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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
Download Programme
TWICKENHAM5 CHORAL SOCIETY ISRAEL IN EGYPT Soprano: Mary Bevan Alto: Roderick Morris Tenor: Nathan Vale Brandenburg Baroque Sinfonia conducted by Christopher Herrick All Saints Church, Kingston Saturday 4 July 2015 Would you like to see your company here? . Take advantage of our competitive rates . Advertise with the TCS . Put your products and services before a large and discerning audience Email [email protected] for more details. A Catholic school warmly welcoming girls of all faiths, age 3 – 18 Visits to Prep and Senior Departments on alternate Wednesdays. Please call us on 020 3261 0139 Email: [email protected] www.stcatherineschool.co.uk THE FRAMING COMPANY Bespoke Picture Framing 6 FIFE ROAD KINGSTON KT1 1SZ 020 8549 9424 www.the-framing-company.com FUTURE CONCERTS AND EVENTS Thursday 10 September 2015, St Martin-in-the-Fields, 7pm MOZART: Requiem Brandenburg Sinfonia Sunday 11 October 2015, Landmark Arts Centre, Teddington, 7.30pm A concert as part of the Richmond Festival of Music and Drama, celebrating the borough hosting several matches of the Rugby World Cup 2015 VIVALDI: Gloria MOZART: Requiem Emily Vine, Freya Jacklin, Daniel Joy, Peter Lidbetter Brandenburg Sinfonia Saturday 12 December 2015, All Saints Church, Kingston, 7.30pm ROSSINI: Petite Messe Solennelle MENDELSSOHN: Hymn of Praise (arr Iain Farrington) Sarah Fox, Patricia Orr, Peter Auty, Jamie Hall Iain Farrington, piano and Freddie Brown, organ Saturday 9 April 2016, All Saints Church, Kingston, 7.30pm PIZZETTI: Missa di Requiem DURUFLÉ: Requiem Saturday 9 July 2016, St John’s Smith Square, 7.30pm ELGAR: Dream of Gerontius Miranda Westcott, Peter Auty, David Soar Brandenburg Sinfonia TCS is affiliated to Making Music, which represents and supports amateur performing and promoting societies throughout the UK Twickenham Choral Society is a registered charity, number 284847 The use of photographic video or audio recording equipment during the performance is not permitted without the prior approval of the Twickenham Choral Society. -
Cole Albert Porter (June 9, 1891 October 15, 1964) Was An
Cole Albert Porter (June 9, 1891 October 15, 1964) was an American composer and songwriter. Born to a wealthy family in Indiana, he defied the wishes of his dom ineering grandfather and took up music as a profession. Classically trained, he was drawn towards musical theatre. After a slow start, he began to achieve succe ss in the 1920s, and by the 1930s he was one of the major songwriters for the Br oadway musical stage. Unlike many successful Broadway composers, Porter wrote th e lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 30s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate. It w on the first Tony Award for Best Musical. Porter's other musicals include Fifty Million Frenchmen, DuBarry Was a Lady, Any thing Goes, Can-Can and Silk Stockings. His numerous hit songs include "Night an d Day","Begin the Beguine", "I Get a Kick Out of You", "Well, Did You Evah!", "I 've Got You Under My Skin", "My Heart Belongs to Daddy" and "You're the Top". He also composed scores for films from the 1930s to the 1950s, including Born to D ance (1936), which featured the song "You'd Be So Easy to Love", Rosalie (1937), which featured "In the Still of the Night"; High Society (1956), which included "True Love"; and Les Girls (1957). -
Royal Hospital School Welcome to at the Music
September 2019 – June 2020 music at the royal hospital school welcome to music the at Music at RHS hospital school royal It is my pleasure to share this year’s RHS music programme which again reflects the ambition and talent of our Music Department and pupils. For those who have experienced a chapel service at RHS or witnessed the School’s marching band on Divisions, you will have some appreciation of how important music is to the pupils and to the key events in the school year. The positive benefits of music are well-documented - 2019 from improving well-being and bolstering the immune system, to developing co-ordination. For many of our / pupils it is a valuable counterbalance to the pressures 20 of work and a chance to build friendships through the collaborative nature of making music. This year the programme looks as rich as it is broad, providing opportunities not only for members of the School but also for wider participation. Highlights this year include the welcome return of the award-winning singer Matt Ford, to sing with the Chris Ingham Trio and the RHS Big Band. The joint concert with the British Army Band and the RHS Concert Band in February should also raise the roof! There is also a performance of Verdi’s Requiem with the RHS Chapel Choir, Holbrook Choral Society and the Ipswich Choral Society. Later in the year we present a semi-staged performance of one of the greatest English operas ever written, Dido and Aeneas; and an afternoon of fun and laughter with our annual Come and Sing event, featuring songs from a number of Disney classics. -
Cole Porter Lesson Plan
COLE PORTER Gay U.S. Composer (1893-1964) Cole Porter remains one of America's all-time greatest composers and songwriters – one of the few who wrote both the lyrics and the music. His hits include the musical comedies The Gay Divorce (1932), Anything Goes (1934), Panama Hattie (1939), Kiss Me, Kate (1948) and Can-Can (1952); and featured songs like "Night and Day", "I Get a Kick out of You", "I've Got You Under My Skin" and “Begin the Beguine.” He worked with legendary stars Fred Astaire, Ethel Merman, Fanny Brice, Judy Garland, Gene Kelly, Roy Rogers, Bing Crosby, Mary Martin and the Andrews Sisters; and is considered one of the principal contributors to The Great American Songbook. He married his close friend, socialite Linda Lee Thomas, in 1919 – a union that assured her social status while increasing his chances for success in his career. They lived a happy, publicly acceptable life, but Porter’s reputation as a regular fixture at some of underground Hollywood’s most notorious gay gatherings led to hushed rumors within upper-crust circles that threatened Thomas’s social standing. They separated in the early 1930s (but did not divorce) and remained close friends. In 1937 Porter was crippled when his legs were crushed in a riding accident. He was in the hospital for months, struggling against mental and physical decline, though he continued to write with some success for the next several years. But the death of his beloved mother in 1952, followed by his wife’s passing in 1954, and the amputation of his right leg in 1958, took its toll. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
The A-List Songlist 2015
The A-List Song List Artist Song Adele Make You Feel My Love Adele One And Only Adele Rolling In The Deep Al Green Let’s Stay Together Alicia Keys If I Ain’t Got You Alicia Keys No One Amy Winehouse Rehab Amy Winehouse Valerie Andy Grammar Keep Your Head Up Aretha Franklin Chain of Fools Aretha Franklin Respect Ariana Grande Love Me Harder Avicii Wake Me Up Beyonce Crazy In Love Beyonce Halo Beyonce Love On Top Bon Jovi Livin’ On A Prayer Bruno Mars Locked Out Of Heaven Bruno Mars Treasure Bruno Mars Uptown Funk Carly Rae Jepsen Call Me Maybe Cee Lo Green Forget You Chris Brown Fine China Clean Bandit Rather Be Coldplay Fix You T (844) 369-6232 E [email protected] W www.downbeat.la The A-List Song List Artist Song Coldplay Viva La Vida Corinne Bailey Rae Put You Records On Daft Punk Get Lucky Daft Punk Lose Yourself To Dance David Guetta Ft. Sia Titanium Destiny’s Child Say My Name Earth, Wind, and Fire Let’s Groove Earth, Wind, And Fire September Ed Sheeren Thinking Out Loud Ellie Golding Love Me Like You Do Ellie Golding Need Your Love Emeli Sande Next To Me Estelle American Boy Etta James At Last Frank Sinatra Fly Me To The Moon Frank Valli December ’63 (Oh What A Night) Gnarls Barkley Crazy Guns ‘N’ Roses Sweet Child Of Mine Jackson 5 ABC Jackson 5 I Want You Back Jason Mraz I’m Yours Jay Z & Alicia Keys Empire State Of Mind Jazz Standard Summertime Jessie J Domino John Legend All Of Me T (844) 369-6232 E [email protected] W www.downbeat.la The A-List Song List Artist Song John Legend Ordinary People Journey Crazy Little Thing Called Love Journey Don’t Stop Believin Justin Timberlake Señorita Justin Timberlake Sexyback Justin Timberlake Suit & Tie Katy Perry California Girls Katy Perry Firework Katy Perry Roar Katy Perry Teenage Dream Kenny Loggins Footloose Lady Gaga Just Dance Lorde Royals Maroon 5 Moves Like Jagger Maroon 5 Sugar Maroon 5 Sunday Morning Marvin Gaye What’s Going On Marvin Gaye Ft. -
Box Office 0121 704 6962
spring 2019 4 1 E G PA E SE - E RN O TH LA UL VE TE : S O OT , PH BOX OFFICE 0121 704 6962 KID UR Y: O AILE thecoretheatresolihull.co.uk EN B STEPH 2 The cOre experience! What a packed season the Autumn has been, and it’s not over yet. Although the Spring season is just around the corner, our pantomime is just taking off and we are delighted to be partnered this year by Little Wolf Productions, an award- winning company who usher us into a new era of panto in Solihull with Sleeping Beauty which opens on Friday 14 December. With plenty of gift ideas for family and friends, we highly recommend giving tickets as gifts as everyone looks forward to a night out and our Box Office team pride themselves on having a show to suit everyone from 3 to 103! Take a glance opposite and don’t forget Valentine’s Day, Mother’s Day and Easter are just a few weeks away. Spring 2019 will be the season of ‘taking part’ at this venue, with plenty of new opportunities for all ages, why not try our new Monday morning Gentle Yoga class to wake up your week, join our Community Choir on Thursdays at lunchtime. For young people we have a new Saturday Art Club in the Courtyard for ages 8 - 14 years or get your whole family booked up for our very first Solihull Bookfest , from the organisers of the popular Bournville Bookfest, which attracts the very best names in family literature and all things books (see page 13). -
The A-List Songlist 2017
The A-List Song List Song Artist 24K Magic Bruno Mars A Thousand Years Christina Perri Adorn Miguel Ain't No Mountain High Marvin Gaye Ain't Nobody Chaka Khan Ain't Too Proud to Beg The Temptations Alcoholic Common Kings All My LIfe KC and Jojo All of Me John Legend All Star Smash Mouth Always Be My Baby Mariah Carey American Girl Tom Petty At Last Etta James Baby One More Time Britney Spears Bad Girls Donna Summer Bennie and the Jets Elton John Billie Jean Michael Jackson Blame It On the Boogie Jackson 5 Bless The Broken Road Rascal Flatts Blue Bossa Kenny Dorham Blurred Lines Robin Thicke Boogie Oogie Oogie A Taste of Honey Boondocks Little Big Town Boot Scootin' Boogie Brooks & Dunn Brown Eyed Girl Van Morrison T (844) 369-6232 E [email protected] W www.downbeat.la The A-List Song List Song Artist Bye Bye Bye *NSYNC Cake By The Ocean DNCE California Girls Katy Perry California Love 2PAC Can't Feel My Face The Weeknd Can't Help Falling in Love Elvis Presley Can't Stop the Feeling Justin Timberlake Can't Take My Eyes Off You Lauryn Hill Cantaloupe Island Herbie Hancock Chain of Fools Aretha Franklin Chameleon Herbie Hancock Cheerleader Omi Closer Chainsmokers Come Together The Beatles Could You Be Loved Bob Marley Country Girl (Shake It For Me) Luke Bryan Crazy Gnarles Barkley Crazy In Love Beyonce Crazy Little Thing Called Love Queen Crazy Love Brian McKnight Dancing In The Moonlight King Harvest Diamonds Rihanna Do You Love me The Contours Domino Jessie J Don't Know Why Norah Jones T (844) 369-6232 E [email protected] W www.downbeat.la -
Cole Porter Kiss Me, Kate Mp3, Flac, Wma
Cole Porter Kiss Me, Kate mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: Kiss Me, Kate Country: US Released: 1990 Style: Musical MP3 version RAR size: 1211 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1757 mb Rating: 4.7 Votes: 308 Other Formats: WMA VQF VOC AHX MMF DTS AC3 Tracklist A Act One B Act One C Act Two D Appendix Companies, etc. Manufactured By – Capitol Records, Inc. Manufactured For – Angel Records Credits Arranged By [Incidental Ballet Music] – Genevieve Pitot Chorus – Ambrosian Chorus* Chorus Master – John McCarthy Conductor – John McGlinn Libretto By [Book] – Bella Spewack, Sam* Music By, Lyrics By – Cole Porter Orchestra – London Sinfonietta Orchestrated By – Robert Russell Bennett Orchestrated By [Appendix Material] – Russell Warner Vocals [Bill Calhoun (Lucentio)] – George Dvorsky Vocals [Curtis (Appendix)] – Simon Green Vocals [First Man (Gangster)] – Robert Nichols Vocals [Fred Graham (Petruchio)] – Thomas Hampson Vocals [Gremio (Suitor)] – Davis Gaines Vocals [Hattie] – Karla Burns Vocals [Hortensio (Suitor)] – John Mark Ainsley Vocals [Lilli Vanessi (Katharine)] – Josephine Barstow Vocals [Lois Lane (Bianca)] – Kim Criswell Vocals [Paul] – Damon Evans Vocals [Second Man (Gangster)] – David Garrison Notes The first complete recording of Cole Porter's original, unabridged score. Cassette one length: 54:57 Cassette two length: 56:28 Manufactured for Angel Records by Capitol Records, Inc. Printed in the USA. XDR Dolby HX Pro B NR Barcode and Other Identifiers Barcode: 0 7777-54033-4 -
Issue 2 2015|2016 SEASON
2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate.