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Celebrities As Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field
Celebrities as Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field Ellen Watts Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in Politics 2018 Declaration I, Ellen Watts, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Ellen Watts September 17, 2018. 2 Abstract The ability of celebrities to become influential political actors is evident (Marsh et al., 2010; Street 2004; 2012, West and Orman, 2003; Wheeler, 2013); the process enabling this is not. While Driessens’ (2013) concept of celebrity capital provides a starting point, it remains unclear how celebrity capital is exchanged for political capital. Returning to Street’s (2004) argument that celebrities claim to speak for others provides an opportunity to address this. In this thesis I argue successful exchange is contingent on acceptance of such claims, and contribute an original model for understanding this process. I explore the implicit interconnections between Saward’s (2010) theory of representative claims, and Bourdieu’s (1991) work on political capital and the political field. On this basis, I argue celebrity capital has greater explanatory power in political contexts when fused with Saward’s theory of representative claims. Three qualitative case studies provide demonstrations of this process at work. Contributing to work on how celebrities are evaluated within political and cultural hierarchies (Inthorn and Street, 2011; Marshall, 2014; Mendick et al., 2018; Ribke, 2015; Skeggs and Wood, 2011), I ask which key factors influence this process. -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
Can You Do Something Extraordinary to Support Your Profession and Local Communities Across the Uk?
CAN YOU DO SOMETHING EXTRAORDINARY TO SUPPORT YOUR PROFESSION AND LOCAL COMMUNITIES ACROSS THE UK? I have been volunteering with StreetVet since September 2017. Whilst locuming, I found myself feeling as though I was working to live and no longer feeling the enjoyment and reward that being a Vet I have been volunteering for StreetVet for 18 months Nurse had given me. I got in contact with Jade and and it is the most incredible thing I have ever been started out in the Watford outreach every Thursday. involved in with my career. It is a privilege to be able StreetVet has reignited my passion for nursing, and to share my time, love, and skills with people who the rewards of helping those less fortunate than the wouldn’t otherwise have access to veterinary care for majority of us is humbling and emotional. Now, as an their much loved animals. important part of both an IVC practice and StreetVet, I have the passion and drive not only to work harder, but to seek new and better ways to help clients and Rebecca Castle at The Wheelhouse Veterinary patients of both organisations. The best thing I have Centre. done in recent history is sending that email to Jade. Chris Rossiter, Head Nurse at Alcombe Vets Ealing. www.streetvet.co.uk info@streetvet. facebook.com/streetvet Registered Charity No: 1181527 StreetVet is a charity and RCVS registered practice offering free accessible vet care to the homeless and their pets. We are currently established in 15 locations across the U.K. where we offer regular drop in ‘street clinics’ and out of hours care. -
LARGE PRINT BOOKS Charnwood Hardcover October
OCTOBER - DECEMBER 2020 New Zealand See inside for more top authors CHARNWOOD LARGE PRINT MAGNA FAMILY SAGA See back cover for more specially selected titles NEW RELEASES IN SOFTCOVER A U R O R A ULVERSCROFT LARGE PRINT BOOKS Charnwood Hardcover October Ann Cleeves The Darkest Evening Driving home during a swirling blizzard, Vera Stanhope becomes disorientated and loses her way, discovering a car slewed off the road ahead of her. With the door open, Vera assumes the driver has sought shelter, but when she inspects the car she is shocked to find a young toddler strapped in the back seat. Afraid they will freeze, Vera takes the child and drives on, arriving at Brockburn, a run- down stately home she recognizes as the house her father Hector grew up in. Inside Brockburn, a party is in full swing, with music and laughter to herald the coming Christmas. But outside in the snow, a young woman lies dead, and Vera knows immediately she has a new case. Could this woman be the child's mother? And if so, Charnwood what happened to her? The Vera Stanhope Series “Nobody does unsettling undercurrents better than Ann Cleeves.” VAL MCDERMID “Superb... This page-turner is must reading for fans as well as newcomers.” PUBLISHERS WEEKLY Crime 426pp Amanda Craig Alice Feeney The Golden Rule His & Hers When Hannah is invited into the First-Class carriage of the London to If there are two sides to every story, someone is always lying... Penzance train by Jinni, she walks into a spider's web. Hannah's husband Jack: Three words to describe my wife: Beautiful. -
The Young Victoria Production Notes
THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. -
Celebrity: How Entertainers Took Over the World and Why We Need an Exit Strategy Pdf
FREE CELEBRITY: HOW ENTERTAINERS TOOK OVER THE WORLD AND WHY WE NEED AN EXIT STRATEGY PDF Marina Hyde | 256 pages | 19 May 2009 | Vintage Publishing | 9781846552595 | English | London, United Kingdom 29 of the Smartest Celebrities in the World | The Quad Magazine Hyde writes three articles each week for the paper, on current affairs, celebrity, and sport. Hyde began her career in journalism as a temporary secretary on the showbiz desk at The Sun newspaper. SinceHyde has worked at The Guardianat first writing the newspaper's Diary column. She contributes three columns a week: one on sport, one on celebrity, and one which is typically about politics. Her sport column appears on Thursday; her celebrity column is entitled Lost in Showbiz and appears in the G2 supplement each Friday. She has a regular serious column in the main section of The Guardian on Saturday, as well as a column in the "Weekend" supplement, in which she parodies a celebrity diary entry. This is entitled A Peek at the Diary of A libel action brought by Elton John against The Guardianin reaction to Hyde's spoof diary column "A peek at the diary of The judge, Mr Justice Tugendhatsaid that in this case "irony" and "teasing" do not amount to defamation. In NovemberThe Guardian was required to apologise to The Sun newspaper for an article in which Hyde had falsely Celebrity: How Entertainers Took Over the World and Why We Need an Exit Strategy the newspaper had visited the home of a Celebrity: How Entertainers Took Over the World and Why We Need an Exit Strategy of the legal team of the Leveson Inquiry. -
The Journal of the Association for Journalism Education
Journalism Education ISSN: 2050-3903 Journalism Education The Journal of the Association for Journalism Education Volume Nine, No: Two December 2020 Page 2 Journalism Education Volume 9 number 2 Journalism Education Journalism Education is the journal of the Association for Journalism Education a body representing educators in HE in the UK and Ireland. The aim of the journal is to promote and develop analysis and understanding of journalism education and of journalism, particu- larly when that is related to journalism education. Editors Sallyanne Duncan, University of Strathclyde Chris Frost, Liverpool John Moores University Stuart Allan, Cardiff University Reviews editor: Tor Clark, de Montfort University You can contact the editors at [email protected] Editorial Board Chris Atton, Napier University Olga Guedes Bailey, Nottingham Trent University David Baines, Newcastle University Guy Berger, UNESCO Jane Chapman, University of Lincoln Martin Conboy, Sheffield University Ros Coward, Roehampton University Stephen Cushion, Cardiff University Susie Eisenhuth, University of Technology, Sydney Ivor Gaber, University of Sussex Roy Greenslade, City University Mark Hanna, Sheffield University Michael Higgins, Strathclyde University John Horgan, Ireland Sammye Johnson, Trinity University, San Antonio, USA Richard Keeble, University of Lincoln Mohammed el-Nawawy, Queens University of Charlotte An Duc Nguyen, Bournemouth University Sarah Niblock, CEO UKCP Bill Reynolds, Ryerson University, Canada Ian Richards, University of South Australia Verica Rupar, Auckland University of Technology Prasun Sonwalkar, University of the West of England Linda Steiner, University of Maryland, USA Kate Wright, Edinburgh University Sonja Merljak Zdovc, University of Ljubljana, Slovenia EditorialArticles Volume 9 number 2 Journalism Education page 3 Volume Nine number Two: Contents This special edition of Journalism Education examines the issues of gender and the media from the recruit- ment of students to journalism programmes to the gendered choice of news in our media. -
Rupert Everett ~ 36 Screen Credits
Rupert Everett ~ 36 Screen Credits Look at that lip. Hauteur, condescension, disdain writ large. "I am a very limited actor. There's a certain amount I can do and that's it," said Everett in 2014. Maybe so, but - see My Best Friend's Wedding, An Ideal Husband, Separate Lies or Unconditional Love - how well he does it. Born in Burnham Deepdale, Norfolk on 29 May 1959 the second son of parents Anthony and Sara, RUPERT JAMES HECTOR EVERETT is of English, Scottish, Irish and more distant German and Dutch ancestry. His father, who died in 2009, was a Major in the British Army who later worked in business. When he was six, Rupert was taken into Braintree for his first trip to a cinema. There was a long queue, the child was typically fretful and the grown-ups thought about leaving, but finally decided not to: And so my mother bought the fateful tickets and unknowingly guided me through a pair of swing doors into the rest of my life ... ... Those huge curtains silently swished open and Mary Poppins sprang across the footlights and into my heart. After preliminary instruction from a governess, Everett was educated at Far- leigh House School, Andover from seven to thirteen then at Ampleforth College, Yorkshire from thirteen to sixteen, at which point he absconded to London to become an actor. After two years of living the bohemian life to the full (if not excess), he won a coveted place at the Central School of Speech and Drama, but after attending for two tempestuous and more or less unrewarding years was told not to return for a third. -
ONIX for Books Codelists Issue 40
ONIX for Books Codelists Issue 40 23 January 2018 DOI: 10.4400/akjh All ONIX standards and documentation – including this document – are copyright materials, made available free of charge for general use. A full license agreement (DOI: 10.4400/nwgj) that governs their use is available on the EDItEUR website. All ONIX users should note that this is the fourth issue of the ONIX codelists that does not include support for codelists used only with ONIX version 2.1. Of course, ONIX 2.1 remains fully usable, using Issue 36 of the codelists or earlier. Issue 36 continues to be available via the archive section of the EDItEUR website (http://www.editeur.org/15/Archived-Previous-Releases). These codelists are also available within a multilingual online browser at https://ns.editeur.org/onix. Codelists are revised quarterly. Go to latest Issue Layout of codelists This document contains ONIX for Books codelists Issue 40, intended primarily for use with ONIX 3.0. The codelists are arranged in a single table for reference and printing. They may also be used as controlled vocabularies, independent of ONIX. This document does not differentiate explicitly between codelists for ONIX 3.0 and those that are used with earlier releases, but lists used only with earlier releases have been removed. For details of which code list to use with which data element in each version of ONIX, please consult the main Specification for the appropriate release. Occasionally, a handful of codes within a particular list are defined as either deprecated, or not valid for use in a particular version of ONIX or with a particular data element. -
Our Speakers
Section II Our speakers BSAVA CONGRESS 2020 PROCEEDINGS [ 1 ] Our speakers Nicola Ackerman Wendy Barnett BSc(Hons) RVN CertSAN CertVNECC DipAVN(Surgical) RVN VTS(Nutrition) HonMBVNA Wendy Barnett qualified as a veterinary Nicola Ackerman works as the Head Medical nurse in December 1992 and gained a Nurse at Plymouth Veterinary Group. Nicola Diploma in Advanced Veterinary Nursing graduated from Hartpury College with an (Surgical) in March 1999. In 2000 Wendy honours degree in Equine Science, and subsequently moved into the emergency and critical care field where qualified as a veterinary nurse in 2002. Nicola has past the need for quick and convenient access to blood was roles as editor of the Veterinary Nursing Journal, sat on realized. Wendy used her time off from her emergency the Veterinary Products Committee for the Veterinary shifts to train as a human phlebotomist for the NHS, Medicines Directorate, and the Ethics and Welfare Group founding Pet Blood Bank UK (PBBUK) in 2007 supported for BVA. Nicola has written for many veterinary publica- by Vets Now. Wendy resides as a Trustee and Clinical tions and textbooks and is the editor of Aspinall’s Director, responsible for the quality assurance of PBBUK, Complete Textbook of Veterinary Nursing. Nicola is is the authorisation holder of the VMD licence and a currently studying for a Master’s degree in Advanced Practitioner of the Charter Quality Institute. Veterinary Nursing with Glasgow University. Esther Barrett Fergus Allerton MA VetMB DVDI DipECVDI MRCVS BSc BVSc CertSAM DipECVIM-CA MRCVS Esther Barrett is a Cambridge graduate Fergus Allerton is a University of Bristol and a European and RCVS Specialist in graduate and a European Specialist in Small Veterinary Diagnostic Imaging. -
VIRTUAL Exhibiting Companies As of March 9, 2020
Exhibits Directory A VISION FOR ALL TEXANS VIRTUAL Exhibiting Companies As of March 9, 2020 12-Story Library by ABC-CLIO and Greenwood that aim to highest production values under the following See Bookstaves improve the research experience by providing imprints: Abrams; Abrams ComicArts; Abrams comprehensive content with direct relevance Image; Abrams Books for Young Readers; 24 Hour Library from resources that enhance critical thinking. Amulet Books; Abrams Appleseed; and a gift See EnvisionWare and stationery line, Abrams Noterie. ABRAMS ABDO also distributes books for The Vendome 3branch www.abdobooks.com See Library Interiors Of Texas Press, Victoria & Albert Museum, Tate, Royal ABDO has been a leader in children’s Academy of Arts, Booth-Clibborn Editions, Five 720 Design educational publishing for school and public Continents, SelfMadeHero, MoMA Children’s libraries since 1985, providing high quality www.720design.net Books, and others. 720 Design Inc. is an architecture and interior nonfiction and fiction titles for children and design firm committed to providing professional young adults in grades PreK–12. ABDO titles Albert Whitman & Company consulting, planning, programming, design and are available in reinforced library bindings www.albertwhitman.com furniture specification exclusively to over 150 as well as digital products, including multi- Albert Whitman & Company has been public, school and academic libraries. use hosted, and offline eBooks, Read-to-Me publishing children’s books since 1919. Best eBooks, and Databases. Company divisions known for the classic series The Boxcar A & E Office Machines, Inc. include Abdo Kids, Pop!, Abdo Zoom, Abdo Children® Mysteries, its highly praised picture www.aetouch.cm Publishing, Magic Wagon, Spotlight, EPIC Press, books, novels, and nonfiction titles succeed We offer interactive touch boards that can be and Abdo Digital. -
Los Libros Electrónicos En La Biblioteca: Nuevas Leclecturas,Turas, Nuevos Lectores
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Gestion del Repositorio Documental de la Universidad de Salamanca IVIVIV JORNADA PROFESIONAL DE LA RED DE BIBLIOTECAS DEL INSTITUTO CERVANTES: BIBLIOTECAS PARA EL LECTOR DIGITAL: RELACIÓN, ESPACIO Y TECNOLOGÍA MADRID 15 DE DICIEMBRE DE 2011 LLLosLos libros electrónicos en la biblioteca: nuevas leclecturas,turas, nuevos lectores CCCORDÓN GGGARCÍA ,,, JJJOSÉ AAANTONIO Profesor de la Universidad de Salamanca. Director del Grupo de Investigación Reconocido (GIR) E-LECTRA: Edición y Lectura Electrónica, Transferencia y Recuperación Automatizada de la Información Resumen: Se expone como han quedado obsoletas las definiciones asociadas al libro tradicional con la aparición del libro electrónico. Se describe como el uso de dispositivos electrónicos en la lectura ha afectado a todo el ecosistema del libro, teniendo consecuencias relevantes en la forma de editar, de consumir, y en los propios hábitos de lectura Palabras clave: Libro electrónico, Industria editorial, Comercio editorial, Edición electrónica. El ecosistema del libro electrónico Durante 500 años el libro ha estado sometido a una invarianza esencial, la de un conjunto de hojas de papel u otro material semejante que, encuadernadas, forman un volumen, tal y como lo define el Diccionario de la Real Academia Española, y esta invarianza ha permanecido en todas sus formas y derivaciones, ya se trate de un gran libro, un libro amarillo, un libro blanco, un antifonal, un borrador, un libro copiador, un