Your journey to a Lighting Career
DESIGNED BY HURLBUT ACADEMY
Creating Depth, Mood and Emotion with Lighting
DIY Home Depot Lights Parts 1 & 2
Lighting Large Day Interiors, DIY Lighting, Essential Tools
Lighting For Specific Camera Blocking
LOCATION LIGHTING SET LIGHTING S C I S A B
E Day Exteriors: Shaping and Day Interiors: How to Light an H Wide-shots and Controlling Interview with 4
T The Scout Walk-talks Light Leko Lights N R Day Exteriors: A Day Interiors: Shaping Light E Shaping Natural Night Interiors:
L The Build Part 1 Light w/ Negative and Shadow The Build Fill
Shaping light & Day Interiors: Day Exteriors: Shadow: Nailing Night Interiors: The Build Part 2 Shaping high sun for the Close-Up The Finesse close ups
Lighting From Above: The Night Interiors: Day Interiors: Day Exteriors: Softbox The Shoot The Shoot Part 1 Lighting w/ available light Mounting The Softbox Day Interiors: The Shoot Part 2 Wall Spreader Etiquette
Lighting techniques - Building the perfect key light
Lighting for 3 cameras: Why & How
TV Gag: Kino Flo Lights
The Police Light Gag
LOCATION LIGHTING SET LIGHTING
Day Exteriors: On Set: Fathers How to Light Day Interiors: Changing the and Daughters - Green Screen The Scout direction of the sun Blocking and Series: Lighting for close-ups Lighting for Small your subject R Interiors E
H Day Interiors: On-set: Into the How to Light T The Build Part 1 On Set: Fathers R Badlands Green Screen and Daughters - U Character Series: Lighting
F Understanding Development with Just two Your Camera
T through camera lights I Day Interiors: Placement
movement
E The Build Part 2
K Creating Fire How to Light
A On-set: Into the Effects: The Shoot Green Screen T Badlands Series: Lighting a Day Interiors: Diffusing Sunlight moving subject On Set Series: Into The Shoot Part 1 through Day Exteriors the Badlands - Night Interior How to Light Firelight & On-set: Fathers & Lamplight Effects Green Screen Day Interiors: Daughters Series: Using The Shoot Part 2 Practical Lighting Kino Flo Super Headlight Gag: The In Small Interiors Green Tubes Build
On-set: Into the Badlands Headlight Gag: The Challenges of Shoot Blocking Night Interiors Using Lights To Replicate Fire & How to Create Beautiful Lighting For Product Shots
The Police Light Gag
LOCATION LIGHTING SET LIGHTING
On Set: Into the On Set: Fathers On Set: Script to Moonlight Blue: Badlands - and Daughters - Screen - How Color The Scout Replicating Early Late Afternoon Temperature Sets Morning Interior Interior Set the Mood Light Lighting
Moonlight Blue: On Set: Script to On Set: Into the On Set: Semi Pro - The Setup (DIY) Screen - How to Badlands - Day Blocking Balance Your Interior Midday Room's Ambient On Set: Semi Pro - Light Moonlight Blue: How A Keyframe On Set: Into the The Shoot Can Enhance Your Badlands - Film Lighting Interiors On Set: Script to Moonlight Grey: & Exteriors in Screen - How to Part 1 Large On Set: Semi Pro - Compose and Light Environments How To Make A the Close-up Shot List Moonlight Grey: On Set: Into the Part 2
o Badlands - On Set: Semi Pro - On Set: Script to r Lighting Large Set Lighting Screen - Fine P On-set: Fathers &
Day Interiors Tuning The Close- Daughters g up
n Lighting Urban
i On Set: Semi Pro - On Set: Into the Street Light
o Set Lighting with Badlands - Environments On Set: Script to G Battens Lighting Large Screen - How to Day Exteriors Extend Dusk for On Set: Semi Pro - Hours Lighting The On Set: Into the Confrontation On Set: Script to Badlands - Screen - Using Lighting A Large Color Theory and Warehouse Lighting to Recreate Dusk
On Set: Script to Screen - How to Mimic A Police Light
On Set: Script to Screen - How to Light Your Interior For Dusk
On Set: Script to Screen - How to Light The Reverse Angle
On Set: Script to Screen - How to Light The Close Up For Dramatic Impact
Congratulations! You have completed the Lighting Career Journey We are constantly adding extras that can take you even higher so watch out for brand new Lighting courses with revolutionary new techniques and ideas