DOCSLIB.ORG

Gunnar Lindqvists Samling. Del II

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gunnar Lindqvists Samling. Del II Gunnar Lindqvists samling del II inkom till Svenskt visarkivs jazzavdelning 2001. Samlingen är fritt tillänglig för forskning. Gunnar Lindqvists samling. Del II. Innehåll Skrivelser E:1 Inkommande skrivelser. Inkommande skrivelser. Vykort. Utgående skrivelser. Anställningsansökningar. Medlemskort. Ämnesordnade handlingar F:1 Lars Gullinsällskapet. Emanon. F:2 Diverse OJ där Gunnar Lindqvist medverkar. F:3 Diverse "Oerhört"-manus. Nedläggning av radioprogrammet "Oerhört fina jazzspår". F.4 Diverse om "Gamla Eken" vid Södermalmstorg. Jazz i Svaben. Christer Boustedt till minne. Debatt om reklamradio 1962. Jazzklubben "Tuben", Odenplan 1995. Kontrakt, nyårsafton 1957 och 1958. F:5 "Jazz Circle". Jazzklubb i Enskede på 1950-talet. F:6 Recensioner av LP-prod. Lars Gullin: "Portrait of My Pals". G.L. UNIT: "Orangutang". Börje Fredriksson: "Intervall". F:7 Recensioner av LP-prod. Paramount-Orkestern: "Tillie". Bernt Rosengren: "Stockholm Dues". Bengt Hallberg - Red Mitchell: "Live at Cervantes". Karl Wehle: "Någonting att äta, någonting att dricka". Ulla Billquist: "Ett glas champagne". Lars Gullin: "Like Grass". Emil Iwring: "Friday the 13th". Thore Ehrling: "Royal Strut". Thor Modeen - John Botvid: "Blandade varor". Orust Spelmansgille: "Låtar från Orust". Stockslycke Spelmän: "Spelmanslåtar från Västergötland". Karin Juel: "Ett kärleksbrev". Gunnar "Silja-Bloo" Nilson: "More than happy jazz". Bernt Rosengren: "Notes from the Underground". Alice Babs: "Blues in the Night". Solar Plexus: "Det är inte båten som …". Charlie Norman: "The Joint is really Jumpin". Staffan Abeleen: "Sweet Alva". Sone Banger. Storm: "Stormvarning". Lars Gullin: "Bluesport". F:8 Recensioner av LP-prod. Nils Lindberg: "Trisection". Staffan Percy: "Som blommor". Peter Gullin: "Out of love". Lars Gullin: "På Gyllene Cirkeln. Dec- jan 1965". Nannie Porres: "Nannie Porres sings Lars Gullin. It's true". Barnbygalan: "En värld av vänner". Zarah Leander: "Från topp till tå. 1930- 1936". Monica Zetterlund: "It only happens every time". Thore Jederby. Eje Thelin: "Acoustic Space". Lars Gullin: "Jazz Amour Affair". Marlene Widmark - Teddy Wilson: "I let a song go out of my heart". Svenska Hotkvintetten. Lars Gullin: "LIVE". Börje Fredriksson: "Memorial album". Gugge Hedrenius: "Choose now". F:9 Recensioner av LP-prod. Bosse Wärmell. Nannie Porres - Eva Möller. Banjo-Lasse. "Mäster Nils". Bo Lindestrand: "My shining hour". Bernt Rosengren - Nisse Sandström: "Summit meeting". Peter Gullin: "Adventures". Maffy Falay: "We Six". Lars Gullin: "The EMI years 1964-1976". 7 LP i box. Nannie Porres: "Närbild". Sigge Furst: "Här kommer det en viking". Åke Fagerlund, Sune Lundwall, Miff Görling: "Liseberg, Bal Palais, La Visite". Jazzgruppen Storm: "Casanova i Mjölby". Ralph Lundsten: "Universe". Gösta Ekman d.ä.: "En herre i frack". Staffan Percy: "Hjärtats ballader". Skogsviol och flöjt: "Vindil". Nannie Porres: "Kärlekens ögon". Staffan Percy: "Drömmens skepp". Tutta Rolf: "Kärlekens låga". Staffan Percy: "Under lyktorna". Ahmadu Jarr: "Följ med till Afrika". Åke Johansson: "Monday date". Karl Gerhard: Hurra va' ja a bra". Solar Plexus. Hellre gycklare än hycklare". Charles Redland: "Blue Evening". Claes-Göran Fagerstedt: "Stone Free". Monica Zetterlund: "Hej, man!". F:10 Recensioner av LP-prod. Storm: "At the top". Hjördis Petterson: "Jag gamla ärbara gumma". Sickan Carlsson: "Glittrande glad". Putte Wickman: "Åhus Jazzfestival". Seymour Österwall: "På Gröna Lund och Nålen". Lars Samuelssons orkester: "Het sommar". Olof Buckard: "Narrgrin". Lasse Werner: "Helf me". Ahmadu Jarr: "En dag i Afrika". Asmussen - Wickman - Renliden: "Musik i kyrkan". Bernt Rosengren: "First Moves". Lars Gullin: "Aeros Aromatic Atomica Suite". Benny Bailey: "How Deep Can You Go ?". Gunnar "Silja-Bloo" Nilsson: "Bloo-Hacketyhach-Bock". Sundance: "Sundance". Lulu Alke, Björn Alke: "Fine and Mellow". F:11 Bjarne Nerem: "How long has this been going on". Nannie Porres: "I thought about you". Monica Zetterlund: "Monica & Monica". Thore Ehrling: "1943-1945". Bengt Hallberg: "Collaboration". Karl Nämdman: "Skånska Lasse - Bondkomik. Gunnar "Silja-Bloo" Nilsson: "That's my desire". Povel Ramel: "Povel Ramel 1942-1952". Thor Modeen: "Strålande tider, härliga tider". Solar Plexus: "Solar Plexus". Svensk revykavalkad: "I - III ". Sumpens Swingsters: "Sumpen Swingsters sista skiva". Thore Ehrling: "På Nytt". Nisse Sandström: The Painter". Rune Andersson: "Fröken Petterssons privatliv". ABDO: "Salma". Evert Taube: "Cabaretsångare". Solar Plexus: "Solar Plexus 2". Putte Wickman: "Happy New Year ". Panta Rei. Rolf Billberg: "We'll Be Together Again". F:12 Konsertprogram. Count Basie. Stan Kenton. Modern Jazz Quartet. Gerry Mulligan. Gene Krupa. JATP. John Coltrane. Nat King Cole. Duke Ellington. Ella Fitzgerald. Oscar Peterson. Dizzy Gillespie. Jimmy Smith. Roy Eldridge. Shelly Manne. Tryck L:1 Lalle Svensson: Recensioner. Tidningsklipp. "Cockroach Road". "Cockroach Moods". "The Unique". Korrespondens. Bernt Rosengren: Recensioner. Tidningsklipp. Eje Thelin: Recensioner. Tidningsklipp. Nils Lindberg: Recensioner. Tidningsklipp. Idress Sulieman: Recensioner. Tidningsklipp. Gugge Hedrenius: Recensioner. Tidningsklipp. L:2 Diverse klippsamlingar. Klippsamlingar tidigare tillhörande Gunnar Lindqvists mor. Ljudupptagningar Kassettband. JCGL 271 st. 1-271. Förvaras i "Klimatrum". Videokassetter. JV 629-715. 87 st. Förvaras i "Klimatrum". Rullband. Förvaras i "Klimatrum". Fotografier Förvaras i "Arkivrum". I plåtskåp (hängmappslådor). VIDEOS 1. Gugges Ballroom 2. Randi Hultin Möte med jazzens stora/Klarinettkungar PW & B DeF 3. –"– 4. –"– 5. MZ på Fasching/Arne Domnérus Sologram/Ill. Jacquet i Björneborg 6. Red Mitchell/Dizzy/Hallberg Sologram/Rollins/Jan A, Knud J, AD 7. Ben Webster/Eje Thelin/Joe Zawinul-F Gulda-Hancock 8. Nisse Sandström 9. Gershwin 10. Gospel/R&B/Jim Hall 11. Gyllene Cirkeln/Lina Nyberg/Q Jones 12. Joshua Redman/Dexter/MZ 13. Art Ens of Chicago/Änglaspel 14. Färnlöf 15. Don Cherry 16. Svensk Jazz 4 avsnitt 17. Miles-Quincy Montreux 18. Miles/Mulligan/Rollins/Fasching 19. Åke Hasselgård 20. Toots T/P-H Wallin 21. Jan Johansson/Brus Trio 22. MJQ 23. Slim G/Brubeck/Rollins 24. Jimmy Scott/Keith Jarrett 25. Åke Johansson 26. Putte Wickman. 27. Night usic (Betty C, Branford M m fl) 28. Arne Forsén/Tolvan/Ove Lind 29. Chet Bakex Let's Get Lost 30. Ellington-Babs 31. A Bergcrantz Sologram/Lady Sings the Blues/Poru 88 Lulu Alke/Egerbladh 40-talet 32. Art Blakey at VV m Wynton & Branford 33. Putte W/Eje T/Peter Gullin/BB King 34. Peter Gullin/MZ/UBB 35. Skeppsholmen 87 36. Billie H/Hallberg/Frank S/Rollins 37. Nannie Porres 38. Jan J/Pepper A-CT/Fasching Berger Chapter 7 39. Gospel 40-42. GL intervjuar Dizzy (oredigerade banden) 43. Dizzy 70 år 44. Gugge H 45. Putte W/Lee Konitz 46. Harry Bäcklund Nalen/Rolf E Am All Stars/Milderz 47. Silja-Bloo Nilson 48. Position Alpha 49. Jitterbug/Hacke B i NY 50. Duke Ellington 51. Chet B/Chick C/Norsk jazz 52. Nalen/Hallberg/Dompans ork Nalen 53. Winduo/F Norén/Machito 54. Dagbon/Africa-NO 55. Chet Baker 56. Lennie Tristano 57. Bernt R Sologram/Fats W-Big Joe Turner 58. Nisse Sandström 59. Red Mitchell 60. Art Pepper 61. Johnny Griffin/Dave Brubeck 62. Harlem/John Hammond 63. Jack Teagarden 64. Lester Young 65. Ornette Coleman 66. Keith J/Big Bands 67. Lars Sjösten Sologram 68. Scott Hamilton/Harlem 69. Erroll Garner 70. Keith Jarrett/Art Blakey 71. Danssalongen 72. Elvin, Jones/MJQ 73. Skeppsholmen/Benny Bailey/Marsalis 74. Palle Mikkelborg-Miles 75. Gunnar Svensson Sologram/CBQ 76. Kvinnan som försvann 77. Jan A-Georg R/Alberta Hunter 78. Kvinnliga bluessångerskor 79. Ove Lind/Duke E/Fats W 80. Chet B-Stan Getz 81. Eubie Blake 88. Monica D-G Fame-Hector B 89. Steps Ahead/Jan Allan 90. Keith Jarrett 91. MZ/Max R/Bobo S/Arne D-Putte W 92. Miles i Miami Vice/Christer B/Lars Jansson 3/"Jazzen lever"/ GL som statist/MZ-AD m fl 93. Louis A i Sthlm/GL i kaffereklam/"Blå toner från söder"/Sv jazz 94. Duke E Story 95. Gugge H/Jan Johansson 96. GL i reklam för Tele 2/GL avtäcker Gullinmedaljen/P Boman Nalen 97. Gerry Mulligan 4 videos från Gamla Eken juni 1994 i annan kartong. .
Load more

Recommended publications
  • BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940S-1950S
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES D: BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940s-1950s 1D.1.1: Biography, 1942: “Iola Whitlock marries Dave Brubeck,” Pacific Weekly, 9-25-42 1.D.1.2: Biography, 1948: Ralph J. Gleason. “Long awaited Garner in San Francisco…Local boys draw comment” [Octet at Paradise in Oakland], Down Beat (12-1-48), pg. 6 1.D.1.3: Biography, 1949 a- “NBC Conservatory of Jazz,” San Francisco, Apr 5, 1949 [radio program script for appearance by the Octet; portion of this may be heard on Fantasy recording “The Dave Brubeck Octet”; incl. short biographies of all personnel] b- Lifelong Learning, Vol. 19:6 (Aug 8, 1949) c- [Bulletin of University of California Extension for 1949-50, the year DB taught “Survey of Jazz”] d- “Jazz Concert Set” 11-4-49 e- Ralph J. Gleason. “Finds little of interest in lst Annual Jazz Festival [San Francisco],” Down Beat (12-16-49) [mention of DB Trio at Burma Lounge, Oakland; plans to play Ciro’s, SF at beginning of 1950], pg. 5 f- “…Brubeck given musical honors” Oakland Tribune, December 16, 1949 g- DB “Biographical Sketch,” ca Dec 1949 h- “Pine Tree Club Party at Home of Mrs. A. Ellis,” <n.s.> n.d. [1940s] i- “Two Matrons are Hostesses to Pine Tree Club,” <n.s.> n.d. [1940s] (on same page as above) 1.D.1.4: Biography, 1950: “Dave Brubeck,” Down Beat, 1-27-50 a- Ralph J. Gleason. “Swingin the Golden Gate: Bay Area Fog,” Down Beat 2- 10-50 [DB doing radio show on ABC] 1.D.1.5: BIOGRAPHY, 1951: “Small band of the year,” Jazz 1951---Metronome Yearbook, n.d.
    [Show full text]
  • Holt Atherton Special Collections Ms4: Brubeck Collection
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES E: CLIPPINGS BOX 3a : REVIEWS, 1940s-1961 1.E.3.1: REVIEWS, 1940s a- “Jazz Does Campus Comeback but in new Guise it’s a ‘Combo,’” Oakland Tribune, 3-24-47 b- Jack Egan. “Egan finds jury…,” Down Beat, 9-10-47 c- “Local boys draw comment,” <n.s.> [Chicago], 12-1-48 d- Edward Arnow. “Brubeck recital is well-received,” Stockton Record, 1-18-49 e- Don Roessner. “Jazz meets J.S. Bach in the Bay Region,” SF Chronicle, 2- 13-49 f- Robert McCary. “Jazz ensemble in first SF appearance,” SF Chronicle, 3-6- 49 g- Clifford Gessler. “Snap, skill mark UC jazz concert,” <n.s.> [Berkeley CA], n.d. [4-49] h- “Record Reviews---DB Trio on Coronet,” Metronome, 9-49, pg. 31 i- Keith Jones. “Exciting and competent, says this critic,” Daily Californian, 12- 6-49 j- Kenneth Wastell. “Letters to the editor,” Daily Californian, 12-8-49 k- Dick Stewart. “Letters to the editor,” Daily Californian, 12-9-49 l- Ken Wales. “Letters to the editor,” Daily Californian, 12-14-49 m- “Record Reviews: The Month’s best [DB Trio on Coronet],” Metronome, Dec. 1949 n- “Brubeck Sounds Good” - 1949 o- Ralph J. Gleason, “Local Units Give Frisco Plenty to Shout About,” Down Beat, [1949?] 1.E.3.2: REVIEWS, 1950 a- “Record Reviews: Dave Brubeck Trio,” Down Beat, 1-27-50 b- Bill Greer, "A Farewell to Measure from Bach to Bop," The Crossroads, January 1950, Pg. 13 c- Keith Jones. “Dave Brubeck,” Bay Bop, [San Francisco] 2-15-50 d- “Poetic License in Jazz: Brubeck drops in on symphony forum, demonstrates style with Bach-flavored bop,” The Daily Californian, 2-27-50 e- Barry Ulanov.
    [Show full text]
  • Jersey Jazz Society Dedicated to the Performance, Promotion and Preservation of Jazz
    Volume 43 • Issue 6 June 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Singer Tamar Korn and Jerron “Blindboy” Paxton joined Terry Waldo’s Gotham City Band on stage at The Players Club in NYC on May 3. Photo by Lynn Redmile. New York’s Hot Jazz Festival NJJS Presents Old Tunes, Young Turks A Billy Strayhorn A sold-out crowd that included such music world luminaries as George Wein and Gary Giddins and 130-plus top tier musicians Centennial Tribute filled a 19th century Gramercy Park mansion on May 3 for a June 14 | Mayo PAC, Morristown 14-hour marathon of traditional and swing era jazz at the 3rd Tickets On Sale NOW! annual New York Hot Jazz Festival. Jersey Jazz’s Lynn Redmile See Page 13 was there to take in the scene and you can read her report and see more photos beginning on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hanks to NJJS Board member Sandy In addition, we are expecting a group from the New/Renewed Members ............48 TJosephson for contributing an outstanding jazz band of Newark Academy in Livingston to storIes guest column last month! open for the Strayhorn Orchestra, which is New York Hot Jazz Festival .......cover particularly
    [Show full text]
  • Berman Music Foundation Newsletter
    File Photo Abate all-star quartet Greg Abate plays Lincoln June 10 ○○○○○○○○○○○○○○○○○○○ ○○○○○○○○○○○○○ By Tom Ineck ○○○○○○○○○○○○○○○○○○○○ Spring 2003 ing a two-night stand at the Artists’ Greg Abate remains a resident Vol. 8, Number 2 of the Providence, R.I., area where Quarter, Abate speculated about his he was reared, a lifestyle choice that choice to live in Rhode Island rather might have meant obscurity for a than the Big Apple. lesser artist. The intrepid saxophon- “Living in New York may have ist, however, has achieved a body brought me to other areas,” he said. In this issue of Jazz.... of work and a level of recognition “Maybe I would be better known Prez Sez.......................................2 that ensures his livelihood, in Eu- now, if I did live there. I’ve always 1961 Fender Esquire........................3○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ rope as well as the United States. wondered about that. I really don’t His lyrical flights, biting tone know if it has hindered me, at all.” Jazz in June Schedule..................5 and rhythmic sophistication draw One thing is sure. Whether Jordan and Brown Review........6 comparisons to Charlie Parker, but Abate plays in St. Paul or Duluth, Jordan CD Review......................7 Abate also echoes the more tranquil Minn.; Moscow, Idaho; a small Dave Brubeck Quartet Review.....8 town on Cape Cod or Lincoln, Neb., ruminations of Paul Desmond. He Fortune-Morgan Review............9 has a broad repertoire of standards audiences are enthusiastic and per- at his nimble fingertips, but he also haps more appreciative than jaded Menza & Christlieb Review.......10 is a first-class composer.
    [Show full text]
  • Brubeck Photographs, 1970-1976 Dbp-70
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES II: PHOTOGRAPHS BOX 6A: BRUBECK PHOTOGRAPHS, 1970-1976 DBP-70-1 DB at piano, “Gates of Justice” rehearsal—Philadelphia, 5-3 [8x10; credit: Richard A. Weisgrau] DBP-70-2 DB at piano, “Gates of Justice” rehearsal—Philadelphia, 5-3 [8x10; credit: Richard A. Weisgrau] DBP-70-3 DB, “Gates of Justice” rehearsal—Philadelphia, 5-3 [8x10; credit: Richard A. Weisgrau] DBP-70-4 DB, “Gates of Justice” rehearsal—Philadelphia, 5-3 [8x10; credit: Richard A. Weisgrau] DBP-70-5 DB, “Gates of Justice” rehearsal—Philadelphia, 5-3 [8x10; credit: Richard A. Weisgrau] DBP-70-6 Edith & Edwin Norberg—Hotel Imperial, Vienna, Austria, 9-20 [color, 5.25x7.5] DBP-70-7 DB at piano, Gerry Mulligan, Jack Six in concert—Warsaw, Poland, 10-29 [7.25x9.5; credit Tadeusz Pozniak] DBP-70-8 DB, J. Balcerak at cocktail party—US Embassy, Warsaw, Poland, 10-29 [7.25x9.5; credit: Marek Karewicz] DBP-70-9 DB composing—Wilton CT [?], n.d. [11x14; credit: Normunds N. Berzins; in OVERSIZE BOX] DBP-70-10 DB, Iola B., Alan Dawson, Mrs. Dawson candid port.—Oslo, 10-22 [3.75x5.75; credit: Randi W. Hultin] DBP-70-11 DB, Gerry Mulligan, Alan Dawson, Jack Six in perf.—European Tour [?], October [8x10] DBP-70-12 DB, unident. crowd listening to unident. pianist—US Embassy [?], Warsaw, Poland, 10-29 [8x10] DBP-70-13 DB, unident. man & woman conversing—US Embassy [?], Warsaw, Poland, 10-29 [8x10] DBP-70-14a Db, Jack Six in perf.—Warsaw, Poland, 10-29 [7x9; credit: Tadusz Pozniak] DBP-70-14b DB in perf.—Warsaw, Poland, 10-29 [4x5.75; credit: Tadeusz Pozniak] DBP-70-15a DB addressing Jazz Club—Warsaw, Poland, 10-29 [7x9.25; credit: Marek Karewicz] DBP-70-15b DB answering questions at Jazz Club—Warsaw, Poland, 10-29 [7x9.25; credit: Marek Karewicz] DBP-70-16 DB in perf.
    [Show full text]
  • Brubeck Photographs, 1990-1995 Dbp-9
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES II: PHOTOGRAPHS BOX 10: BRUBECK PHOTOGRAPHS, 1990-1995 DBP-90-1 DB, Chris B, Danny B --- Worcester MA, 1-25 [5x7; credit: Warren Fowler] DBP-90-2 Chris B --- Worcester MA, 1-25 [5x7; credit: Warren Fowler] DBP-90-3 Danny B --- Worcester MA, 1-25 [5x7; credit: Warren Fowler] DBP-90-4a Matthew B --- Worcester MA, 1-25 [5x7; credit: Warren Fowler] DBP-90-4b Matthew B [foreground], DB, Chris B, Danny B [bkgrd] in perf.--- Worcester MA, 1-25 [5x7; credit: Warren Fowler] DBP-90-5 Russell Gloyd --- Worcester MA, 1-25 [5x7; credit: Warren Fowler] DBP-90-6 DB, Russell Gloyd, Bill Cossell [TV Producer, Boston Pops] --- Boston Pops rehearsal, 5-21 [8x10] DBP-90-7 DB, unident. man --- Boston Pops rehearsal, 5-21 [8x10; credit Warren Fowler] DBP-90-8 Boston Pops rehearsal proof sheet #1, 5-21 [8x10; credit: Warren Fowler] DBP-90-9 Boston Pops rehearsal proof sheet #2, 5-21 [8x10; credit: Warren Fowler] DBP-90-10 DB --- Boston Pops rehearsal, 5-21 [color, 3.5x5; credit : Warren Fowler] DBP-90-11 DB, Bill Smith --- Boston Pops rehearsal, 5-21 [color, 3.5x5; credit Warren Fowler] DBP-90-12 DB, Bill Smith --- Boston Pops rehearsal, 5-21 [color, 3.5x5; credit Warren Fowler] DBP-90-13 DB, Bill Smith --- Boston Pops rehearsal, 5-21 [color, 3.5x5; credit Warren Fowler] DBP-90-14 DB, Bill Smith --- Boston Pops rehearsal, 5-21 [color, 3.5x5; credit Warren Fowler] DBP-90-15 DB, Bill Smith --- Boston Pops rehearsal, 5-21 [color, 3.5x5; credit Warren Fowler] DBP-90-16 DB, Bill Smith, Jack Six ---
    [Show full text]
  • Jazznytt 4.2010
    04 2010:Layout 1 02.09.2010 11:16 Side 3 Foto: Birgit Rostad INNHOLD [april - mai 2010] 12 EIRIK HEGDAL 05 leder 05 jazznytt for 10, 20, 30 og 40 år siden 18 PALLE DANIELSSON 06 notert 22 JAN BANG 07 jazzfoto 08 nytt navn: ØYVIND GJELSTEN DALE 10 øde øy: LISE GULBRANSEN 11 notert 26 om det tidløse i jazz - et bidrag 30 notert 31 reprise på jubileumskryssord 32 farvel til ... 33 jazz i norge for 50 år siden 34 storband: VESTERÅLEN STORBAND 37 levende lyd: JAZZFEST.NO, NATTJAZZ 39 levende lyd: MOERS, KONGSBERG 42 levende lyd: MOLDEJAZZ 42 utenriks 43 anmeldelser 66 stemmen fra østfronten SIGNERTE ARTIKLER STÅR FOR BIDRAGSYTERS EGEN MENING, OG ER IKKE NØDVENDIGVIS I SAMSVAR MED REDAKTØR OG/ELLER UTGIVERS MENING FORSIDEBILDET AV EIRIK HEGDAL ER TATT AV JAN GRANLIE jazznytt [03] 04 2010:Layout 1 02.09.2010 11:16 Side 4 jazznytt ISSN 0332-7248 Utgiver: stiftelsen Postboks 440, Sentrum, 0103 Oslo Telefon: 22 00 56 60 E-post: [email protected] Alle henvendelser til redaksjonen: JAZZNYTT Postboks 440, Sentrum, 0103 Oslo Besøksadresse: Akersgata 16, Oslo Telefon 22 00 56 66 E-post: [email protected] Redaktør: Jan Granlie Redaksjon: Jan Granlie, Johan Hauknes, Arild Rønsen, Bjørn Stendahl Bidragsytere i dette nummer: Tekst: Svein Magnus Furu, Jan Granlie, Lise Gulbransen, Tor Hammerø, Johan Hauknes, Lasse Haugen,Trygve Hærnes, Svein Inge Johansen, Lars Mossefinn, Ole Albrekt Nedrelid, Harald Opheim, Petter Pettersson, Arild Rønsen, Johan Scherwin, Roy Ervin Solstad, Bjørn Stendahl, Tomas Tornefjell, Bjarne Søltoft Foto: Johannes Anders, Jan Granlie, Alexander Gulbransen, Johan Hauknes, Norsk Jazzarkiv, Ann Kristin Olaussen, Jan Garbarek John Rodgers, Ann Iren Ødeby O f f i c i u m N o v u m Korrektur: Ingrid Goverud Ulstein Design: Jan Granlie Tegninger: Arvid Andreassen og Jan Granlie The Hilliard Ensemble Trykk: United Press Opplag: 4 000 Priser: Abonnement: kr.
    [Show full text]
  • Da Jazzen Ble Stueren
    Da jazzen ble stueren... Legitimering av jazz i Norge 1960-1975 Aksel Westlund Institutt for musikkvitenskap Universitetet i Oslo Høsten 2013 Forord Jeg vil gjerne takke mine to veiledere, Svein Bjørkås og Hans Weisethaunet, for veiledning og støttende ord – Svein for uvurderlig hjelp til å snevre inn et enormt tema til noe det var mulig å skrive en mastergrad om, og Hans for å med stoisk ro ta imot revisjon etter revisjon i den hektiske innspurten. Jeg vil også rette en takk til Catherine Parsonage ved Leeds College of Music, som for mange år siden fikk meg til å innse at jazz også var gøy å skrive om. Videre vil jeg takke informantene mine – Christian Reim, Ivar Antonsen og Bernt Brinck- Johnsen – som har gitt meg tilgang på informasjon jeg ellers aldri ville ha fått tak i, og gitt meg unikt innblikk i seksti- og søttitallets jazzmiljø. Jeg vil sist men ikke minst takke min samboer Marthe Glad Munch-Møller, som i tillegg til å lese teksten flere ganger enn det er humant å kreve av noe menneske og diskutert kilder og funn med meg i time etter time etter time også har luftet hund, lagd mat og generelt holdt skuta seilende når jeg ikke har hatt plass til noe annet i hue enn jazz. Jeg kunne ikke skrevet denne teksten uten deg. Aksel Westlund – Sagene, oktober 2013 Forsidebilde: Laila Dahlseth synger i Munch-museet på en konsert i regi av Norsk Jazzforum, 1965. Utsnitt av bilde tatt av Bjørn Falch Andersen Innholdsfortegnelse Innledning.............................................................................................................................................1
    [Show full text]
  • 20190111 Documenting Jazz Full Programme
    Documenting Jazz Conservatory of Music and Drama TU Dublin 17 – 19 January 2019 Cover Photo (Left) Courtesy of Jim Doherty John Curran clarinet, Terry Howlett drums, Jim Doherty piano, circa. 1954–55 Cover Photo (Right) Photoshoot organized by Improvised Music Company, 1996. Representatives from the Irish jazz scene, Dublin Castle. 1 Welcome – Dr Orla McDonagh (Head of Conservatory) It is a distinct pleasure to welcome you – and more than eighty delegates from around the globe – to the TU Dublin Conservatory of Music and Drama for this historic conference, Documenting Jazz. As an art form, Jazz has – by now – found a welcome home all over the world, evolving as it has travelled between musicians and countries into the diverse panoply of musical ideas, styles and traditions it encompasses today. Musicians improvising within their own traditions, with each others’ traditions, and blurring boundaries between style and sound have made it possible for Jazz to grow and change at an impressive pace over the last 100+ years. As we celebrate that rich tradition through Documenting Jazz, I hope that the spirit of that evolution inspires all of the ideas, conversations, debates and experiences you will have over the coming days in Dublin. My first experience of Jazz was as an undergraduate student, at an off-Broadway club late into the evening one night in New York City. I was fascinated by the sound, by the way in which the musicians “danced” with each other, knowing exactly when to step forward, or allow someone else the musical space to solo, and then when to gel instantly again with the group.
    [Show full text]
  • Kenny Dorham & Leo Wright: Texas Bebop Messengers to the World
    Oliphant: Kenny Dorham & Leo Wright Photo Courtesy of: Savoy Jazz Records Jazz Photo Courtesy of: Savoy Texas Bebop Messengers to theWorld: Kenny Dorham and Leo Wright By Dave Oliphant 15 Coming as I do to the study of history as a student of literature, I have found that a little- known short story by Edgar Allan Poe aptly presents the “revisionist” attitude that I took toward my historical survey, Texan Jazz, soon after it was published by the University of Texas Press in 1996. Having traced the contributions of Texas musicians to jazz history over a period of almost one hundred years, from Scott Joplin’s “Maple Leaf Rag” of 1899 through Blind Lemon Jefferson’s 1920s country blues and on to Marchel Ivery and Cedar Walton’s 1994 recording of “Every Time We Say Goodbye,” I came, after the publication of my book, to appreciate greatly the views on revising a work of history as expressed by the Egyptian character in Poe’s short story entitled “Some Words With a Mummy.” According to Poe’s character, who is literally shocked back to book-that is to say, into a kind of literary arena for the life by a group of American Egyptologists who jokingly apply conflicting guesses, riddles, and personal squabbles of whole to his mummified body a galvanic charge from a voltaic battery, herds of exasperated commentators. the Egyptian philosophers of the mummy’s distant day-follow- Poe’s mummy goes on to say that the revivified Egyptian his- ing discovery of the embalming principle-were struck by the torian, after finding his work distorted by annotations and emen- idea that it would much advance the interests of science if life dations of later historians, would rewrite it and thus prevent were lived in installments.
    [Show full text]
  • Brubeck Photographs, 1960-1965 Dbp-60
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 2: PHOTOGRAPHS BOX 4: BRUBECK PHOTOGRAPHS, 1960-1965 DBP-60-1 March (17-19), 1960, Sydney, Australia - DB and unidentified man taking a motor boat ride in the bay (4 ¾ x 6 ½ photo credit to Frank Howling) DBP-60-2 March (17-19), 1960, Sydney, Australia - DB and Frank Howling standing in a Sydney street (4 ¾ x 6 ½ ) DBP-60-3 March (17-19), 1960, Sydney, Australia DB at the microphone L-R: DB, Eugene Wright, Joe Morello and Paul Desmond (7 ¾ x 9 ¾ ) DBP-60-4 March (17-19), 1960, Sydney, Australia - Bill Smith, (Australian Records Co exec) and DBQ behind him L-R: DB, Eugene Wright, Joe Morello and Paul Desmond (7 ¾ x 9 ¾ ) DBP-60-5 March 22, 1960, Sydney, Australia L-R: Mike Wilson, Eugene Wright and Joe Morello standing in front of “Standing Between Notices” sign (3 ½ x 5 ½ ) DBP-60-6 March 22, 1960, Adelaide, Australia - L-R: Myke Dyer, 3XY; Geoff Brooks, 3K2 and Ralphe Rickman, 3AW (7 ¾ x 9 ¾ photo credit to Laurie Richards, Adelaide) DBP-60-7 March 22, 1960, Adelaide, Australia - “Rondo for 6 Hands” L-R: John Wise (Coronet Records exec), DB and unidentified man at Coronet Records reception (8x10 photo credit to Lawrence Rhodes, Adelaide) DBP-60-8 March 22, 1960, Adelaide, Australia - DB and classical pianist, Phillippe Entremont(L) sharing a laugh at the keyboard (7 ¾ x 9 ¾ photo credit to Lawrence Rhodes, Adelaide) DBP-60-9 March 22, 1960, Adelaide, Australia - DB shaking hands with classical pianist, Phillippe Entremont in front of the “Dig Dave on Disc” sign (8x10 photo credit to Lawrence Rhodes, Adelaide) DBP-60-10 March 22, 1960, Adelaide, Australia - DB giving classical pianist, Phillippe Entremont(L) some pointers on piano technique (8x10 photo credit to Lawrence Rhodes, Adelaide) DBP-60-11 March 22, 1960, Adelaide, Australia - L-R: John Wise (Coronet Record exec); DB; “classical pianist”, Phillippe Entremont; Jim Sutton(Coronet Records exec) and L.S.
    [Show full text]
  • Kenny Dorham & Leo Wright
    Oliphant: Kenny Dorham & Leo Wright Photo Courtesy of: Savoy Jazz Records Jazz Photo Courtesy of: Savoy Texas Bebop Messengers to theWorld: Kenny Dorham and Leo Wright By Dave Oliphant 15 Coming as I do to the study of history as a student of literature, I have found that a little- known short story by Edgar Allan Poe aptly presents the “revisionist” attitude that I took toward my historical survey, Texan Jazz, soon after it was published by the University of Texas Press in 1996. Having traced the contributions of Texas musicians to jazz history over a period of almost one hundred years, from Scott Joplin’s “Maple Leaf Rag” of 1899 through Blind Lemon Jefferson’s 1920s country blues and on to Marchel Ivery and Cedar Walton’s 1994 recording of “Every Time We Say Goodbye,” I came, after the publication of my book, to appreciate greatly the views on revising a work of history as expressed by the Egyptian character in Poe’s short story entitled “Some Words With a Mummy.” According to Poe’s character, who is literally shocked back to book-that is to say, into a kind of literary arena for the life by a group of American Egyptologists who jokingly apply conflicting guesses, riddles, and personal squabbles of whole to his mummified body a galvanic charge from a voltaic battery, herds of exasperated commentators. the Egyptian philosophers of the mummy’s distant day-follow- Poe’s mummy goes on to say that the revivified Egyptian his- ing discovery of the embalming principle-were struck by the torian, after finding his work distorted by annotations and emen- idea that it would much advance the interests of science if life dations of later historians, would rewrite it and thus prevent were lived in installments.
    [Show full text]