arts Center, Cincinnati, OH, Star Star NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany, Video II: Allegorie Allston Skirt Gallery, Boston, MA, Downstrokes and Feedback (curated by Lisa Schiff ) Barbara Gladstone Gallery, New York, NY, Bridge Freezes Before Road (curated by Neville Wakefield) Max Wigram Gallery, London, England, Threshold Museo Reina Sofia, Madrid, Spain, video-musica-video (curated by Bob Nickas) Collection Lambert, Avignon, France, La Collection D’ Enea Rich

2004 The Museum of Modern Art, New York, NY, Premieres Institute of Contemporary Art, Palm Beach, FL, I Feel Mysterious Today (curated by Dominic Molon) University Galleries, Florida Atlantic University, Boca Raton, FL, Me, Myself and I (curated by Paul Laster and Renee Riccardo) The Tang Museum, Sarasota Springs, NY, A Very Liquid Heaven (cat.) The Salina Art Center, Salina, KS, Will Boys Be Boys?: Questioning Masculinity in Contemporary Art (traveled to Museum of Contemporary Art, Denver, CO; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gulf Coast Museum of Art, Largo, FL, The Indianapolis Museum of Art, Indianapolis, IN, (curated by Shamim M. Momin, cat.) Bronx Museum of Art, Bronx, NY, Music/Video Savannah College of Art and Design, Atlanta, GA, Motion Stills Studio Museum in Harlem, New York, NY, Harlem Postcards Museum of Contemporary Art, Chicago, IL, Stalemate Galerie Nationale du Jeu de Paume, Paris, France, Unlightment Museum of Contemporary Art, Belgrade, Serbia and Montenegro, The Yugoslav Biennial (cat.) Galerie Lisa Ruyter, Vienna, Austria, The Rose Garden Without Thorns Esso Gallery, New York, NY, Portraits The Whitney Museum of American Art, New York, NY, The Whitney Biennial (cat.) Palais de Tokyo, Paris, France, Playlist (cat.)

2003 Gallery 400, University of Illinois, Chicago, IL, When Darkness Falls (traveled to Midway, Saint Paul, MN, curated by Melanie Schiff and Kristen Van Denventer) Team Gallery, New York, NY, An Enquiry into those Kinds of Distress which excite agreeable Sensations (1773): Slater Bradley & Banks Violette Blum & Poe, Los Angeles, CA, Inaugural Show, New Space Ramp Gallery, Wakaito Institute of Technology, Hamilton, New Zealand, from the flat files (curated by Brian Butler and Amada Cruz) Taka Ishii Gallery, Tokyo, Japan, Study ESSO Gallery, New York, NY, What am I doing Here? Tina Kim Projects, New York, NY, Then The World Would Be Upside Down (curated by Randy Moore) Space 101, Brooklyn, NY, Country Mouse, City Mouse (curated by David Hunt) Blum & Poe, Santa Monica, CA, I See a Darkness Fondazione Pitti Immagine, Florence, Italy, The Fourth Sex: The Extreme People of Adolescence (curated by Francesco Bonami and Raf Simons, cat.) Smart Project Space, Amsterdam, The Netherlands, Someone to Watch Over Me (curated by Thomas Peutz and Una Henry)

2002 Galería Helga de Alvear, Madrid, Spain, The Passing: Slater Bradley, Matt Collishaw, Christian Marclay (curated by Charlotte Schepke) Aux Anciennes Pompes Funebres de la ville Paris, Paris, France, Nuit Blanche: plus qu’une image (curated by Caroline Bourgeois) Musée d’Art Moderne et Contemporain, Strasbourg, France, Music/Video (curated by Lydia Yee) Galerie Yvon Lambert, Paris, France, Les Enfants du Paris Art | 33 | Basel, Basel, Switzerland, Art Unlimited (cat., under the auspices of Team Gallery) Low, Los Angeles, CA, Slater Bradley Mark Leckey, John Williams Lawesome Menzies Flynn, Sydney, Australia, International Contemporary Emerging Art The v, Los Angeles, CA, The Standard Projection #3 (curated by Yvonne Force) Collection Lambert en Avignon, Avignon, France, Photographier Team Gallery, New York, NY, burst Roth Horowitz Gallery, New York, NY, Copy (curated by Neville Wakefield) Low, Los Angeles, CA, Heaven Knows I’m Miserable Now Urula Bickle Stiftung, Kraichtal, Germany, Dark Spring (curated by Nicolaus Schafhausen and Liam Gillick, cat.)

2001 Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Casino 2001 (curated by Jeanne Greenberg Rohatyn, cat.) Kunsthaus Meran-Merano Arte, Merano, Italy, Art and Wellbeing -- The Asthetics of Recreation (curated by Andrea Domesle, cat.) Borusan Centre for Culture and Arts, Istanbul, Turkey, Metropolis Now (curated by Elga Wimmer, traveling to the Reina Sofia, Madrid, Spain) Le Studio at Galerie Yvon Lambert, Paris, Inaugural Exhibition Team Gallery, New York, NY, Objects in Mirror Are Closer Than They Appear Kunsthalle Fridericianum, Kassel, Germany, Schau mir in die Augen, Kleines! (curated by Rene Block, cat.) National Museum of Film, Television and Photography, West Bradford, England, In a Lonely Place (curated by Greg Hobson, cat.) Momenta, Brooklyn, NY, Dear Dead Person (curated by Banks Violette)

2000 Echo Park Projects, Los Angeles, CA, Friction Fiction Refusalon, San Francisco, CA, 1:1 Museum of Contemporary Art, Washingon, DC, The World is Not Enough (curated by Lisa Ruyter) 1999 Irvine Fine Arts Center, Irvine, CA, SoCal Car Culture (cat.) Parco Gallery, Tokyo, Japan, PO+ KU ART REVOLUTION (curated by Takashi Murakami) Studio 870, Los Angeles, CA, long cold winter in an endlessnameless

1998 W139, Amsterdam, The Netherlands, Blind Date with Erik Wesselo (cat.) Studio 870, Los Angeles, CA, A sound goodbye demand with Jay Batlle Remba Gallery, Los Angeles, CA, Text and Numbers

1997 W139, Amsterdam, The Netherlands, CA 90001-185

Curation:

2010 Solomon R. Guggenheim Museum, New York in cooperation with Walt Disney Pictures Pain: A Fictional Exhibition Curated by Slater Bradley, Walt Disney Pictures, ‘When in Rome’,

2009 Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, Gerard Fieret: Portraits of women (with Xander Karskens)

2006 Blum & Poe, Los Angeles, CA, The Monty Hall Problem

2004 Wallspace Gallery, New York, NY, I, Assassin

1997 Spanish Kitchen, Los Angeles, CA, new memory

Solo Exhibition Catalogues:

2012 Look Up and Stay in Touch, Texts by Chrissie Iles, Mark Rappolt and Heidi Zuckerman Jacobson, Aspen Art Press.

2007 Lifetime Achievement Award, Texts by Matthew Mascotte and Paul Fleming, Savannah College of Art And Design.

2003 don’t let me disappear, Text by Amada Cruz, Center for Curatorial Studies, Bard College. Selected Bibliography:

2014 Knoblauch, Loring, “Slater Bradley, A Point Beyond the Tree @Sean Kelly,” collectordaily.com, January 10, web (ill.). “Riad Review: Robert Mapplethorpe and Slater Bradley at Sean Kelly Gallery,” RIADrepresents.com, January 8, web (ill.).

2013 “Art Listings,” Time Out New York, Thursday, December 26. Rozental, Rotem, “Critic’s Picks,” Artforum.com, December 18, web (ill.). Beltrans, J.D., “Last Days for Two of the Best Fall Bay Area Shows: City of Disappearances and Energy That Is All Around,” The Huffington Post San Francisco, December 16, web (ill.). Fonts, Carlos J., “Slater Bradley: A Point Beyond the Tree,” muséemagazine.com, December 16, web (ill.). Tanenbaum, Kayla, “Slater Bradley, to the Point,” Interview Magazine, December 13, web (ill.). “Slater Bradley: she was my la jetée,” Nowness.com, April 5, web (ill.). von Thurn und Taxis, Elisabeth, “Slater Bradley über sein Lissabon,” Weltkunst, No. 69, February, p. 98 (ill.).

2012 “Diary,” Mousse Magazine, No. 36, December, p. 239 (ill.). Haden-Guest, Anthony, “Anthony Haden-Guest’s New York,” The Art Newspaper, Issue 239, October, p. 56 Elliott, Hannah, “To Do: Eric Firestone Opens ‘Parts and Service’ In East Hampton,” Forbes.com, August 14, web (ill.). “Melancholia,” Un-titled Project, Issue No. 4, pp. 148 - 159 (ill.). Boucher, Brian, “Slater Bradley,” Art in America, May, p. 173 (ill.). Cohen, David, “January, 2012: Michèle C. Cone, Ana Finel-Honigman and Anthony Haden-Guest,” Artcritical.com, National Academy Museum and School of Fine Arts, New York, January 27, web (ill.).

2011 Basciano, Oliver, “Eternal Adolescence,” ArtReview, January/February, pp.84-89 (ill.). “New York The Loudest,” Vogue Japan, November. Hultkrans, Andrew, “Dead Again,” Artforum.com, November 2. McGrath, Daniel, “Slater Bradley,” Art Papers, September/October, p. 47. Malone, Micah, “Kurt,” Artforum.com, August. Doubal, Rosalie. “Slater Bradley,” Time Out London, June. Bas, Borja, “Avistado el fantasma de river phoenix,” El Pais, April. “Entrevista a Slater Bradley y Ed Lachman,” Revista Claves de Arte, April. Rodriguez, Hilario J. “Lachman & Bradley: El cine puede matar,” ABC, April. Cashan, Marina, “Live Souls,” Modern Painters, March, pp.32-34 (ill.).

2010 “New York The Loudest,” Vogue Japan, November. Hultkrans, Andrew, “Dead Again,” Artforum.com, November 2. Cashdan, Marina, “On the Anniversary of River Phoenix’s death...” Huffingtonpost.com, October. Rappolt, Mark, “We Care A Lot,” ArtReview, October, pp. 72-74 (ill.). Rappolt, Mark, “On View,” Art Review, 2010 (ill.). Malone, Micah, “Kurt,” Artforum.com, August. Daly, Ian, “The New Kings of the Art World,” Details, April (ill.). Cashdan, Marina, “Live Souls,” Modern Painters, March, pp.32-34 (ill.). 2009 Rosenberg, Karen, “Yes, Amid the Boutiques, Soho is Still Avant-Garde”, The New York Times, December 4, p.C37. Kley, Elisabeth, “Slater Bradley: Immortal Beloved,” Artnet.com, December. Coomer, Martin, “Slater Bradley: Boulevard of Broken Dreams,” Art Review.com, September. Kley, Elisabeth, “Slater Bradley: Perfect Empathy,” Eyemazing Magazine, Spring, pp.6-16 (ill.).

2008 Paterson, Carrie, “Slater Bradley: Blum & Poe,” Flash Art, January/February, pp. 148-9 (ill.). Blunk, J.B., “Unsigned Article,” San Francisco 20th Century Art & Design Show Catalog, pp. 18-20. Villarreal, Jose, “Installations II: Video from the Guggenheim Collection Opens in Bilbao,” ArtDaily, March 3.

2007 Coburn, Tyler, “Slater Bradley: Man in the Mirror,” ArtReview, December, pp. 74-77 (ill.). Sholis, Brian, “Slater Bradley,” Artforum, February, p.295 (ill.).

2006 Genocchio, Benjamin, “Slater Bradley,” The New York Times, December 8, p.E29 (ill.). “Art Picks,” The New Yorker, December 6, p.23. Kley, Elisabeth, “Slater Bradley,” Time Out New York, November 30, p. 76 (ill.). Kunitz, Daniel, “Cinephile: Slater Bradley,” ArtReview, November, p.46 (ill.). Uran, Pelin, “Slater Bradley: An Interview,” UOVO, Issue 11, pp.156-69 (ill.). Kley, Elisabeth, “Critic’s Pick: Slater Bradley,” ARTnews, June, p.168 (ill.). Herbert, Martin, “Slater Bradley,” Time Out London, May 3-10, p.41 (ill.). Bonham-Carter, Charlotte, “Showdown,” ArtReview, March, p.25 (ill.). Weber, Bruce, “The Renegades,” W, February, (ill.). Feldman, Melissa, E., “Slater Bradley at Berkeley Art Museum and Blum & Poe” Art in America, January, p.128-129 (ill.).

2005 Keats, Jonathon, “Popshots,” San Francisco, April, (ill.). DiPietro, Monty, “New Art Seen,” The Japan Times, November 17 (ill.). Jones, Kristin M., “Bridge Freezes Before Road,” frieze, October, pp.2217-8 (ill.). Cotter, Holland, “5 X U,” The New York Times, July 22, p.E31 Cotter, Holland, “Fanciful to Figurative to Wryly Inscrutable,” The New York Times, July 8, p.E29, 31 (ill.). Lo, Melissa, “Slater Bradley,” Flash Art, March-April, pp.117-118 (ill.). Bradley, Slater, “Speak Memory: Reflections on the Doppelganger Trilogy,”PAJ: A Journal of Performance and Art, January, pp.108-110. Kley, Elisabeth, “The Disappearing Subject: Looking for Slater Bradley,” PAJ: A Journal of Performance and Art, January, pp. 102-107 (ill.).

2004 Hildebrand, Lucas “Grainy Days and Mondays: Superstar and Bootleg Aesthetics,” Camera Obscura 57, Volume 19, Number 3, published by Duke University Press, pp.56-91. Willis, Holly, “The Doppelganger Trilogy,” LA Weekly, December 24-30, p.74 (ill.). Wada, Kyoko, “Boys’ Life: Slater Bradley,” Brutus, August, pp.90-93, 116 (ill.). Heartny, Elanor, “The well-tempered Biennial,” Art in America, June-July, pp.71-77. Wilson, Michael, “I, Assassin,” frieze, May, p.107 (ill.). Knight, Christopher, “Binary days at the Biennial,” Los Angeles Times, April 11, pp.E42-3 Diez, Renato, “Alla Biennale del Whitney Torna la Pittura,” Arte, April, pp.104-11. Saltz, Jerry, “The OK Corral,” The Village Voice, March 17-23, p.80. Kimmelman, Michael, “Touching All Bases At The Biennial,” The New York Times, March 12, pp.E27, 38. Schjeldahl, Peter, “What’s New: The Whitney Biennial,” The New Yorker, March 22, pp.100-01. Milroy, Sarah, “Art in a tremulous time,” Globeandmail.com, March 17. Dawn, Randee, “Artist Salutes Cobain With New Music Video,” Billboard.com. Stringfield, Anne, “Art Picks,”The New Yorker, March 8, p.17. Schambelan, Elizabeth, “Critic’s Picks,” Artforum.com. Rosenberg, Karen, “Come as You Art,” New York, February 23, p.76, (ill.). Salden, Mark, “Buried Treasures,” Art Review, January, pp.37-38, (ill.).

2003 Weiner, Clay, “The Importance of Being Slater Bradley,” Dazed and Confused, November, pp.100- 104, (ill.). Watson, Simon, “Post Bubble,” Issue, Fall, pp.118-39, (ill.). Harris, Jane, “Review of ‘An Enquiry...’,” Time Out New York, October 2, p.63. (ill.). Genocchio, Benjamin, “Video and Photographs That Teeter on the Edge,” The New York Times, August 17, p._ (ill.). Cotter, Holland, “Upstate, From Eerie Video to Moods of Shaker Calm,” The New York Times, July 25 Valdez, Sarah, “The Observer,” Paper Magazine, August, p.48 (ill.). Mar, Alex, “Gallery Going,” The New York Sun, July 3, p.16. LaBelle, Charles, “Review of ‘I See a Darkness,” frieze, June-August, p. 116. Knight, Christopher, “On the Underbelly of the Zeitgeist,” The Los Angeles Times, February 21, p. E24. Fujimori, Manami, “Very New York,” Bijutsu Techi, January, p. 45 (ill.).

2002 Cohen, Michael, “Review: Slater Bradley at Team,” Flash Art international, July/September, p. 118 (ill.). Cotter, Holland, “Art in Review: Slater Bradley,” The New York Times, May 17. Schwendener, Martha, “Review,” Time Out New York, May 23-30, p.76 (ill.).

2001 Levin, Kim, “Voice Choice: Objects in Mirror are Closer Than They Appear,” The Village Voice, September 18, p.78. Lepore, Louise, “Early Risers,” W, September, pp.458-562 (ill.). Boyer, Charles-Arthur, “Review of exhibition at Yvon Lambert,” Art Press, June, pp.79-80 (ill.). Kley, Elizabeth, “In Search of False Time: Slater Bradley/T.J. Wilcox/Isaac Julien,” PAJ: A Journal of Performance and Art, No. 68, May pp.61-67 (ill.). Cotter, Holland, “Review of ‘Dear Dead Person’,” The New York Times, May 25, p.E29. Guerrin, Michel, “Intimacies dérangentes,” Le Monde, April 1. Henry, Max, “Review,” Art in America, April, p.144 (ill.). Iida, Takayo, “Slater Bradley,” Bijitsu Techi, March (ill.). Isé, Claudine, “Feature,” Res Magazine, March, (ill.). Hunt, David, “Review,” frieze, March, (ill.). Westbrook, Lindsey, “Review of ‘Home Town Hero’,” The San Francisco Bay Guardian, January 17-23, p.85 (ill.).

2000 Sundell, Margaret, “Review,” Artforum, November, p.157, (ill.). Lin, Jeremy, “Prodigies: View Master,” Surface, No. 26, November, pp.1, 108, 110, (ill.). Pizarro, Max, “Georgetown gallery strives to keep it real with exhibit,” The Georgetown Current, September 27, pp.16, 18. Scott, Andrea, “Art Picks,” The New Yorker, October 9, p.18. Levin, Kim, “Voice Choice: Recommended,” The Village Voice, October 10, p.104. Mahoney, Robert, “Review,” Time Out New York, September 21-28, p.69, (ill.). Smith, Roberta, “Reveiw,” The New York Times, September 15, p.E33.

1999 Levin, Kim, “Voice Choice: Recommended,” The Village Voice, July 6. Henry, Max, http://www.artnet.com, July.

1998 Murakami, Takashi, “ 1998 Fall LA Art Scene News,” Studio Voice, Fall. Fisher, Kevin, “Recital For Flight,” World Wide Video Festival Catalogue. Isé, Claudine, “By the Numbers,” LA Times, Aug. 2.

1997 Veraart, Karin, Volkstraat, Nov. 12 “Scholarship support offers lifelong opportunities,” UCLA Arts Magazine, Fall.

Awards and Grants:

2005 The Louis Comfort Tiffany Foundation Award in Video

1998 UCLA Art Council Grant

1996 UCLA Lillian Levenson Scholarship UCLA President’s Undergraduate Fellowship

Commissions and Special Projects:

2012 The Last Word, Solomon R. Guggenheim Museum

2011 Curated Playlist, Art After Dark, Solomon R. Guggenheim Museum

2010 aquaseafoamshame | A Thousand Years, Sting Symphonicity World Tour

2005-2006 Dark Night of the Soul, NASA Art Program in cooperation with the American Museum of Natural History, NY

2004 Melody, Blonde Redhead, 4AD Conquistadors (who took their share), Whitney Gala, Whitney Museum of American Art The Animals, Art for Art’s Sake, NY 2001 Radio Gra, Unwound, Kill Rock Stars (KRS 369) Public Collections:

Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, CA Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY Collection Lambert en Avignon, Avignon, France David Roberts Art Foundation, London, England The Ellipse Foundation, Cascais, Portugal Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands Fundación Helga de Alvear, Cáceres, Spain Hamburger Kunsthalle, Hamburg, Germany Herbert F. Johnson Museum, Cornell University, Ithaca, NY Jumex Collection, Mexico City, Mexico The Kramlich Collection, San Francisco, CA Los Angeles County Museum of Art, Los Angeles, CA Martin C. Margulies Collection, Miami, FL Museum of Contemporary Art, Los Angeles, CA Museum of Modern Art, New York, NY New Orleans Museum of Art, New Orleans, LA Progressive Collection, Cleveland, OH The Solomon R. Guggenheim Museum, New York, NY 21C Museum, Louisville, KY U.B.S. Collection, Zurich, Switzerland The Whitney Museum of American Art, New York, NY Zabludowicz Collection, London, England