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Chapter 5.1: Land Use, Zoning, and Public Policy A. INTRODUCTION
Chapter 5.1: Land Use, Zoning, and Public Policy A. INTRODUCTION This chapter describes existing land use, zoning, and public policies applicable to the proposed project and evaluates potential significant adverse effects that may result from implementation of the proposed flood protection system. Potential significant adverse effects to land use as a result of implementing the flood protection system are also evaluated. Potential land use issues include known or likely changes in current land uses within the study area, as well as the proposed project’s potential effect on existing and future land use patterns. Potential zoning and public policy issues include the compatibility of the proposed project with existing zoning and consistency with existing applicable public policies. PROJECT AREA ONE Project Area One extends from Montgomery Street on the south to the north end of John V. Lindsay East River Park (East River Park) at about East 13th Street. Project Area One consists primarily of the Franklin Delano Roosevelt East River Drive (FDR Drive) right-of-way, a portion of Pier 42 and Corlears Hook Park as well as East River Park. The majority of Project Area One is within East River Park and includes four existing pedestrian bridges across the FDR Drive to East River Park (Corlears Hook, Delancey Street, East 6th Street, and East 10th Street Bridges) and the East Houston Street overpass. Project Area One is located within Manhattan Community District 3, and borders portions of the Lower East Side and East Village neighborhoods. PROJECT AREA TWO Project Area Two extends north and east from Project Area One, from East 13th Street to East 25th Street. -
Lillian Wald (1867 - 1940)
Lillian Wald (1867 - 1940) Nursing is love in action, and there is no finer manifestation of it than the care of the poor and disabled in their own homes Lillian D. Wald was a nurse, social worker, public health official, teacher, author, editor, publisher, women's rights activist, and the founder of American community nursing. Her unselfish devotion to humanity is recognized around the world and her visionary programs have been widely copied everywhere. She was born on March 10, 1867, in Cincinnati, Ohio, the third of four children born to Max and Minnie Schwartz Wald. The family moved to Rochester, New York, and Wald received her education in private schools there. Her grandparents on both sides were Jewish scholars and rabbis; one of them, grandfather Schwartz, lived with the family for several years and had a great influence on young Lillian. She was a bright student, completing high school when she was only 15. Wald decided to travel, and for six years she toured the globe and during this time she worked briefly as a newspaper reporter. In 1889, she met a young nurse who impressed Wald so much that she decided to study nursing at New York City Hospital. She graduated and, at the age of 22, entered Women's Medical College studying to become a doctor. At the same time, she volunteered to provide nursing services to the immigrants and the poor living on New York's Lower East Side. Visiting pregnant women, the elderly, and the disabled in their homes, Wald came to the conclusion that there was a crisis in need of immediate redress. -
Slater Bradley Studio
Slater Bradley Studio [email protected] www.slaterbradley.com Slater Bradley 1975 born in San Francisco, CA Education: 1998 BA, University of California, Los Angeles, CA Solo Exhibitions: 2014 LOOP Fair, Barcelona, Spain (under the auspices of Galeria Filomena Soares, forthcoming May 2014) 2013 Sean Kelly Gallery, New York, NY, A Point Beyond the Tree Johnson Museum of Art, Cornell University, Ithaca, NY, Sequoia: Recent Work by Slater Bradley Galería Helga de Alvear, Madrid, Spain, she was my la jetée 21c Museum, Bentonville, AR, Slater Bradley and Ed Lachman: Dead Ringer 2012 Max Wigram Gallery, London, England, Slater Bradley: Nudes Galeria Filomena Soares, Lisbon, Portugal, Melancholia Team Gallery, New York, NY, Don’t Let Me Disappear 2011 Aspen Art Museum, Aspen, CO, Slater Bradley and Ed Lachman: Look Up and Stay in Touch (cat.) Max Wigram Gallery, London, England, NEVER BET AGAINST ME Galería Helga de Alvear, Madrid, Spain, Slater Bradley and Ed Lachman: Shadow 2010 Whitney Museum of American Art, New York, NY, Slater Bradley and Ed Lachman: Shadow (curated by Chrissie Iles) PSM Galerie, Berlin, Germany, CLEAN SLATE 2009 Team Gallery, New York, NY, if we were immortal Max Wigram Gallery, London, England, Boulevard of broken dreams Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, nothing changes how it used to be 2008 Taka Ishii Gallery, Tokyo, Japan, Perfect Empathy 2007 Blum & Poe, Los Angeles, CA, Hope From A Dark Place Max Wigram Gallery, London, England,The Unreleased Factory Galería Helga de Alvear, Madrid, Spain, Tonic-Clonic The Armory Show, New York, NY (under the auspices of Team Gallery) Contemporary Art Museum, St. -
Hosted Fundraising Event: How to Secure Your Funds Vol
PM World Journal Hosted Fundraising Event: How to secure your funds Vol. VII, Issue I – January 2018 by Christelle Leonetti www.pmworldjournal.net Student Paper Hosted Fundraising Event: How to secure your funds1 Christelle Leonetti ABSTRACT Nonprofit organizations and non-governmental organizations (NGOs) represent more than 10 million organizations throughout the world and most of them use fundraising to collect money for their programs. However, they do not use the same methods or have the same results. Fundraising can fail and let the organization without fund and with a negative cashflow depending of the method used and the event planned. Therefore, this paper is developed to analyze the different methods used to raise funds using Multi-Attribute Decision making and determine which one is the best and most effective to use to create a fundraising contract. Based on the analysis, only using one method ensures a low rate of success therefore organizations must be creative when creating their fundraising strategy and aimed at organizations as well as individuals. Key Words: fundraising, event planning, termination, funds, contract, relative weighting INTRODUCTION The American Association of Fundraising Professionals’ 2016 “the Fundraising Effectiveness Survey” report states that the amount raised between 2014 and 2015 by 9,922 nonprofit organizations in the United States is $8,628,240,699. How do those organizations raise so much money? They use online fundraising (Causes, Crowdrise), grants, financial endowment or they use their network to communicate directly with potential donors by organizing events that combine a just cause with a moment of sharing. Those events can be categorized in 3 different types: self- managed events that the organization manages by itself to raise money, one of the most famous being the “Monaco Red Cross Ball” organized yearly since 1948 by the Red Cross. -
THE CITY of NEW YORK MANHATTAN COMMUNITY BOARD 3 59 East 4Th Street - New York, NY 10003 Phone (212) 533 -5300 - [email protected]
THE CITY OF NEW YORK MANHATTAN COMMUNITY BOARD 3 59 East 4th Street - New York, NY 10003 Phone (212) 533 -5300 www.cb3manhattan.org - [email protected] Jamie Rogers, Board Chair Susan Stetzer, District Manager District Needs Statement for Fiscal Year 2019 Introduction Community Board 3 Manhattan spans the East Village, Lower East Side, and a vast amount of Chinatown. It is bounded by 14th Street to the north, the East River to the east, the Brooklyn Bridge to the south, and Fourth Avenue and the Bowery to the west, extending to Baxter and Pearl Streets south of Canal Street. This community is filled with a diversity of cultures, religions, incomes, and languages. Its character comes from its heritage as a historic and present day first stop for many immigrants. CD 3 is one of the largest board Districts and is the fourth most densely populated District, with approximately 164,063 people.1 Our residents are very proud of their historic and diverse neighborhood, however, the very characteristics that make this District unique also make it a challenging place to plan and ensure services for all residents and businesses. Demographic Change The CD 3 population is changing in many ways. The 2000 census reported that 23% of our population, over 38,000 of our residents, required income support. By 2014, this number had jumped to about 41% of the total population, over 68,000 persons.2 The number of people receiving Medicaid-only assistance also continues to increase, climbing from 45,724 in 20053 to more than 48,200 people currently.4 Our community is an example of the growing income inequality that is endemic in New York City. -
Submission to the Senate Ctte. on Charity Fundraising in the 21St Century
Submission to the Senate Ctte. on Charity Fundraising in the 21st Century Background to the PFRA The Public Fundraising Regulatory Association (PFRA) is the self-regulatory body for face to face fundraising in Australia. Face to face fundraising is one of a number of methods used by charities across Australia to generate funding. It provides significant funding that allows charities to provide vital services for local communities and to help solve some of the greatest global issues. Established in February 2015, the role of the PFRA is to make sure that the right balance is maintained between the duty of charities to ask for donations and the right of the public to experience high standards of behaviour from our members’ fundraisers. The PFRA is a charity-led, membership-based association. Members include those charities that benefit from face to face fundraising and the professional fundraising suppliers that support charities in this work. A complete list of PFRA charity members is available as Annex B. The PFRA is governed by a Board of Directors elected PFRA members. The current members of the PFRA Board include senior fundraisers from Plan International, Australian Red Cross, and Peter MacCallum Cancer Foundation. The PFRA is unique in the fundraising sector in that it is the only organisation that has been established specifically to regulate one type of fundraising and ensure compliance with a Standard. In addition to setting standards for face to face fundraisers, the PFRA rigorously checks that fundraisers comply with its Standard through a quality assurance program, as well as enforcing the Standard through a penalty, sanctions and remediation regime. -
Brownfield Cleanup Program Citizen Participation Plan for CE – E
Brownfield Cleanup Program Citizen Participation Plan for CE – E. 11th Street MGP – OU-3 March 2018 Site No. C231105 181 Avenue D New York, NY 10009 www.dec.ny.gov Contents Section Page Number 1. What is New York’s Brownfield Cleanup Program? ............................................. 3 2. Citizen Participation Activities................................................................................ 3 3. Major Issues of Public Concern .............................................................................. 8 4. Site Information ........................................................................................................ 8 5. Investigation and Cleanup Process ..................................................................... 10 Appendix A - Project Contacts and Locations of Reports and Information ...................................................................................................... 13 Appendix B - Site Contact List ................................................................................... 14 Appendix C - Site Location Map................................................................................. 16 Appendix D - Brownfield Cleanup Program Process ............................................... 17 * * * * * Note: The information presented in this Citizen Participation Plan was current as of the date of its approval by the New York State Department of Environmental Conservation. Portions of this Citizen Participation Plan may be revised during the site’s investigation and cleanup process. -
Curriculum Vitae for Hugh Scott-Douglas
HUGH SCOTT-DOUGLAS Born in Cambridge, UK, 1988 Education BFA, Ontario College of Art and Design, Toronto, Canada, 2010 Pratt Institute, Brooklyn, NY, 2005 Lives and works in Toronto, Canada One-Person Exhibitions 2019 Thank you Thank you Thank you Thank you Thank you Thank you, Blum & Poe, Tokyo, Japan 2018 ฿o₫៛€$, Blum & Poe, Los Angeles, CA 2016 Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan Trade Winds, Casey Kaplan, New York, NY 2015 Blum & Poe, New York, NY Simon Lee Gallery, Hong Kong, China Consumables, Simon Lee Gallery, London, UK Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA 2014 Promises to Pay in Solid Substance, Jessica Silverman Gallery, San Francisco, CA eyes without a face, Croy Nielsen, Berlin, Germany A Broken Mule, Kaikai Kiki Gallery, Tokyo, Japan 2013 The Cabinet of Dr. Caligari, Blum & Poe, Los Angeles, CA (exh. cat.) 2012 A Place in the Sun, Clifton Benevento, New York, NY A cashed cheque, a canceled stamp, Jessica Silverman Gallery, San Francisco, CA 2011 Sitzprobe, Croy Nielsen, Berlin, Germany Chinese Whispers, Clint Roenisch Gallery, Toronto, Canada BLUM & POE LOS ANGELES NEW YORK TOKYO 2010 An Invitation to Lubberland, Clint Roenisch Gallery, Toronto, Canada Group Exhibitions 2018 Kinship, Jessica Silverman Gallery, San Francisco, CA Horizon Lines, Jessica Silverman Gallery at 288 Pacific, San Francisco, CA 2017 A Sea Change, Jessica Silverman Gallery, San Francisco, CA 2016 The Sun Placed in the Abyss, Columbus Museum of Art, Columbus, OH (exh. cat.) The Campaign for Art, San Francisco Museum of Modern Art, San Francisco, CA Money, Good and Evil. A Visual History of Economics, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany (ext cat.) Cyanotypes: Photography's Blue Period, Worcester Art Museum, Worcester, MA (exh. -
Klezmerquerque 2015
KlezmerQuerque 2015 Jake Shulman-Ment: Violin and Yiddish Song Born in New York City, violinist Jake Shulman-Ment is among the leaders of a new generation of Klezmer and Eastern European folk music performers. He has performed and recorded internationally with Daniel Kahn and the Painted Bird, Di Naye Kapelye, Adrian Receanu, The Other Europeans, Frank London, Duncan Sheik, David Krakauer, Alicia Svigals, Michael Alpert, Deborah Strauss, Jeff Warschauer, Adrienne Cooper, Margot Leverett and the Klezmer Mountain Boys and many more. An internationally in-demand teacher, Jake has been a faculty member of New York’s Henry Street Settlement, KlezKamp, KlezKanada, Klezmer Paris, the Krakow Jewish Culture Festival, Yiddish Summer Weimar, and other festivals around the globe. An avid traveler, Jake has made several extended journeys to collect, study, perform, and document traditional folk music in Hungary, Romania, and Greece. In 2010 Jake received a Fulbright research grant to collect, study, perform, and document traditional music in Romania. His wide range of styles includes klezmer, classical, Romanian, Hungarian, Gypsy, and Greek. His classical music experience has consisted of performances with orchestras and chamber music groups throughout New York and New England, as well as study with internationally renowned concert artist Gerald Beal and widely acclaimed violin pedagogue Joey Corpus. Jake has created, directed, and performed music for a number of theater pieces, including several shows with theatrical wizard Jenny Romaine of Great Small Works, and the Folksbiene Yiddish Theater. He co-founded and regularly performs at “Tantshoyz,” New York's monthly Yiddish dance party sponsored by the Center for Traditional Music and Dance, and is frequently invited to accompany dance workshops led by Yiddish dance master and world-renowned ethnomusicologist Walter Zev Feldman. -
Corporate Philanthropy in Asia: Innovations That Unlock the Resources of Business for the Common Good
Corporate Philanthropy in Asia: Innovations that Unlock the Resources of Business for the Common Good Entrepreneurial Social Finance in Asia: Working Paper No. 5 asia centre for ocial Our Entrepreneurial Social Finance working papers explore the role of philanthropy in s supporting entrepreneurial social ventures in Asia. We previously reported on the social entrepreneurship & fnance ecosystem, innovative models of philanthropy including collective giving, and how hilanthropy angel investing for impact can beneft social enterprise. This paper examines the particular p role of corporate business as provider of philanthropic capital – fnancial, human and intellectual. In addition to using traditional grant funding, we found that some corporations invest in early stage ventures that reach the poorest with afordable goods and services, or outsource their business processes to social enterprise vendors. Businesses increasingly see skilled volunteering and giving circles as new approaches to community engagement that Corporate Philanthropy in Asia motivate and retain employees. Innovations that Unlock the Resources of Business By way of 23 case studies drawn from Australia, China, Hong Kong, India, Japan, the Philippines for the Common Good and Singapore, we illustrate in this report the various ways these businesses engage with high-potential social organisations and ofer recommendations on ways the corporation can Entrepreneurial Social Finance in Asia: Working Paper No. 5 creatively deploy its resources for public good in Asia. Rob John Audrey Chia Ken Ito ISBN 978-981-11-2708-3 May 2017 acsep: knowledge for good acsep: knowledge for good ACSEP The Asia Centre for Social Entrepreneurship and Philanthropy (ACSEP) is an academic research centre at the National University of Singapore (NUS) Business School, stafed by an international multi-disciplinary research team. -
Facts About NYCHA
Facts About NYCHA What is NYCHA? The New York City Housing Authority (NYCHA) provides decent and affordable housing in a safe and secure living environment for low- and moderate-income residents throughout the five boroughs. To fulfill this mission, NYCHA must preserve its aging housing stock through timely maintenance and modernization of its developments. NYCHA also administers a citywide Section 8 Leased Housing Program in rental apartments. Simultaneously, we work to enhance the quality of life at NYCHA by offering our residents opportunities to participate in a multitude of community, educational, and recreational programs, as well as job readiness and training initiatives. NYCHA was created in 1934. By the end of Broadband Technology Opportunities Program Computer 1935 NYCHA dedicated First Houses, our first Class at Astoria Houses Community Center development, located on the Lower East Side of Manhattan. NYCHA residents and Section 8 voucher holders The Way It Is Today combined occupy 12.0 percent of the City’s rental NYCHA is the largest public housing authority apartments and comprise 7.3 percent of New York in North America. NYCHA’s Conventional Public City’s population. Housing Program has 177,666 (as of March 1, 2015) apartments in 328 developments throughout the City in 2,553 residential buildings containing Conventional Public Housing 3,314 elevators. NYCHA comprises 11,705 (as of March 1, 2015) employees. Our Public Housing developments serve • The Bronx has 89 developments with 44,423 175,747 families and 403,917 authorized residents apartments. (as of January 1, 2015). This includes 3,364 • Brooklyn has 99 developments with 58,454 Section 8 Transition Households (as of January apartments. -
Slater Bradley Studio
Slater Bradley Studio [email protected] www.slaterbradley.com Slater Bradley 1975 born in San Francisco, CA Education: 1998 BA, University of California, Los Angeles, CA Solo Exhibitions: 2014 LOOP Fair, Barcelona, Spain (under the auspices of Galeria Filomena Soares, forthcoming May 2014) 2013 Sean Kelly Gallery, New York, NY, A Point Beyond the Tree Johnson Museum of Art, Cornell University, Ithaca, NY, Sequoia: Recent Work by Slater Bradley Galería Helga de Alvear, Madrid, Spain, she was my la jetée 21c Museum, Bentonville, AR, Slater Bradley and Ed Lachman: Dead Ringer 2012 Max Wigram Gallery, London, England, Slater Bradley: Nudes Galeria Filomena Soares, Lisbon, Portugal, Melancholia Team Gallery, New York, NY, Don’t Let Me Disappear 2011 Aspen Art Museum, Aspen, CO, Slater Bradley and Ed Lachman: Look Up and Stay in Touch (cat.) Max Wigram Gallery, London, England, NEVER BET AGAINST ME Galería Helga de Alvear, Madrid, Spain, Slater Bradley and Ed Lachman: Shadow 2010 Whitney Museum of American Art, New York, NY, Slater Bradley and Ed Lachman: Shadow (curated by Chrissie Iles) PSM Galerie, Berlin, Germany, CLEAN SLATE 2009 Team Gallery, New York, NY, if we were immortal Max Wigram Gallery, London, England, Boulevard of broken dreams Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, nothing changes how it used to be 2008 Taka Ishii Gallery, Tokyo, Japan, Perfect Empathy 2007 Blum & Poe, Los Angeles, CA, Hope From A Dark Place Max Wigram Gallery, London, England,The Unreleased Factory Galería Helga de Alvear, Madrid, Spain, Tonic-Clonic The Armory Show, New York, NY (under the auspices of Team Gallery) Contemporary Art Museum, St.