DOCSLIB.ORG

Custom Pantsu~

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Custom Pantsu~ Custom Pantsu~ Version 1.4 In all the world, is there anything else that brings smiles to everyone who sees it? Is there anything else young maidens so ardently protect from breezes, puddles, stairs, and the gazes of others? Surely not. Lo! The holy grail hidden beneath skirts around the world: pantsu! Ahem. If you love pantsu (even if you don’t!), this is the supplement for you! Here, you can make as many pantsu as you like, as long as you have the pantsu points (<) to pay for them. Please note that any options that grant additional pantsu points only count towards the current set of pantsu you’re designing. Soooooo no hoarding a warehouse full of of granny panties in exchange for hundreds of legendary-class 5000 point pantsu, you weirdo. Here! Take these to make your perfect pantsu~! + 1000 < > Style & Shape [ In this section, you get to choose what style your new pantsu are! You know, the shape, the cut, the material, the way they’re put together! All of these are extremely important to that way the pantsu looks and feels when worn, so choose carefully. Or choose wildly, and combine! Regular Pantsu: Free, No < Some people call them boring, but that’s prejudiced! Even plain pantsu display a simple, even pure, aura that makes men (and some women) all over the world smile, just at the sight of them. We’ve all had pantsu like these, and it’s hard to imagine somebody who doesn’t appreciate them. Boy's Briefs Pantsu: 50 < Are you sure these are pantsu? They look like my little brot- Oh! I mean, yes! These are indeed pantsu worth spending points on! I guess. They look just like a boy’s briefs… But, uh, they are clearly pantsu! (If you want them to be…) I won’t judge. You’re probably a tomboy if you pick these, though. Still not judging. Fancy Pantsu: 100 < On the opposite end of the spectrum, these are the panties of a person with taste, class, and a certain femininity (or strong desire for such). The hint of ruffles and delicate needlework make these the sort of pantsu a person wears when they want to feel like an elegant lady. Low-Rise Pantsu: 100 < There’s something different about these… I know! It’s the way they hug the hips, see? The reduction in material along the top makes for a smaller, flatter area that draws the eyes along the revealed waistline! They’re not even indecent, but the seductive power of these things are something to be wary of, for sure. Swim Suit Pantsu: 150 < Headed to the beach? Or maybe the pool, huh? D-do you think I could come along? I- uh, I mean HAHAHA these wonderful panties are dual purpose! Most panties you can’t wear without a skirt, or pants but these… These you can wear alone, without anything else (on your lower half, at least)! Goes great with shaved ice, surf boards, or those floppy pool noodles! Spantsu: 150 < I guess you like gym class, huh? There’s something about watching girls in spats running around that lots of people appreciate. It doesn’t have to be volleyball, although that’s certainly a popular spectator sport. Girls in spats look especially great playing any sport! Or just sitting on the bench, waiting to get on the field! Or at home on the couch before or after a game! Even if they don’t play any sports, girls in spats still look good! Japanese Fundoshi Pantsu: 200 < What else could you wear on festival day? They’re… kind of embarrassing though, and they really ride up your- ahahaha, I mean these pantsu really exhibit the Japanse festival spirit! But, uh, ff you want, you can go for the slightly more modest loincloth option. Adhesive Pantsu: 250 < W-w-what?! I mean, I guess it covers everything important, and… Maybe it’s less likely to suffer wardrobe malfunction, but… Isn’t this just a large bandage?! A-and what about taking it off?! I guess if you combine this with another style, it would make a set of pantsu without hips that mysteriously stays on. I’m still not sure these are true to the pantsu spirit, though. Thong: 300 < W-where did you get these! The thin strings of fabric that go around the waist, the near lack of panty lines, the tiny triangle in the back where it connects to the- these are against the school dress policy, you know! Some people might look down on them as, uh… “floss” for your backside, but some people can really pull them off! N-no, keep them on, that isn’t what I meant! Lewd Pantsu: 500 < Wow~. Are these even pantsu? I mean there’s a big hole right over the crotch, and the back is like a thong, but with these stupid beads, there’s no way that’s comfortable. And why does the label promise total stain resistance? I don’t get this diagram, either, is that supposed to be a tampon it’s holding in? Fig Leaf: Free, No < I see you like to live dangerously. This is a risk most people wouldn’t be willing to take, and while some might call you an exhibitionist pervert who gets off on the thought of walking around without panties, I think they might be right, but it’s so exciting to walk around without anything on down there, isn’t it?. Anyway, good luck with your choice. Watch out for strong breezes, reflective puddles, and staircases. (By popular misinterpretation, the fig leaf may be metaphorical, or literal! If the latter, it can be any kind of foliage, not just fig.) Boy's Boxer-Style Pantsu: + 100 < Well... It's comfortable, even if it isn’t stylish! Besides, if they are more like shorts than proper pantsu, that just means nobody can criticize you for not wearing clothes! I mean, you probably should put something on over them before you leave the house, though... Bloomers: + 200< These are a really different kind of pantsu. They’re more like… pants. Yeah. I mean, I guess if you’re going to be flying around on a broomstick or something, and really want to protect your modesty, this would be the way to go. But, I mean, that’s a pretty unlikely scenario. Right? Granny Pantsu: + 400 < These… Ah, venerable? No… Once you get to a certain age… Hm… All right! I’m sorry, there’s nothing good I can say about these! They just look terrible on everybody, okay?! Nobody would ever pick these, why are they even an option, jeeze! They’re puffy in all the wrong places, they ride up too high, and they’re not flattering at all! I… I know I said I love pantsu, but I wouldn’t want to be caught wearing these. Or catch somebody else wearing them. Not even my worst enemy. Especially not my worst enemy! ] Color & Pattern = This is the section where you really get to make the choices that make your pantsu your own, by picking one (or more!) of the following. White: Free, No < The most common, perhaps, but definitely not the lesser for it. These pantsu reflect the state of purity that Eve had in the garden. The innocence of youth, write large in the testament to maidenhood and feminine delicacy that is pure white undergarments. Or maybe you’re a cheapskate, and it’s not like anybody else is gonna see ‘em, anyway, right? Colored: 50 < No, that’s not a racial term! I just wanted to differentiate this option from the previous! I mean, you have white panties, pure as the driven snow, and then all the others, right! Oh man, I’m just making it worse aren’t I. Look, these pantsu are the color of your choice, okay!? Black: 100 < There is TOO a difference between black pantsu and colored pantsu! Look, colored pantsu can be worn by anyone, at any time. BLACK pantsu, on the other hand, are completely different. They’re seductive, sensual, mysterious, alluring – even more than other pantsu! They have a maturity, simplicity and elegance that’s lacking in other pantsu by comparison. Simple: 150 < Usually pastel-on-white, simple patterns of stripes, polka-dots, waves, and paw-prints make classically cute pantsu are for children of all ages. And some adults, I guess. I’m not here to judge, just provide the pantsu you ask for. Even they do look a bit... childish on adult figures. Textile Pattern: 200 < There’s more to a pattern than just color, you know! There’s patterns that emerge from the weave of the fabric, too! You can choose houndstooth, plaid, paisley, floral, dotted swiss, minutely embroidered, or even something weird like quilted. There’s probably a lot I missed. Tie-Dyed: 250 < This one’s name is misleading. You can choose any color-gradient, not just the psychedelic rainbow hues of the 60s and 70s. Although, that might not look too bad… Wait, what am I thinking, they’re panties! Of course it’d look great. Probably? Emblazoned: 300 < Show your devotion, and keep your fandom close to your heart by wearing something copyright protected on your crotch! Hm… I think this pitch needs work. You could also choose tribal dragons, a pot leaf, religious iconography, sick flames, or anything else that’s screen- printable or emboiderable (up to four colors). } Add-Ons ~ Of course, pantsu by themselves are fine. But sometimes it’s nice to have something different.
Load more

Recommended publications
  • Custom Pantsu~
    Custom Pantsu~ In all the world is there anything else that brings a smiles to the faces of all those who see it? Is there anything young maidens so modestly protect from breezes, puddles, stairs, and creepy guys with cell-phones? The holy grail hidden beneath skirts around the world: pantsu! Ahem. If you love pantsu (or even if you don’t!), this is the supplement for you! Here, you can make as many pantsu as you like, as long as you have the pantsu points (<) to pay for them. Please note that any pantsu options that give you points only count towards the current set of pantsu you’re designing. Soooooo no hoarding a warehouse of granny panties to build some 5000 point pantsu monster, you weirdo. Here! Take these to make your perfect pantsu~! + 1000 < > Style & Shape [ In this section, you get to choose what style your new pantsu are! You know, the shape, the cut, the material, the way they’re put together! All of these are extremely important to that way the pantsu looks and feels when worn, so choose carefully! Regular Pantsu: Free, No < Some people call them boring, but that’s prejudiced! Even plain pantsu display a simple, even pure, aura that makes men (and some women) all over the world smile, just at the sight of them. We’ve all had pantsu like these, and it’s hard to imagine somebody who doesn’t appreciate them. Boy's Briefs Pantsu: 100 < Are you sure these are pantsu? They look like my little brot- Oh! I mean, yes! These are indeed pantsu worth spending points on! I guess.
    [Show full text]
  • 1423778527171.Pdf
    Bahamut - [email protected] Based on the “Touhou Project” series of games by Team Shanghai Alice / ZUN. http://www16.big.or.jp/~zun/ The Touhou Project and its related properties are ©Team Shanghai Alice / ZUN. The Team Shanghai Alice logo is ©Team Shanghai Alice / ZUN. Illustrations © their respective owners. Used without permission. Tale of Phantasmal Land text & gameplay ©2011 Bahamut. This document is provided “as is”. Your possession of this document, either in an altered or unaltered state signifies that you agree to absolve, excuse, or otherwise not hold responsible Team Shanghai Alice / ZUN and/or Bahamut, and/or any other individuals or entities whose works appear herein for any and/or all liabilities, damages, etc. associated with the possession of this document. This document is not associated with, or endorsed by Team Shanghai Alice / ZUN. This is a not-for-profit personal interest work, and is not intended, nor should it be construed, as a challenge to Team Shanghai Alice / ZUN’s ownership of its Touhou Project copyrights and other related properties. License to distribute this work is freely given provided that it remains in an unaltered state and is not used for any commercial purposes whatsoever. All Rights Reserved. Introduction Choosing a Race (Cont.’d) What Is This Game All About? . 1 Magician . .20 Too Long; Didn’t Read Version . 1 Moon Rabbit . .20 Here’s the Situation . 1 Oni . .21 But Wait! There’s More! . 1 Tengu . .21 Crow Tengu . .22 About This Game . 2 White Wolf Tengu . .22 About the Touhou Project . 2 Vampire . .23 About Role-Playing Games .
    [Show full text]
  • Kodo Study Guide 1011.Indd
    2010–2011 SEASON SchoolTime Study Guide Kodo Friday, February 4, 2011 at 11 a.m. Zellerbach Hall, University of California, Berkeley Welcome to SchoolTime On Friday, February 4 at 11am, your class will att end a SchoolTime performance of Kodo (Taiko drumming) at Cal Performances’ Zellerbach Hall. In Japan, “Kodo” meana either “hearbeat” or “children of the drum.” These versati le performers play a variety of instruments – some massive in size, some extraordinarily delicate that mesmerize audiences. Performing in unison, they wield their sti cks like expert swordsmen, evoking thrilling images of ancient and modern Japan. Witnessing a performance by Kodo inspires primal feelings, like plugging into the pulse of the universe itself. Using This Study Guide You can use this study guide to engage your students and enrich their Cal Performances fi eld trip. Before att ending the performance, we encourage you to: • Copy the Student Resource Sheet on pages 2 & 3 for your students to use before the show. • Discuss the informati on on pages 4-5 About the Performance & Arti sts. • Read About the Art Form on page 6, and About Japan on page 11 with your students. • Engage your class in two or more acti viti es on pages 13-14. • Refl ect by asking students the guiding questi ons, found on pages 2,4,6 & 11. • Immerse students further into the subject matt er and art form by using the Resource and Glossary secti ons on pages 15 & 16. At the performance: Your class can acti vely parti cipate during the performance by: • Listening to Kodo’s powerful drum rhythms and expressive music • Observing how the performers’ movements and gestures enhance the performance • Thinking about how you are experiencing a bit of Japanese culture and history by att ending a live performance of taiko drumming • Marveling at the skill of the performers • Refl ecti ng on the sounds, sights, and performance skills you experience at the theater.
    [Show full text]
  • Japonism in Fashion in London, 1971-72: 1 Designer, 3 Photographers, 3 Magazines
    Japonism in fashion in London, 1971-72: 1 Designer, 3 Photographers, 3 Magazines Helene Thian, J.D., M.A. Fashion Historian Magazine representations of Kansai Yamamoto designs and the designer-as-archetype captured by three photographers, Japanese and European, in the London marketplace around the time frame of his fashion show in May, 1971 on the King’s Road (Kansai in Tokyo and London, Excerpts 1 and 2, 1971) comprise a narrative on the presentation of Japanese ethnicity and modern day spectacle creative of a symbolic relationship between Japan and the British ‘mediated by images’ (Debord, 1994:4). The four magazine spreads from 1971 and 1972 portray a sense of spectacle (Debord, 1994) rooted in a definitive Japonism overlaid with a patina of Eastern exoticism for the benefit of a public eager to consume ‘fantasy images of magazine photo shoots.’ (Barley, 1999:97 in Evans, 2008) The style of presentation of this Japan-inspired dress in British magazines, including both imagery and text, raises issues such as the impact in the Western marketplace of ‘ethnic’ dress, or the traditional clothing of native peoples considered part of the cultural patrimony as discussed by Baizerman, Eicher and Cerny (2008: 126-29), which is a hallmark of late 20th century fashion in the Western world (Crane, 2000); the phenomena of ‘the Other’ (Hall, 1997); and Orientalist constructions of non-Western cultural identity (Said, 1978). The essential meaning of ‘Japaneseness’ (Iwabuchi, 1994) in dress in a modern context is captured in photographic imagery by both Japanese and non-Japanese photographers, namely, Clive Arrowsmith, Hideki Fujii, and Harry Peccinotti.
    [Show full text]
  • January 29, 2001
    CITY AND COUNTY OF SAN FRANCISCO MARK FARRELL, MAYOR OFFICE OF SMALL BUSINESS REGINA DICK-ENDRIZZI, DIRECTOR Legacy Business Registry Staff Report HEARING DATE MARCH 26, 2018 KABUKI SPRINGS & SPA Application No.: LBR-2017-18-032 Business Name: Kabuki Springs & Spa Business Address: 1750 Geary Blvd. District: District 5 Applicant: Kathy Nelsen, Spa Director Nomination Date: January 25, 2018 Nominated By: Supervisor London Breed Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION Kabuki Springs & Spa is the largest urban Japanese bathhouse and spa in the United States. It is known for its communal bathing facility, massage, skincare, and a variety of therapeutic Pan Asian body treatments. In 1968, Kabuki Hot Springs was developed by the Japanese corporation National Braemar, doing business as Dream Entertainment, as an essential part of the redevelopment of the Japan Cultural and Trade Center. The “Kabuki building” was a separate development from the Japan Center malls which were built by the Kintetsu Corporation. The Kabuki building featured a dinner theatre, sushi bar and bath house. Kabuki Hot Springs was seen as a new and uncommon business, and it became popular with young Americans looking for a unique experience. Originally, the traditional bath house offered Shiatsu massage and the sento (communal bathhouse) experience adjacent to the dinner theatre and small sushi restaurant. There was also a Shiatsu School, known as the Amma Institute, on the upper level. In 1976, AMC Theatre Corporation purchased the entire building and remodeled it, creating an 8-screen movie theatre and leaving the bathhouse intact. In 1998, Chip Conley, founder of Joie de Vivre Hospitality, leased the spa.
    [Show full text]
  • Japanese Costume
    JAPANESE COSTUME BY HELEN C. GUNSAULUS Assistant Curator of Japanese Ethnology FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1923 Field Museum of Natural History DEPARTMENT OF ANTHROPOLOGY Chicago, 1923 Leaflet Number 12 Japanese Costume Though European influence is strongly marked in many of the costumes seen today in the larger sea- coast cities of Japan, there is fortunately little change to be noted in the dress of the people of the interior, even the old court costumes are worn at a few formal functions and ceremonies in the palace. From the careful scrutinizing of certain prints, particularly those known as surimono, a good idea may be gained of the appearance of all classes of people prior to the in- troduction of foreign civilization. A special selection of these prints (Series II), chosen with this idea in mind, may be viewed each year in Field Museum in Gunsaulus Hall (Room 30, Second Floor) from April 1st to July 1st at which time it is succeeded by another selection. Since surimono were cards of greeting exchanged by the more highly educated classes of Japan, many times the figures portrayed are those known through the history and literature of the country, and as such they show forth the costumes worn by historical char- acters whose lives date back several centuries. Scenes from daily life during the years between 1760 and 1860, that period just preceding the opening up of the coun- try when surimono had their vogue, also decorate these cards and thus depict the garments worn by the great middle class and the military ( samurai ) class, the ma- jority of whose descendents still cling to the national costume.
    [Show full text]
  • But Is the Amma Also a Fish Without Water? “Vacant” Eye and at Times the Other As a Bulging Or Closed Netsuke Eye Imply Blindness
    Society Society Netsuke Society Netsuke As a subject of netsuke, amma, the blind masseur, Poor Man, Beggar Man, seems most often represented by a crouching figure dressed only in a fundoshi (loincloth), attempting to Society 8 Rich Man, Thief! lift the heavy chikaraishi (strength-stone) to prove his vigor (Figure 1), though he never seems able to heft it. One …but is the Amma also a fish without water? “vacant” eye and at times the other as a bulging or closed Netsuke eye imply blindness. Frequently there is a nikkei (fleshy Christopher Beamer 9 protuberance) located somewhere on the scalp. The scantily [email protected] International clad figureSociety suggests the poverty of some individuals; the more formal appearing garb worn by others, which may 2. Amma with stone lodged in geta. Wood, be referred to as kamishimo,10 suggests the wealth and 19th century, signed Shoko. Alan and Anne An-mo, a Chinese traditional healing art of massage, was imported into Japan sometime Fisher collection. © around the sixth century when it came to be called anma. During the Tokugawa period position they might attain. (1603–1867) this type of healing therapy, performed by the professionalNetsuke masseur known As the amma maneuvered the streets in search of as amma-shi, or simply amma, was not designed to relax the individual being treated clients, he made his presence known by calling out “kami- netsuke.orgInternationalbut, conversely, was intended to drive out ailments through forceful means.1 During Societyshimo” (from top to bottom), indicating a full-body massage; anma massage, fingers, thumbs, forearms, elbows, knees, and feet were used to stroke, a cry suggested by the seemingly formal attire illustrated in manipulate, pull, push, and press, as well as stretch, shake, and percuss vigorously.
    [Show full text]
  • Small Loincloth Dictionary
    S MALL L OINCLOTH D ICTIONARY TABLE OF CONTENTS PREFACE...................................................................3 L...........................................................................................4 A TREASURE CHEST OF WORDS.............................4 M..........................................................................................5 B...........................................................................................4 R...........................................................................................5 E...........................................................................................4 S............................................................................................5 F...........................................................................................4 T...........................................................................................5 K...........................................................................................4 APPENDIX.................................................................6 Change Log..........................................................................6 PREFACE et’s begin with trying to define a loincloth: It is a garment consisting of fabric or leather that is tied to cover and (if male) support Lthe genitals. It is usually made of a single piece of fabric or leather but can also be sewn from several pieces. That said, a loin - cloth isn’t just some piece of leather or cloth hanging down before the genitals. It is sometimes
    [Show full text]
  • Fetish Noir ©Jack Fritscher 203
    Fetish Noir ©Jack Fritscher 203 Fetish Noir is a taste for something that isn’t sex itself, but that causes your sexual response... FETISH NOIR: ALTERNATIVE SEX GAMES FOR YOUR INNER WILD CHILD (Just When You Think We’ve Thought Up Everything, We Think Up Something Else!) Talk to me, Fetish Boy! Whatever turns you on! Sex lib goes into the mondo beyondo because you need no partner but Viagra. Forget Breeder Sex. In this brave new world, fertility clinics take care of that messy business with turkey basters in the petrie dish. Congratulate yourself! You are a free man. You are liberated from providing seed and cash. You survived primitive fundamentalists’ fears of Y2K. So consider what progressive millennial eroticism will please your Inner Wild Child. Fetish replaces sex. Fetish noir means you are free to get your nut however you please. You may be gay or bi or even straight. Don’t worry. Be happy. If you turn your focus to your most noir fetish, you won’t need Viagra, because “wet dreams may cum” when you admit your turn-on is beyond the old norms of insertion sex. Since boyhood, you’ve always known your best sex is masturbation. Nobody does it better. That’s why your Inner 204 Corporal in Charge ©Jack Fritscher Wild Child likes magazines and videos and live nude shows. Even when you’re kneeling (actually in scene or virtually on screen) before your Master or your Mistress, you know that every caress, garterbelt, jockstrap, whiplash, boot, and shoe is aimed at getting you off in your hand.
    [Show full text]
  • On the Cover... Messages Myrie Eaton and Luke Leyow Sent 4
    Page 2 — Hyogo Times, February 2008 Hyogo Times, February 2008 — Page 3 Contents On the cover... Messages Myrie Eaton and Luke Leyow sent 4................. From the editor in their photos 5................. From the PR from the Naked Man festival in Okayama prefec- ture. Known as Every Month Hidaka Matsuri, men dress in tabi 6-7.............. Life as a First-Year JET — The Toilet from Hell and fundoshi and 8-9.............. Love and Relationships: Single Ladies battle for posses- sion of a series of 9............... Kansai Concerts sticks, with the 10............... Ironic Chef — Pasta winners taking home cash prizes 12-13.......... Travel Japan: The Grand Temple Complex of Nikko and the promise of fertility over 14-15.......... Politics with Paul: Ireland: Why you should care the coming year. 16-17.......... Better Know a Ken: Hokkaido 18-19.......... Getting to Know Some Random JETs 23............... English Sensei Spirit Photo by Luke Leyow. Cover photo by Myrie Eaton Features Hyogo Times Staff 11............... Stealth Gaijin: Life as an Asian JET Editor: Kevin Shannon 20-21.......... Earth! Wind! Fire! Water! HEART! Assitant Editor: Emerald Huang 22............... Yukigassen: Everybody was Snowball Fighting Design Editor: Jeff Morrice 23............... An Ode to Chu-hi Contributors: Amy Baker, Myrie Eaton, Joy Feddes, Emerald Huang, Jojo Jackson, Brandon 24-25.......... Dying in Koh Phangnan Kramer, Luke Leyow, Alison Lonnen, Tori Lowe, Caroline Lyster, Caoimhe McGarry, Brenda McKinney, Brad Morrison, Graham Neubig, Angela Nicholson, Paul O’Shea, Rupa Patel, MacK- 26............... Gobble, Gobble! Turkey Day! enzie Roebuck-Walsh, The Stealth Gaijin, Jarred Tucker, Jeff Weese. 27............... Some Truth Tu It 28..............
    [Show full text]
  • Guide to the Japanese Textiles
    ' nxj jj g a LPg LIBRARY KHiW»s j vOU..-'.j U vi j w i^ITY PROVO, UTAH Digitized by the Internet Archive in 2016 https://archive.org/details/guidetojapaneset02vict . junihitoye Women’s Full Court Costume ( ) (From Tachibana no Morikuni, Yehon Shaho-bukuro.) Frontispiece.'] [See p. 48 [\JK ^84 .MS vol.S. VICTORIA AND AI.BERT MUSEUM DEPARTMENT OF TEXTILES GUIDE TO THE JAPANESE TEXTILES PART II.—COSTUME BY ALBERT J. KOOP LONDON : PRINTED UNDER THE AUTHORITY OF HIS MAJESTY’S STATIONERY OFFICE, 1920. Publication No. i2ot First Printed,, March , 1920 Crown Copyright Reserved BAR B. LEE LIBRARY bright m young university PROVO, UTAH PREFATORY NOTE. HE present volume, forming the second part of the guide to the Japanese textiles, has been written, in his own time, T by Mr. A. Koop, Assistant in the Department of Metalwork, J. Honorary Librarian and member of Council of the Japan Society. The thanks of the Museum are due to Mr. Koop for this voluntary assistance. CECIL HARCOURT SMITH. March , 1920. CONTENTS. PAGE INTRODUCTION I I. ORDINARY COSTUME 2 Men’s Dress . 3 Women's Dress . 10 Children’s Dress . 15 Travelling Dress . 16 Coolies and Field Workers . 17 Weddings, Funerals, Etc. 18 II. COURT AND ECCLESIASTICAL DRESS .. .. 19 Court Dress for Men . 19 Accession Robes . 19 Sokutai Dress . 21 Ikwan Dress . 33 Naoshi, Ko-naoshi, . Hanjiri . 34 Kariginu, Hoi Hakucho . , 37 Hitatare . 38 . Daimon (Nunobitatare) . 40 . Sud . 40 ( . Suikan Suikan no Kariginu) . 41 ( . Choken Choken no Suikan) . 41 . Types of Yeboshi . 41 . Kamishimo . 42 Dress of Military Court Officials . 44 Shinto Festival .
    [Show full text]
  • Preliminary Report
    Al’XIC KMB CASUALTY COIXISSION PreliminaryReport Medical Report on the Fukuqu Ear-uNo. 5 Incident John J. Morton, M.D., Director,ABCC Jack J. Lewis, Lt., MC, USNR, Head of Medicine, A&X Seiichi Shimomura,M.D., ABCC . Takx4-& F'ujii,M.D., AEKX Mary Sears, M.D., AJXC Katsumi Tsuchitori,Chief Technician,ABSC US DOE ARCHIVES US 'ATOMICENERGY \ RG COi%iSSION Cotlection Ip&m Box 326-31-3, 84-%3 Submitted:26 March 1954 TABLE OF COWENTS a INTRODUCTION 1 Backgroundand significance CASE HISTORIES Tokyo cases, T-l, T-2 5 Yaieu cases, T-3, T-5, T-16, T-18, T-19, T-22 13 CHART OFRADIATION SIQaSANDSYXF'TOKSINALLPATIENTS HEKATOLGGYREPORT :; BEb.%TOUXYRESULTS Tokyo patient T-l 25 T-2 26 Bone marrows, Tokyo patients Yaizu patients WhLte blood cell counts Differentials Red blood cells and hemoglobin Bone marrows, Yaisu patients RADIO ACTIVITY SiJRVE'Y Tokyo patient T-l T-2 SHIP Crude drawing of ship Radio activity of ship SilGGESTIONS PROTOGRAPHSOF TOKYO PATIXNTS T-l T-2 Sometimein the early morning hours of 1Narch 1954, an atomic weapon of unknown compositionwas detonated on Bikini Island. According to unofficial versions,the bomb was of immense power. Some 80 to ll0 miles east of Bikini, a Japanese fishing vessel had put out its lines.Upon seeing the flash the ship's captain immediately steered the 2 ship towards the East away from the island. Approximatelytwo hours later, wh& the crew -as feverishlybringing the lines and catch aboard, the sky darkenedand there was a shower of fine ash-likematerial lasting four and a half hours.
    [Show full text]