VENICE Destination Guide
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Wall Street Journal Sept 7 2005
THE WALL STREET JOURNAL. LEISURE V ARTS WEDNESDAY, SEPTEMBER 7, 2005 ,n. Some People Are Idiots. Painting in Italy in a Time of Plague up to the parking lot del. The clouds rising rapidly from the By Tom L. Freudenheim Merriam Peak, Eric west look threatening and most of the gas tank is on empty group at the pass decide not to risk sum- Worcester, Mass. a if we will be able to miting in a storm. Eric and I plunge on- onfession: The Worcester Art Mu- the end of the day. We ward toward Mendel. We climb separate seum has made me rethink my ap- el in Bishop and as a routes up a ridge toward what looks like proach to exhibitions. I generally trting an hour later the top. It actually turns out to be the C [p, around 7 a.m. first of a series of towers. Ninety minutes just like the direct experience of visually feasting on a show, eschewing the various 7 of Bob's group as we later I'm standing on the last tower be- fore the summit, only a few feet lower, gallery assists—audio systems that have 'e stay on the trail too migrated to iPod mode, free brochures in [ the peak from the but a long down climb, traverse and climb from the mountain's apex. It's 1 large type for the visually impaired, jazzy LI blame Bob for this designer text panels of a size and force to rig late and we're still p.m., our turn-around time. -
SINA Centurion Palace
SINA Centurion Palace Located in the quiet Dorsoduro residential area of Venice between the Guggenheim and Punta della Dogana museums, the SINA Centurion Palace sits directly on the Grand Canal opposite San Marco. Next door to the famous church of Santa Maria della Salute, the hotel blends the antiquity of its former ‘Palazzetto’ with vibrant modern furnishings, and is an oasis of calm, just a short walk or gondola ride to the city’s many attractions. www.sinahotels.com GDS Code: LX +39 041 34281 Email: [email protected] VENICE, ITALY Paolo Morra Paolo Morra has worked in Services, Experiences and Highlights: Venetian luxury hotels practically his • 50 rooms with truly exceptional views of Venice’s skyline entire professional life. Yet he is not originally from Venice. Paolo is a proud • Quiet residential location, yet centrally located Neapolitan and with that comes his easy • Features an intimate and charming courtyard where laugh, his great humor, his gentle ways guests can relax after a day of sightseeing and his love of life, which he brings to • Antinoo’s Lounge & Restaurant, with lovely terrace his beloved SINA Centurion Palace. seating on the Grand Canal Paolo is omnipresent at the SINA • Private pier on the Grand Canal for easy water Centurion Palace. He is an old school taxi transfers general manager who treasures • Private seasonal shuttle taking guests to San Marco customer contact above all. As guests • Member of SINA Hotels, Small Luxury Hotels of the arrive by water taxi at the private pier World, American Express Hotel Collection, Travel of the hotel, Paolo is never far away, Leaders Select and Conde Nast Johansens impeccably attired, extending his hand and welcoming guests as though they were arriving at their very own Palazzo “ My stay at SINA Centurion Palace was amazing and I on the Grand Canal. -
San Geminiano Bib.Pdf
Helena Anderson, Oliver Cano, Catherine Scluzacek, Doris Zhao ART 294: Art & Architecture of Early Modern Venice San Geminiano Group Project Preliminary Bibliography Text: Boucher, Bruce and Donata Battilotti. "Sansovino." Grove Art Online. Oxford Art Online. 21 Feb. 2010 <http://www.oxfordartonline.com/subscriber/article/grove/art/T075803pg1>. Boucher, Bruce, and Iacopo Sansovino. The sculpture of Jacopo Sansovino. New Haven, CT: Yale University Press, 1991. Howard, Deborah. Jacopo Sansovino: Architecture and Patronage in Renaissance Venice. New Haven, CT: Yale University Press, 1987. Howard, Deborah. The Architectural History of Venice. Rev. New Haven, CT: Yale University Press, 2002. Huguenaud, Karine. "Ala Napoleonica in Piazza San Marco - Venice." Places, Museums, and Monuments. 31 Dec 2008. The Fondation Napoleon, Web. 21 Feb 2010. <http://www.napoleon.org/en/magazine/museums/files/Ala_Napoleonica_in_Piazza1.asp >. Lotz, Wolfgang. "The Roman Legacy in Sansovino's Venetian Buildings." The Journal of the Society of Architectural Historians. 22. 1 (1963): 3-12. Martin, Thomas. Alessandro Vittoria and the portrait bust in Renaissance Venice: remodelling antiquity. Clarendon studies in the history of art. Oxford [England]: Clarendon Press, 1998. McAndrew, John. "Sant'Andrea Della Certosa." The Art Bulletin 51.1 (1969): 15-28. McCarthy, Mary. Venice Observed. Art and places, 1. Paris: G. & R. Bernier, 1956. Munk, Judith, and Walter Munk. "Venice Hologram." Proceedings of the American Philosophical Society 116.5 (1972): 415-42. Milizia, Francesco, and Eliza Taylor tr Cresy. The lives of celebrated architects, ancient amd modern: with historical and critical observations on their works, and on the principles of the art. London: J. Taylor, 1826. Vasari, Giorgio, Betty Burroughs, and Jonathan Foster. -
Infrared Thermografic Investigation of Basilica Della Salute Floor
Proceedings of COBEM 2009 20th International Congress of Mechanical Engineering Copyright © 2009 by ABCM November 15-20, 2009, Gramado, RS, Brazil INFRARED THERMOGRAFIC INVESTIGATION OF BASILICA DELLA SALUTE FLOOR Antonio del Conte, [email protected] Artemis s.r.l. c/o Facoltà di Ingegneria Università Politecnica delle Marche, Via Brecce Bianche, 1 – 60131 Ancona (Italy) Enrico Espósito, [email protected] Dipartimento di Meccanica – Università Politecnica delle Marche, Via Brecce Bianche, 1 – 60131 Ancona (Italy) Roberto Márcio de Andrade, [email protected] Departamento de Engenharia Mecânica da Universidade Federal de Minas Gerais, Av. Antônio Carlos 6627 – Pampulha – Belo Horizonte – MG – 31270-901 (Brasil) Sinthya Gonçalves Tavares, [email protected] Departamento de Ciências Exatas e Tecnologia do Centro Universitário de Belo Horizonte – UNI-BH, Av. Professor Mário Werneck, 1685 – Estoril – Belo Horizonte, MG – 30455-610 (Brasil) Abstract. The infrared thermography applied to cultural and monumental goods diagnostic is one of more consolidated non-invasive techniques used actually. Its popularity is mainly due to its capacity to indentify non visible faults, humidity and others normal occurrences in works of art. In this work the experimental results obtained through the infrared thermography implementation on samples of the Basilica della Salute (Venice – Italy) floor are presented. The experimental procedures have been carried out using active thermography where the artificial heating has been obtained through the use of tungsten lamps. The thermal analysis allowed to identify restoration operations due to materials used which have different origin of the base material and, consequently, different thermal diffusivity and emissivity. The influence of the superficial color over the results is also discussed. -
Canal Grande (The Grand Canal)
Canal Grande (The Grand Canal) Night shot of the Canal Grande or Grand Canal of Venice, Italy The Canal Grande and the Canale della Giudecca are the two most important waterways in Venice. They undoubtedly fall into the category of one of the premier tourist attractions in Venice. The Canal Grande separates Venice into two distinct parts, which were once popularly referred to as 'de citra' and 'de ultra' from the point of view of Saint Mark's Basilica, and these two parts of Venice are linked by the Rialto bridge. The Rialto Bridge is the most ancient bridge in Venice.; it is completely made of stone and its construction dates back to the 16th century. The Canal Grande or the Grand Canal forms one of the major water-traffic corridors in the beautiful city of Venice. The most popular mode of public transportation is traveling by the water bus and by private water taxis. This canal crisscrosses the entire city of Venice, and it begins its journey from the lagoon near the train station and resembles a large S-shape through the central districts of the "sestiere" in Venice, and then comes to an end at the Basilica di Santa Maria della Salute near the Piazza San Marco. The major portion of the traffic of the city of Venice goes along the Canal Grande, and thus to avoid congestion of traffic there are already three bridges – the Ponte dei Scalzi, the Ponte dell'Accademia, and the Rialto Bridge, while another bridge is being constructed. The new bridge is designed by Santiago Calatrava, and it will link the train station to the Piazzale Roma. -
The Organ with Paper Pipes of the Correr Museum in Venice: a Review and New Insights Emanuele Marconi, Jean-Philippe Échard
The Organ with Paper Pipes of the Correr Museum in Venice: a Review and New Insights Emanuele Marconi, Jean-Philippe Échard To cite this version: Emanuele Marconi, Jean-Philippe Échard. The Organ with Paper Pipes of the Correr Museum in Venice: a Review and New Insights. Journal of the American Musical Instrument Society, American Musical Instrument Society, 2014, 39, pp.89-142. hal-01884094 HAL Id: hal-01884094 https://hal.archives-ouvertes.fr/hal-01884094 Submitted on 29 Sep 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Organ with Paper Pipes of the Correr Museum in Venice: a Review and New Insights* Emanuele Marconi and Jean-Philippe Echard Introduction n 2007, the Direzione Regionale began a series of studies on the musical Iinstruments in the Correr Museum in Venice, whose main aim was the preservation of the collection.1 In 2011 a joint project was set up be- tween the Italian Ministry for Cultural Heritage and the Musée de la Musique, for organological and scientific studies on selected instruments of the collection. This included the organ with paper pipes dated 1494, made in Venice by Lorenzo Gusnasco “da Pavia” (fig. -
Carnevale Di Venezia Venice...This Is Breath!” ~ Lord Byron Art and Love in the Venetian Renaissance
ISADORA DUNCAN INTERNATIONAL INSTITUTE Celebrating Our 40 th Anniversary Season Renaissance unto Rapture: “My own, My beautiful, My only Carnevale di Venezia Venice...this is Breath!” ~ Lord Byron Art and Love in the Venetian Renaissance Venice the pearl, poised between earth February 7th to 15th, 2018 and sky, and upon misted waters, becomes the proactive and Guided Travel Tour to Venice, Italy and promising locus of the aesthetic Environs in the Fine and Lively Arts experience at the pinnacle of with fanfare, known for centuries as Exclusive Entrée to Private Balls Carnevale. Unsurpassed, art grows & and abounds into spirit and matter Rare Venetian Experiences at every bend in her waters. Her churches, whether grand cathedral or intimate chapel - her palazzi, her scuole - her ‘ca’ - are enveloped In a manner from the worldly set in auras of mystery where air apart,Venice is built upon the water makes way for both sense like a celestial, supernatural decree: and spirit. In Venice’s fluid and the King of Heaven was pleased realm amidst stone, the to found in her the safe, eternal nest of omnipresent aura of art, his faith,which elsewhere lay oppressed; and music, painting, poetry, for his own delight on this shore he placed all magic and intrigue, incarnate the most esteemed and vaunted sweetness... within us, as in no other city. ~ Veronica Franco, 1546-1595 Itinerary Highlights Include: • The Doge’s Palace - the titular home of the Doge, Dogaressa, Lady Venice and Renaissance unto Rapture: Cost: $4,000 the four Marco treasuries Based on double occupancy, single supplement at extra cost. -
Itinerary: Venice Past and Modern Googel Maps LINK : Https
Itinerary: Venice Past and Modern Googel Maps LINK : https://goo.gl/maps/wCXfm7jyrmuu9eR6A HOME INDEX 00. Start : 1279 Sotoportego Ca’ Pozzo 01. Ponte Guglie 02.Campo San Geremia 03.Lista di Spagna 04. Ponte degli Scalzi 05.Fondamenta San Simeon Piccolo 06.Fondamenta dei Tolentini 07.Campo dei Tolentini 08.Minotto Fondamenta 09.Salizzada San Pantalon 10.Campiello Mosche 11.Campo San Pantalon 12. Calle de la Chiesa 13.Campo Santa Margherita 14. Campo Carmini 15.Fondamenta del Soccorso 16.Fondamenta Briati Bridge 17.Fondamenta Briati 18.Fondamenta Barbarigo 19.Calle Riello 20. Tron Fondamenta 21. Fondamenta Lizza Fusina 22. Campo San Angelo Raffaele 23.Chiesa di San Sebastiano 24 Fondamenta San Basilio 25. Campo San Basegio 26.Fondamneta Zattera al Ponte Lungo 27. Fondamenta Zattere ai Gesuati 28.Fondamenta Zattere allo Spirito Santo 29. Fondamenta Zattere ai Saloni 30. Punta della Dogana 31. Fondamenta Dogana alla Salute 32.Calle Bastion 33. Calle San Cristoforo 34.Arrival: Peggy Guggenheim Collection _____________ Itinerary name: "Past and Modern Venice" Approximate distance:4.8 km Average walking time :90 minutes / 2, 00 hours _____________ Short description of the itinerary: What's this?... a cultural itinerary that will lead you through a mysterious Venice and out of the usual paths to discover a Venice that never ceases to amaze and an attentive and curious eye. This cultural itinerary consists of 34 points which correspond to points that can be viewed on the online linked google map with a zoom in / out function A list of the main squares or "campo" so called in Venetian (ie in Venice the name square is "campo") will help you to find your way passing through : Campo San Geremia, Campo Santa Margherita. -
Exquisite Suites
Exquisite Suites The St. Regis Venice Cultivating the Vanguard Index The St. Regis Venice 9 The Artist Residences 10 Presidential Suite 15 Monet Suites 27 The Garden Retreats 38 Penthouse Suite 43 Santa Maria Suite 53 Roof Garden Suites 63 Grand Canal Sanctuaries 72 Terrace Grand Canal Suites 77 Grand Canal View Suites 87 The Suite Lifestyle 96 St. Regis Suites 99 Masquerade Suite 105 Venetian Suites 111 Astor Suites 115 A Spirited Tradition 118 Tastefully Disruptive 121 An Immersive Journey 122 The St. Regis Venice The Italianate Garden 8 The St. Regis Venice Supremely located beside the Grand Canal opposite iconic landmarks Punta della Dogana and Santa Maria della Salute Basilica, The St. Regis Venice has stood in various guises in this privileged position for over a century and a half, welcoming a host of illustrious guests. Home to merchants, royalty, artists and explorers, the hotel is steeped in timeless legend and impeccable character, and has been defined by the city’s artistic and cultural legacy. Made up of a unique collection of five 18th and 19th century palazzi, The St. Regis Venice features 130 guestrooms and 39 suites, many of which boast private terraces or Juliet balconies for sweeping views of Venice’s iconic landmarks. A jewel in the city, the hotel’s spacious secluded garden sets the hotel apart, making it a lifestyle destination where guests and locals alike can enjoy remarkable views of the Grand Canal, and the disruptively delicious gastronomical experiences of Gio’s Restaurant, The St. Regis Bar, and Arts Bar. The SPA Suites at The St. -
Introducing Venice
INTRODUCING VENICE A fleet of gondoliers, among others, navigates the riches of the Grand Canal (p125) From the look of it, you'd think Venice spent all its time primping. Bask in the glory of Grand Canal pal- aces, but make no mistake: this city's a powerhouse. You may have heard that Venice is an engineering marvel, with marble cathedrals built atop ancient posts driven deep into the barene (mud banks) – but the truth is that this city is built on sheer nerve. Reasonable people might blanch at water approaching their doorsteps and flee at the first sign of acqua alta (high tide). But reason can’t compare to Venetian resolve. Instead of bailing out, Venetians have flooded the world with voluptuous Venetian-red paintings and wines, music, Marco Polo spice-route flavours, and bohemian-chic fashion. And they’re not done yet. VENICE LIFE With the world’s most artistic masterpieces per square kilometre, you’d think the city would take it easy, maybe rest on its laurels. But Venice refuses to retire from the inspiration business. In narrow calli (alleyways), you’ll glimpse artisans hammering out shoes crested like lagoon birds, cooks whipping up four-star dishes on single-burner hotplates, and musicians lugging 18th-century cellos to riveting baroque concerts played with punk-rock bravado. As you can see, all those 19th-century Romantics got it wrong. Venice is not destined for genteel decay. Billion- aire benefactors and cutting-edge biennales are filling up those ancient palazzi (palaces) with restored masterpieces and eyebrow-raising contemporary art and architecture, and back-alley galleries and artisan showrooms are springing up in their shadows. -
Museo Correr
Fondazione Musei Civici di Venezia — The neo-classical rooms and the Canova collection Museo Correr ENG The neo-classical rooms and the Canova collection The Correr Museum is laid out in various sections that offer a fascinating insight into the art and history of Venice. The first section occupies the Napoleonic Wing, a 19th century kings and emperors’ palace; here the sumptuous Neoclassical Rooms house a noteworthy collection of works by the great Antonio Canova Museo Correr sculptor (1757-1822). Venice, St. Mark’s Square LAYOUT AND COLLECTIONS BALLROOM This sumptuous and opulent ballroom is unique in the palace for the thoroughness and refinement of its Empire-style decor. Lorenzo Santi began work on the design in 1822, and Giuseppe Borsato completed the decoration in 1837/38. At either end, the room is bound by loggias intended to house the orchestra; above the gilded Corinthian capitals of these fluted columns in polished stucco are two small apses that make the upper area of the ballroom into an oval. The centre of the ceiling is frescoed with Peace surrounded by the Virtues and the Geni of Olympus. Painted by Odorico Politi, the work is a clear reference to the restoration of the Hapsburgs after the period of Napoleon. The door on the right at the end of the room leads to the beginning of the new itinerary of the Imperial rooms. — ROOM I - CANOVA COLLECTION Sala del Trono Lombardo–Veneto Canova, from the drawing to the model: Ballroom from an idea to the form in space Museo Correr The museum houses a large nucleus of autograph drawings from the collections of illustrious figures that knew Canova (Leopoldo Cicognara, Bartolomeo Gamba, Francesco Aglietti etc.). -
Private Palaces, Villas, and Gardens of Venice and the Veneto
Private Palaces, Villas, and Gardens of Venice and the Veneto Sponsored by Institute of Classical Architecture & Art ƒ Arranged by Pamela Huntington Darling, Exclusive Cultural Travel Programs Sunday, October 9 to Sunday, October 16, 2011 7 days and 7 nights Fascinating Venice and Veneto, priding a rich heritage of art, architecture, and décor, are ultimately unique. Beyond the usual tourist ventures, there is a secret Venice and Veneto, known to Venetians of nobility and the privileged few. As a participant of this exclusive program, you will have the opportunity to join an intimate group of discerning travelers and be invited by members of the esteemed cultural and social world of the Veneto and Venice to private visits, luncheons, cocktail receptions, and dinners in magnificent villas and palazzi of Venetian nobility, rarely opened to outside visitors, accompanied by a historian of the Venetian community. Following the 500th anniversary of the birth of the great Italian classical architect Andrea Palladio, we will enjoy seven days of private visits and receptions in the most important Palladian villas in the Veneto and in palazzi in Venice, with their proprietors, specially organized for you. We will observe the development of Venetian art, décor and architecture through its beginnings to the emergence of the Renaissance and the peak of Venetian heritage in the 16th and the 18th centuries. Countess Giuliana di Thiene, expert lecturer and member of Venetian nobility, will guide us throughout this unique cultural travel program to the Veneto region and to Venice. For the first three nights, we will stay in the picturesque, medieval town of Asolo, “city of a thousand landscapes”, set on gentle hills that inspired Titian and Giorgione, offering stunning views of the countryside.