Erewhon Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Erewhon Pdf, Epub, Ebook EREWHON PDF, EPUB, EBOOK Samuel Butler | 192 pages | 28 Mar 2003 | Dover Publications Inc. | 9780486420486 | English | New York, United States Erewhon | Definition of Erewhon at Published September 13th first published More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Erewhon , please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Start your review of Erewhon Erewhon , 1. Mar 24, Manny rated it liked it Shelves: well-i-think-its-funny , linguistics-and-philosophy. I wonder if Margaret Atwood was thinking of Erewhon. Members of Erewhonian society are all obliged to sign a document at birth admitting that they have chosen to be born of their own free will, and obliging them to indemnify their parents for any trouble it may cause them. Other appealing ideas are the inverted treatment of crime and physical illness: if you embezzle money, you're given medical treatmen "I never asked to be born" says a character in The Blind Assassin , and is promptly corrected. Other appealing ideas are the inverted treatment of crime and physical illness: if you embezzle money, you're given medical treatment, but anyone foolish enough to contract pneumonia is sent to jail. It's still a fun read! View all 15 comments. Erewhon as a novel has a fairly thin but still interesting plot line in an intriguing environment. Unfortunately, meshing the two of these together makes for a difficult book to swallow at times. I enjoyed the thought provoking elements of the satire that Butler presents. He turns the world upside down in order to have us explore just how "civilized" we truly are. He maintains the same basic structure However, he turns all of these "normal" conventions on their heads to get us to think not about the conventions themselves, but about the way we approach them. For example, instead of being punished for what we crimes theft, murder, etc. And conversely, if a person finds himself in the throes of robbery or some other 'crime', he is instead consoled and properly treated for the recovery of this behavior and looked on with sympathy from friends and family. In this satirical move, Butler asks us to examine our treatment of criminals. The Erewhonians provide rehabilitation for liars, thieves and murderers while simply shutting away those who commit "crimes" of physical illness. While we profess to offer rehabilitation for our criminals, what good does it do to stick them in an 8x8 box for years and then throw them out on the street with a black mark on their "permanent record? As to illness, the Erewhonian treatment of illness is definitely ludicrous, but to a small degree it has logic in that it quarantines the truly ill and it also cuts down on people feigning illness or complaining over small headaches. In Erewhon, there is truly very little illness and no 'calling in sick', or making an excuse of "I've got a headache. His lengthiest satirical discourse is with regards to the idea of consciousness. He takes it to the absurd at least for his day by suggesting a world in which machines would become self-aware and potentially overthrow mankind as the dominant race a la Terminator or others. While the discussion on consciousness has some holes, it's also intriguing, especially when looking at the advancements of the last hundred years. He makes some good arguments and it's interesting to transition those arguments into the natural world and look at the advancements of mankind as a race or of other animals out there. The rise of consciousness or self-awareness is a very interesting topic. I'd be interested to read more of his thoughts since in the book he basically opens the can of worms and sets it on a shelf. So in terms of the satire, Butler brings forth some interesting ideas. In terms of the plot, it's a fairly basic adventure novel of the nineteenth century The first pages contain standard Victorian descriptions of the landscapes and the travels. While poetic and pretty, they did drag on and I wanted to skip beyond them. As our narrator finally gets closer to Erewhon, his travels actually have some drama unfold. Once he finally arrives at the city, he's initially thrown into prison and has some moderate adventure. The "adventures" he has in the country of Erewhon are very lightweight in terms of adventure. The level of excitement is pretty bland since it is often broken up by dozens of pages of satirical essay exploring strange elements of Erewhonian culture. Again, this is moderately typical of 19th century literature, but I was hoping for a bit more in terms of action within Erewhon itself. All in all, this was an interesting and thought provoking book View 2 comments. As an adventure narrative, Erewhon is a squib of the damp kind. As a satirical dystopia mocking the hypocrises of Victorian England, Erewhon is a squib of the damp kind. As a slice of narrative entertainment, Erewhon is a squib of the damp kind. As an exploration of a la mode science, encompassing automation, vegetarianism, education, breeding, and the criminal system, Erewhon is a squib of the damp kind. All round, in conclusion, you have to say, my fine haters and lovers, that Erewhon is a damp As an adventure narrative, Erewhon is a squib of the damp kind. All round, in conclusion, you have to say, my fine haters and lovers, that Erewhon is a damp squib, and even more boring than H. Now that is an achievement. View 1 comment. May 31, Douglas Summers-Stay rated it it was amazing Shelves: science-fiction , classic. I admit I skimmed over a lot of this book. It's a satire about Victorian society and frankly I'm too far removed from a lot of the issues to get much out of his turning them upside down. But the three chapters on machines-- Wow! When I read Dune in the 80s the idea of the "Butlerian Jihad" struck me as a particularly unusual new idea. I never would have believed that the plot of these chapters-- machines evolving through natural and artificial selection into a kind of artificial life, reproducin I admit I skimmed over a lot of this book. I never would have believed that the plot of these chapters-- machines evolving through natural and artificial selection into a kind of artificial life, reproducing with the aid of humans like flowers reproduce with the aid of bees, evolving into cyborgs and an alien intelligence far beyond our own but as incomprehensible to us as the thoughts of animals are to plants, and finally being destroyed by humans in order to preserve a place for themselves in the universe-- could have been conceived before , let alone ! Butler already understood that heredity was a form of mechanical information transfer: he called it "unconscious memory. None of his contemporaries understood him; they thought he was making some kind of "ad absurdum" attack on Darwin. View all 3 comments. I read this with the Evolution of SF group. It's our proto-SF read this month Oct It's a very quick sketch with very little characterization, but a lot of philosophy that should have been interesting or funny, but left me cold until almost the end. I kept feeling as if there was a joke in there some I read this with the Evolution of SF group. I kept feeling as if there was a joke in there somewhere, but I was just too stupid to see it. Maybe I am. Perhaps it was just indifference to the subject matter Musical banks with currency that's worthless? Monty Python puts me to sleep. Whatever, I found it either boring or too ludicrous to care about it. I managed to finish it which I doubted I would at chapter All told, I guess it was worth reading for the ideas in presented. Some have been used since, so it is definitely a foundational novel for SF. For that, I'm really tempted to give it 3 stars, but I didn't like it much, so it's only getting 2. This is not the correct edition. Those that weren't only did a chapter or two. Well worth listening to. I don't think I would have made it through the text. Shelves: victorians , dystopia , fiction. There are several reasons for this, the most important being the deeply annoying narrator. While he is almost certainly meant to be annoying, this fact in no way detracts from the overall annoyance. Seventy pages pass before he even gets to the mysterious lost civilisation of Erewhon, during which time the reader gets mighty tired of Victorian colonialist attitudes. Rapacious greed is complemented by ugly racism and patronising hypocrisy. Butler has no gift for plotting or characterisation, but some of his absurdist philosophisification is genuinely fascinating. And what consideration for the individual is tolerable unless society is the gainer thereby? Wherefore should a man be so richly rewarded for having been son to a millionaire, were it not clearly provable that the common welfare is thus better furthered? For property is robbery, but then, we are all robbers or would-be robbers together, and have found it essential our thieving, as we have found it necessary to organise our lust and our revenge. Conversely, here is an example of where I was more confident of parodic intent, yet Butler managed to prefigure current debates about mechanisation and AI in a manner that verges on uncanny: I would repeat that I fear none of the existing machines; what I fear is the extraordinary rapidity with which they are becoming something very different to what they are at present.
Recommended publications
  • Individuation in Aldous Huxley's Brave New World and Island
    Maria de Fátima de Castro Bessa Individuation in Aldous Huxley’s Brave New World and Island: Jungian and Post-Jungian Perspectives Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 Individuation in Aldous Huxley’s Brave New World and Island: Jungian and Post-Jungian Perspectives by Maria de Fátima de Castro Bessa Submitted to the Programa de Pós-Graduação em Letras: Estudos Literários in partial fulfilment of the requirements for the degree of Mestre em Letras: Estudos Literários. Area: Literatures in English Thesis Advisor: Prof. Julio Cesar Jeha, PhD Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 To my daughters Thaís and Raquel In memory of my father Pedro Parafita de Bessa (1923-2002) Bessa i Acknowledgements Many people have helped me in writing this work, and first and foremost I would like to thank my advisor, Julio Jeha, whose friendly support, wise advice and vast knowledge have helped me enormously throughout the process. I could not have done it without him. I would also like to thank all the professors with whom I have had the privilege of studying and who have so generously shared their experience with me. Thanks are due to my classmates and colleagues, whose comments and encouragement have been so very important. And Letícia Magalhães Munaier Teixeira, for her kindness and her competence at PosLit I would like to express my gratitude to Prof. Dr. Irene Ferreira de Souza, whose encouragement and support were essential when I first started to study at Faculdade de Letras. I am also grateful to Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) for the research fellowship.
    [Show full text]
  • DW10: EP 1 "A Star in Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT
    DOCTOR WHO SERIES 10 EPISODE 1 "A Star In Her Eye" By Steven Moffat SHOOTING SCRIPT 16/06/2016 (SHOOTING BLOCK 1) DW10: EP 1 "A Star In Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT. THE DOCTOR’S OFFICE - DAY 1 - 16.00 1 The quietest opening we’ve ever had. We’re in a reasonably untidy office. Dust and books. Obviously academic. A university lecturer’s office. We hold this stationary shot - there’s a pleasing symmetry. There’s a door on the left of the screen, and a slightly open one on the right - like the two doors on a weather clock. Through the slightly open door we can see another, smaller room. In between the doors, there’s a desk, facing across the screen. Two empty chairs. The one in front of the closed door, is a simple, wooden chair. Facing it across the desk is an elegant swivel chair. Distantly, a bell chiming. We hear the chatter of distant voices - young people, chatting and laughing. Under that, the drone of traffic. Ordinary and still, for as long as we dare. Then: Squeak! Squeak! Squeak! It’s like the squeaking wheel on a supermarket trolley - and it’s getting closer. Now the closed door opens, revealing: Nardole. Much as we last saw him in The Husbands Of River Song. He steps into the room (always a squeak on his left leg) revealing: In the doorway, Bill. Young, female, cheeky as hell. Nardole stands clear of the door, gestures towards the wooden chair.
    [Show full text]
  • The Dawn in Erewhon"
    University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences December 2007 Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Patrick Dillon [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Recommended Citation Dillon, Patrick, "Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon"" 10 December 2007. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/23. Revised version, posted 10 December 2007. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/23 For more information, please contact [email protected]. Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Abstract In "The Dawn in Erewhon", the concluding novella of Tatlin!, Guy Davenport explores the myth of Orpheus in the context of two storylines: Adriaan van Hovendaal, a thinly veiled version of Ludwig Wittgenstein, and an updated retelling of Samuel Butler's utopian novel Erewhon. Davenport tells the story in a disjunctive style and uses the Orpheus myth as a symbol to refer to a creative sensibility that has been lost in modern technological civilization but is recoverable through art. Keywords Charles Bernstein, Bernstein, Charles, English, Guy Davenport, Davenport, Orpheus, Tatlin, Dawn in Erewhon, Erewhon, ludite, luditism Comments Revised version, posted 10 December 2007. This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/23 Dimensions of Erewhon The Modern Orpheus in Guy Davenport’s “The Dawn in Erewhon” Patrick Dillon Introduction: The Assemblage Style Although Tatlin! is Guy Davenport’s first collection of fiction, it is the work of a fully mature artist.
    [Show full text]
  • Thinking Like Grass, with Deleuze in Education?1
    Thinking like Grass, with Deleuze in Education?1 XIAO-JIU LING York University Any beginning is difficult. To begin to talk about Gilles Deleuze is particularly difficult. For one thing, he is a philosopher of immense learning which is tightly tied to his rich studies in French or European intellectual history. He confessed to Michel Cressole in his 1973 letter: “I belong to a generation, one of the last generations, that was more or less bludgeoned to death with the history of philosophy… I myself ‘did’ history of philosophy for a long time, read books on this or that author” (Neg., p. 5-6). Indeed, this aspect of his learning is evident in any of his writings. Hence, for someone like me who had meager background in philosophy and in French literature, to start to read Deleuze was and still is a difficult endeavour. Secondly, Deleuze was an experimenter, a player [joueur]. Not only did he play with canonical works handed down from the past in the western philosophical tradition, ranging from his earlier studies on and with work of Hume, Nietzsche, then Kant, Bergson, Spinoza, and later Leibniz (in the order of his related publications), but he also experimented with thinking beyond the traditional boarders of philosophy. In his own words, he “compensated in various ways” (Neg., p. 5-6) in finding new rules to philosophizing. In this effort, he drew sources from and critiqued in the domain of Journal of the Canadian Association for Curriculum Studies Volume 7 Number 2 2009 Journal of the Canadian Association for Curriculum Studies psychoanalysis, literature (most notably Proust, Sacher-Masoch and Kafka) as well as other areas of the arts, such as painting, theatre and cinema.
    [Show full text]
  • Doctor Who 4 Ep.18.GOLD.SCW
    DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated.
    [Show full text]
  • “Sherlock Holmes: Study in Scarlet” and Mark Gatiss and Steven Moffat’S Film “Sherlock: Study in Pink”
    THE ANALYSIS OF PLOT STORY BETWEEN SIR ARTHUR CONAN DOYLE’S NOVEL “SHERLOCK HOLMES: STUDY IN SCARLET” AND MARK GATISS AND STEVEN MOFFAT’S FILM “SHERLOCK: STUDY IN PINK” THESIS Mochammad Muzayid Chasbullah NIM 14320065 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2018 THE ANALYSIS OF PLOT STORY BETWEEN SIR ARTHUR CONAN DOYLE’S NOVEL “SHERLOCK HOLMES: STUDY IN SCARLET” AND MARK GATISS AND STEVEN MOFFAT’S FILM “SHERLOCK: STUDY IN PINK” THESIS Presented to Universitas Islam Negeri Maulana Malik Ibrahim Malang In Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra (S.S.) By: Mochammad Muzayid Chasbullah NIM 14320065 Advisor: Dr. Hj. Istiadah, M.A NIP. 196703131992032002 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF HUMANITIES UNIVERSITAS ISLAM NEGERI MAULANA MALIK IBRAHIM MALANG 2018 i ii iii MOTTO “Let it be” iv DEDICATION This thesis is specially dedicated to my beloved parents, H. Thoha Mashud Chasbullah and Hj. Siti Maysaroh, to my brother, sister, all of my friends and teachers who always support me in everything to finish this thesis. v ACKNOWLEDGEMENTS All deepest praises to Allah SWT for the bless and mercy to accomplish this thesis entitled “The Analysis of Plot Story between Sir Arthur Conan Doyle’s Novel “Sherlock Holmes: Study in Scarlet” and Mark Gatiss and Steven Moffat’s Film “Sherlock: Study in Pink”.” as the requirement for the Degree of Sarjana Sastra. Sholawat and Salam are always delivered to the prophet Muhammad SAW, who has guided his followers to the rightness. On this occasion, I would like to gratitude to my family, especially my beloved Father and Mother, H.
    [Show full text]
  • Individuality and Utopian Desire in Post-Darwinian Literature
    Island Studies Journal, 12(2), 2017, pp. 267-280 Dreaming of islands: individuality and utopian desire in post-Darwinian literature Niall Sreenan University College London, United Kingdom [email protected] ABSTRACT: This paper conducts an exploration of the post-Darwinian literary and philosophical imaginary through the topos of the island. Drawing upon philosophical reflections by Gilles Deleuze on the nature of material islands and their psychic function as fantasies of transcendence, I argue that the island takes on new significance in a post-Darwinian world by offering an image of human independence that is unavailable under the regime of biological evolution. By conducting comparative readings of Michel Houellebecq’s The Possibility of an Island, Aldous Huxley’s Island, Samuel Butler’s Erewhon, and H.G. Wells’ The Island of Dr Moreau, instigated by the critical apparatus developed with my reading of Deleuze, I establish the existence of a genealogy of post-Darwinian narratives in which the island facilitates a specifically utopian dream of individual autonomy, which is bound up with the ideology of capitalism. Taken together, I argue, these works emphasise the importance and complex position of the island in the post-Darwinian imaginary. In these works, islands neither allow for simplistic affirmations of such utopian, capitalist fantasies of human sovereignty nor deterministic pessimism, but explore critically these ideas as they co-exist in tension. Keywords: Aldous Huxley, Charles Darwin, desert islands, Gilles Deleuze, Michel Houellebecq, Samuel Butler, Utopia https://doi.org/10.24043/isj.34 © 2017 ― Institute of Island Studies, University of Prince Edward Island, Canada.
    [Show full text]
  • Dark Deleuze
    Forerunners: Ideas First from the University of Minnesota Press Original e-works to spark new scholarship FORERUNNERS IS A thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship. Ian Bogost The Geek’s Chihuahua: Living with Apple Andrew Culp Dark Deleuze Grant Farred Martin Heidegger Saved My Life John Hartigan Aesop’s Anthropology: A Multispecies Approach Akira Mizuta Lippit Cinema without Reflection: Jacques Derrida’s Echopoiesis and Narcissism Adrift Reinhold Martin Mediators: Aesthetics, Politics, and the City Shannon Mattern Deep Mapping the Media City Jussi Parikka The Anthrobscene Steven Shaviro No Speed Limit: Three Essays on Accelerationism Sharon Sliwinski Mandela’s Dark Years: A Political Theory of Dreaming Dark Deleuze Dark Deleuze Andrew Culp University of Minnesota Press Minneapolis Dark Deleuze by Andrew Culp is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Published by the University of Minnesota Press, 2016 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu The University of Minnesota is an equal-opportunity educator and employer. Contents Abbreviations Introduction The Extinction of Being Advancing toward Nothing Breakdown,
    [Show full text]
  • Blink by Steven Moffat EXT
    Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper.
    [Show full text]
  • Sherlock III Ep3 FINAL Shooting Script
    SHERLOCK III Episode 3 FINAL SHOOTING SCRIPT by STEVEN MOFFAT 09.09.13 EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 1 BLACK SCREEN 1 A voice. Female, refined. LADY SMALLWOOD Mr. Magnussen, please state you full name for the record. MAGNUSSEN Charles Augustus Magnussen. Fading in on ... 2 INT. ENQUIRY ROOM - DAY 2 A government Enquiry. The strip-lit room, the horse-shoe table of MPs, facing the accused. The speaker is Lady Smallwood - fifties, wiry, sharp-eyed. The accused - calmly folded hands on a table top. Next to them, a pair of gold-rimmed spectacles. Magnussen. His voice is soft, reasonable, a Danish accent. LADY SMALLWOOD Mr. Magnussen, how would you describe your influence over the Prime Minister? MAGNUSSEN The British Prime Minster? LADY SMALLWOOD Any of the British Prime Ministers you have known. MAGNUSSEN I never had the slightest influence over any of them. Why would I? Lady Smallwood is consulting some notes. LADY SMALLWOOD I notice you’ve had seven meetings at Downing Street this year. Why? MAGNUSSEN Because I was invited. LADY SMALLWOOD Can you recall the subjects under discussion. MAGNUSSEN Not without being more indiscreet than I believe is appropriate. One of the MPs round the table - Garvie, bullish, self- righteous. (CONTINUED) 1. EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 2 CONTINUED: 2 GARVIE Do you think it’s right that a newspaper proprietor - a private individual and in fact a foreign national - should have such regular access to our Prime Minister? On Magnussen’s clasped hands.
    [Show full text]
  • From Wilderness to the Toxic Environment: Health in American Environmental Politics, 1945-Present
    From Wilderness to the Toxic Environment: Health in American Environmental Politics, 1945-Present The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Thomson, Jennifer Christine. 2013. From Wilderness to the Toxic Environment: Health in American Environmental Politics, 1945- Present. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125030 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA From Wilderness to the Toxic Environment: Health in American Environmental Politics, 1945-Present A dissertation presented by Jennifer Christine Thomson to The Department of the History of Science In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History of Science Harvard University Cambridge, Massachusetts May 2013 @ 2013 Jennifer Christine Thomson All rights reserved. Dissertation Advisor: Charles Rosenberg Jennifer Christine Thomson From Wilderness to the Toxic Environment: Health in American Environmental Politics, 1945-Present Abstract This dissertation joins the history of science and medicine with environmental history to explore the language of health in environmental politics. Today, in government policy briefs and mission statements of environmental non-profits, newspaper editorials and activist journals, claims about the health of the planet and its human and non-human inhabitants abound. Yet despite this rhetorical ubiquity, modern environmental politics are ideologically and organizationally fractured along the themes of whose health is at stake and how that health should be protected.
    [Show full text]
  • The Missing Subject of Accelerationism | Mute 04/03/2015 22:23
    The Missing Subject of Accelerationism | Mute 04/03/2015 22:23 ARTICLES THE MISSING SUBJECT OF ACCELERATIONISM By Simon O'Sullivan , 12 September 2014 Politics / AntiCapitalist / Philosophy / Media / Space Travel http://www.metamute.org/editorial/articles/missing-subject-accelerationism Page 1 of 20 The Missing Subject of Accelerationism | Mute 04/03/2015 22:23 As with utopian modernism and its attempt to separate Geist from Reason, today’s accelerationists have run into the old problem of differentiating their version of progress from that of capitalist development itself. In his review of the #Accelerate reader, Simon O’Sullivan identifies the crux of the problem as the absent theory of the subject 1. Accelerationism: Left vs. Right http://www.metamute.org/editorial/articles/missing-subject-accelerationism Page 2 of 20 The Missing Subject of Accelerationism | Mute 04/03/2015 22:23 Terminators and Replicants aside, what kind of subject is implied, or called forth, by the recently re-animated politico-philosophical idea of accelerationism (defined in the Introduction to the recently published #Accelerate: The Accelerationist Reader as ‘the insistence that the only radical political response to capitalism is … to accelerate its uprooting, alienating, decoding, abstractive tendencies’ (p.4))?[i] On the face of it what has become known as left accelerationism involves something more immediately recognisable: a communist subject, or a subject that is the product of collective enunciation. In the ‘Manifesto for Accelerationist Politics’ (MAP) by Nick Srnicek and Alex Williams, first published online and one of the key texts of the aforementioned Reader, we can recognise a call of sorts for a ‘new’ kind of (human) subject, the result of the knitting together of ‘disparate proletarian identities’ (p.360), and one capable of ‘abductive experimentation’ in to how best to act in the world (p.361).
    [Show full text]