Syncretism, Harmonization, and Mutual Appropriation Between Buddhism and Confucianism in Pre-Joseon Korea
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The Chinese Traditional Acceptance of Information from the View of Contemporary Communication Theory
The Chinese Traditional Acceptance of Information from the View of Contemporary Communication Theory Shao Peiren Fellow of Academic Committee of Zhejiang University, Deputy Director for the Faculty of Humanities, Zhejiang University, Director for Institute of Communication Studies, Zhejiang University, and PhD. candidate supervisor. Communication School of Zhejiang University, Hangzhou, Zhejiang, 310028 Telephone :(86) 0571-8827-3032 Email: [email protected] Abstract Language is proper to mankind, the externalization of human kindness. Because of it what an audience accepts is his self-portrait, we can analyze and get to know the state, rules and characteristics of Chinese ancient audience thorough traditional information acceptance concept and the interpretation. We can get that “Guan”, “Wei” and “Wen” is special Chinese acceptance concept by the ways of basing on the textual research, discrimination and organization of various concepts of acceptance of information at one end and analyzing and reasoning of relevant information and contemporary research achievements at the other end. The emotions of these three concepts reflect the ancient Chinese unique acceptance state and the quintessence of the dated brightness comes through them. This paper also shows five chief notes: (1), piety and seriousness; (2) chewing and repetition; (3) subtila and depth; (4) hierarchy and progress; (5) contact and peep. “It is language that makes human being what he is. He who can not use a language can not be regarded as a true man”. Language, original and peculiar to human, is the element and the code of information dissemination; is the hallmark and characteristic of mankind. And at the same time it is a psychological weapon used by men in knowing the world, reflecting the world and in remoulding the world. -
The Lyrics of Zhou Bangyan (1056-1121): in Between Popular and Elite Cultures
THE LYRICS OF ZHOU BANGYAN (1056-1121): IN BETWEEN POPULAR AND ELITE CULTURES by Zhou Huarao A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Zhou Huarao, 2014 The Lyrics of Zhou Bangyan (1056-1121): In between Popular and Elite Cultures Huarao Zhou Doctor of Philosophy Department of East Asian Studies University of Toronto 2014 Abstract Successfully synthesizing all previous styles of the lyric, or ci, Zhou Bangyan’s (1056-1121) poems oscillate between contrasting qualities in regard to aesthetics (ya and su), generic development (zheng and bian), circulation (musicality and textuality), and literary value (assumed female voice and male voice, lyrical mode and narrative mode, and the explicit and the implicit). These qualities emerged during the evolution of the lyric genre from common songs to a specialized and elegant form of art. This evolution, promoted by the interaction of popular culture and elite tradition, paralleled the canonization of the lyric genre. Therefore, to investigate Zhou Bangyan’s lyrics, I situate them within these contrasting qualities; in doing so, I attempt to demonstrate the uniqueness and significance of Zhou Bangyan’s poems in the development and canonization of the lyric genre. This dissertation contains six chapters. Chapter One outlines the six pairs of contrasting qualities associated with popular culture and literati tradition that existed in the course of the development of the lyric genre. These contrasting qualities serve as the overall framework for discussing Zhou Bangyan’s lyrics in the following chapters. Chapter Two studies Zhou Bangyan’s life, with a focus on how biographical factors shaped his perspective about the lyric genre. -
READING BODIES: AESTHETICS, GENDER, and FAMILY in the EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING
READING BODIES: AESTHETICS, GENDER, AND FAMILY IN THE EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING YE A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2016 DISSERTATION APPROVAL PAGE Student: Qing Ye Title: Reading Bodies: Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words) This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy in the Department of East Asian Languages and Literatures by: Maram Epstein Chairperson Yugen Wang Core Member Alison Groppe Core Member Ina Asim Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ii © 2016 Qing Ye iii DISSERTATION ABSTRACT Qing Ye Doctor of Philosophy Department of East Asian Languages and Literature June 2016 Title: Reading Bodies: Aesthetic, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words) This dissertation focuses on the Mid-Qing novel Guwangyan (Preposterous Words, preface dated, 1730s) which is a newly discovered novel with lots of graphic sexual descriptions. Guwangyan was composed between the publication of Jin Ping Mei (The Plum in the Golden Vase, 1617) and Honglou meng (Dream of the Red Chamber, 1791). These two masterpieces represent sexuality and desire by presenting domestic life in polygamous households within a larger social landscape. This dissertation explores the factors that shifted the literary discourse from the pornographic description of sexuality in Jin Ping Mei, to the representation of chaste love in Honglou meng. -
Review of the Great Awakening
Journal of Buddhist Ethics ISSN 1076-9005 http://jbe.gold.ac.uk/ Bodhisattva Precepts in the Ming Society: Factors behind their Success and Propagation William Chu University of California, Los Angeles Email: [email protected] Copyright Notice: Digital copies of this work may be made and dis- tributed provided no change is made and no alteration is made to the content. Reproduction in any other format, with the exception of a single copy for private study, requires the written permission of the au- thor. All enquiries to: [email protected] Bodhisattva Precepts in the Ming Society: Factors behind their Success and Propagation William Chu University of California, Los Angeles Email: [email protected] Abstract The wide popularization of versions of Bodhisattva precepts that were based on apocrypha coincided with certain medieval developments in technology and social/political developments. All these changes facilitated a much more pervasive “Confucianization” of Chinese society, notably during the Song dynasty (960-1279), and were accentuated in the Ming (1368-1643). Riding on these trends, it was only natural that the apocryphal Bodhisattva precepts that were so much tailored to Confucian ethical norms found a much greater popular basis at the same time. This paper also takes a cultural comparativist perspective and analyzes the propagation of the same apocryphal precepts in Japan, which could also be explained by comparable conditions in political and technological infrastructure. Apocryphal scriptures played a crucial role in transforming and redefin- ing Buddhism for its Chinese recipients. The attempts to acclimatize Bud- dhism to the new environment by means of composing and promoting indigenous texts were not just about doctrinal reconfiguration; they were also carried out in earnest to rewrite moral injunctions that would govern both Buddhist individual and institutional life. -
By Martino Dibeltulo a Dissertation Submitted in Partial Fulfillment of The
THE REVIVAL OF TANTRISM: TIBETAN BUDDHISM AND MODERN CHINA by Martino Dibeltulo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in The University of Michigan 2015 Doctoral Committee: Professor Donald S. Lopez, Jr., Chair Assistant Professor Micah Auerback Assistant Professor Benjamin Brose Professor Tomoko Masuzawa Associate Professor Elliot Sperling, Indiana University Associate Professor Gray Tuttle, Columbia University © Martino Dibeltulo ————————————2015 All rights reserved ACKNOWLEDGEMENTS This dissertation owes its completion to the labors of many people and to the contribution of many institutions. First of all, I would like to thank the members of my committee, who have inspired me and supported me in many ways during my graduate career. My advisor, Professor Donald Lopez, has always offered the best advice, providing me with the intellectual space that has seen this project grow into the present form. The clear, insightful, and timely comments he has made on each of my many drafts have illuminated my writing, inspiring my commitment to scholarship in Buddhist Studies. Both in the research and writing stages, Professor Micah Auerback has generously offered his insight into the study of Buddhism in modern and contemporary Japan, unselfishly helping me to read and translate texts from the Japanese language. Since my early graduate years, Professor Benjamin Brose has been a mentor and a friend, providing me with essential advice on the study of Buddhism in China. I would also like to express my deepest gratitude to Professor Tomoko Masuzawa, who has welcomed me in several of her graduate seminars, where this dissertation was conceived as a genealogy. -
Religious Minorities and China an Mrg International Report an Mrg International
Minority Rights Group International R E P O R Religious Minorities T and China • RELIGIOUS MINORITIES AND CHINA AN MRG INTERNATIONAL REPORT AN MRG INTERNATIONAL BY MICHAEL DILLON RELIGIOUS MINORITIES AND CHINA Acknowledgements © Minority Rights Group International 2001 Minority Rights Group International (MRG) gratefully All rights reserved. acknowledges the support of the Ericson Trust and all the Material from this publication may be reproduced for teaching or for other organizations and individuals who gave financial and other non-commercial purposes. No part of it may be reproduced in any form for assistance for this Report. commercial purposes without the prior express permission of the copyright This Report has been commissioned and is published by holders. MRG as a contribution to public understanding of the issue For further information please contact MRG. which forms its subject. The text and views of the author do A CIP catalogue record for this publication is available from the British Library. not necessarily represent, in every detail and in all its ISBN 1 897693 24 9 aspects, the collective view of MRG. ISSN 0305 6252 Published November 2001 MRG is grateful to all the staff and independent expert read- Typeset by Kavita Graphics ers who contributed to this Report, in particular Shelina Printed in the UK on bleach-free paper. Thawer (Asia and Pacific Programme Coordinator) and Sophie Richmond (Report Editor). THE AUTHOR Michael Dillon is Senior Lecturer in Modern Chinese and China’s Muslim Hui Community (Curzon), and editor History and Director of the Centre for Contemporary of China: A Historical and Cultural Dictionary (Curzon). -
CHINESE WORKS of ART and PAINTINGS Monday March 19, 2018 New York
CHINESE WORKS OF ART AND PAINTINGS Monday March 19, 2018 New York CHINESE WORKS OF ART AND PAINTINGS Monday March 19, 2018 at 12pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Head, Asian Art Group U.S. Front cover: Lot 8028 New York, New York 10022 +1 (212) 644 9009 Fax Dessa Goddard, Director Inside front cover: Lot 8228 bonhams.com [email protected] +1 (415) 503 3333 Inside back cover: Lot 8229 [email protected] Back cover: Lot 8047 PREVIEW Bidding by telephone will only Thursday March 15 be accepted on a lot with a lower Bruce Maclaren, Senior Specialist 10am-5pm estimate in excess of $1000 +1 (917) 206 1677 Friday March 16 [email protected] 10am-5pm Please note that bids should be Saturday March 17 summited no later than 24hrs Harold Yeo, Consultant Specialist 10am-5pm prior to the sale. New Bidders +1 (917) 206 1628 Sunday March 18 must also provide proof of [email protected] 10am-5pm identity when submitting bids. Failure to do this may result in Ming Hua, Junior Specialist SALE NUMBER your bid not being processed. +1 (646) 837 8132 24819 [email protected] Live online bidding is CATALOG: $35.00 available for this sale Please email bids.us@bonhams. Please see pages 187 to 190 com with “Live bidding” in the for bidder information including subject line 48hrs before the Conditions of Sale, after-sale auction to register for this service. collection and shipment. All items marked with a W in the catalog and listed again on page 190, will be transferred to off-site storage along with all other items purchased if not removed by 5pm ET Thursday 22nd March. -
A PEDAGOGY of CULTURE BASED on CHINESE STORYTELLING TRADITIONS DISSERTATION Presented in Partial Fulfillment of the Requirement
A PEDAGOGY OF CULTURE BASED ON CHINESE STORYTELLING TRADITIONS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Doctor of Philosophy in the Graduate School of The Ohio State University By Eric Todd Shepherd MA, East Asian Languages and Literatures The Ohio State University 2007 Dissertation Committee: Approved by Galal Walker, Advisor _______________________ Mark Bender Advisor Mari Noda Graduate Program in Dorothy Noyes East Asian Languages and Literatures Copyright by Eric Todd Shepherd 2007 ABSTRACT This dissertation is an historical ethnographic study of the Shandong kuaishu (山东快书) storytelling tradition and an ethnographic account of the folk pedagogy of Wu Yanguo, one professional practitioner of the tradition. At times, the intention is to record, describe and analyze the oral tradition of Shandong kuaishu, which has not been recorded in detail in English language scholarly literature. At other times, the purpose is to develop a pedagogical model informed by the experiences and transmission techniques of the community of study. The ultimate goal is to use the knowledge and experience gained in this study to advance our understanding of and ability to achieve advanced levels of Chinese language proficiency and cultural competence. Through a combination of the knowledge gained from written sources, participant observation, and first-hand performance of Shandong kuaishu, this dissertation shows that complex performances of segments of Chinese culture drawn from everyday life can be constructed through a regimen of performance based training. It is intended to serve as one training model that leads to the development of sophisticated cultural competence. ii Dedicated to Chih-Hsin Annie Tai iii ACKNOWLEDGMENTS Any dissertation is a collaborative effort. -
Timothy James Brook 卜正民
Timothy James Brook 卜正民 Principal, St. John’s College, University of British Columbia Professor, Department of History, UBC 2111 Lower Mall, Vancouver, BC, Canada V6T 1Z4 604-822-8799 (o) 604-822-8885 (f) [email protected] Academic positions Shaw Professor of Chinese, University of Oxford, 2007-2009 Professor, Department of History, University of British Columbia, since 2004 Honorary Professor, Department of History, East China Normal University, Shanghai Professor, Department of History, Stanford University, 1997-99 Assistant to Full Professor, Department of History, University of Toronto, 1986-97, 1999-2004 Mactaggart Fellow, Department of History, University of Alberta, 1984-86 Degrees Ph.D., History and East Asian Languages, Harvard University, 1984 A.M., Regional Studies—East Asia, Harvard University, 1977 B.A., Trinity College, University of Toronto, 1973 Awards 2009: Mark Lynton Prize in History, Columbia School of Journalism, for Vermeer’s Hat 2009: Wallace K. Ferguson Prize, Canadian Historical Society, for Death by a Thousand Cuts 2006: John Simon Guggenheim Memorial Foundation Fellowship 2005: François-Xavier Garneau Medal, Canadian Hist. Asso., for The Confusions of Pleasure 2000: Joseph Levenson Prize, Association for Asian Studies, for The Confusions of Pleasure Publications: Books Death by a Thousand Cuts, co-authored with Jérôme Bourgon and Gregory Blue. Cambridge, Mass.: Harvard University Press, 2008. Polish translation: Warsaw: Belloni, forthcoming. Vermeer’s Hat: The Seventeenth Century and the Dawn of the Global World. New York: Bloomsbury; Toronto: Penguin; London: Profile, 2008. Korean translation, Seoul: Chungrim, 2008. Chinese translation, Weimeier de maozi 維梅爾的帽子. Taipei: Yuan-Liou, 2009. German translation, Vermeers Hut. Berlin: Edition Tiamat, 2009. -
The Dreaming Mind and the End of the Ming World
The Dreaming Mind and the End of the Ming World The Dreaming Mind and the End of the Ming World • Lynn A. Struve University of Hawai‘i Press Honolulu © 2019 University of Hawai‘i Press This content is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0), which means that it may be freely downloaded and shared in digital format for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. The open-access version of this book was made possible in part by an award from the James P. Geiss and Margaret Y. Hsu Foundation. Cover art: Woodblock illustration by Chen Hongshou from the 1639 edition of Story of the Western Wing. Student Zhang lies asleep in an inn, reclining against a bed frame. His anxious dream of Oriole in the wilds, being confronted by a military commander, completely fills the balloon to the right. In memory of Professor Liu Wenying (1939–2005), an open-minded, visionary scholar and open-hearted, generous man Contents Acknowledgments • ix Introduction • 1 Chapter 1 Continuities in the Dream Lives of Ming Intellectuals • 15 Chapter 2 Sources of Special Dream Salience in Late Ming • 81 Chapter 3 Crisis Dreaming • 165 Chapter 4 Dream-Coping in the Aftermath • 199 Epilogue: Beyond the Arc • 243 Works Cited • 259 Glossary-Index • 305 vii Acknowledgments I AM MOST GRATEFUL, as ever, to Diana Wenling Liu, head of the East Asian Col- lection at Indiana University, who, over many years, has never failed to cheerfully, courteously, and diligently respond to my innumerable requests for problematic materials, puzzlements over illegible or unfindable characters, frustrations with dig- ital databases, communications with publishers and repositories in China, etcetera ad infinitum. -
Master Yongjue Yuanxian and the Revival of Chinese Buddhism in 17Th Century Fujian Area
Between The Mundane and Super-Mundane: Master Yongjue Yuanxian and the Revival of Chinese Buddhism in 17th Century Fujian Area Item Type text; Electronic Dissertation Authors Glaze, Shyling Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 06:03:16 Link to Item http://hdl.handle.net/10150/626639 BETWEEN THE MUNDANE AND SUPER-MUNDANE: MASTER YONGJUE YUANXIAN AND THE REVIVAL OF CHINESE BUDDHISM IN 17TH CENTURY FUJIAN AREA by Shyling Glaze _________________________ Copyright © Shyling Glaze 2017 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgment of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of the scholarship. -
Hunan Flood Management Sector Project, Hunan Province, Yongzhou City
Resettlement Planning Document Resettlement Plan Document Stage: Final Project Number: 37641 August 2005 People’s Republic of China: Hunan Flood Management Sector Project, Hunan Province, Yongzhou City Prepared by Hunan Project Management Office of Hilly Region Urban Flood Control Projects Utilizing ADB Loans Hydro and Power Design Institute of Hunan Province & Ministry of Water. The resettlement plan is a document of the borrower. The views expressed herein do not necessarily represent those of ADB’s Board of Directors, Management, or staff, and may be preliminary in nature. Approval: Wu Shengping Check: Liu Chongshun Examination: Zhang Tao Proofer: Fan Jianyang Compiler: Liu Yiwei Zhang Tao Zhao Gengqiang Main Designers: Liu Yiwei Zhang Tao Zhao Gengqiang Cao Huan Ren Ning Chen Junyan Yongzhou City Urban Flood Control Project Resettlement Plan Hydro and Power Design Institute of Hunan Province & Ministry of Water Resources Contents General Objectives of Resettlement Plan & Definition of Resettlement Terminology..........................1 Summary of Resettlement Plan for Yongzhou Urban Flood Protection Subproject .............................3 1. General Description of Project ..........................................................................................................................9 1.1 Project Background.........................................................................................................................9 1.2 Project Description........................................................................................................................11