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Premio Compos.Indd 281 02/10/17 13:34 ALVARENGA, Clarisse Referências Clarisse Alvarenga SciELO Books / SciELO Livros / SciELO Libros ALVARENGA, C. Referências. In: Da cena do contato ao inacabamento da história: Os últimos isolados (1967-1999), Corumbiara (1986-2009) e Os Arara (1980-) [online]. Salvador: EDUFBA, 2017, pp. 281-298. ISBN: 978-85-232-1869-0. https://doi.org/10.7476/9788523218690. All the contents of this work, except where otherwise noted, is licensed under a Creative Commons Attribution 4.0 International license. Todo o conteúdo deste trabalho, exceto quando houver ressalva, é publicado sob a licença Creative Commons Atribição 4.0. Todo el contenido de esta obra, excepto donde se indique lo contrario, está bajo licencia de la licencia Creative Commons Reconocimento 4.0. REFERÊNCIAS 33. Direção: Kiko Goifman. Roteiro: Cláudia Priscilla, Kiko Goifman. Produção: Jurandir Müller. Brasil. 2003. 75’. P&b. AGAMBEN, Giorgio. Form-of-life. In: AGAMBEN, Giorgio. Means Without End: Notes on Politics. Trad. Vincenzo Binetti e Cesare Casarino. Minneapolis: Univ. of Minnesota Press, 2000. AGUILLAR, Nelson Alfredo. A Câmera dentro do filme. Devires – Cinema e Humanidades, Belo Horizonte, v. 9, n. 2, p. 168-175, jul./dez. 2012. Artigo publicado originalmente no jornal O Estado de São Paulo, em 1973. ALBERT, Bruce. A fumaça do metal: história e representação do contato entre os Yanomami. In: UNIVERSIDADE DE BRASILIA. Departamento de Antropologia. Anuário antropológico 89. Rio de Janeiro: Tempo Brasileiro, 1992. ALBERT, Bruce. O ouro canibal e a queda do céu. Uma crítica xamânica da economia política da natureza (Yanomami). In: ALBERT, Bruce; RAMOS, Alcida Rita (Org.). Pacificando o branco: cosmologias do contato no norte-Amazônico. São Paulo: Ed. Unesp: Imprensa Oficial do Estado, 2002. p. 239-274. 281 Premio Compos.indd 281 02/10/17 13:34 ALVARENGA, Clarisse. A Câmera e a flecha em Corumbiara. Devires – Cinema e Humanidades, Belo Horizonte, v. 9, n. 1, p. 118-127, jan./jun. 2012. ALVARENGA, Clarisse. Os Arara: imagens do contato. Devires – Cinema e Humanidades, Belo Horizonte, v. 9, n. 2, p. 24-49, jul./dez. 2012. ALVARENGA, Clarisse; BELISÁRIO, Bernard. O cinema-processo de Vincent Carelli em Corumbiara. In: VEIGA, Roberta; MAIA, Carla; GUIMARÃES, Victor. Limiar e partilha: uma experiência com filmes brasileiros. Belo Horizonte: Selo do Programa de Pós-Graduação em Comunicação Social, 2015. v. 4. ARAÚJO, Mateus. Jean Rouch e Glauber Rocha, de um transe a outro. In: SILVA, Mateus Araújo (Org.). Jean Rouch: retrospectivas e colóquios no Brasil. Belo Horizonte: Balafon, 2010. p. 47-89. ARNT, Ricardo. Panará: a volta dos índios gigantes. São Paulo: Instituto Socioambiental, 1998. BAMBA, Mohamed. Jean Rouch: cineasta africanista? Devires – Cinema e Humanidades, Belo Horizonte, v. 6, n. 1, 2009. BANG bang. Direção, Roteiro: Andrea Tonacci. Produção: Luiz Carlos Pires Fernandes. Direção de fotografia: Thiago Veloso. Intérpretes: Paulo César Pereio, Abrahão Farc, José Aurélio Vieira, Ezequias Marques. Brasil. 1971. 80’, 35mm, p&b. BARTOLOMEU, Anna Karina Castanheira. De dentro da favela: o fotógrafo, a máquina e o outro na cena. 289 f. 2008. Tese (Doutorado em Comunicação Social) - Programa de Pós-Graduação em Comunicação Social, Universidade Federal de Minas Gerais, Belo Horizonte, 2008. BATAILLE sur le grand fleuve (BATALHA no grande rio). Direção, Roteiro, Câmera e Locução: Jean Rouch. Produção: Jean Rouch, Roger Rosfelder. Intérpretes: Damoure Zika, Illo Gaouldel, o chefe Oumarou e os pescadores Sorko de Firgoun, Ayorou e Koutougou. Níger. 1950-1951. 32’55’’. Cor. BELISÁRIO, Bernard. Os lugares do bicho-espírito. In: ESTUDOS DE CINEMA E AUDIOVISUAL SOCINE, 17., 2014. São Paulo. Anais... São Paulo: Socine, 2014. p. 108-118. BENTES, Ivana. Vídeo e cinema: rupturas, reações e hibridismos. In: MACHADO, Arlindo (Org.). Made in Brasil: três décadas de vídeo brasileiro. São Paulo: Iluminuras: Itaú Cultural, 2007. p. 111-128. BERNARDET, Jean Claude. Cineastas e imagens do povo. São Paulo: Cia. das Letras, 2003. BLÁ blá blá. Direção, Produção, Roteiro: Andrea Tonacci. Intérpretes: Paulo Gracindo, Irma Alvarez, Nelson Xavier, Marcelo Pietsh França. Brasil. 35mm. 26’. P&b. 282 | da cena do contato ao inacabamento da história Premio Compos.indd 282 02/10/17 13:34 BLACK harvest (Colheita negra). Direção e produção: Bob Connolly, Robin Anderson. Fotografia: Bob Connolly. Montagem: Bob Connolly, Robin Anderson, Ray Thomas. Som: Robin Anderson. Austrália. DVD. 1992. 90`. cor. BOCA de lixo. Direção: Eduardo Coutinho. Produção executiva: Thereza Jessouroun. Pordução de campo: Alvarina Souza Silva. Produção: Cecip. Finalização: Iser Vídeo. Rio de Janeiro. Vídeo. 1992. 50’. Cor. BOSI, Alfredo. Fenomenologia do olhar. In: ADAUTO, Novaes (Org.). O olhar. São Paulo: Companhia das Letras, 1988. p. 65-87. BRASIL, André. Carapiru-Andrea, Spinoza: a variação dos afetos em Serras da desordem. Devires – Cinema e Humanidades, Belo Horizonte, v. 5, n. 2, 2008. BRASIL, André. Formas de vida na imagem: da indeterminação à inconstância. Revista Famecos. Porto Alegre, v. 17, n. 3, p. 190-198, set./nov. 2010. BRASIL, André. Performance: entre o vivido e o imaginado. In: ENCONTRO ANUAL DA COMPÓS, 20., 2011. Porto Alegre. Anais... Porto Alegre: Universidade Federal do Rio Grande do Sul, 2011a. p. 1-16. BRASIL, André. O Olho do mito: perspectivismo em Histórias de Mawary. In: ENCONTRO ANUAL DA COMPÓS, 21., 2011. Juiz de Fora. Anais... Juiz de Fora: Universidade Federal de Juiz de Fora, 2011b. BRASIL, André. Bicicletas de Nhanderu: lascas do extracampo. Devires – Cinema e Humanidades, Belo Horizonte, v. 9, n. 1, p. 98-117, jan./jun. 2012. BRASIL, André. Formas do antecampo: performatividade no documentário brasileiro contemporâneo. Revista Famecos, Porto Alegre, v. 20, n. 3, p. 578-602, set./dez. 2013. CABRA marcado para morrer. Direção: Eduardo Coutinho. Produção: Mapa Filmes e Eduardo Coutinho. Rio de Janeiro. 1964-1984. 35mm. 119’. P&b e cor. CAIXETA, Ruben. Cineastas indígenas e pensamento selvagem. Devires Cinema e Humanidades, Belo Horizonte, v. 5, n. 2, 2008, p. 98-125. CAIXETA, Ruben. Apresentação. In: RAMOS, Alcida Rita. Constituições nacionais e povos indígenas. Belo Horizonte: Ed. UFMG, 2012. O CAMINHO do fogo. Direção: Adrian Cowell, Vicente Rios. Produção: Central Independent Television. Distribuição no Brasil: Pontifícia Universidade Católica de Goiás. Brasil. 1984. 52’. Cor. CAMINHA, Pero Vaz de. A carta de Pero Vaz de Caminha. Disponível em: <http:// objdigital.bn.br/Acervo_Digital/Livros_eletronicos/carta.pdf>. Acesso em: 8 abr. 2015. Clarisse Alvarenga | 283 Premio Compos.indd 283 02/10/17 13:34 CARELLI, Vincent. Crônica de uma oficina de vídeo. São Paulo: Vídeo nas Aldeias, 1998. Disponível em: <http://www.videonasaldeias.org.br/2009/biblioteca.php?c=24>. Acesso em: 1º jun. 2015. CARELLI, Vincent. Moi, un indien. In: CARELLI, Vincent et al. Um olhar indígena. Catálogo da mostra Vídeo nas Aldeias. Rio de Janeiro: Banco do Brasil, 2004. p. 21-32. CARELLI, Vincent. Um outro olhar, uma nova imagem. 2011. Disponível em: <http://www. videonasaldeias.org.br/2009/biblioteca.php?c=33>. Acesso em: 1º jun. 2015. CARNEIRO DA CUNHA, Manuela. (Org.). História dos índios no Brasil. São Paulo: FAPESP: Companhia das Letras: SMC, 1992. CARNEIRO DA CUNHA, Manuela. Xamanismo e tradução. In: CUNHA, Manuela Carneiro da. Cultura com aspas e outros ensaios. São Paulo: Cosac Naify, 2009. p. 101-113. CARNEIRO DA CUNHA, Manuela. Índios no Brasil: história, direitos e cidadania. São Paulo: Claro Enigma, 2012. CASTRO, Isabel. A auto-reciclagem no documentário: os casos de Cabra e Santiago. In: ENCONTRO DA SOCIEDADE BRASILEIRA DE ESTUDOS DE CINEMA E AUDIOVISUAL, 18., 2014. Fortaleza. Anais... Fortaleza: Unifor, 2014.3 LA CHASSE au lion à l’arc (A CAÇA ao leão com arco). Direção, roteiro e câmera: Jean Rouch. Produção: Pierre Braunberger. Som: Idrissa Meiga, Moussa Hamidou. Montagem: Josée Matarasso, Dov Hoenig. Intérpretes: Tahirou Koro, Wangari Moussa, Yeya Koro, Bellebia Hamadou, Ausseini Dembo, Sidiki Koro e o aprendiz Alii. Níger, Mali, Burkina Faso. 1958-1965. DVD. 77’25’’. Cor, 16 mm. CHICO MENDES – eu quero viver (CHICO – i want to live). Direção: Adrian Cowell. Fotografia: Vicente Rios. Som: Vanderlei de Castro, Rafael de Carvalho e Nélio Rios. Produção: ATV. Brasil. 1989. 40’. Cor. CHRONIC du temps sec. Direção: Yves Billon, Patrick Menget e Jean-François Schiano. Produção: Yves Billon. Co-produção: Les Films du Village. Distribuição: Zaradoc. Idioma: Francês. Brasil. DVD. 1984. 70’. Cor. CLASTRES, Pierre. A sociedade contra o Estado. São Paulo: Cosac Naify, 2003. COMOLLI, Jean-Louis. Sob o risco do real. In: ASSOCIAÇÃO FILMES DE QUINTAL. Catálogo do 5º Festival do Filme Documentário e Etnográfico – Fórum de Antropologia, cinema e vídeo. Belo Horizonte: Associação Filmes de Quintal, 2001. p. 99-108. COMOLLI, Jean-Louis. Fim do fora-de-campo. In: ASSOCIAÇÃO FILMES DE QUINTAL. Catálogo do 10º Festival do Filme Documentário e Etnográfico – Fórum de Antropologia, Cinema e Vídeo. Belo Horizonte: Associação Filmes de Quintal, 2006. p. 126-145. 284 | da cena do contato ao inacabamento da história Premio Compos.indd 284 02/10/17 13:34 COMOLLI, Jean-Louis. Ver e poder: a inocência perdida: cinema, televisão, ficção, documentário. Belo Horizonte: Ed. UFMG, 2008. COMOLLI, Jean-Louis. O desvio pelo direto. In: ASSOCIAÇÃO FILMES DE QUINTAL. Catálogo do 14º Festival do Filme Documentário e Etnográfico – Fórum de Antropologia, Cinema e Vídeo. Trad. Pedro Maciel Guimarães. Belo Horizonte: Associação Filmes de Quintal, 2010a. p. 294-317.
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