Kamran Present Music Ensemble

Total Page：16

File Type：pdf, Size：1020Kb

NAXOS NAXOS The audacious music of Kamran Ince embraces folk and classical traditions of Turkey, European modernism, Minimalism and many forms of pop, rock and jazz. The music reflects the man’s varied background: the Turkish-American composer grew up partly in both countries, soaking up traditional music and pop. In his music, many styles 9.70122 KAMRAN INCE: KAMRAN INCE: KAMRAN INCE: KAMRAN INCE: collide and overlap. The most delicate beauty collides with the rowdiest sounds this side of heavy metal; startling contrast is a hallmark of Ince’s style. It is impossible to listen DDD to Ince’s music casually. It commands attention. It shakes you. Playing Time Kamran 68:33 INCE (b. 1960) 1 Curve (1997)* 14:47 Hammers and Whistlers and Hammers Hammers and Whistlers and Hammers 2 Hammers and Whistlers (2006) 22:31 Text by Izzeddin Çalis¸lar (b. 1964) 3 Istathenople (2003) 18:12 4 Strange Stone (2004) 12:54 www.naxos.com ൿ Made in Germany in English Booklet notes and sung text Naxos Rights International Ltd. Present Music Ensemble & Ꭿ * Leventhal, Sharan violin I • Segnitz, Eric violin II 2010 Renzelman, Brek viola • Lavine, Karl cello Milwaukee Children’s Choir 2 • Milwaukee Choral Artists 2 Milwaukee Youth Symphony String Orchestra 2 Hadass Pal-Yarden, ethnic voice 3 Neva Özgen, kemenche 3 • Ali Çabuk, bouzouki 3 Kevin Stalheim, conductor 2–4 C Recorded at Alverno College, Milwaukee, Wisconsin, USA, May 2008 (track 1) and November 2007 (4); M in St John’s Cathedral, Milwaukee, Wisconsin, USA, November 2006 (2); and at the University of Memphis 9.70011 Scheidt School of Music, Memphis, Tennessee, USA, March 2004 (3) 9.70011 Producers: Rick Probst (1, 2 & 4); Jeff Cline & Kamran Ince (3) • Engineers: Rick Probst (1, 2 & 4); Y Jeff Cline (3) • Editors: Rick Probst (1 & 4); Pieter Snapper (2); Brandon Goff (3) • Mastering: Rick Probst Publisher: Schott Music Corporation • Booklet notes: Tom Strini K Cover Photo: Goreme, Cappadocia, Turkey (© Salajean / Dreamstime.com).

Copy Link

Recommended publications

Proceedings of the Istanbul Spectral Music Conference
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Commons@Waikato founding, this globally established Publications festival’s mission remains the same— we are steadfastly dedicated to the pursuit of the curiosity that is so Robert Reigle and Paul Whitehead deeply rooted in humankind’s nature, (Editors): Spectral World Musics: and we continue to peer intrepidly far Proceedings of the Istanbul into the future. Our immediate objec- Spectral Music Conference tive: to once again foment a fruitful, fascinating dialog at the interface of Softcover, two CD-Audio discs, 2008, art, technology and society.” This is a ISBN 978-9944-396-27-1, 457 pages; praiseworthy mission statement. But Pan Yayıncılık, Barbaros Bulvarı, Ars Electronica’s intrepid peering into 18/4 Bes¸iktas¸ 3435 Istanbul,˙ Turkey; the future with Armageddon exhibits telephone (+90) 212-2275675; fax may have thwarted for the moment (+90) 212-2275674; electronic mail its immediate objective of fomenting [email protected]; dialog. The current reviewers were Web pankitap.com/. sometimes left at a nonplus. And Mr. Fontana’s prize-winning work, Reviewed by Ian Whalley understood as the focal sound state- Hamilton, New Zealand ment of the 2009 festival, suggests that music, for the time being, has This collection is an outcome of not yet recovered from its speech- the Spectral Musics Conference held lessness and articulated a response. at Istanbul˙ Technical University, Or, perhaps its response is to recoil 18–23 November 2003, organized primarily extracts rather than full and to recollect the harmony of the by Michael Ellison, Robert Reigle, works.
[Show full text]
Orchestra Personnel
FROM SUFFRAGE TO STONEWALL 2019 DAVID ALAN MILLER HEINRICH MEDICUS MUSIC DIRECTOR DAVID ALAN MILLER, HEINRICH MEDICUS MUSIC DIRECTOR Grammy®Award-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. Music Director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. He and the orchestra have twice appeared at “Spring For Music,” an annual festival of America’s most creative orchestras at New York City’s Carnegie Hall. Other accolades include Columbia University’s 2003 Ditson Conductor’s Award, the oldest award honoring conductors for their commitment to American music, the 2001 ASCAP Morton Gould Award for Innovative Programming and, in 1999, ASCAP’s first-ever Leonard Bernstein Award for Outstanding Educational Programming. Frequently in demand as a guest conductor, Mr. Miller has worked with most of America’s major orchestras, including the orchestras of Baltimore, Chicago, Cleveland, Detroit, Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh and San Francisco, as well as the New World Symphony, the Boston Pops and the New York City Ballet. In addition, he has appeared frequently throughout Europe, Australia and the Far East as guest conductor. He made his first guest appearance with the BBC Scottish Symphony in March, 2014. Mr. Miller received his Grammy Award in January, 2014 for his Naxos recording of John Corigliano’s “Conjurer,” with the Albany Symphony and Dame Evelyn Glennie.
[Show full text]
KAMRAN INCE Symphony No
572554bk Ince Sym2:New 6-page template A 6/5/11 11:37 AM Page 1 KAMRAN INCE Symphony No. 2 ‘Fall of Constantinople’ Concerto for Orchestra • Piano Concerto Bilkent Symphony Orchestra • Ince • Metin LEFT: Kamran Ince plays his Piano Concerto with the Bilkent Symphony Orchestra, Is¸ın Metin conducting (Emre Unlenen) ABOVE: Is¸ın Metin (Mehmet Caglarer) • RIGHT: Kamran Ince conducts the Bilkent Symphony Orchestra in his Concerto for Orchestra, Turkish Instruments and Voices (Deniz Hughes) BELOW RIGHT: The Bilkent Youth Choir (Mehmet Caglarer) BELOW: Kamran Ince (Merih Akogul) C M Y K 5 8.572554 6 8.572554 572554bk Ince Sym2:New 6-page template A 6/5/11 11:37 AM Page 2 Kamran Ince (b. 1960) wind instruments in microtonal dissonance. A frighten- for the calm nights on the ramparts, when the bombard- Bilkent Symphony Orchestra Concerto for Orchestra, Turkish Instruments and Voices ing, massive swarm of strings follows. Those ideas recur ments cease, in the two day-night cycles in the opening The Bilkent Symphony Orchestra was founded in 1993 as an original artistic project of Bilkent University. Developed Symphony No. 2 ‘Fall of Constantinople • Piano Concerto • Infrared Only throughout the work; they go off like alarms and typically movement, The City and the Walls. by the Faculty of Music and Performing Arts, the orchestra is composed of over ninety proficient artists and alert us to the start of a new episode – but they often Those two ideas permeate the symphony and help us academicians of the Faculty from Turkey and twelve countries. With these characteristics the Bilkent Symphony In 1980, when Kamran Ince landed in America after Concerto for Orchestra, Turkish Instruments and Voices contrast sharply with what they announce, which to locate ourselves within its sprawling story.
[Show full text]
Triple-Threat Musical Theatre Program Grows CONTENTS DEAN’S MESSAGE WINTER 2014
WINTER 2014 THE MAGAZINE OF THE COLLEGE OF COMMUNICATION AND FINE ARTS AT THE UNIVERSITY OF MEMPHIS THE ARTS ALIVE AND WELL AT THE U OF M BAUHAUS TWENTY–21 ARTIST TELLS STORY THROUGH PICTURES CCFA MOURNS LOSS OF TWO FACULTY ALUMS Triple-threat musical theatre program grows CONTENTS DEAN’S MESSAGE WINTER 2014 FEATURES As you have undoubtedly read, significant closed in the Art Museum of the University of issues have developed in higher education Memphis and is featured on the cover of this across the nation and in Tennessee as well. magazine, are providing support for architec- 8 An Entrance Somewhere Else As Provost Rudd has written: “Our funding ture students in their required development of CCFA’s Musical Theatre program connects students to the world models are under pressure from a continued model building skills. Other donors have greatly of the American Musical. reduction of state funds, changing enrollment aided our new musical theatre concentration patterns and, for Tennessee universities, a through scholarship support or the Commu- funding formula that is impacted by comple- nication Department’s graduate program. We 12 A Frenzied Passion tion outcomes… In recent years, we have thank them and so many others who support Arts at the University of Memphis provide one-stop shop for theatre, art, absorbed significant reductions (36%) in state our students and hope you will join them in helping to continue the excellence for which dance and music. funding by undertaking a variety of cost reduc- tion measures.” As the result of a University we have become known.
[Show full text]
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-3-2010 Concert: Ithaca College Contemporary Ensemble Jeffery Meyer Richard Faria Ithaca College Contemporary Ensemble Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Meyer, Jeffery; Faria, Richard; and Ithaca College Contemporary Ensemble, "Concert: Ithaca College Contemporary Ensemble" (2010). All Concert & Recital Programs. 5085. https://digitalcommons.ithaca.edu/music_programs/5085 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Contemporary Ensemble Jeffery Meyer, Richard Faria, directors Hockett Family Recital Hall November 3, 2010 8:15 p.m. Program Cloches II (1997) Arthur Levering (b. 1953) Andrea Reges, flute, piccolo Terrance Griswold, clarinet, bass clarinet Susan Waterbury, violin* Zachary Slack, viola Daniel Frankhuizen, cello Jordan Morton, bass Mary Holzhauer, piano Julia Ross, percussion Jeffery Meyer, conductor* I Met Heine on the Rue Fürstenberg (1971) Morton Feldman (1926-1987) Patrice Pastore, soprano* Andrea Reges, flute, piccolo Terrance Griswold, clarinet, bass clarinet Mark Martin, violin Daniel Frankhuizen, cello Elena Nezhdanova, piano Julia Ross, percussion Richard Faria, conductor* Pause Double Sextet (2007) Steve Reich (b. 1936) Wendy Mehne, flute* Andrea Reges, flute Richard Faria, clarinet* Brianne Remaley, clarinet Nicholas DiEugenio, violin* Amy Schumann, violin Tyler Borden, cello Tristan Rais-Sherman, cello Anthony Di Bartolo, vibraphone Elayne Harris, vibraphone Carolyn Grossmann, piano* Mary Holzauer, piano Jeffery Meyer, conductor* * IC Faculty Biographies Biographies are in the order in which the performers appear on the program.
[Show full text]
1 Turkish Classical Clarinet Repertoire
Turkish Classical Clarinet Repertoire: Performance, Accessibility, and Integration into the Canon, with a Performance Guide to Works by Edward J. Hines and Ahmet Adnan Saygun D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Sarah Elizabeth Korneisel Jaegers Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. David Clampitt Professor Katherine Borst Jones Dr. Russel C. Mikkelson 1 Copyrighted by Sarah Elizabeth Korneisel Jaegers 2019 2 Abstract While American and western European works make up the majority of the classical clarinet repertoire known and studied in the West, works of Turkish origin are the focus of this document. Though over 100 pieces of Turkish classical clarinet repertoire exist, they are widely unknown to Western musicians, uncatalogued, and seldom performed. Consequently, although the clarinet is a staple of Turkish music and is extremely popular in the country’s folk tradition, classical clarinet music by Turkish composers remains difficult for Western musicians to find and acquire. The history of Anatolia as a cultural melting pot resulted in diverse and unique classical and folk musical traditions, both based on the makam modal system. Unlike the Western tradition, which developed twelve-tone equal temperament, the octave in the Turkish modal system comprises twenty-four unequally-spaced tones. The clarinet was introduced to Turkey by Giuseppe Donizetti (1788–1856), who traveled to Turkey at the behest of the sultanate to found European-style bands. Particularly appreciated was the clarinette d’amour, pitched in G.
[Show full text]
New Chamber Works by Kamran Ince
NEW CHAMBER WORKS BY KAMRAN INCE WWW.ALBANYRECORDS.COM TROY1565 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. KAMRAN INCE Asumani NEW CHAMBER WORKS BY KAMRAN INCE Far Variations (2009) [15:32] [10:50] 16 Drawings (2002) [1:30] Marie Sander, FLUTE 3 from far Kamran Ince & Friends 4 close passion [1:33] Phillip Bush, PIANO 5 far within [1:06] KAMRAN INCE 6 dance fire [1:23] 17 Two Step Passion (2012) [3:34] TROY1565 1 Asumani (2012) [8:43] 7 far dance [3:20] Cihat A¸skın, VIOLIN Özgen Duo 8 ripples [0:30] Yelda Özgen Öztürk, CELLO Kamran Ince, PIANO (Neva Özgen, KEMENÇE 9 obsession fire [0:56] Yelda Özgen Öztürk, CELLO) 10 far ripples [0:40] 18 Requiem for Mehmet (2009) [4:44] 11 fire within [1:39] 2 Symphony in Blue (2012) [12:30] 3 Piano Project 12 from far within [1:15] Hüseyin Sermet, PIANO (Zeynep Üçba¸saran, PIANO I 13 distant passion [0:48] Miguel Orgega Chavaladas, PIANO II 14 far gathering [0:55] Sergio Gallo, PIANO III) Soh-Hyun Park Altino, VIOLIN Anthony Gilbert, VIOLA [13:05] 19 Abandoned (2014) Leonardo Altino, CELLO Peabody Southwell, MEZZO-SOPRANO Kamran Ince, PIANO Prizm Ensemble (Carina Nyberg Washington, CLARINET 15 Road to Memphis (2009) [8:46] Daniel Gilbert, VIOLIN TROY1565 Özcan Ulucan, VIOLA Iren Zombor, CELLO) Kamran Ince, PIANO Kamran Ince & Friends Total Time = 77:46 WWW.ALBANYRECORDS.COM Asumani TROY1565 ALBANY RECORDS U.S.
[Show full text]
557541Bk Kelemen 3+3 13/8/10 10:24 AM Page 1
9.70011bk Hammers:557541bk Kelemen 3+3 13/8/10 10:24 AM Page 1 Hammers and Whistlers by Izzeddin Çalis¸ lar with Kamran Ince KAMRAN INCE now whisper so I’m creative mnoh, r, kyr, ykl, s, t, tay, take a pause noisy even when I’m playing in the garden vr, fij, kut, w, mry, but distant or close and the humanity nmuh, kleih, u, vr, ou, Hammers and Whistlers make this the last! cheerful or sad will be unconsciously a part of me eit, v, w, tys, then you’ll begin to create moving x, y, z if you don’t like others’ thoughts Curve • Istathenople • Strange Stone and then you’ll never stop deep or shallow then create new ones your self once upon a time you’ll keep creating (whistles … ) if you don’t care about what was done before man kind that’s why you must create something new made the alphabet Present Music Ensemble you have to take a pause now many or few which belongs only to you from nails in this hall grand or humble Milwaukee Children’s Choir and Choral Artists sounds became nails you will discover words you took a pause and then the letters finding but that will be the last Milwaukee Youth Symphony String Orchestra (whistles … ) then found one sharing and now you’ll keep creating which created zero now (unintelligible whispers … ) now you’ll never stop Kevin Stalheim then came if you let it sing or whisper your voice is a world microchips it will always come to you crazy or sane now share with others at the beginning no limit (unintelligible shouting … ) what you’ve found there was only go on yes and can give “the voice” something by you
[Show full text]
2012 Program
presents A Little Summer Music The 6th Annual Belvedere Chamber Music Festival June 20-23, 2012 Grace-St. Luke’s Episcopal Church 1720 Peabody Memphis, TN Welcome! We are delighted that you are here and hope you join us for the all the Festival concerts. If you are new to our work you maybe be interested to know –– Festival Facts • Luna Nova Music, an ensemble formed in 2003, produces the Festival. Since its inception the Luna Nova ensemble has performed over 130 concerts in colleges, museums, and churches in Memphis and around the country. • Our players and composers come to this Festival every summer from around the country and around the world. • The Belvedere Chamber Music Festival is unique in Memphis in that it is the only private chamber series devoted entirely to contemporary art music performance and composition, with particular emphasis on supported young performers and composers. • Grace-St. Luke’s Episcopal Church has graciously hosted the Belvedere Festival since its beginning in 2006. • Our concerts are free and open to the public. We Need Your Support! Only about 10% of our funding comes from grants. The remaining 90% comes from private donors. We need support from everyone to continue producing exciting, innovative concerts. Please send your tax deductible donation to: Luna Nova Music 1794 Carr Avenue Memphis, TN 38104 We have a new Kickstarter.com project that allows for incredibly easy online giving from $1 on up. Check the Kickstarter link at www.lunanova.org for details. The deadline for this project is July 3 so take a look today! Concert I Wednesday, June 20, 2012, 7:30 p.m.
[Show full text]
Turkey: a Culture of Change Turkey: a Culture of Change ACKNOWLEDGMENTS
Turkey: A Culture of Change Turkey: A Culture of Change ACKNOWLEDGMENTS Acknowledgments Erkut Yücaoğlu President of TÜSİAD High Advisory Council Former President of TÜSİAD Country Communication Advisory Board Lucien Arkas Member of TÜSİAD Board of Directors President of TÜSİAD Country Communication Commitee Jeffi Medina Chairman of DDB Worldwide Member of TÜSİAD Country Communication Commitee Haluk Tükel TÜSİAD Advisor on Country Communication Alper Üçok TÜSİAD Berlin Office Director Ebru Turhan TÜSİAD Berlin Office, Senior Expert Turkey: A Culture of Change Foreword Page 7 An Invitation: Ümit Boyner Cosmopolitanism Page 8 1 country 2 continents: a natural cradle for globalism Our best investment in future technologies: Page 18 the curiosity of our youth. We do like fantasy in novels. Page 28 But even more in laboratories. Our hospitality is world-famous. Page 38 Now, especially among global players. Our entrepreneur’s most valuable capital: Page 48 courage Turkey, where art is still about passion Page 58 Photographic acknowledgments Page 68 FOREWORD An Invitation An invitation to “Turkey rising” is no longer rather than to persist on what divides, might be one news as it has already featured on the cover of News- of the biggest strengths of Turkey. Those who want week magazine. Yet, the change in Turkey is so over- to mediate between different positions, have to re- whelming and the structural transformation so rap- consider their own positions constantly. Turkey has id, that there is much that escapes the eye, even that proved its flexibility very impressively - the ability of the most attentive observer. We believe that this to change is perhaps the most important feature in book you are holding will unveil the spirit behind its history.
[Show full text]
JUDGMENT of MIDAS Opera In
Opera in JUDGMENT OF MIDAS Two Acts Kamran Ince with Crawford Greenewalt, Jr. WWW.ALBANYRECORDS.COM TROY1562/63 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA :: DDD Music by Kamran Ince Libretto by Miriam Seidel WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Present Music :: Milwaukee Opera Theatre :: Kamran Ince, conductor TRACK LIST Opera in ACT I (CD 1) ACT II (CD 2) JUDGMENT OF MIDAS Two Acts Scene 1: Frannie and Theo Scene 3: The Contest 1 “I bring you Sardis!” [8:31] 1 “Now, let the contest begin!” [2:23] Music by Kamran Ince :: Libretto by Miriam Seidel 2 “He hears my voice but not what 2 “I am the voice inside the reeds” [2:34] I say” [3:46] 3 “Help me cheer him on” [4:57] 3 “There were grand mosaics depicting 4 “I bring to all the light of reason” [3:35] Matthew DiBattista, tenor (Melik/Midas) :: Abigail Fischer, mezzo-soprano (Frannie) Gods and man” [1:09] 5 “I never heard such sounds before” [1:14] :: Gregory Gerbrandt, baritone (Theo) Jennifer Goltz, coloratura soprano (Pan) 4 “My music—it is respected but no one 6 “My incense is the sweet hyacinth” [2:12] Mikhail Svetlov, bass (The MounTain god TMolus) :: Phillip Horst, bass baritone (aPollo) loves it” [3:12] 7 “I call the truth from every soul” [4:46] 5 “Not for one day?” [2:06] 8 “I enter them, I fill them up” [4:16] Present Music :: Kevin Stalheim, artistic director 6 “He stumbled on a contest” [3:10]
[Show full text]
Solo Cello Pieces by Turkish Composers
International Journal of Multidisciplinary Approach and Studies ISSN NO:: 2348 – 537X Solo Cello Pieces by Turkish Composers Emel Asuman Onen Associate Professor, Music Department, Anadolu University, Eskisehir, Turkey. ABSTRACT Purpose of this study is to raise knowledge among students in music education about Turkish composers of solo cello pieces; and to provide acknowledgement of these pieces by music scholars and performers in the world. In the study, a total of ten pieces by seven composers who composed solo pieces for cello are introduced with their backgrounds; and the pieces are analyzed in terms of structure. A structural analysis has been conducted on a limited level, in an attempt to serve as a guideline for the trainer or performer. Besides, certain aspects of pieces included; such as the approximate duration and technical passages. Following the repertoire research, composers of some pieces have been contacted and pieces are directly accessed. Some of the composers stated their opinions in writing; while the information on the pieces of composers is limited with the name and date only, as a result of not being able to access due to copyright issues. All materials, notes, and voice records obtained for this research are of great importance for Turkish cello repertoire. KEY WORDS: Turkish Composers, Cello, Solo Piece 1. INTRODUCTION The education received by Turkish composers both in Turkey and abroad, supported the acquisition of a solid background in the process of composing, which started with the Republic period. Our composers are observed to have an attempt to remain faithful to traditional music motives in their pieces, until the current century.
[Show full text]