Shiwei Dissertation 2019 Final Submission Hardcopy.Pdf
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												  Culturegramstm World Edition 2019 JapanCultureGramsTM World Edition 2019 Japan until the late 19th century, however, feudal lords (or shoguns) BACKGROUND held political control. Japan adopted a policy of strict isolation and remained closed to nearly all foreign trade until Land and Climate 1853, when Matthew Perry of the U.S. Navy sailed into the Japan is slightly larger than Germany, or just smaller than the harbor of Edo (now Tokyo) to demand a treaty. The shoguns U.S. state of Montana. It consists of four main islands: lost power in the 1860s, and the emperor again took control. Honshu, Hokkaido, Kyushu, and Shikoku. These are Hirohito ruled as emperor from 1926 to 1989. His reign surrounded by more than four thousand smaller islands. was called Shōwa, which means “enlightened peace,” and the Japan's terrain is largely mountainous, and most large cities deceased Hirohito is now properly referred to as Shōwa. He are positioned along the coasts. The country's wildlife is was succeeded by his eldest son, Akihito, in 1989. Akihito's diverse and includes animals such as bears, foxes, snow reign was called Heisei, meaning “achievement of universal monkeys, rabbits, deer, and red-crowned cranes. peace.” In 2019, due to the state of his health, Akihito stepped The nation has a few active and many dormant volcanoes. down as emperor, passing the throne to his eldest son, Mount Fuji, located west of Tokyo, on Honshu Island, is Naruhito, in Japan's first abdication since 1817. Japan's Japan's highest point, with an elevation of 12,388 feet (3,776 government chose Reiwa, meaning “beautiful harmony,” as meters).
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												  The Hangul CharactersThe Korean language is classified as a member of the Ural-Altaic family (other members of this family include the Mongolian, Finnish, and Hungarian languages.) Until the early 1400s, most documents were written in classical Chinese characters (known in Korean as Hanja). As the idiographs are difficult to learn, only the educated people could read and write. King Sejong, the 4th ruler of the Joseon dynasty (1392-1910), set up a special committee of scholars in 1443 to create a new writing system specifically suited to the Korean language. The result was Hangul (meaning 'the one script'). It originally contained 28 symbols, although 4 have dropped out of use. The alphabet has 10 vowels and 14 consonants. The consonants represent the simplified outlines of the parts of the mouth and tongue used to pronounce them. The vowels are associated with elements of the philosophy of the Book of Changes. In 1994, Discovery magazine described Hangul as the most logical language writing system in the world. The simplicity of Hangul led Korea to become one of the most literate countries in the world. U.S. novelist Pearl Buck said that Hangul is the simplest writing system in the world and likenedKing Sejong to Leonardo da Vinci. Even though Hangul is a system of phonetic symbols, it is categorized as new level of feature system, the first and the only in the world. On Oct. 1, 1997, UNESCO designated Hunminjeongeum as world archive property. Koreans commemorate the creation of Hangul each year on October 9. The Hangul Characters Before you begin learning the language, you should take some time to practice writing Hangul.
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												  Examining Korean American Ethnicity Through the Music of Young Jean Lee's Play, Songs of the Dragons F! ! ! ! ARE WE STILL EXOTIC?: EXAMINING KOREAN AMERICAN ETHNICITY THROUGH THE MUSIC OF YOUNG JEAN LEE’S PLAY, SONGS OF THE DRAGONS! FLYING TO HEAVEN ! ! ! ! Hyecun! Ceon ! ! ! ! ! ! A Thesis! Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements !for the degree of ! MASTER OF! MUSIC May !2014 Committee: Katherine Meizel, Advisor Kara Attrep ! !ii ABSTRACT ! Katherine Meizel, Advisor ! This thesis is an analysis of music used in, Songs of the Dragons Flying to Heaven, a 2006 theater work written and produced by a Korean American playwright, Young Jean Lee. Music in Songs of the Dragons Flying to Heaven (SDFH) is a unique window into contemporary Korean American thinking on ethnicity and gender. Although SDFH is discussed in insightful academic writings by Karen Shimakawa (2007), Seunghyun Hwang (2010), and Jisoo Chung (2010), their discussions are mainly bound to Young Jean Lee's theatrical techniques of ethnic representation that attempt to cast away the stereotypes of Korean/ Korean American people. Music and sound, which are carefully deployed to illuminate Young Jean Lee's criticism of Koreans' self-exoticism and Americans' exoticism of Asia, are little discussed by the above scholars. The musical repertoires used in SDFH include a Korean traditional music genre (p'ansori 판소리), a Korean children's song, a Korean church tune, a Korean popular song, and American popular music. By analyzing the use of these musics in conjuncture with social and staged conflict, I will examine the problems of exoticism and ethnicization of immigrants addressed in the play. First, I will provide a summary of the music used in selected Korean American theater works to locate Young Jean Lee's use of music in the history of Korean American theater works.
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												  Korean Vocabulary IFeelings Feelings English Hangul Pronunciation (I) …(you) (나는) (당신을) ..해요 (Naneun) (dangsineul) ..haeyo. love 사랑해요. Saranghaeyo. like 좋아해요. Joahaeyo. hate 미워해요. Miwohaeyo. detest 증오해요. Jeungohaeyo. dearly love 사모해요. Samohaeyo. Thank you. 고맙습니다. Gomapseumnida. Thank you. 감사합니다. Gamsahamnida. I am sorry. 미안합니다. Mianhamnida. I am very sorry. 죄송합니다. Joesonghamnida. I feel (am)… 나는 ..해요 Naneun ..haeyo. angry 화가나요. Hwaganayo. sad 슬퍼요. Seulpeoyo. happy 기뻐요. Gippeoyo. merry 즐거워요. Jeulgeowoyo. excited 신나요. Sinnayo. depressed 우울해요. Uulhaeyo. afraid 무서워요. Museowoyo. nervous 불안해요. Bulanhaeyo. thankful 고마워요. Gomawoyo. sorry 미안해요. Mianhaeyo. puzzeled 황당해요. Hwangdanghaeyo. confused 당황스러워요. Danghwangseureowoyo. pleased 만족스러워요. Manjokseureowoyo. disappointed 실망이예요. Silmangiyeyo. excited 흥분되요. Heungbundoeyo. surprised 놀라워요. Nolrawoyo. happy 행복해요. Haengbokaeyo. unhappy 불행해요. Bulhaenghaeyo. lonely 고독해요. Godokaeyo. lonely 외로워요. Oerowoyo. refreshed 상쾌해요. Sangkoaehaeyo. unpleasant 불쾌해요. Bulkoaehaeyo. comfortable 편해요. Pyeonhaeyo. falsely accused 억울해요. Eogulhaeyo. shameful 부끄러워요. Bukkeureowoyo. ashamed 창피해요. Changpihaeyo. stuffy (or difficulty in breathing) 답답해요. dapdapaeyo. bored 지루해요. Jiruhaeyo. painful 아파요. Apayo. It is … (그것은) ..해요 (Geugeoseun) ..haeyo. inconvenient 불편해요. Bulpyeonhaeyo. hard 힘들어요. Himdeureoyo. difficult 어려워요. Eoryeowoyo. easy 쉬워요. Swiwoyo. intresting 재미있어요. Jaemiisseoyo. mystic 신비해요. Sinbihaeyo. charming 매력적이예요. Maeryeokjeokiyeyo. moving 감동적이예요. Gamdongjeokiyeyo. admirable 훌륭해요. Hullyunghaeyo. stylish 멋있어요. Meositsseoyo. pretty 예뻐요. Yeppeoyo.
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												  Language and Truth in North KoreaLANGUAGE AND TRUTH IN NORTH KOREA 6991_Ryang_V3.indd 1 4/27/21 9:50 AM 6991_Ryang_V3.indd 2 4/27/21 9:50 AM LANGUAGE AND TRUTH IN NORTH KOREA Sonia Ryang University of Hawai‘i Press Honolulu, Hawai‘i 6991_Ryang_V3.indd 3 4/27/21 9:50 AM © 2021 University of Hawai‘i Press Library of Congress Control Number: 2020946984 The Open Access edition of this book is licensed under Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that digital editions of the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. ISBN 9780824888718 (OA PDF) ISBN 9780824888770 (OA EPUB) ISBN 9780824888787 (Kindle) The Open Access edition of this book was made possible with support from the T. T. and W. F. Chao Center for Asian Studies Tenth Anniversary Publication Fund. Contents Acknowledgments vii INTRODUCTION Truth 1 CHAPTER 1 Purge 26 CHAPTER 2 Words 49 CHAPTER 3 The Chronicle 94 CHAPTER 4 The Memoirs 137 CONCLUSION Self 174 References 195 Index 215 v 6991_Ryang_V3.indd 5 4/27/21 9:50 AM 6991_Ryang_V3.indd 6 4/27/21 9:50 AM Acknowledgments riting books is a privilege, one that I often wonder whether I truly Wdeserve, even after having written and published multiple volumes.
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												  UCLA Electronic Theses and DissertationsUCLA UCLA Electronic Theses and Dissertations Title Conception of the Hero in Korean Popular Fiction of Late Choson Period Permalink https://escholarship.org/uc/item/0pt9t794 Author Lee, Seung-Ah Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Conception of the Hero in Korean Popular Fiction of Late Chosŏn Period A dissertation submitted by partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Seung-Ah Lee 2014 ABSTRACT OF THE DISSERTATION Conception of the Hero in Korean Popular Fiction of Late Chosŏn Period by Seung-Ah Lee Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor John B. Duncan, Chair The image of a hero reflects the desires, ideals and dreams of the people of a given time. “It is in times of emergency that heroes are looked for, and found,” as Lucy Huges-Hallett pointed out. In times of war or social disorder, people look for someone who can save them from chaos. If the environment is what creates necessity for a hero, what does the type of heroic figures tell us about the past or present? The role of heroes in premodern Korean literature is similar to what Ruhlmann depicts. They “embody current values and ideals” which can be understood in part as Confucianism, and they also “convey a powerful image of the conflicting forces at work in the society of their time.” By investigating heroes in premodern literature, we can find an answer to the question of ‘who created which heroes for whom?’ Furthermore, it is also important to look at any differences of ii heroic images within the same period to see how they may vary depending on social class, gender, and region.
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												  University of California Los AngelesUNIVERSITY OF CALIFORNIA Los Angeles Conception of the Hero in Korean Popular Fiction of Late Chosŏn Period A dissertation submitted by partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Seung-Ah Lee 2014 ABSTRACT OF THE DISSERTATION Conception of the Hero in Korean Popular Fiction of Late Chosŏn Period by Seung-Ah Lee Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor John B. Duncan, Chair The image of a hero reflects the desires, ideals and dreams of the people of a given time. “It is in times of emergency that heroes are looked for, and found,” as Lucy Huges-Hallett pointed out. In times of war or social disorder, people look for someone who can save them from chaos. If the environment is what creates necessity for a hero, what does the type of heroic figures tell us about the past or present? The role of heroes in premodern Korean literature is similar to what Ruhlmann depicts. They “embody current values and ideals” which can be understood in part as Confucianism, and they also “convey a powerful image of the conflicting forces at work in the society of their time.” By investigating heroes in premodern literature, we can find an answer to the question of ‘who created which heroes for whom?’ Furthermore, it is also important to look at any differences of ii heroic images within the same period to see how they may vary depending on social class, gender, and region. The answer to these questions tells us about current values and ideas, in addition to class/gender conflicts of the time.
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												  Kpop-Textbook.PdfChapter 1: What is Kpop? K-pop (an abbreviation of Korean pop or Korean popular music) is a musical genre consisting of electronic, hip hop, pop, rock, and R&B music originating in South Korea. In addition to music, K-pop has grown into a popular subculture among teenagers and young adults throughout Asia, resulting in widespread interest in the fashion and style of Korean idol groups and singers. Kpop is . Culture One of the more problematic cultural aspects of Kpop is perfection. It’s like taking a mold and using it to shape young men and women into what they’re “supposed to look like.” Plastic surgery is acceptable and in most cases, preferable. It’s not an idea exclusive to the music industry; it’s a lesson taught starting in the home. Image is everything. The rich working class lifestyle is a goal that needs to be achieved. The pressures of achieving perfection – working hard, studying endlessly, and deconstruction of the face and body – are an everyday thing But Kpop also highlights everything that is amazing about Korean culture. There’s a term called the Hallyu Wave, which represents all of Korean pop culture: the music, the dramas, the beauty/skincare, the food, the traditional clothing, the importance of family and respect, and the history behind this beautiful country. For fans like me, there is no better feeling in the world than to see these artists live out their lives as happily as they can. I love to feel the music lift me up from the day’s chaos and give me the strength to set one foot in front of the other.