The Cullinan Diamond Centennial: Ahistory and Gemological Analysis of Cullinans I and Ii
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Królewski Kościół Katedralny Na Wawelu. W Rocznicę Konsekracji
Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364-2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364-2014 Dekoracja zachodniej ściany katedry dobitnie ilustruje powiązanie św. Stanisława z ideą polityczną ostatnich władców z dynastii Piastów. Szczyt wieńczy figura św. Stani sława, poniżej na drzwiach widnieje monogram króla Kazimierza Wielkiego - a między nimi Orzeł, herb Królestwa Polskiego - heraldyczny łącznik spajający dwie personifikacje religijnej i świeckiej władzy. [...] Dlatego krakowska katedra jest w każdym znaczeniu tego słowa „kościołem królewskim” - a przy tym jedną z najwcześniejszych takich realizacji w Europie Środkowej. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Kraków 1985 [The] demonstration of the link between St Stanislaw and the political ideology of the last Piast King is provided by the decoration of the west front of the cathedral. Above, in the gable is the figure of St Stanislaw; below, on the doors, is the pronounced signature of Kazimir the Great; and between them, as a heraldic link between these two personifica tions of the religious and secular authority, is the Polish eagle, the arms of Poland [...] In every sense of the word, therefore, Krakow cathedral is - a Konigskirche. It is moreover one of the earliest of its kind in Central Europe. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Krakow 1985 Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364-2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364-2014 Kraków 2014 UNIW ERSYTET PAPIESKI JANA PAWŁA II WYDZIAŁ HISTORII I DZIEDZICTWA KULTUROWEGO PONTIFICAL UNIVERSITY OF JOH N PAUL II FACULTY OF HISTORY AND CULTURAL HERITAGE KRAKOWSKA AKADEMIA IM. -
Kingship. Coronation, and Covenant in Mosiah 1–6
Kingship. Coronation, and Covenant in Mosiah 1–6 Stephen D. Ricks The rst six chapters of Mosiah contain King Benjamin’s farewell address—one of the most memorable sermons on record. These chapters also portray for us the succession of Mosiah2 to the Nephite throne. Many features of this coronation ceremony reect ancient Israelite culture. First is the signicance of the ofce of king. Second is the coronation ceremony for the new king—the details of which have parallels in both Israel and other ancient Near Eastern societies and even in other parts of the world. Third, the order of events reported in these chapters reects the “treaty/covenant” pattern well-known in ancient Israel and the ancient Near East. Finally, an interrelated cluster of concepts in Israelite religion connects the themes of rising from the dust, enthronement, kingship, and resurrection. My discussion of these four sets of features will show how faithfully the Book of Mormon reects these Old World practices and beliefs. KINGSHIP The Meaning of Kingship Although kingship is a political institution whose origins are lost to history, nearly every ancient and medieval civilization had a king who was believed to have been appointed by heaven. The Egyptians held that kingship had existed as long as the world itself;1 to the Sumerians, this form of rule was a gift from the gods.2 The Israelites also believed that the king was appointed and adopted by God and that “he mediated between God and the people and represented them before each other.”3 Although the Nephite king was never viewed as a divine being (which would be inconsistent with Deuteronomy 17:15), he was closely connected with God in the sense that, as an intermediate, he too modeled and represented God to his people (as in Mosiah 2:19). -
Crowned with Authority Because of His Grace We Have Been Given Authority to Defeat Satan and Advance the Kingdom of God!
Crowned with Authority Because of His grace we have been given authority to defeat satan and advance the kingdom of God! British Monarchy: Kingdom: United Kingdom & 16 Commonwealth states (Australia, Canada, Jamaica, Saint Lucia etc.) Ceremony - Coronation: is the act of placement or bestowal of a crown upon a monarch's head. The coronation usually takes place several months after the death of the previous monarch, as it is considered a joyous occasion that would be inappropriate while mourning continues. The Imperial State Crown: is one of the Crown Jewels of the United Kingdom and symbolizes the sovereignty of the monarch. - Heavy Weight: The Imperial State Crown is 12.4 inches tall and weighs 2.3 lbs (heavy). Queen of England advised that she has to hold her head up when wearing it because if not if feels like you would break your neck. Its purple velvet cap is trimmed with ermine. The frame is made of gold, silver and platinum, and decorated with 2,868 diamonds, 273 pearls, 17 sapphires, 11 emeralds, and 5 rubies. - Great Value (Glory): Usually, the crown is taken to the Palace of Westminster under armed guard in its own carriage and placed in the Robing Room, where the Queen puts on her robes and puts on the crown before giving her speech to Parliament. We may never sit on the thrown in England, but we are crowned and sit from a place of authority! We are citizens of a Heavenly Kingdom Philippians 3:20 New American Standard Bible 20 For our citizenship is in heaven, from which also we eagerly wait for a Savior, the Lord Jesus Christ; - You get the rights of where you live 1 Peter 2:9 The Passion Translation 9 But you are God’s chosen treasure—priests who are kings, a spiritual “nation” set apart as God’s devoted ones. -
Religion and the Investiture of the Monarch: the European Context
Religion and the investiture of the Monarch: The European context NSS researcher Barry Thorpe has found no other investiture of a European monarch with such overt religious, far less sectarian, associations as in the UK. Denmark Last coronation: 1849 In 1660 the coronation ritual was replaced with a ceremony of anointing, where the new king would arrive at the coronation site already wearing the crown, where he was then anointed. This rite was in turn abolished with the introduction of the Danish Constitution in 1849. Today the crown of Denmark is only displayed at the monarch's funeral, when it sits atop their coffin. The present Queen, Margrethe II, did not have any formal enthronement service; a public announcement of her accession was made from the balcony of Christiansborg Palace, with the new sovereign being acclaimed by her Prime Minister at the time (1972), Jens Otto Krag, then cheered with a ninefold "hurrah" by the crowds below. Liechtenstein No coronation Liechtenstein does not use a coronation or enthronement ceremony, although Prince Hans Adam II did attend a mass by the Archbishop of Vaduz, followed by a choral event. Luxembourg No coronation The Grand Duke of Luxembourg is enthroned at a ceremony held in the nation's parliament at the beginning of his or her reign. The monarch takes an oath of loyalty to the state constitution, then attends a solemn mass at the Notre-Dame Cathedral. Netherlands No coronation. Inauguration With the absence of any religious hierarchy within the Dutch Reformed Church, there is no senior religious prelate to crown the new monarch, unlike in Great Britain under the Archbishop of Canterbury. -
Download 1960 Guide
-. i. kdational Cdlegiate Athletic Assogiation WRESTLING GUIDE!: The Official Rules Book AND RECORD BOOK OF Collegiate and Scholastic Wrestling B. R. Patterson, Editor 1 produced and distributed by \ THE NATIONAL COLLEGIATE ATHLETIC BUREAU NEW YORK ", I. A .- ' ,' I ; .. .. , ., . .. , '\ ..'.! ,{..-. .2 " >' . ;i. ' - F' F' .,, 8'. , . ,: . , ! .. , .~ I . , % , il. - . _.- < ..:.. :. - : .- - .. > I ;i i!.! .; , 3. 2. I.. : 1,-> ! . .. I. - .. ,I' ,., , , . , by Dick Stahlberger PENNSYLVANIATEACHERS TOURXAMENT ..................................... 17 .. by Russell E. Houk WILKESCOLLEGE OPEN TOURNAMENT ........................................ 17 bp Weltm G. Fawax MIDDLEATLANTIC STATES COLLEGIATE ATHLETIC CONFERENCE .................. 19 by weltow G. Farrar ATLANTICCOAST CONFPRENCE .............................................. 19 by Frank W. Finger SOUTHEASTE~~NINTERCOLLEGIATE CHAMPIONSHIPS ............................. 20 by Swede Umbach SOUTHERNC~NFERENCE TOURNAMENT ....................................... 20 by John Gwzton --MAS'ON-DIXON -- CONFERENCE TOURNAMENT ............................. .: ..... 20 by .TO%~ R. Toston CIAA CHAMPIONSHIPS.................................................... 20 " by Samuel E. Barnes COLLEGECONFERENCE oq ILLINOISTOURNAMENT ............................. 21 by George Olson BIG TEN CHAMPIONSHI~S.................................................. 21 by Wallace Johnson. MID-AMERICANCONFEI~ENCE TOUR~~~ENT ....................... : ........... 21 by Don Cunl~ingham FOUR-ITOURNAMENT ........... ......................................... -
Ave Papa Ave Papabile the Sacchetti Family, Their Art Patronage and Political Aspirations
FROM THE CENTRE FOR REFORMATION AND RENAISSANCE STUDIES Ave Papa Ave Papabile The Sacchetti Family, Their Art Patronage and Political Aspirations LILIAN H. ZIRPOLO In 1624 Pope Urban VIII appointed Marcello Sacchetti as depositary general and secret treasurer of the Apostolic Cham- ber, and Marcello’s brother, Giulio, bishop of Gravina. Urban later gave Marcello the lease on the alum mines of Tolfa and raised Giulio to the cardinalate. To assert their new power, the Sacchetti began commissioning works of art. Marcello discov- ered and promoted leading Baroque masters, such as Pietro da Cortona and Nicolas Poussin, while Giulio purchased works from previous generations. In the eighteenth century, Pope Benedict XIV bought the collection and housed it in Rome’s Capitoline Museum, where it is now a substantial portion of the museum’s collection. By focusing on the relationship between the artists in ser- vice and the Sacchetti, this study expands our knowledge of the artists and the complexity of the processes of agency in the fulfillment of commissions. In so doing, it underlines how the Sacchetti used art to proclaim a certain public image and to announce Cardinal Giulio’s candidacy to the papal throne. ______ copy(ies) Ave Papa Ave Papabile Payable by cheque (to Victoria University - CRRS) ISBN 978-0-7727-2028-2 or by Visa/Mastercard $24.50 Name as on card ___________________________________ (Outside Canada, please pay in US $.) Visa/Mastercard # _________________________________ Price includes applicable taxes. Expiry date _____________ Security code ______________ Send form with cheque/credit card Signature ________________________________________ information to: Publications, c/o CRRS Name ___________________________________________ 71 Queen’s Park Crescent East Address __________________________________________ Toronto, ON M5S 1K7 Canada __________________________________________ The Centre for Reformation and Renaissance Studies Victoria College in the University of Toronto Tel: 416-585-4465 Fax: 416-585-4430 [email protected] www.crrs.ca . -
From Charlemagne to Hitler: the Imperial Crown of the Holy Roman Empire and Its Symbolism
From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism Dagmar Paulus (University College London) [email protected] 2 The fabled Imperial Crown of the Holy Roman Empire is a striking visual image of political power whose symbolism influenced political discourse in the German-speaking lands over centuries. Together with other artefacts such as the Holy Lance or the Imperial Orb and Sword, the crown was part of the so-called Imperial Regalia, a collection of sacred objects that connotated royal authority and which were used at the coronations of kings and emperors during the Middle Ages and beyond. But even after the end of the Holy Roman Empire in 1806, the crown remained a powerful political symbol. In Germany, it was seen as the very embodiment of the Reichsidee, the concept or notion of the German Empire, which shaped the political landscape of Germany right up to National Socialism. In this paper, I will first present the crown itself as well as the political and religious connotations it carries. I will then move on to demonstrate how its symbolism was appropriated during the Second German Empire from 1871 onwards, and later by the Nazis in the so-called Third Reich, in order to legitimise political authority. I The crown, as part of the Regalia, had a symbolic and representational function that can be difficult for us to imagine today. On the one hand, it stood of course for royal authority. During coronations, the Regalia marked and established the transfer of authority from one ruler to his successor, ensuring continuity amidst the change that took place. -
The King, the Crown and the Colonel: How Did Thomas Blood Try to Steal the Crown Jewels in 1671?
Education Service The king, the crown and the colonel: How did Thomas Blood try to steal the crown jewels in 1671? This resource was produced using documents from the collections of The National Archives. It can be freely modified and reproduced for use in the classroom only. The king, the crown and the colonel : How did Thomas Blood try to steal the crown jewels in 1671? 2 Introduction After the execution of Charles I in 1649 many of the crown jewels were sold or destroyed. Oliver Cromwell ordered that the orb and sceptres should be broken as they stood for the 'detestable rule of kings'. All the gemstones were removed and sold and the precious metal was used to make coins. When the monarchy was restored in 1660, two new sceptres and an orb costing £12,185 were made for the coronation of Charles II in 1661. Can you spot any of these items in the picture at the top of this page? During the ceremony, the new king held the Sceptre with the Cross in his right hand and the Sceptre with the Dove in his left. The sceptre was a rod or staff which represents royal power and the dove refers to the Holy Spirit. The king was crowned with St Edward's Crown. At some point the king also held the orb, a hollow golden sphere decorated with a band of jewels and a jewelled cross on top. The orb refers to the king’s role as protector of the church. Charles II allowed the crown jewels to be shown to members of the public for a viewing fee paid to a custodian (keeper) who looked after the jewels in the Martin Tower at the Tower of London. -
Embracing Icons: the Face of Jacob on the Throne of God*
Images 2007_f13_36-54 8/13/07 5:19 PM Page 36 RACHEL NEIS University of Michigan EMBRACING ICONS: THE FACE OF JACOB ON THE THRONE OF GOD* Abstract I bend over it, embrace, kiss and fondle to it, Rachel Neis’ article treats Hekhalot Rabbati, a collection of early and my hands are upon its arms, Jewish mystical traditions, and more specifically §§ 152–169, a three times, when you speak before me “holy.” series of Qedusha hymns. These hymns are liturgical performances, As it is said: holy, holy, holy.1 the highlight of which is God’s passionate embrace of the Jacob icon Heikhalot Rabbati, § 164 on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–169 also set forth an ocular choreography such that the For over a century, scholars conceived of the relation- gazes of Israel and God are exchanged during the recitation of the ship between visuality in Judaism and Christianity Qedusha. The article set these traditions within the history of sim- in binary terms.2 Judaism was understood as a reli- ilar Jewish traditions preserved in Rabbinic literature. It will be argued that §§ 152–169 date to the early Byzantine period, reflecting gion of the word in opposition to Christianity, a Jewish interest in images of the sacred parallel to the contempo- which was seen as a deeply visual culture. For raneous Christian intensification of the cult of images and preoccupation many scholars, never the twain did meet—Jews with the nature of religious images. were always “the nation without art,” or “artless,”3 while for much of their history Christians embraced Bear witness to them 4 5 of what testimony you see of me, icons, creating visual representations of the divine. -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century. -
Westminster Abbey ASERVICE to CELEBRATE the 60TH ANNIVERSARY of the CORONATION of HER MAJESTY QUEEN ELIZABETH II
Westminster Abbey ASERVICE TO CELEBRATE THE 60TH ANNIVERSARY OF THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II Tuesday 4th June 2013 at 11.00 am FOREWORD On 2nd June 1953, the Coronation of Her Majesty Queen Elizabeth II followed a pattern established over the centuries since William the Conqueror was crowned in Westminster Abbey on Christmas Day 1066. Our intention in this Service of Thanksgiving is to evoke and reflect the shape of the Coronation service itself. The Queen’s entrance was marked by the Choirs’ singing Psalm 122—I was glad—set to music for the Coronation of EdwardVII by Sir Hubert Parry. The Queen’s Scholars of Westminster School exercised their historic right to exclaim Vivat Regina Elizabetha! (‘Long live Queen Elizabeth!’); so it will be today. The coronation service begins with the Recognition. The content of this part of the service is, of course, not today what it was in 1953, but the intention is similar: to recognise with thanksgiving the dutiful service offered over the past sixty years by our gracious and noble Queen, and to continue to pray God saveThe Queen. The Anointing is an act of consecration, a setting apart for royal and priestly service, through the gift of the Holy Spirit. The Ampulla from which the oil was poured rests today on the HighAltar as a reminder of that central act. St Edward’s Crown also rests today on the High Altar as a powerful symbol of the moment of Coronation. In today’s Service, a flask of Oil is carried by representatives of the people of the United Kingdom to the Sacrarium, received by theArchbishop and placed by the Dean on the High Altar. -
Spinel Gemstones
Sell With a Story: Spinel Gemstones GIA has said “Spinel is a good candidate for the title of ‘History’s Most Underappreciated Gem.’” And it could not be truer. Throughout history, Spinel has had a privileged yet unknown heyday. It appears in everything from the British Crown Jewels and the Austrian Imperial Crown, to the Russian coronation crown for Catherine the Great in 1762. Famous Spinel The largest Spinel in history is part of the Iranian National Jewels — still currently used to back the Iranian currency. Known and valued by the crowns of the world, Spinel have been found and pilfered as the spoils of war. The now-known ‘Black Prince’s Ruby’ — alas, a perfectly red Spinel — was given as payment to Edward, Prince of Wales, for a victorious battle in 1367. Historically, this gemstone has been confused with corundum (ruby and sapphire). Why? Mostly because it is regularly found in the same mines and because it comes in similar colors. What makes Spinel distinctively different? It is a singly refractive stone, while corundum is doubly refractive. As far back as the 1300s and 1400s, the largest and most valuable crystals in corundum mines were proclaimed ruby or sapphire (depending on color) when they were actually Spinel. They simply didn’t have the tools to tell the difference (I’m looking at you, refractometer). So, what makes spinel so captivating? Shades of Spinel Begin with the crisp nature of the stones and its alluring shades of color. Then throw in the limited supply, and you have yourself a gemstone that is as tempting for customers as it is valuable.