Moving Music Licensing Into the Digital Era: More Competition and Less Regulation
UCLA UCLA Entertainment Law Review Title Moving Music Licensing into the Digital Era: More Competition and Less Regulation Permalink https://escholarship.org/uc/item/3w72t9ts Journal UCLA Entertainment Law Review, 23(1) ISSN 1073-2896 Authors Lenard, Thomas M. White, Lawrence J. Publication Date 2016 DOI 10.5070/LR8231034311 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Moving Music Licensing into the Digital Era: More Competition and Less Regulation* Thomas M. Lenard** and Lawrence J. White*** “ . the time is ripe to question the existing paradigm for the licensing of musical works and sound recordings and consider meaningful change. There is a wide- spread perception that our licensing system is broken.”1 ABSTRACT The system for licensing music in the United States for public performances through radio, television, digital services, and other distribution media is complicated, * Thanks are due to Marcel Broyer, Dale Collins, Martin Michael, Petra Moser, Katie Peters, Greg Rosston, Carl Shapiro, Amy Smorodin, Yossi Spiegel, Scott Wallsten, and the attendees at the August 2015 Technology Policy Institute’s Aspen Forum for helpful comments on an earlier draft of this paper, and to Nathan Kliewer and Brandon Silberstein for able research assistance. ** Thomas Lenard is senior fellow and president emeritus at the Technology Policy Institute. Lenard is the author or coauthor of numerous books and articles on telecommunications, electricity, antitrust, priva- cy, e-commerce and other regulatory issues. Before joining the Technology Policy Institute, Lenard was acting president, senior vice president for research and senior fellow and president emeritus at The Prog- ress & Freedom Foundation.
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