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Gründer Und Mastermind Der Band Ist Kein Geringerer Als Der Deutsche
Gründer und Mastermind der Band ist kein Geringerer als der deutsche Ausnahme-Drummer Bodo Schopf, der über viele Jahre fester Bestandteil der legendären Prog-Rock Band ELOY war und zudem für Größen wie Michael Schenker Group, Eric Burdon, Udo Lindenberg und Jack Bruce trommelte – nicht zu vergessen sein Engagement bei den kultigen Glam- Rockern The Sweet. Bodo weißt mehrere Chartplazierungen in Japan, USA, Deutschland, England, Spanien und Italien vor und erhielt Auszeichnungen in Gold und Platin. Den Sänger, David Readman (Pink Cream 69, Voodoo Circle, Almanac und Tank), lernte Bodo Schopf auf einer Tournee 2012 kennen. Er spielte dem Engländer einige seiner frisch komponierten Tracks vor, und Readman war auf Anhieb derart begeistert, dass er die Songs unbedingt einsingen wollte. Jedoch kurz danach, wanderten David nach Holland und Bodo nach Sardinien aus, so dass die beiden erst 2014 beginnen konnten, an den Songs zu arbeiten. Nach den ersten Aufnahmen waren sich David und Bodo einig, dies als Band weiterzuführen, dies war die Geburtsstunde von „Pendulum of Fortune“. Mit Bassist Franky R. holte sich Schopf einen guten, alten Bekannten an Bord, mit dem er bei der Michael Schenker Group zusammen gespielt hatte und der unter anderem auch schon für und mit solch großartigen Künstlern und Bands wie Ronnie James Dio, Kingdom Come und Vanden Plas gearbeitet hat. Bei der Suche nach einem Sologitarristen, stieß Bodo im Internet auf den unglaublichen Gitarristen Vladimir Shevyakov, ein Studio- und Livemusiker aus Moskau, er studierte Klassische Gitarre und spielte mit bekannten Künstlern aus Russland. Bodo schickte Vladimir 2 Songs übers Internet, dieser war total Begeistert und machte innerhalb einer Stunde seine Zusage als Sologitarrist bei Pendulum of Fortune. -
Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator. -
British Family Names
cs 25o/ £22, Cornrll IBniwwitg |fta*g BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Hcnrti W~ Sage 1891 A.+.xas.Q7- B^llll^_ DATE DUE ,•-? AUG 1 5 1944 !Hak 1 3 1^46 Dec? '47T Jan 5' 48 ft e Univeral, CS2501 .B23 " v Llb«"y Brit mii!Sm?nS,£& ori8'" and m 3 1924 olin 029 805 771 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029805771 BRITISH FAMILY NAMES. : BRITISH FAMILY NAMES ftbetr ©riain ano fIDeaning, Lists of Scandinavian, Frisian, Anglo-Saxon, and Norman Names. HENRY BARBER, M.D. (Clerk), "*• AUTHOR OF : ' FURNESS AND CARTMEL NOTES,' THE CISTERCIAN ABBEY OF MAULBRONN,' ( SOME QUEER NAMES,' ' THE SHRINE OF ST. BONIFACE AT FULDA,' 'POPULAR AMUSEMENTS IN GERMANY,' ETC. ' "What's in a name ? —Romeo and yuliet. ' I believe now, there is some secret power and virtue in a name.' Burton's Anatomy ofMelancholy. LONDON ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1894. 4136 CONTENTS. Preface - vii Books Consulted - ix Introduction i British Surnames - 3 nicknames 7 clan or tribal names 8 place-names - ii official names 12 trade names 12 christian names 1 foreign names 1 foundling names 1 Lists of Ancient Patronymics : old norse personal names 1 frisian personal and family names 3 names of persons entered in domesday book as HOLDING LANDS temp. KING ED. CONFR. 37 names of tenants in chief in domesday book 5 names of under-tenants of lands at the time of the domesday survey 56 Norman Names 66 Alphabetical List of British Surnames 78 Appendix 233 PREFACE. -
Wayfaring Strangers: the Musical Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 9 Book Reviews Article 13 6-10-2015 Wayfaring Strangers: The uM sical Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014. 361 pages. ISBN:978-1-4696-1822-7. Michael Newton University of North Carolina – Chapel Hill Follow this and additional works at: https://dc.uwm.edu/ekeltoi Recommended Citation Newton, Michael (2015) "Wayfaring Strangers: The usicalM Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014. 361 pages. ISBN:978-1-4696-1822-7.," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 9 , Article 13. Available at: https://dc.uwm.edu/ekeltoi/vol9/iss1/13 This Book Review is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014. 361 pages. ISBN: 978-1-4696-1822-7. $39.95. Michael Newton, University of North Carolina, Chapel Hill It has become an article of faith for many North Americans (especially white anglophones) that the pedigree of modern country-western music is “Celtic.” The logic seems run like this: country-western music emerged among people with a predominance of Scottish, Irish, and “Scotch-Irish” ancestry; Scotland and Ireland are presumably Celtic countries; ballads and the fiddle seem to be the threads of connectivity between these musical worlds; therefore, country-western music carries forth the “musical DNA” of Celtic heritage. -
Most-Common-Surnames-Bmd-Registers-16.Pdf
Most Common Surnames Surnames occurring most often in Scotland's registers of Births, Marriages and Deaths Counting only the surname of the child for births, the surnames of BOTH PARTIES (for example both BRIDE and GROOM) for marriages, and the surname of the deceased for deaths Note: the surnames from these registers may not be representative of the surnames of the population of Scotland as a whole, as (a) they include the surnames of non-residents who were born / married / died here; (b) they exclude the surnames of residents who were born / married / died elsewhere; and (c) some age-groups have very low birth, marriage and death rates; others account for most births, marriages and deaths.ths Registration Year = 2016 Position Surname Number 1 SMITH 2056 2 BROWN 1435 3 WILSON 1354 4 CAMPBELL 1147 5 STEWART 1139 6 THOMSON 1127 7 ROBERTSON 1088 8 ANDERSON 1001 9 MACDONALD 808 10 TAYLOR 782 11 SCOTT 771 12 REID 755 13 MURRAY 754 14 CLARK 734 15 WATSON 642 16 ROSS 629 17 YOUNG 608 18 MITCHELL 601 19 WALKER 589 20= MORRISON 587 20= PATERSON 587 22 GRAHAM 569 23 HAMILTON 541 24 FRASER 529 25 MARTIN 528 26 GRAY 523 27 HENDERSON 522 28 KERR 521 29 MCDONALD 520 30 FERGUSON 513 31 MILLER 511 32 CAMERON 510 33= DAVIDSON 506 33= JOHNSTON 506 35 BELL 483 36 KELLY 478 37 DUNCAN 473 38 HUNTER 450 39 SIMPSON 438 40 MACLEOD 435 41 MACKENZIE 434 42 ALLAN 432 43 GRANT 429 44 WALLACE 401 45 BLACK 399 © Crown Copyright 2017 46 RUSSELL 394 47 JONES 392 48 MACKAY 372 49= MARSHALL 370 49= SUTHERLAND 370 51 WRIGHT 357 52 GIBSON 356 53 BURNS 353 54= KENNEDY 347 -
What Kind of Contact Do the Names Really Point
Among Dimons and Papeys: What kind ofcontact do the names really point to? Peder Gammeltoft The Viking Age and its ilnpact on the North Atlantic area have interested historians, archaeologists and onOlnasts alike for well over a century now. Questions such as: "When did the Vikings arrive?", "Where did they first settle?" and "What happened to the original inhabitants?", have been central to the discussion right from beginning. The focus of this paper will be on the last of the above tnentioned questions, nalnely the relationship of the incoming Scandinavians with the already existing populations. Since I work on place-names, I shall address the issue frotn an onomastic and linguistic perspective. Place-nanles of Scandinavian origin number tens of thousands, if not hundreds of thousands in the Scottish Isles, the Faeroes and Iceland. The vast majority of these, however, cannot reveal anything about the contact between the Scandinavians and the indigenous populations. Therefore, I shall focus on two name-types, nalnely the place-nalnes like Dbnon and the place-natnes in Pap-. The reason for focussing on the Dbnons and the Pap-natnes is that these two name-types are generally taken to be proof of Scandinavian Gaelic contact. In the following, I shall attelnpt to weigh the Dimons and Papeys against each other and see what types of contact they reflect from an onotnastic point ofview. 1. The place-name type Dimon. It has generally been assutned that the place-natne construction DiJl10n is derived froln a cOlnpound of the Gaelic words di 'two' and 111uinn, f. 'top, back', Iiterally meaning: 'The place with the two tops'. -
Powerplay Issue 106 - February 2009 - Page 35
“Voodoo Circle” Voodoo Circle, or Alex Beyrodt’s Voodoo Genrre: Symphonic Power Metal even go as far as to say it was the best of the lot, such is Circle to give it its full title, is the latest project release from the magic spell these songs weave from beginning to end. the ever busy German guitarist. Perhaps best known for AFM Records Not a million miles from the statesman like his time with Sinner, or more recently through his live sound of latter day Silent Force, what really distinguishes work with Primal Fear, Alex has also been an intrinsic part Voodoo Circle is the wonderfully Rainbowesque neo- of a couple of excellent side projects – namely The Sygnet classical vibe which courses through its veins. As an old with then Jaded Heart front man Michael Bormann, and school (read Dio) era Rainbow fan of many years standing, Silent Force with erstwhile Royal Hunt vocalist DC Cooper, I can appreciate the efforts of anyone attempting to emulate the latter of which still seems to be very much a going that particularly illustrious era; and I can tell you now, few concern. have done it with such style as Voodoo Circle. Yet, whilst Assembling something of a stellar line up, the ghost of Rainbow past makes its presence felt at every Voodoo Circle sees Alex throwing in his lot with Pink single turn, this is no mere homage to things past. Quite Cream 69 vocalist David Readman, Sinner/Primal Fear the opposite really as it drags that evocative sound kicking bassist Mat Sinner, keyboard player Jimmy Kresic, and and screaming into the 21st Century – Rainbow meets drummer Mel Gaynor (who has played with the likes of Time Requiem anyone?! Brian May and Gary Moore amongst others). -
Robby Valentine Topper Tobt Epica Gothic Met Goddelijke Tik
TIJDSCHRIFT OVER PROGRESSIEVE ROCKMUZIEK verschijnt 7 keer per jaar, 12e jaargang december 2007, losse exemplaren 5 io pa g e s 7 7 RITUAL EN KAIPA PATRIK LUNDSTRÖM ZINGT ROBBY VALENTINE TOPPER TOBT EPICA GOTHIC MET GODDELIJKE TIK ‘REMSLAAP’ ONTWAAKT RIVERSIDE VERDER: NOVEMBRE, ISOPODA, KRAMER, RUSH 'IN CONCERT' COLOFON 3 UITGEVER Stichting iO Postbus 67 Paradoxale slaap 2678 ZH De Lier (tevens adres abonnementen administratie) fax: 0174-511213 e-mail: [email protected] website: www.iopages.nl ABONNEMENTEN Iedereen kent tijdens de slaap Lundström tot het schrijven van Een jaarabonnement kost per nacht gemiddeld vier of het prachtige nieuwe album The 31,00 binnen Nederland, resp. 39,00 voor de rest van Europa en vijf zogenoemde ‘remperiodes’. Die Hemulic Voluntary Band. De Zweed 49,50 buiten Europa. duren ongeveer twintig minuten per keer is zowel in de formatie Ritual als Kaipa het Nieuwe abonnees ontvangen de en het zijn de tijden dat je meestal behoor- gezicht van de band. Sprookjesachtige prog- uitgave van de maand volgend lijk droomt. ‘Rem’ staat voor Rapid Eye gy folkrock zoals we dat graag horen. Deze op de maand van aanmelding. Movement (snelle oogbeweging) en wordt klanken stimuleren tot wegdromen, even Adreswijzigingen dienen 4 weken ook wel paradoxale slaap genoemd. Die uit de heksenketel van het dagelijkse leven. tevoren te worden doorgegeven. (naar bovenstaand adres van uit- schijnbare tegenstelling heeft te maken met Tegelijkertijd zijn er diepere boodschappen gever of via e-mail). Vermeld altijd een grote hersenactiviteit en een maximale verborgen. Doet het toch weer een beroep je volledige naam en adres. ontspanning van de spieren. -
Los Alemanes Axxis Sacarán Su Nuevo "Utopia" (2009) El Próximo 28 De Agosto a Través Del Sello AFM Records
Metal Symphony http://www.metalsymphony.com Los alemanes Axxis sacarán su nuevo "Utopia" (2009) el próximo 28 de agosto a través del sello AFM Records. El material ha sido mezclado por Dennis Ward (Pink Cream 69), también productor de la obra junto al cantante Bernhard Weiß, mientras que Derek Gores se ha encargado de la increíble portada. La grabación se ha realizado en los estudios House Of Music de Alemania. El álbum saldrá editado en una edición normal con doce temas mientras que en digipack incluirá dos canciones extras. Una de ellas lleva por título "20 Years Anniversary Song", dura más de veinte minutos y para su grabación la banda ha contado con la colaboración de los cantantes Andi Deris (Helloween), Schmier (Destruction), Rolf Stahlhofen (ex Söhne Mannheims), Doro, Claus Lessmann (Bonfire), David Readman (Pink Cream 69) y Walter Pietsch (ex Axxis). Tambores de guerra sirven para abrir paso a la nueva obra de Axxis, “Journey To Utopia” nos introduce por completo en esta obra la cual sigue un curso con un Power Metal demoledor con “Utopia”, un corte donde predominan los teclados a cargo de Harry Oellers que le dan un toque muy especial haciéndolo poderoso en el conjunto global de la canción. Axxis se ha caracterizado por crear temas pegadizos y “Utopia” como no podía ser de otra manera es uno de ellos, una canción muy adecuada para abrir cualquier show de la banda. Pequeños elementos orquestales, serán los encargados de crear un halo misterioso y entrañable en “Last Man On Earth”, apreciándose una gran labor en los coros, como podremos detectar nada más escuchar el estribillo del tema. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
Five Typical Scotch Irish Families of the Cumberland Valley
NYPL RESEARCH LIBRARIES 3 3433 08071545 5 Digitized by the Internet Archive in 2008 with funding from Microsoft Corporation http://www.archive.org/details/fivetypicalscotcOOshoe FIVE TYPICAL SCOTCH IRISH FAMILIES OF THE CUMBERLAND VALLEY By Mary Craig Shoemaker ls^fooA PREFATORY NOTE About twenty-five years ago I did some research work along the line of the early settlement of the Cumberland Valley, Pennsyl- vania and became much interested in the history of some of the families of my ancestors who were among the first settlers of this valley. Old records were searched, archives were studied, many people of the older generation interviewed, hundreds of letters were written and received and many hours spent in conversation and among tombstones. A mass of disconnected data was the result. Many people with whom I corresponded urged me to print what I had collected so that it might be available to descendants of these families now widely scattered over the country. Before I had time to arrange the material in hand, in any way fit for publication, illness in my family broke in upon my work and after an interruption of a couple of years my interest had lagged and until now, the notes collected so laboriously, have lain un- disturbed. On looking over them this year my first impulse was to destroy them but second thought urged me to preserve them in the hope that someone else might sometime take them up and fill out the gaps. Our ancestors were necessarily engrossed with the material exigencies of the times, the men clearing land, plowing, sowing, cultivating, reaping, milling, distilling; the women weaving, spinning, sewing, baking, cleaning, and cooking. -
Prophecy and Cultural Conflict in Gaelic Tradition
Prophecy and Cultural Conflict in Gaelic Tradition MICHAEL NEWTON The theme of prophecy appears in virtually all genres of Scottish Gaelic literature, written and oral, in every era from which we have surviving evidence. Prophecy has often been used towards social and political ends, especially as propaganda at times of crisis and discord. Despite the pervasiveness of this theme, prophecy has received scant attention in scholarship about Scottish Gaelic literature and tradition. In this brief survey I will examine the rôle of prophecy as a cultural resource in Scottish Gaelic society, especially in the context of cultural conflict and upheaval. I will for the most part be leaving aside prophecy significant at a merely personal or local level and will be examining the ways that seers, or interpreters of prophecy, discuss the potential future of Gaelic society at large. The dominant voice in Scottish Gaelic tradition for such prophecy is Thomas the Rhymer, and the adoption of this Border poet as a prophetic and messianic figure is counter-intuitive. I will examine the appearance of Thomas in Gaelic literature and suggest some ways in which he may have entered oral tradition and attained such stature in the Scottish Highlands. Millenarism in Gaeldom The formation of the kingdom of Scotland was due largely to the success of Gaelic institutions and leaders. Centuries later, the seminal rôle of the Gaels in Scottish history remained in Gaelic consciousness. ‘The sense of integrity of the kingdom of Scotland […] emerges time and time again in Gaelic tradition and the integrating principle is a sense of the Gaelic basis of Scotland.’ (MacInnes 1989a: 96).