AUSTRALIAN FAMILIES, CULTURES, and ENVIRONMENTS: an Annotated Bibliography
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Teaching About Australia. ERIC Digest
ED319651 1990-02-00 Teaching about Australia. ERIC Digest. ERIC Development Team www.eric.ed.gov Table of Contents If you're viewing this document online, you can click any of the topics below to link directly to that section. Teaching about Australia. ERIC Digest. 1 WHY IS IT IMPORTANT TO TEACH ABOUT AUSTRALIA'? 2 WHERE DOES AUSTRALIAN STUDIES BELONG IN THE CURRICULUM'? WHAT STRATEGIES MIGHT BE USED IN CLASSROOMS TO TEACH ABOUT REFERENCES AND ERIC RESOURCES 5 ERIC t,Oil Digests ERIC Identifier: ED319651 Publication Date: 1990-02-00 Author: Prior, Warren R. Source: ERIC Clearinghouse for Social Studies/Social Science Education Bloomington IN. Teaching about Australia. ERIC Digest. THIS DIGEST WAS CREATED BY ERIC, THE EDUCATIONAL RESOURCES INFORMATION CENTER. FOR MORE INFORMATION ABOUT ERIC, CONTACT ACCESS ERIC 1-800-LET-ERIC It is only in very recent times that Australia has penetrated the consciousness of many American classroom teachers as a potentially worthwhile area of study for their students. Most teachers have little or no formal education about Australia. Recent Australian-American sporting events, films, and tourist advertising have been widely ED319651 1990-02-00 Teaching about Australia. ERIC Digest. Page 1 of 7 www.eric.ed.gov ERIC Custom Transformations Team publicized in the United States. But mostly these have presented stereotypical images of Australia. The few school textbooks that mention Australia tend to reinforce these stereotypes. The explanation of this lack of interest perhaps reflects as much on Australians themselves, who tend to be so obsessed with inventing national images that outside observers just don't know where to begin a study about Australia. -
The Royal Society of New South Wales. Report on Historical Significance
Journal & Proceedings of the Royal Society of New South Wales, Vol. 139, p. 75–99, 2006 ISSN 0035-9173/06/020075–25 $4.00/1 The Royal Society of New South Wales Report on Historical Significance peter tyler Keywords: Royal Society of NSW, Library Collection, Community Heritage Grant THE BRIEF ture.1 The name was changed to ‘Philosophical Society of New South Wales’ in 1856, the year In November 2005 the Royal Society was that the Colony gained responsible government. awarded a Community Heritage Grant to fund In May 1866, Queen Victoria granted permis- a Significance and Preservation Survey. The sion to assume the present title ‘The Royal So- Community Heritage Grants Program is man- ciety of New South Wales’. The Society was aged by the National Library of Australia and incorporated under this name by Act of the jointly funded and supported by the Australian NSW Parliament on 16 December 1881 ‘for the Government through the Department of Com- encouragement of studies and investigations in munications, Information Technology and the Science, Art, Literature and Philosophy’. Arts, the National Library of Australia, Na- Because the Royal Society was incorporated tional Archives of Australia, the Australian under its own Act of Parliament, it can only Film Commission and the National Museum of be dissolved by legislation, unlike most corpo- Australia. rate bodies where this power is vested in the The grant is seen as a first step in support- members. Until 1935 women were not admit- ing the effort to preserve the Royal Society’s ted to the Society, although scholarly papers collection of scientific books, journals and his- by women such as by Fanny Cohen and Marie torical documents by engaging professional ex- Bentivoglio were accepted for reading or pub- pertise to guide the ongoing management and lication. -
26 January (Australia Day)
What does 26 January mean to you? A day off, a barbecue and fireworks? A celebration of who we are as a nation? A day of mourning and invasion? A celebration of survival? Australians hold many different views on what 26 January means to them. For many Aboriginal and Torres Strait Islander people, it isn't a day for celebration. Instead, 26 January represents a day on which their way of life was invaded and changed forever. For others, it is Survival Day, and a celebration of the survival of people and culture, and the continuous contributions Aboriginal and Torres Strait Islander people make to Australia. On the eve of 26 January, and in the spirit of reconciliation, we would like to recognise these differences and ask you to reflect on how we can create a day all Australians can celebrate. On this day in… From around 40,000 BC the continuing culture and traditions of Aboriginal and Torres Strait Islander peoples flourishes across the country. 1788 The First Fleet lands on Australian shores, and Captain Phillip raises the Union Jack as a symbol of British occupation.1 1818 26 January is first recognised as a public holiday in NSW to mark the 30th anniversary of British settlement.2 1938 Re-enactments of the First Fleet landing are held in Sydney, including the removal of a group of Aboriginal people. This practice of re-enactment continued until 1988, when the NSW government demanded it stop.3 1 http://www.australiaday.org.au/australia-day/history/timeline/ 2 http://www.australiaday.org.au/australia-day/history/timeline/ 3 http://www.australiaday.com.au/about/history-of-australia-day/1889-1938-2/#.UsT1GtIW3bM 1938 Aboriginal activists hold a ‘Day of Mourning’ aimed at securing national citizenship and equal status for Aboriginal and Torres Strait Islander peoples.4 1968 Lionel Rose becomes the first Aboriginal Australian to be named Australian of the Year. -
Bushfires in New South Wales
EARLIER, MORE FREQUENT, MORE DANGEROUS: BUSHFIRES IN NEW SOUTH WALES CLIMATECOUNCIL.ORG.AU Thank you for supporting the Climate Council. The Climate Council is an independent, crowd-funded organisation providing quality information on climate change to the Australian public. Published by the Climate Council of Australia Limited ISBN: 978-1-925573-36-7 (print) 978-1-925573-37-4 (web) © Climate Council of Australia Ltd 2017 This work is copyright the Climate Council of Australia Ltd. All material contained in this work is copyright the Climate Council of Australia Ltd Professor Lesley Hughes except where a third party source is indicated. Climate Councillor Climate Council of Australia Ltd copyright material is licensed under the Creative Commons Attribution 3.0 Australia License. To view a copy of this license visit http://creativecommons.org.au. You are free to copy, communicate and adapt the Climate Council of Australia Ltd copyright material so long as you attribute the Climate Council of Australia Ltd and the authors in the following manner: Earlier, More Frequent, More Dangerous: Bushfires in New South Wales by Professor Lesley Hughes and Dr David Alexander. Dr David Alexander Researcher, Climate Council The authors retain sole responsibility for the contents of this report. We would like to thank Martyna Kotowska and Dylan Pursche for their assistance in preparing the report. — Cover image credit: “Bushfire close up at night“ by VanderWolf Images, Shutterstock image library. This report is printed on 100% recycled paper. facebook.com/climatecouncil [email protected] twitter.com/climatecouncil climatecouncil.org.au CLIMATE COUNCIL 1 Contents Key Findings ................................................................................................................................................................................... -
TBKOB DEC TALENT DECK 130121ALT Copy
Legal Disclaimer. This document and the information contained herein are provided to potential investors or Screen bodies by the (“the Company”) regarding he proposed project The Beast kind of Beautiful. It is confidential and proprietary to the company and is intended only for the persons to whom it is transmitted by the Company or its representatives. By accepting this document, the recipient agrees to keep the contents in the strictest confidence and not to reproduce or divulge any of its contents without the prior written consent of the Company. This is a project prospectus. It dies not imply and shall not be construed as an offering of securities. Recipients of this project prospectus are not to construe the content of this document as investment, legal or tax advice from either the Company or the preparers of this document. Each recipient of this project document specifically understands and agrees that any estimates, projections, revenue models, forecasts or assumptions are by definition uncertain. This project prospectus contains forward-looking statements and is subject to risk, uncertainties and assumptions by the Company. The Company’s actual operations and results therefore may differ materially from the forward- thinking statements. Market Data and certain industry forecasts used throughout this business plan were obtained from internal surveys, market research, publicly available information and industry publications. Industry publications generally state that the information contained therein has been obtained from sourced believable to be reliable but that the accuracy and completeness of such information is not guaranteed. Similarly, internal surveys, industry forecasts and market research while believed to be reliable, have not been independently verified by the Company, and representations as to the accuracy of such information is being made. -
Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage. -
Ed Kavalee Host Triple M Santo, Sam and Ed’S TOTAL FOOTBALL PODCAST ABC
E D K A V A L E E TRAINING 2004-2005 Screenwise Twelve Month Intensive 2003 Atlantic Theatre Company Summer Intensive 1999-2003 Australian Theatre for Young People (Acting, Dramaturgy and Improvisation Workshops) RADIO Hughesy & Ed – The Hit Network (2019 – present) Breakfast with Grant, Ed & Ash – 2Day FM (2018 – 2019) The Grill Team – Triple MMM (2014 – 2018) Hughesy & Kate Show – NOVA 100 (2009 - 2011) Akmal & Cal Show – NOVA 969, Nova 100, Nova 937, Nova 919 (2008) Get This – Triple MMM (2006-2007) TELEVISION Fisk Blayden Porchlight Films Dir: Various True Story with Hamish and Andy Fireman Garry Nine Network Dir: Wayne Hope Paul Hogan Ad Man FremantleMedia Australia Dir: Kevin Carlin Celebrity Family Feud Self FremantleMedia Australia Pacific Heat (Animation) Various Working Dog Productions Molly Gavin Wood Pop Machine Pty Ltd Dir: Kevin Carlin Friday Night Crack Up Announcer ABC Television Dirty Laundry Live Guest Panellist ABC Television Have You Been Paying Attention Regular Guest Network 10 | Working Dog Prod. Santo, Sam & Ed’s Total Football Co-Host Fox | Working Dog Prod. Tractor Monkeys Guest ABC Border Protection Squad Robert Fogden EHK Productions Pty Ltd Scumbus Constable Tommy Murphy EHK Productions Pty Ltd It’s A Date Brent It’s a Date Productions The Joy of Sets (co-writer) Co-Host Zapruder’s Other Films | Nine Network Santo, Sam & Ed’s Sports Fever! Co-Host SBS | Working Dog Prod. Agony Uncles Performer High Wire Films Pty Ltd Between The Lines Guest/Guest Captain Endemol Sthn Star | Nine Network To Be Or Not To Be Host Active TV Santo, Sam & Ed’s Cup Fever Host Working Dog Productions TV Burp Host Seven Network (Ops) Ltd Good News Week Guest DNW TV Pty Ltd Thank God You’re Here (Series 3) Improviser (Lead) Working Dog The Bazura Project Guest Prod: Shannon Marinko The Project Guest Roving Enterprises | Network 10 lisa mann creative management pty ltd telephone: +61 2 9387 8207 fax: +61 2 9389 0615 p.o. -
Indigenous Australian Art in Intercultural Contact Zones
Coolabah, Vol.3, 2009, ISSN 1988-5946 Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona Indigenous Australian art in intercultural contact zones Eleonore Wildburger Copyright ©2009 Eleanore Wildburger. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged Abstract: This article comments on Indigenous Australian art from an intercultural perspective. The painting Bush Tomato Dreaming (1998), by the Anmatyerre artist Lucy Ngwarai Kunoth serves as model case for my argument that art expresses existential social knowledge. In consequence, I will argue that social theory and art theory together provide tools for intercultural understanding and competence. Keywords: Indigenous Australian art and social theory. Introduction Indigenous Australian artworks sell well on national and international art markets. Artists like Emily Kngwarreye, Clifford Possum Tjapaltjarri, Kathleen Petyarre are renowned representatives of what has become an exquisite art movement with international appreciation. Indigenous art is currently the strongest sector of Australia's art industry, with around 6,000 artists producing art and craft works with an estimated value of more than A$300 million a year. (Senate Committee, 2007: 9-10) At a major Indigenous art auction held in Melbourne in 2000, Johnny Warangkula Tjupurrula's famous painting Water Dreaming at Kalipinypa was sold for a record price of A$ 486,500. Three years before, it was auctioned for A$ 206,000. What did Johnny W. Tjupurrula receive? – just A$ 150 when he sold that painting in 1972. (The Courier Mail, 29 July 2000) The Süddeutsche Zeitung (06 September 2005) reports that Clifford Possum Tjapaltjarri received A$ 100 for his painting Emu Corroboree Man in 1972. -
Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
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BERLINALE SPECIAL TOP OF THE LAKE Jane Campion Bis zur Brust steht die zwölfjährige Tui im eiskalten See in der neusee- Australien/Neuseeland 2012 Garth Davis ländischen Provinz. Sie hat offensichtlich mit dem Gedanken gespielt, Länge 350 Min. · Format DCP · Farbe sich umzubringen. Es stellt sich heraus, dass sie im fünften Monat STABLISTE schwanger ist. Die Polizistin Robin, die vorübergehend in ihren Heimat- Regie Jane Campion, Garth Davis ort versetzt wurde, wird als Spezialistin für Kindesmissbrauch von der Buch Jane Campion, Gerard Lee örtlichen Polizei eingeschaltet. Doch noch bevor sie eine Beziehung zu Kamera Adam Arkapaw dem Mädchen aufbauen kann, verschwindet Tui spurlos, und eine breit Schnitt Alexandre De Franceschi, angelegte Suchaktion beginnt. Um das Netz der Intrigen und Machen- Scott Gray schaften zu zerschlagen, muss sich Robin ihrer eigenen Vergangenheit Musik Mark Bradshaw stellen. Zur gleichen Zeit richtet sich am See eine Frauenkommune in Ausstattung Fiona Crombie BIOGRAFIE Art Director Ken Turner Jane Campion Geboren 1954 in Wellington, einer verwunschenen Landschaft aus Containern ein. Angeführt wird sie von einer geheimnisvollen Frau mit langen weißen Haaren. Kostüm Emily Seresin Neuseeland. Sie studierte zwei Jahre Malerei Maske Noriko Watanabe Mit ihrer sechsteiligen TV-Serie heben die Regisseurin Jane Campion und wechselte 1981 auf die Australian Film Produzentin Phillippa Campbell Television and Radio School. 1986 wurde ihr und ihr Co-Regisseur Garth Davis das Erzählen in Fernsehformaten auf Ausführende Produzenten Emile Sherman, Kurzfilm AN EXERCISE IN DISCIPLINE – PEEL eine neue ästhetische Stufe. Alle Elemente eines spannenden Krimis Iain Canning mit der Goldenen Palme ausgezeichnet. 1991 sind da. Eingebettet in eine magisch-mystische Landschaft, zeichnet mit AN ANGEL AT MY TABLE Gast des Forums.