Mars Dead Or Alive
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Organisms and Human Bodies As Contagions in the Post-Apocalyptic State
CHAPTER 1 Organisms and Human Bodies as Contagions in the Post-Apocalyptic State Robert A. Booth n this chapter, I show how discourses of contagion and pollution not only imbue many post-apocalyptic cinema and television narratives but also mirror public discourse about immigration. Further, I examine the often- I 1 racialized immigrant in post-apocalyptic film and television that is, in essence, a discourse on insider–outsider social divisions and relationships of power. Finally, I elucidate the argument that post-apocalyptic film and television rein- force the primacy of centralized political authority, namely the State, and post- 9/11 post-apocalyptic film in particular reinforces the hegemony of the State. The post-apocalyptic subgenre of science fiction and/or horror has become popular fodder for cinema and television. As Susan Sontag notes, “the science fiction film . is concerned with the aesthetics of destruction, with the pecu- liar beauties to be found in wreaking havoc, making a mess. And it is in the imagery of destruction that the core of a good science fiction film lies.”2 Portrayals of the post-apocalypse often index or echo visual memories of terrible societal traumatic events of the past.3 With the experience of the social, political, economic, and emotional trauma of the 9/11 attacks, one might reasonably assume that Americans would acquire a distaste for graphic destructive violence. Certainly, after the attacks, filmmakers occasionally felt pressured to remove images of the Twin Towers or to change content that might evoke the tragedy, such as planes crashing into skyscrapers. However, post-apocalyptic genres remain ever popular in American television and cinema. -
The Myth of Closure
PROCESS The Myth of Closure PAULINE BOSS* DONNA CARNES† To read this article in Spanish, please see the article’s Supporting Information on Wiley Online Library (wileyonlinelibrary.com/journal/famp). Therapies for grief and loss have traditionally focused on the work of grieving. The goal was to reach an endpoint, now popularly called closure. There are, however, many people who, through no fault of their own, find a loss so unclear that there can be no end to grief. They have not failed in the work of grieving, but rather have suffered ambiguous loss, a type of loss that is inherently open ended. Instead of closure, the therapeutic goal is to help people find meaning despite the lack of definitive information and finality. Hope lies in increasing a family’s tolerance for ambiguity, but first, professionals must increase their own comfort with unanswered questions. In this article, the authors, one a poet, the other a family therapist and theorist, offer a unique blending of theory, reflection, and poetry to experientially deepen the process of self-reflection about a kind of loss that defies closure. Keywords: Ambiguous Loss; No Closure; Unresolved Loss; Unresolved Grief; Meaning Making; Sadness Versus Depression; Self-Reflection; Complex Grief Fam Proc 51:456–469, 2012 n the world of grief and mourning, there is a type of loss that defies closure even with Ihealthy families. It is called ambiguous loss, a term coined in the 1970s to illustrate a unique kind of loss when a loved one disappears in body or mind.1 A family member van- ishes physically with no verification of whereabouts or fate as dead or alive or fades away psychologically from dementia and other cognitive or emotional impairments. -
The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax: -
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS XVI DANCE, MUSIC, ART, AND RELIGION Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th of August 1994 Edited by Tore Ahlbäck, Distributed by ALMQUIST & WIKSELL INTERNATIONAL STOCKHOLM, SWEDEN Dance, Music, Art, and Religion Dance, Music, Art, and Religion Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th August 1994 Edited by Tore Ahlbäck Published by The Donner Institute for Research in Religious and Cultural History Åbo Finland Distributed by Almqvist & Wiksell International Stockholm, Sweden ISSN 0582-3226 ISBN 951-650-834-0 Printed in Finland by Åbo Akademi University Printing Press Turku 1996 Contents Editorial Note 7 DESMOND AYIM-ABOAGYE Art, Music and Religious Experience in Libation Pouring of Akan Religion 9 UMAR HABILA DADEM DANFULANI Rituals as Dance and Dance as Rituals. The Drama of Kok Nji and Other Festivals in the Religious Experience of the Ngas, Mupun and Mwaghavul in Nigeria 27 VALERIE DEMARINIS With Dance and Drum. A Psychocultural Investigation of the Ritual Meaning-Making System of an Afro-Brazilian, Macumba Community in Salvador, Brazil 59 MONICA ENGELHART The Dancing Picture — The Ritual Dance of Native Australians 75 RAGNHILD BJERRE FINNESTAD Images as Messengers of Coptic Identity. An Example from Con- temporary Egypt 91 MARIANNE GÖRMAN The Necklace as a Divine Symbol and as a Sign of Dignity -
Comic Book Crime Truth, Justice, and the American Way
Comic Book Crime Truth, Justice, and the American Way INSTRUCTOR’S GUIDE Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that em- body values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, provid- ing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is deliv- ered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Sta- ci Strobl explore these representations and show that comic books, as a historically im- portant American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ cal- culations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engag- ing, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way. -
Travel Writing 1700–1830 an Anthology
OXFORD WORLD’ S CLASSICS TRAVEL WRITING, 1700–1830 DURING the eighteenth century British travellers fanned out to every corner of the world, driven by diverse motives: scientific curi- osity, exploration, colonization, trade, diplomacy, and tourism, which began to flourish during this period. Those at home read voraciously in travel literature, which informed curious Britons about their nation’s activities overseas. The Empire, already estab- lished in the Caribbean and North America, was expanding in India and Africa and founding new outposts in the Pacific. Readers also enjoyed reports of travel closer to home: tours of the Continent and the British Isles themselves, whose beauty spots fuelled the rising fashion for picturesque and sublime scenery. Travel writing fed readers’ desire for adventure and exoticism and reinforced their pride in their nation’s achievements. It addressed scientific questions and gave philosophers food for thought. Political controversies were fought out in travel books, including the slavery question and the French Revolution debate. Above all, travellers’ descriptions of the wider world reveal their perception of themselves. Selected authors include Daniel Defoe, Joseph Addison, Mary Wortley Montagu, Samuel Johnson, James Boswell, James Cook, William Bartram, Mary Wollstonecraft, Dorothy Wordsworth, Walter Scott, Olaudah Equiano, Mungo Park, Ann Radcliffe, Matthew ‘Monk’ Lewis, and Frances Trollope. ELIZABETH A. BOHLS is Associate Professor of English at the University of Oregon. She is the author of Women Travel Writers and the Language of Aesthetics, 1716–1818, recently translated into Japanese, and of articles on travel writing and the novel. She is currently finishing a book on identity and place in writings from the colonial British Caribbean. -
Telephone Remarks to the National Aeronautics and Space
Aug. 13 / Administration of Barack Obama, 2012 Telephone Remarks to the National Aeronautics and Space Administration’s Mars Science Laboratory Team at the Jet Propulsion Laboratory in Pasade- na, California August 13, 2012 The President. Hello, everybody. not know before and laying the groundwork for Jet Propulsion Laboratory Director Charles an even more audacious undertaking in the fu- Elachi. Good morning, Mr. President. ture, and that’s a human mission to the Red The President. Who am I speaking with? Planet. Director Elachi. This is Charles Elachi, the I understand there’s a special Mohawk guy director of JPL. And we have a room full of the that’s working on the mission. [Laughter] He’s mission operation personnel. This is Curiosity been one of the many stars of the show last mission operation on Mars. Sunday night. And I, in the past, thought about The President. Well, it is great to talk to all getting a Mohawk myself—[laughter]—but my of you. And I just want you to know that we team keeps on discouraging me. And now that could not be more excited about what you’ve he’s received marriage proposals and thou- been doing. sands of new Twitter followers, I think that I’m Somebody asked me the other day whether going to go back to my team and see if it makes you’ve already found Martians. [Laughter] I sense. [Laughter] told them we have to give you a little bit of Director Elachi. That’s going to be the new time. But we know you’re all hard at work and fashion at JPL. -
Oscar Zeta Acosta's Paratextual Struggle for Survival Allison Fagan James Madison University, [email protected]
James Madison University JMU Scholarly Commons English College of Arts and Letters 2016 "La vida es el honor y el recuerdo": Oscar Zeta Acosta's Paratextual Struggle for Survival Allison Fagan James Madison University, [email protected] Follow this and additional works at: http://commons.lib.jmu.edu/eng Part of the American Literature Commons, Chicana/o Studies Commons, and the Latina/o Studies Commons Recommended Citation Fagan, Allison. "La vida es el honor y el recuerdo": Oscar Zeta Acosta's Paratextual Struggle for Survival." College Literature 43.2 (2016). 310-341. This Article is brought to you for free and open access by the College of Arts and Letters at JMU Scholarly Commons. It has been accepted for inclusion in English by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. James Madison University JMU Scholarly Commons English College of Arts and Letters 2016 "La vida es el honor y el recuerdo": Oscar Zeta Acosta's Paratextual Struggle for Survival Allison Fagan Follow this and additional works at: http://commons.lib.jmu.edu/eng Part of the American Literature Commons, Chicana/o Studies Commons, and the Latina/o Studies Commons This Article is brought to you for free and open access by the College of Arts and Letters at JMU Scholarly Commons. It has been accepted for inclusion in English by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. “LA VIDA ES EL HONOR Y EL RECUERDO”: OSCAR ZETA ACOSTA’S PARATEXTUAL STRUGGLE FOR SURVIVAL ALLISON FAGAN Dead or alive or even both, eh? That’s one thing they can’t take away from you. -
Newsletter Sidney, OH 45365 July 2013 (937) 498-1812
P.O. Box 72 102 E. Poplar St. Newsletter Sidney, OH 45365 July 2013 (937) 498-1812 www.shelbycountyrtl.org Volume 40 Issue 7 Building a Culture of Life in Shelby County, Ohio, since 1974 They Saved a Baby From Abortion Their First Time Praying at a Clinic Editor’s Note: The following article is by Bryan Kemper, who lives in Troy, Ohio. We only have space to print the testi- mony of two of the missionaries, but you can find the entire article at LifeNews.com. This week I took our Stand True Pro-life missionaries to the Kettering abortion mill, operated by infamous late term baby killer, Martin Haskell. For four of our missionaries this was their first time ever going to an abortion mill, and I asked them to write down their thoughts on the experience. These missionaries will be all over the United States this summer, but this one moment in Kettering, OH will be a defining moment as they fight to bring an end to abor- tion. David There are moments when life reality hits, and if you open your heart, you can’t help but to view the World dif- ferently. Reality hit me today, as I stood outside of the abortion mill for the first time. I did not feel helpless be- cause I knew that God works if we are faithful, though we cannot always see. I knew that God would work and that he knew every heart there, but I did not know that I would be blessed to see the changing heart of a Continued on page 2 Mark your calendar Taking the Pro-Life Message to the Streets Deadline for submissions to “If we protect what’s precious, we the August newsletter: July 25. -
1 6. Basis of Claim This Claim Concerns an Unprecedented Policy Issued at the Highest Levels of the Federal Government to Separa
6. Basis of Claim This claim concerns an unprecedented policy issued at the highest levels of the federal government to separate parents from their children. The extraordinary trauma inflicted on parents and children alike was no incidental byproduct of the policy—it was the very point. The federal government sought to inflict so much distress on parents and children seeking asylum that other families would be deterred from trying to seek refuge in this country. Indeed, while serving as Secretary of the Department of Homeland Security (“DHS”), John Kelly stated that he “would do almost anything to deter people from Central America” from migrating to the United States, including separating children from their parents. 1 After the forced separations began, former Attorney General Jeff Sessions confirmed that the goal was deterrence. 2 In May 2018, Kelly, who had since become President Trump’s Chief of Staff, callously dismissed any concern about the government’s forced separation of children from their parents, remarking: “[t]he children will be taken care of—put into foster care or whatever .” 3 Despite widespread condemnation and legal challenges, President Trump continued to defend the policy as a deterrent to migration from Central America when he tweeted, “[I]f you don’t separate, FAR more people will come.” 4 In total, the U.S. government has admitted to separating more than 2,700 children from their parents or guardians after they crossed the Southwestern U.S. border. 5 And recent reports indicate that the number of families separated may have been much higher. 6 The victims of this cruel and unconstitutional policy include M.Z. -
Mars Exploration Entry, Descent and Landing Challenges1,2
Mars Exploration Entry, Descent and Landing Challenges1,2 Robert D. Braun Robert M. Manning Georgia Institute of Technology Jet Propulsion Laboratory Atlanta, GA 30332-0150 California Institute of Technology (404) 385-6171 Pasadena, CA 91109 [email protected] (818) 393-7815 [email protected] Abstract—The United States has successfully landed five interesting locations within close proximity (10’s of m) of robotic systems on the surface of Mars. These systems all pre-positioned robotic assets. These plans require a had landed mass below 0.6 metric tons (t), had landed simultaneous two order of magnitude increase in landed footprints on the order of hundreds of km and landed at sites mass capability, four order of magnitude increase in landed below -1 km MOLA elevation due the need to perform accuracy, and an entry, descent and landing operations entry, descent and landing operations in an environment sequence that may need to be completed in a lower density with sufficient atmospheric density. Current plans for (higher surface elevation) environment. This is a tall order human exploration of Mars call for the landing of 40-80 t that will require the space qualification of new EDL surface elements at scientifically interesting locations within approaches and technologies. close proximity (10’s of m) of pre-positioned robotic assets. This paper summarizes past successful entry, descent and Today, robotic exploration systems engineers are struggling landing systems and approaches being developed by the with the challenges of increasing landed mass capability to 1 robotic Mars exploration program to increased landed t while improving landed accuracy to 10’s of km and performance (mass, accuracy and surface elevation). -
Dallas Museum of Art Horchow Auditorium
Artist Talk: Luc Tuymans June 3, 2010 Dallas Museum of Art Horchow Auditorium Jeffrey Grove: Good evening. Welcome to the Dallas Museum of Art. I'm Jeffrey Grove. I'm the Hoffman Family Senior Curator of Contemporary Art, and I am proud and privileged to introduce to you Luc Tuymans. [Applause] I hope you all had a chance to preview the exhibition before you came in for the talk. We are going to be very casual this evening. I'm not going tell you everything about Luc’s life story because you probably already know it or you wouldn’t be here, or you’ve seen it in the paintings down the hall. What we’re going to do is we’re sort of breaking our evening into three segments. Luc and I are going to talk first about the installation that you will see here at the DMA, about the exhibition overall, some of the pictures covering the arc, the trajectory of his career up to now. And then we’re going to take a break and Luc’s going to move over to the podium and do a presentation on pictures and some of his work and some aspects of his career that are not necessarily encapsulated in the exhibition we have on view at the DMA. And he’ll spend about 15 minutes on that then we’ll return over here. He and I will have a short dialog, and then we’re going to open up the floor to you for conversation and questions because I think that you’ll find what he has to say provocative, thought provoking and really will challenge some of your assumptions about what you may think you’ve seen in the work.