Annual Report 2017
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NEWS RELEASE Henry Street Settlement Responds to the COVID
NEWS RELEASE Henry Street Settlement Responds to the COVID-19 Outbreak March 19, 2020 Contact: Barbara Kancelbaum, 718-744-5310 New York, N.Y. -- Henry Street Settlement is safely providing essential services to our neighbors on the Lower East Side and throughout New York City to help everyone remain healthy and access the resources they need to get through the COVID-19 outbreak. Because this crisis poses a particular threat to the many low-income New Yorkers whom Henry Street serves, the Settlement is actively providing food, connections to needed benefits, crucial information to stay safe, and emotional support. Details follow below. Henry Street’s core services never close. Our four transitional housing residences, two supportive housing buildings, Senior Center, Meals on Wheels, and the Community Consultation Center are continuing to provide essential services to our residents and participants, particularly those who are high risk. We have suspended services that bring large groups of people together and moved others online, from ESOL classes to instrumental music lessons. “Henry Street Settlement has been opening doors, listening to the needs of our community, and responding promptly and effectively for 127 years,” said David Garza, president and CEO. “From the outset of the COVID-19 outbreak, we have been focusing on the health and safety of the community we serve, the protection and support of the team at Henry Street, and the continuity of our services and operations. Because of our long-standing role in caring for the most vulnerable New Yorkers, we now find ourselves at the epicenter of providing vital services, safety, and stability to our residents, clients, and participants at this critical time. -
Slater Bradley Studio
Slater Bradley Studio [email protected] www.slaterbradley.com Slater Bradley 1975 born in San Francisco, CA Education: 1998 BA, University of California, Los Angeles, CA Solo Exhibitions: 2014 LOOP Fair, Barcelona, Spain (under the auspices of Galeria Filomena Soares, forthcoming May 2014) 2013 Sean Kelly Gallery, New York, NY, A Point Beyond the Tree Johnson Museum of Art, Cornell University, Ithaca, NY, Sequoia: Recent Work by Slater Bradley Galería Helga de Alvear, Madrid, Spain, she was my la jetée 21c Museum, Bentonville, AR, Slater Bradley and Ed Lachman: Dead Ringer 2012 Max Wigram Gallery, London, England, Slater Bradley: Nudes Galeria Filomena Soares, Lisbon, Portugal, Melancholia Team Gallery, New York, NY, Don’t Let Me Disappear 2011 Aspen Art Museum, Aspen, CO, Slater Bradley and Ed Lachman: Look Up and Stay in Touch (cat.) Max Wigram Gallery, London, England, NEVER BET AGAINST ME Galería Helga de Alvear, Madrid, Spain, Slater Bradley and Ed Lachman: Shadow 2010 Whitney Museum of American Art, New York, NY, Slater Bradley and Ed Lachman: Shadow (curated by Chrissie Iles) PSM Galerie, Berlin, Germany, CLEAN SLATE 2009 Team Gallery, New York, NY, if we were immortal Max Wigram Gallery, London, England, Boulevard of broken dreams Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, nothing changes how it used to be 2008 Taka Ishii Gallery, Tokyo, Japan, Perfect Empathy 2007 Blum & Poe, Los Angeles, CA, Hope From A Dark Place Max Wigram Gallery, London, England,The Unreleased Factory Galería Helga de Alvear, Madrid, Spain, Tonic-Clonic The Armory Show, New York, NY (under the auspices of Team Gallery) Contemporary Art Museum, St. -
Have a Happy Halloween!
Vol. 34, No. 10 First Class U.S. Postage Paid — Permit No. 4119, New York, N.Y. 10007 October 2004 THIRD ANNUAL KIDS’ WALK IN THE BRONX Modernization Project at Whitman/Ingersoll music, and dance to greet the One of NYCHA’s Largest Capital Improvement Projects young walkers, warm them up and cheer them on along their mile and a half trek around the track. Then, after a healthful lunch, games and activities filled the afternoon, along with educational and informational materials and face painting by Harborview Arts Center Artist-Consultant and pro- fessional clown Mimi Martinez. “Do you want to have this kind of fun next summer?” NYCHA Vice Chairman Earl Andrews, Jr. asked the assembled young peo- ple. After the loud and unsurpris- ing positive response, Mr. Andrews promised that NYCHA would do everything it could to find the funds to make Kids’ Walk On August 13th, NYCHA’s Chairman Tino Hernandez joined res- happen again. That message was idents and elected officials for a tour through Ingersoll Houses, reinforced by Board Member highlighting four model apartments. Shown here (front row, left Young residents from NYCHA’s Summer Camp program pre- JoAnna Aniello, Deputy General to right) are Whitman Houses Resident Association President pare for their one-and-a-half mile walk in Van Cortlandt Park. Manager for Community Opera- Rosalind Williams, Ingersoll Relocation Vice-Chairwoman Gloria tions Hugh B. Spence, Assistant Collins, Ingersoll Relocation Committee Member Janie Williams, By Allan Leicht Deputy General Manager for Ingersoll Relocation Committee Chairwoman Veronica Obie, ids’ Walk 2004, NYCHA’s third annual summer children’s Community Operations Michelle and Ingersoll Houses Resident Association President Dorothy walkathon to promote physical recreation and combat obesity Pinnock, and Director of Citywide Berry. -
The Marshall Project/California Sunday Magazine
ANNUAL REPORT 2018 2019 Carroll Bogert PRESIDENT Susan Chira EDITOR-IN-CHIEF Neil Barsky FOUNDER AND CHAIRMAN BOARD OF DIRECTORS Fred Cummings Nicholas Goldberg Jeffrey Halis Laurie Hays Bill Keller James Leitner William L. McComb Jonathan Moses Ben Reiter Topeka Sam Liz Simons (Vice-Chair) William J. Snipes Anil Soni ADVISORY BOARD Soffiyah Elijah Nicole Gordon Andrew Jarecki Marc Levin Joan Petersilia David Simon Bryan Stevenson CREDITS Cover: Young men pray at Pine Grove Youth Conservation Camp—California’s first and only remaining rehabilitative prison camp for offenders sentenced as teens. Photo by Brian Frank for The Marshall Project/California Sunday Magazine. Back cover: Photo credits from top down: WILLIAM WIDMER for The Marshall Project, Associated Press ELI REED for The Marshall Project. From Our President and Board Chair Criminal justice is a bigger part of our national political conversation than at any time in decades. That’s what journalism has the power to do: raise the issues, and get people talking. In 2013, when trying to raise funds for The Marshall Proj- more than 1,350 articles with more than 140 media part- ect’s launch, we told prospective supporters that one ners. Netflix has turned our Pulitzer-winning story, “An of our ambitious goals was for criminal justice reform to Unbelievable Story of Rape,” into an eight-part miniseries. be an integral issue in the presidential debates one day. We’ve reached millions of Americans, helped change “I would hope that by 2016, no matter who the candidates laws and regulations and won pretty much every major are… that criminal justice would be one of the more press- journalism prize out there. -
Tobias Armborst, Georgeen Theodore, and Daniel D'oca Of
NORCs IN NEW YORK Tobias armborsT, GeorGeen Theodore, and daniel d’oCa of inTerboro ParTners Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/thld_a_00145 by guest on 23 September 2021 INTERBORO PARTNERS NORC is a funny word, but we didn’t make it up. On the contrary, the word is recognized by the local, state, and federal government, and has been in use since 1986. Actually, NORC is an acronym. It stands for “Naturally Occurring Retirement Community.” Basically, a NORC is a place (a building, a development, a neighborhood) with a significant elderly population that wasn’t purpose-built as a senior community. What counts as a “significant elderly population” varies from place to place (and from one level of government to the next), but that’s the basic definition. NORCs are important because once a community meets the criteria, it becomes eligible for local, state, and federal funds to retroactively provide that community with the support services elderly populations need (for example, case management and social work services, health care management and prevention programs, education, socialization, and recreational activities, and volunteer opportunities for program participants and the community). As it happens, there are 27 NORCs in New York City, located in four boroughs. NORCs are a national—even international— phenomenon, but the NORC movement began right here in New York City, when a consortium of UJA-Federation agencies THRESHOLDS 40 established the Penn South Program for Seniors in 1986. Let us say a few words about why we’re so interested in NORCs: First of all, the “naturally occurring” part is intriguing. -
Annual Report for the As a Result of the National Financial Environment, Throughout 2009, US Congress Calendar Year 2009, Pursuant to Section 43 of the Banking Law
O R K Y S T W A E T E N 2009 B T A ANNUAL N N E K M REPORT I N T G R D E P A WWW.BANKING.STATE.NY.US 1-877-BANK NYS One State Street Plaza New York, NY 10004 (212) 709-3500 80 South Swan Street Albany, NY 12210 (518) 473-6160 333 East Washington Street Syracuse, NY 13202 (315) 428-4049 September 15, 2010 To the Honorable David A. Paterson and Members of the Legislature: I hereby submit the New York State Banking Department Annual Report for the As a result of the national financial environment, throughout 2009, US Congress calendar year 2009, pursuant to Section 43 of the Banking Law. debated financial regulatory reform legislation. While the regulatory debate developed on the national stage, the Banking Department forged ahead with In 2009, the New York State Banking Department regulated more than 2,700 developing and implementing new state legislation and regulations to address financial entities providing services in New York State, including both depository the immediate crisis and avoid a similar crisis in the future. and non-depository institutions. The total assets of the depository institutions supervised exceeded $2.2 trillion. State Regulation: During 2009, what began as a subprime mortgage crisis led to a global downturn As one of the first states to identify the mortgage crisis, New York was fast in economic activity, leading to decreased employment, decreased borrowing to act on developing solutions. Building on efforts from 2008, in December and spending, and a general contraction in the financial industry as a whole. -
Curriculum Vitae for Hugh Scott-Douglas
HUGH SCOTT-DOUGLAS Born in Cambridge, UK, 1988 Education BFA, Ontario College of Art and Design, Toronto, Canada, 2010 Pratt Institute, Brooklyn, NY, 2005 Lives and works in Toronto, Canada One-Person Exhibitions 2019 Thank you Thank you Thank you Thank you Thank you Thank you, Blum & Poe, Tokyo, Japan 2018 ฿o₫៛€$, Blum & Poe, Los Angeles, CA 2016 Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan Trade Winds, Casey Kaplan, New York, NY 2015 Blum & Poe, New York, NY Simon Lee Gallery, Hong Kong, China Consumables, Simon Lee Gallery, London, UK Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA 2014 Promises to Pay in Solid Substance, Jessica Silverman Gallery, San Francisco, CA eyes without a face, Croy Nielsen, Berlin, Germany A Broken Mule, Kaikai Kiki Gallery, Tokyo, Japan 2013 The Cabinet of Dr. Caligari, Blum & Poe, Los Angeles, CA (exh. cat.) 2012 A Place in the Sun, Clifton Benevento, New York, NY A cashed cheque, a canceled stamp, Jessica Silverman Gallery, San Francisco, CA 2011 Sitzprobe, Croy Nielsen, Berlin, Germany Chinese Whispers, Clint Roenisch Gallery, Toronto, Canada BLUM & POE LOS ANGELES NEW YORK TOKYO 2010 An Invitation to Lubberland, Clint Roenisch Gallery, Toronto, Canada Group Exhibitions 2018 Kinship, Jessica Silverman Gallery, San Francisco, CA Horizon Lines, Jessica Silverman Gallery at 288 Pacific, San Francisco, CA 2017 A Sea Change, Jessica Silverman Gallery, San Francisco, CA 2016 The Sun Placed in the Abyss, Columbus Museum of Art, Columbus, OH (exh. cat.) The Campaign for Art, San Francisco Museum of Modern Art, San Francisco, CA Money, Good and Evil. A Visual History of Economics, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany (ext cat.) Cyanotypes: Photography's Blue Period, Worcester Art Museum, Worcester, MA (exh. -
Henry Street Settlement Virtual Senior Center “Where Good Friends Meet”
Henry Street Settlement Virtual Senior Center “Where Good Friends Meet” ONGOING CLASSES!! Coming Soon: To register for virtual tours, trips or More Virtual Classes 2:00-4:00 pm: NEW!! “Fun & PRESENTATIONS: concerts, be added to our member PLUS Games Mondays” Games, email list to receive this calendar & Virtual Presentations, Movies, Karaoke and more w/ 3:00 pm: Remembering Dr. early notice of special programming Trips, Tours & Christina & Theresa Martin Luther King Jr. w/Olivia Performances Zoom Mtg ID: 920 8476 6393 Zoom ID: 927 2055 0008 or for more information, please contact us at Funded by the NYC Click Here To Join Zoom Class!! Click Here To Join Zoom Class!! Department for the Aging & EVERY MONDAY!! on 1/15/2021 [email protected] Henry Street Settlement or call 347-493-2787 1:00 pm: Cooking w/ Ann 3:00 pm: “The Body vs. Corona Zoom Mtg ID: 830 8892 0001 Virus“ Documentary by Click Here To Join Zoom Class!! ‘Curiosity Planet’ w/ Olivia Do you live in the Vladeck Houses Haven’t Heard From a Friend Every Tuesday!!! Zoom Mtg ID: 805 494 4886 from the Center Lately? Please Click Here To Join Zoom Class!! and need some help or support? Let Us Know so We Can Make 1/19/2021 1:00 pm: Pet Visiting w/ Amy Call our NORC/ Vladeck Cares Office at Sure They’re OK Zoom Mtg ID: 810 7727 0496 Click Here To Join Zoom Class!! PARTIES/CELEBRATIONS: 212-477-0455. Our office (located at 1/7/2021 & 1/21/2021 351 Madison Street) is currently 3:00 pm: Seniors’ Announcements 2:00 pm: Drawing w/ Will closed by order of the City of NY due We will Not hold classes on New Zoom Mtg ID: 812 1135 0510 December Birthday Years Day & Martin Luther King Day Party!! w/ Olivia to the Pandemic but Staff is still Click Here To Join Zoom Class!! Friday, January 1st is “New Years Day” 1/7/2021 & 1/21/2021 Zoom Mtg ID: 884 2701 8730 assisting Vladeck Houses senior Monday, January 18th is Click Here to Join Zoom Class!! “Martin Luther King Day” residents over the telephone only 01/28 January is Monday - Friday 9 AM-5 PM. -
CELEBRATING WOMEN's VOICES a FILM FESTIVAL for the FEMALE MAJORITY FESTIVAL GUIDE 51Fest.Org & @51Fest JULY 18–21 @
A FILM FESTIVAL FOR THE FEMALE MAJORITY CELEBRATING WOMEN’s VOICES JULY 18–21 @ IFC CENTER & SVA THEATRE FESTIVAL GUIDE 51fest.org & @51fest POWERHOUSE ContentS & Guests LINEUP Staff 2 MAYOR’s & COMMISSIONER’S LETTERS 3 Welcome 5 Sponsors 6 Special Events & Premieres 7 Schedule, Tickets & Venues 21 GUESTS AND MODERATORS, IN ORDER OF APPEARANCE Kathy Griffin: A Hell of a Story After the Wedding Kathy Griffin, Actor & Comedian Julianne Moore, Producer & Actor THE WALKING DOCTOR KILLING BARONESS VON Moderator Tina Brown Moderator Tina Brown DEAD WHO EVE SKETCH SHOW Women in the World Spotlight: Supermajority For Sama AMC BBC AMERICA BBC AMERICA IFC Cecile Richards, Supermajority Co-founder Waad al-Kateab, Director Ai-jen Poo, Supermajority Co-founder Edward Watts, Director Yoruba Richen, Filmmaker of And She Could Be Next Dr. Hamza al-Kateab, Subject Moderator Tina Brown Moderator Anne Barnard, former New York Times Beirut Bureau Chief Unbelievable Susannah Grant, Showrunner & Executive Producer Otherhood Sarah Timberman, Executive Producer Cindy Chupack, Director Lisa Cholodenko, Executive Producer & Episode Director Cathy Schulman, Producer Kaitlyn Dever, Actor Jason Michael Berman, Producer Danielle Macdonald, Actor Moderator Mario Cantone, Actor & Comedian Merritt Wever, Actor A Girl from Mogadishu Raise Hell: The Life & Times of Molly Ivins Mary McGuckian, Writer & Director Janice Engel, Director Ifrah Ahmed, Real-life Subject Moderator Rachel Dry, Deputy Politics Editor Barkhad Abdi, Actor for Enterprise at The New York Times Moderator -
Vending Machines for NYCHA
First-Class U.S. Postage Paid New York, NY Permit No. 4119 Vol. 38, No. 3 www.nyc.gov/nycha MARCH 2008 NYCHA ADOPTS PRELIMINARY BUDGET FOR 2008 By Eileen Elliott THE NEW YORK CITY HOUSING of New York City and while we contribute to the deficit include: AUTHORITY (NYCHA) BOARD do have to make tough choices, the cost of operating 21 State and ADOPTED A $2.8 BILLION we have nearly 70 years of being City-built developments, which FISCAL YEAR 2008 PRELIMI- the first, the biggest and the best. amounts to $93 million annually; NARY OPERATING BUDGET We’ll get through this. We’ve an increase in non-discretionary ON JANUARY 23rd. The budget been through hard times before.” employee benefit expenses of $40 includes a $195 million structural million; $68 million for policing deficit, resulting in large part Chronic Federal services; and another $68 million from chronic Federal under- Underfunding for NYCHA-provided community funding. Before adopting the “NYCHA has lost over $611 and social services. budget, NYCHA Chairman Tino million in Federal aid since Hernandez vowed that the 2001,” said NYCHA Deputy Victories Housing Authority will continue General Manager for Finance “In many ways, NYCHA is to take aggressive action in the Felix Lam in his budget presenta- a victim of its own success,” coming year to preserve public tion at the meeting. He added that said Chairman Tino Hernandez, housing in New York City. the last time public housing was referring to the fact that NYCHA fully funded was in 2002. has managed to maintain its level Commitment to For 2008, the Federal subsidy of service despite nearly seven DISINVESTMENT The graph above shows the decline in Public Housing NYCHA receives will again be years of underfunding. -
Investing in Equitable News and Media Projects
Investing in Equitable News and Media Projects Photo credit from Left to Right: Artwork: “Infinite Essence-James” by Mikael Owunna #Atthecenter; Luz Collective; Media Development Investment Fund. INVESTING IN EQUITABLE NEWS AND MEDIA PROJECTS AUTHORS Andrea Armeni, Executive Director, Transform Finance Dr. Wilneida Negrón, Project Manager, Capital, Media, and Technology, Transform Finance ACKNOWLEDGMENTS Farai Chideya, Ford Foundation Jessica Clark, Dot Connector Studio This work benefited from participation in and conversations at the Media Impact Funders and Knight Media Forum events. The authors express their gratitude to the organizers of these events. ABOUT TRANSFORM FINANCE Transform Finance is a nonprofit organization working at the intersection of social justice and capital. We support investors committed to aligning their impact investment practice with social justice values through education and research, the development of innovative investment strategies and tools, and overall guidance. Through training and advisory support, we empower activists and community leaders to shape how capital flows affect them – both in terms of holding capital accountable and having a say in its deployment. Reach out at [email protected] for more information. THIS REPORT WAS PRODUCED WITH SUPPORT FROM THE FORD FOUNDATION. Questions about this report in general? Email [email protected] or [email protected]. Read something in this report that you’d like to share? Find us on Twitter @TransformFin Table of Contents 05 I. INTRODUCTION 08 II. LANDSCAPE AND KEY CONSIDERATIONS 13 III. RECOMMENDATIONS 22 IV. PRIMER: DIFFERENT TYPES OF INVESTMENTS IN EARLY-STAGE ENTERPRISES 27 V. CONCLUSION APPENDIX: 28 A. ACKNOWLEDGMENTS 29 B. LANDSCAPE OF EQUITABLE MEDIA INVESTORS AND ADJACENT INVESTORS I. -
Slater Bradley Studio
Slater Bradley Studio [email protected] www.slaterbradley.com Slater Bradley 1975 born in San Francisco, CA Education: 1998 BA, University of California, Los Angeles, CA Solo Exhibitions: 2014 LOOP Fair, Barcelona, Spain (under the auspices of Galeria Filomena Soares, forthcoming May 2014) 2013 Sean Kelly Gallery, New York, NY, A Point Beyond the Tree Johnson Museum of Art, Cornell University, Ithaca, NY, Sequoia: Recent Work by Slater Bradley Galería Helga de Alvear, Madrid, Spain, she was my la jetée 21c Museum, Bentonville, AR, Slater Bradley and Ed Lachman: Dead Ringer 2012 Max Wigram Gallery, London, England, Slater Bradley: Nudes Galeria Filomena Soares, Lisbon, Portugal, Melancholia Team Gallery, New York, NY, Don’t Let Me Disappear 2011 Aspen Art Museum, Aspen, CO, Slater Bradley and Ed Lachman: Look Up and Stay in Touch (cat.) Max Wigram Gallery, London, England, NEVER BET AGAINST ME Galería Helga de Alvear, Madrid, Spain, Slater Bradley and Ed Lachman: Shadow 2010 Whitney Museum of American Art, New York, NY, Slater Bradley and Ed Lachman: Shadow (curated by Chrissie Iles) PSM Galerie, Berlin, Germany, CLEAN SLATE 2009 Team Gallery, New York, NY, if we were immortal Max Wigram Gallery, London, England, Boulevard of broken dreams Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, nothing changes how it used to be 2008 Taka Ishii Gallery, Tokyo, Japan, Perfect Empathy 2007 Blum & Poe, Los Angeles, CA, Hope From A Dark Place Max Wigram Gallery, London, England,The Unreleased Factory Galería Helga de Alvear, Madrid, Spain, Tonic-Clonic The Armory Show, New York, NY (under the auspices of Team Gallery) Contemporary Art Museum, St.