Comparing American and South Korean Cultural

Total Page:16

File Type:pdf, Size:1020Kb

Comparing American and South Korean Cultural FLOWER BOYS AND MUSCLED MEN: COMPARING AMERICAN AND SOUTH KOREAN CULTURAL MODELS OF THE IDEAL MALE BODY USING CULTURAL DOMAIN ANALYSIS by LAWRENCE THOMAS MONOCELLO WILLIAM W. DRESSLER, COMMITTEE CHAIR JASON A. DECARO SONYA E. PRITZKER BEVERLY ROSKOS A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2017 1 Copyright Lawrence Thomas Monocello 2017 ALL RIGHTS RESERVED 2 ABSTRACT This study uses cultural domain analysis to understand the similarities and differences in ideal male body image between Americans and South Koreans. The prevalence of body image and eating disorders is rising all over the world, in women and in men. Due in large part to universalist assumptions about masculinity, the ways in which men’s body image is understood across cultures are understudied. Further, cross-cultural research on body image often fails to account for the effect of cultural differences through anything more than a nominal variable. Therefore, this study demonstrates an emically valid and scientifically reliable mixed methods approach to the study of body image that can be used in multidisciplinary research to more effectively operationalize “culture.” Results show that Americans understand body ideals largely through the dimension of individual control, while South Koreans understand body ideals through the dimensions of importance and desirability. Americans also more strongly endorse the instrumental aspects of male bodies, while South Koreans focus on their ornamental qualities, reflecting differing cultural scripts for achieving and projecting masculine status. Specifically, while Americans endorse highly muscular male bodies as ideal, South Koreans endorse more slender, “prettier” male images, of which one prominent example is the kkonminam, or “beautiful flower boy.” ii LIST OF ABBREVIATIONS AND SYMBOLS Avg Rank Average Place in the Freelist BMI Body Mass Index CCA Cultural Consensus Analysis CDA Cultural Domain Analysis DSM Diagnostic and Statistical Manual of Mental Disorders EAT-26 Eating Attitudes Test ED Eating Disorder(s) EDE-Q Eating Disorders Examination-Questionnaire EDI Eating Disorder Inventory EDNOS Eating Disorder Not Otherwise Specified IMF International Monetary Fund K-Pop Korean Pop Music KSA Korean Student Association MDS Multidimensional Scaling n sample size p Probability of Results or Outcome PROFIT Property Fitting Analysis r Pearson product moment correlation iii r2 Coefficient of determination R Multiple Correlation Coefficient RA Residual Agreement SPSS Statistical Package for the Social Sciences T.O.P. The Original Pimp, a K-Pop Performer UA University of Alabama WEIRD White, Educated, and from Industrialized, Rich, and Democratic Countries % Percent %Resp Percent of Respondents who Volunteered a Word or Phrase < Less than = Equal to > Greater than ± Plus or Minus ≤ Less than or equal to ≥ Greater than or equal to iv ACKNOWLEDGEMENTS None of this would have been possible without, first, my parents, Larry and Jennifer, who afforded me the freedom to explore the subjects that interested me, and allowed me to pursue a career that just feels right. I would also like to thank my Anthropology professors from Case Western Reserve University, who I truly believe shaped me into the anthropologist I am today. Dr. Bruce Latimer’s impassioned defenses of the obligate bipedality of Australopithecus afarensis based on Lucy’s foot morphology, and Dr. Scott Simpson’s pedagogical use of “prank” pig femora and “adorable” infant crania, taught me to approach research and teaching with equal parts rigor and levity. Dr. Vanessa Hildebrand’s consistent guidance and encouragement, starting from my Freshman year, gave me the confidence to pursue graduate school, and helped me to develop the critical thinking and writing skills necessary for my success. Dr. Lihong Shi sowed the seeds of my interest in East Asia and South Korea, and throughout this thesis I draw on her lectures and assignments in interpreting my findings. Finally, Dr. Eileen Anderson-Fye’s infectious enthusiasm for this material, my career, and for anthropology in general, has deeply shaped not only my theoretical paradigm for research, but also the way I teach and the kind of academic role model I hope one day to become. I would also be nowhere without my undergraduate advisor, Dr. Cynthia Beall. Her mentorship dramatically improved my writing, instilled in me high standards for rigor and quality, and a distaste for ambiguity in the reporting of research. Through her, I v received invaluable research experience at The Cleveland Clinic Foundation. Dr. Serpil Erzurum cultivated such a positive laboratory environment that I was excited to spend the good part of a summer injecting high altitude urine into boiling hydrochloric acid to measure its concentrations of nitric oxide metabolites. Thank you as well to Allison Janocha, Sudakshina Ghosh, Weiling Xu, and Queenie Cheong for the experience. I need to thank Dr. Bill Dressler, my committee chair and advisor, for giving me the freedom to pursue my own research interests while giving me the guidance I need to do it right and make it worthwhile. I would also like to thank my other committee members, Drs. Jason DeCaro, Sonya Pritzker, and Beverly Roskos, for reading this tome of a Master’s thesis and offering me invaluable suggestions for improvement. Finally, I would like to thank my Master’s cohort for their friendship, my academic big sister for her advice, my participants for the gifts of their time, and the Department of Anthropology and the Graduate School for their generous support of my education and this research, both financial and otherwise. vi CONTENTS ABSTRACT ......................................................................................................................ii LIST OF ABBREVIATIONS AND SYMBOLS .................................................................. iii ACKNOWLEDGEMENTS ............................................................................................... v LIST OF TABLES ........................................................................................................... xii LIST OF FIGURES ........................................................................................................ xiii CHAPTER 1 INTRODUCTION ........................................................................................ 1 1.1. Outline of the Thesis .................................................................................. 4 CHAPTER 2 LITERATURE REVIEW .............................................................................. 6 2.1. Introduction .................................................................................................... 6 2.2. “Western” Male Body Image .......................................................................... 9 2.3. Body Image Across Cultures, and the Problem of “Westernization” ............ 20 2.4. South Korean Body Image........................................................................... 29 2.5. Conclusion ................................................................................................... 34 CHAPTER 3 RESEARCH POPULATIONS AND SETTING .......................................... 36 3.1. Introduction .................................................................................................. 36 vii 3.2. Americans .................................................................................................... 37 3.3. South Koreans ............................................................................................. 40 3.4. University of Alabama .................................................................................. 45 3.5. Conclusion ................................................................................................... 46 CHAPTER 4 THEORETICAL APPROACH ................................................................... 47 4.1. Introduction .................................................................................................. 47 4.2. Ethnopsychology… ...................................................................................... 48 4.3. …and its discontents ................................................................................... 51 4.4. Cognitive Anthropology ............................................................................... 53 4.5. Conclusion ................................................................................................... 58 CHAPTER 5 METHODS ............................................................................................... 60 5.1. Introduction .................................................................................................. 60 5.2. Sample ........................................................................................................ 60 5.3. Phase I: Freelisting ...................................................................................... 64 5.4. Phase II: Pilesorting ..................................................................................... 66 5.5. Phase III: Cultural Consensus Analysis ....................................................... 68 5.5.1. Development of Survey ..................................................................... 68 5.5.2. Administration of Survey .................................................................... 69 5.5.3. Descriptive Statistics, Consensus,
Recommended publications
  • “Writing About Music” Vol
    UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure.
    [Show full text]
  • Category Outlook: Male Beauty Market Growing in China
    August 27, 2018 Category Outlook: China’s male grooming market is performing well and is projected to continue to grow quickly. Urban Chinese men, particularly Male Beauty Market millennials, are increasingly image-conscious, and they spend more Growing in China time and money on grooming than do male consumers in other demographics. We think that many grooming and beauty brands will further target Chinese male consumers to drive revenue growth in the coming years. 1) Euromonitor International estimates that male grooming category sales in China will post strong year-over-year growth of 6.8% in 2018 and reach ¥14,220 million ($2,084 million). 2) Urban Chinese men spend more time grooming themselves for different occasions than do those living in other areas, and millennial men, in particular, are showing a willingness to invest in beauty products: urban male millennials in China spent an average of ¥194 ($28) per month on beauty products over the past year, according to Prosper Insights & Analytics. 3) Grooming and beauty brands have been developing different marketing campaigns to target the specific needs of male Deborah Weinswig consumers in China. For example, L’Occitane has hired Asian CEO and Founder Coresight Research pop idol Luhan as its brand ambassador. [email protected] US: 917.655.6790 HK: 852.6119.1779 CN: 86.186.1420.3016 Deborah Weinswig, CEO and Founder, Coresight Research 1 [email protected] US: 917.655.6790 HK: 852.6119.1779 CN: 86.186.1420.3016 Copyright © 2018 Coresight Research. All rights reserved. August 27, 2018 Strong Retail Performance in the Chinese Male Grooming Market China’s overall beauty market continues to grow apace and male demand for beauty and grooming products continues to accelerate in the country.
    [Show full text]
  • Tyler the Creator Släpper Det Efterlängtade Albumet IGOR
    2019-05-17 11:03 CEST Tyler The Creator släpper det efterlängtade albumet IGOR LYSSNA: https://lnk.to/TylerIGOREC IGOR (uttalas eee-gor) är Tyler The Creators första album sen hans Grammy- nominerade Flower Boy som släpptes 2017, och som kom att bli en vändpunkt i hans karriär. Förutom den rapparen han är, är Tyler även producent, regissör och en sann popkulturell influencer. Bortsett från hans musik har Tyler byggt ett imperium med sin egen musikfestival Camp Flog Gnaw som hållts i Los Angeles varje år sen 2012, och GOLF som är hans egna klädmärke men även sitt omtalade samarbete med Converse. Bland credits på IGOR finns Kanye West,Lil Uzi Vert, Playboi Carti, Al Green och CullenOmori (Smith Westerns). Visa inbäddat innehåll här Följ Tyler på Instagram och Twitter, där han även förklarar hur han vill man ska lyssna på IGOR: IGOR. THIS IS NOT BASTARD. THIS IS NOT GOBLIN. THIS IS NOT WOLF. THIS IS NOT CHERRY BOMB. THIS IS NOT FLOWER BOY. THIS IS IGOR. PRONOUNCED EEE-GORE. DONT GO INTO THIS EXPECTING A RAP ALBUM. DONT GO INTO THIS EXPECTING ANY ALBUM. JUST GO, JUMP INTO IT. I BELIEVE THE FIRST LISTEN WORKS BEST ALL THE WAY THROUGH, NO SKIPS. FRONT TO BACK. NO DISTRACTIONS EITHER. NO CHECKING YOUR PHONE NO WATCHING TV NO HOLDING CONVO, FULL ATTN TOWARDS THE SOUNDS WHERE YOU CAN FORM YOUR OWN OPINIONS AND FEELINGS TOWARDS THE ALBUM. SOME GO ON WALS, SOME DRIVE, SOME LAY IN BED AND SPONGE IT ALL UP. WHATEVER IT IS YOU CHOOSE, FULLY INDULGE. WITH VOLUME.
    [Show full text]
  • View / Open OURJ Spring 2018 Lelkins.Pdf
    Oregon Undergraduate Research Journal 13.1 (2018) ISSN: 2160-617X (online) blogs.uoregon.edu/ourj Spitting Bars and Subverting Heteronormativity: An Analysis of Frank Ocean and Tyler, the Creator’s Departures from Heteronormativity, Traditional Concepts of Masculinity, and the Gender Binary Lizzy Elkins*, International Studies and Women’s, Gender and Sexuality Studies ABSTRACT This paper seeks to investigate an emerging movement of rap and pop artists who actively subvert structures of the gender binary and heteronormativity through their music. The main artists considered in this research are pop/rap/R&B artist Frank Ocean and rap artist Tyler, the Creator, both of whom have claimed fame relatively recently. Artists like Ocean and Tyler make intentional departures from heteronormativity and the gender binary, combat concepts such as ‘toxic masculinity’, and hint at the possibilities for normalization and destigmatization of straying from the gender binary through lyrics, metaphysical expressions, physical embodiments of gender, expression of fluid/non-heteronormative sexualities, and disregard for labels in their sexual and gendered identities. I will discuss the history and context around music as an agent for social change and address privileging of the black heterosexual cisgender man as the central voice to pop/rap/R&B in the following research. This project will draw on Beauvoirian philosophy regarding gender as well as contemporary sources of media like Genius, record sale statistics, and album lyrics. By illustrating and evaluating how these artists subvert traditional concepts of gender and sexuality, I hope to also shine a light on how their music, which reaches millions of people who are less aware of or accepting of gayness, catalyzes social change and is significant in this current political moment, which is an era of increasing public tolerance of queer ideas and less binary gender expression.
    [Show full text]
  • Open Popa Xydemor Malecosmetics.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FINANCE FEASIBILITY ASSESSMENT FOR A MALE COSMETICS COMPANY XYDEMOR POPA SPRING 2017 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Finance with honors in Finance Reviewed and approved* by the following: Brian Davis Clinical Associate Professor of Finance Thesis Supervisor and Honors Adviser Orie Barron Professor of Accounting, Director of Smeal College Schreyer Honors Program Faculty Reader * Signatures are on file in the Schreyer Honors College. i ABSTRACT FEASIBILITY ASSESSMENT FOR A MALE COSMETICS COMPANY The cosmetic industry, dominated almost exclusively by women, may be positioning itself for a massive transformation in customer demographics, expanding the profitability function to include a new variable: selling cosmetic products to men. This thesis examines the feasibility of creating a male cosmetic company. The objective of this report is to investigate solutions to the questions, “Could there truly be a market for male cosmetics, and if so, how do you promote cosmetic adoption across genders?” Beginning with a literature review examining the history of cosmetics through time, the changing social dynamics and drivers supporting the cosmetic industry’s expansion, and the existence of male cosmetic trends internationally, the groundwork is laid in support of validating the author’s predictions on shifting market trends. What follows is a feasibility assessment, presented in the format of a business plan, dissecting various cosmetic industries, potential markets, customer analyses, sales strategies, and financial planning. Included within the financial planning segment are a startup cost projection, a three- year profit and loss pro forma, a Net Present Value (NPV) calculation, and a break-even analysis.
    [Show full text]
  • Trends and Innovations in Male Grooming
    Trends and Innovations in Male Grooming Jamie Mills Associate Analyst, Datamonitor Consumer Marketing Trends April 2015 Agenda About Datamonitor Consumer Today’s male consumer: What do men want? Top innovation trends in male grooming Summary 2 About Datamonitor Consumer 3 About Datamonitor Consumer Consumer Innovation Market Insight Tracking Assessment Real insight on Uncover new Identify new hot real consumers trends in products spots and packaging in the marketplace 4 Source: Datamonitor Consumer Datamonitor Consumer surveys consumers in 40 countries globally Sweden Russia Netherlands Poland Canada UK Germany France Turkey South China Korea United Spain States Italy UAE Japan Thailand Morocco Mexico Egypt Vietnam Saudi Ghana Arabia Malaysia Philippines Colombia Nigeria Brazil Singapore Indonesia India Pakistan Australia Angola Bangladesh Chile Sri Lanka South Argentina Africa New Zealand 5 Today’s male consumer: What do men want? 6 Shifting the dialogue from male hygiene to man maintenance Men who use the following products at least a few times a week, global Bath/ shower products/ soap Shampoo Deodorants Perfumes/ aftershave Depilatories/ shaving products Body skincare products Facial skincare products Conditioner Suncare products 7 Source: Datamonitor Consumer’s global survey 2014 Shifting the dialogue from male hygiene to man maintenance Men who use the following products at least a few times a week, global Bath/ shower products/ soap “Too many men are just Shampoo stealing their wives or Deodorants partners’ products and using whatever
    [Show full text]
  • Unrealistic Weeds of Love and Romance: the Korean Drama and the "Flower Boy" Genre
    UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2015 Unrealistic Weeds of Love and Romance: The Korean Drama and the "Flower Boy" Genre Colby Y. Miyose University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Feminist, Gender, and Sexuality Studies Commons, Gender and Sexuality Commons, Korean Studies Commons, and the Mass Communication Commons Repository Citation Miyose, Colby Y., "Unrealistic Weeds of Love and Romance: The Korean Drama and the "Flower Boy" Genre" (2015). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2390. http://dx.doi.org/10.34917/7645975 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. UNREALISTIC WEEDS OF LOVE AND ROMANCE: THE KOREAN DRAMA AND THE “FLOWER BOY” GENRE By Colby Y. Miyose Bachelor of Arts in Communication Studies and Sociology University of Nevada, Las Vegas 2013 A thesis submitted in partial fulfillment of the requirements for the Master of Arts -- Communication Studies Department of Communication Studies Greenspun College of Urban Affairs The Graduate College University of Nevada, Las Vegas May 2015 Copyright by Colby Y.
    [Show full text]
  • Kennedy, W. C. Collegiate Institute Yearbook 1966-1967
    University of Windsor Scholarship at UWindsor Essex County (Ontario) High School Yearbooks Southwestern Ontario Digital Archive 1967 Kennedy, W. C. Collegiate Institute Yearbook 1966-1967 Kennedy, W. C. Collegiate Institute (Windsor, Ontario) Follow this and additional works at: https://scholar.uwindsor.ca/essexcountyontariohighschoolyearbooks Part of the Public History Commons Recommended Citation Kennedy, W. C. Collegiate Institute (Windsor, Ontario), "Kennedy, W. C. Collegiate Institute Yearbook 1966-1967" (1967). Essex County (Ontario) High School Yearbooks. 83. https://scholar.uwindsor.ca/essexcountyontariohighschoolyearbooks/83 This Book is brought to you for free and open access by the Southwestern Ontario Digital Archive at Scholarship at UWindsor. It has been accepted for inclusion in Essex County (Ontario) High School Yearbooks by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Essex County Branch of The Ontario Genealogical Society (EssexOGS) Active Members: Preserving Family History; Networking & Collaborating; Advocates for Archives and Cemeteries This yearbook was scanned by the Essex County Branch of The Ontario Genealogical Society in conjunction with the Leddy Library on the campus of the University of Windsor for the owners of the book. The EssexOGS yearbook scanning project is for preservation and family history research purposes by the Essex County Branch membership. This document is made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder and cannot be used for any commercial purposes, and may not be altered.
    [Show full text]
  • The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index 1
    The Baldwin Library Collection of Historical Children's Literature, 1850-1869 Author Index A, BESSIE C. A.L.O.E. CECIL DEAN. SHEPHERD OF BETHLEHEM. LONDON. 1853 LONDON. 1862 Reel: 167, No. 4 Reel: 539, No. 6 A.L.O.E. A.L.O.E. ESTHER PARSONS. SILVER CASKET. NEW YORK. 1864 NEW YORK. 1864 Reel: 694, No. 6 Reel: 668, No. 2 A.L.O.E. A.L.O.E. FAIRY KNOW-A-BIT. STORIES FROM JEWISH HISTORY. LONDON. 1866 LONDON. 1863 Reel: 773, No. 3 Reel: 651, No. 5 A.L.O.E. A.L.O.E. GIANT KILLER. STORY OF A NEEDLE. LONDON. 1856 LONDON. 1858 Reel: 319, No. 2 Reel: 454, No. 5 A.L.O.E. A.L.O.E. HARRY DANGERFIELD, THE POACHER. TWO PATHS. NEW YORK. 1862 NEW YORK. 1859 Reel: 561, No. 6 Reel: 476, No. 12 A.L.O.E. A.L.O.E. MINE, OR, DARKNESS AND LIGHT. WALTER BINNING, THE ADOPTED SON. NEW YORK. 1861 NEW YORK. 1859 Reel: 642, No. 5 Reel: 473, No. 1 A.L.O.E. A.L.O.E. NED MANTON. WINGS AND STINGS. NEW YORK. 1863 LONDON. 1856 Reel: 598, No. 2 Reel: 355, No. 10 A.L.O.E. A., E.S. PARLIAMENT IN THE PLAY-ROOM. FAIRYLAND & FAIRIES. LONDON. 1861 LONDON. 1867 Reel: 641, No. 3 Reel: 870, No. 1 A.L.O.E. A., F.S. PARLIAMENT IN THE PLAY-ROOM. SILVER LINING. NEW YORK. 1861 BOSTON. 1866 Reel: 642, No. 4 Reel: 812, No. 2 A.L.O.E.
    [Show full text]
  • 00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:06 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Morgan and I wanted to kick off 2020, and the 2020s in general, with a look back at the decade we just left behind, and to do so the two of us have compiled our favorite ten of the 2010s. 00:00:24 Music Music [The following songs play in rapid succession, crossfading into each other with no gap between them] “Fall in Love (Your Funeral)” off the album New Amerykah Part Two (Return of the Ankh) by Erykah Badu. Up-tempo, grooving R&B/soul. You don't wanna fall in love [Fades into…] 00:00:28 Music Music “See You Again” off the album Flower Boy by Tyler, the Creator. A short instrumental section with soaring horns. Fades into… 00:00:35 Music Music “Ah Yeah” off the album Black Radio by Robert Glasper Experiment. Slow, harmonized vocalizing over snaps. Fades into… 00:00:44 Music Music “Momma” off the album To Pimp a Butterfly by Kendrick Lamar. Mid-tempo rap. Sun beaming on his beady beads exhausted Tossing footballs with his ashy black ankles [Fades into…] 00:00:50 Music Music “Drunk in Love” off the album Beyoncé by Beyoncé. Poppy hip-hop. Surfboard, surfboard Graining on that wood, graining, graining on that wood [Fades into…] 00:00:56 Music Music “Nights” off the album Blond by Frank Ocean.
    [Show full text]
  • MALE BEAUTY Protection, Are Emphasised
    BRIEFINGS TIMING IS EVERYTHING BRIEFING 1: MALE BEAUTY protection, are emphasised. Skincare for men has been on the up WHY ASIA IS Then men will rationalise for a while. Makeup is also starting to SO FAR AHEAD a way to use these products.’ gain some traction. Why now? In Asia, products that exclusively JX/SCX: ‘In Asia, male beauty has Boys to men LK: ‘Estée Lauder launched a men’s target men make up 10% of beauty been completely redefined, makeup range 20 years ago that sales. China’s market for men’s makeup thanks to the massive social it discontinued after a year. The is forecast to double in size by 2025 influences from K-pop and Is the male beauty industry finally all grown-up and ready to move beyond basic grooming? men’s makeup industry has and, in South Korea, 58% of men born Mandopop bands, as well never really taken off until now. after 2000 indulge in ‘lengthy’ beauty as the rise of the xiao xian rou It’s partly because we [now] lead treatments once a week, according to – that translates to “little fresh Ranges like Tony & lives that are largely on screen. a survey by GlobalData. Compare that meat”, which refers to a growing Munro’s three-step with 34% of South Korean men overall. set (below) and Whether it’s social media posts, group of androgynous young Shakeup’s tinted dating profiles or Zoom calls, When UK brand MMUK Man launched male celebrities and influencers products (overleaf) we all want to present ourselves a lipstick in 2019, it racked up $100,000 with boyish looks and flawless, provide makeup well online.
    [Show full text]
  • A Study of the European Cosmetics Industry (2007)
    A Study of the European Cosmetics Industry Final Report Prepared for: European Commission, Directorate General for Enterprise and Industry Prepared by: Global Insight, Inc. October 2007 Contact Information Emilio Rossi Managing Director Business Planning Solutions, Europe Global Insight, (Italy) srl. Via S. Maria Segreta 6 20123 Milan +3902 8648 130 [email protected] Antonia Prlic Principal 1 Adelaide Street East Suite 2505, P.O. Box 198 Toronto, Ontario, M5C 2V9 Canada +1 416 682-7312 [email protected] Robert Hoffman Senior Consultant 1 Adelaide Street East Suite 2505, P.O. Box 198 Toronto, Ontario, M5C 2V9 Canada +1 416 682-7311 [email protected] 2 Table of Contents INTRODUCTION AND STRUCTURE OF THE STUDY........................................... 1 I. BROAD MARKET STUDY - MACRO/MICROECONOMIC CHARACTERISTICS...................................................................................................... 2 SUMMARY........................................................................................................................ 2 I.1 - MARKET SIZES ......................................................................................................... 3 I.2 - PER CAPITA COSMETICS CONSUMPTION................................................................... 5 I.3 - MARKET SEGMENTS ................................................................................................. 7 I.4 - MAIN PRODUCT TRENDS .......................................................................................
    [Show full text]