Top 10 Historic Sites in Mount Dora
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Boca Raton and the Florida Land Boom of the 1920S
20 TEQUESTA Boca Raton and the Florida Land Boom of the 1920s by Donald W. Curl The Florida land boom of 1924-25 is commonly mentioned by historians of the twenties and of the South. Most of them see the boom as a phenomenon of the Miami area, though they usually mention in passing that no part of the state remained immune to the speculation fever. Certainly Miami's developments received major attention from the national press and compiled amazing financial statistics for sales and inflated prices. Still, similar activity took place throughout the state. Moreover, the real estate boom in Palm Beach County began as early as that in Miami, contained schemes that equaled that city's in their imagination and fantasy, and also captured national attention. Finally, one of these schemes, that of Addison Mizner's Boca Raton, probably served as the catalyst for exploiting the boom bubble. The Florida land boom resulted from a number of complex fac- tors. Obviously, the mild winter climate had drawn visitors to the state since the Civil War. Summer was said "to spend the winter in West Palm Beach." Now with the completion of the network of roads known as the Dixie Highway and the increasing use of the automobile, Florida became easily accessible to the cities of the northeast and midwest. For some, revolting against the growing urbanization of the north, Florida became "the last frontier." Others found romance in the state's long and colorful history and "fascination in her tropical vege- tation and scenery." Many were confident in the lasting nature of the Coolidge prosperity, and, hearing the success stories of the earliest Donald W. -
Harry-Potter-Clue-Rules.Pdf
AGES 9+ 3-5 Players shows the Dark Mark – take a Check this card off on your 5. Make an Accusation card from the Dark Deck and If all players run out of house • If you are in a room at the notepad – this proves the How to Play – read it out loud. points before the game is end of one turn, you must card is not in the envelope. When you’re sure you’ve solved At a Glance over, the Dark Forces have leave it on your next turn. Your turn is now over. the mystery, use your roll to get Each Dark card describes won and the missing student You may not re-enter the to Dumbledore’s office as fast as On each turn: an event likely to have been meets an unfortunate end! same room on that turn. • If the player to your left does you can. From here, you can make caused by Dark Forces and each not have any of the Mystery your accusation by naming the 1. Roll card shows: • You cannot pass through a cards you suggested, the player suspect, item and location you 3. Move closed door unless you have to their left must show a card think are correct. For example: 2. Check the Hogwarts die • What is happening an Alohomora Help card. if they have one. Keep going 3. Move (using the other dice Check the two normal dice. until a player shows you a “I accuse Dolores Umbridge with or a secret passage) • Who is affected You can either: card or until all players have the Sleeping Draught in the Great 4. -
6. the Tudors and Jacobethan England
6. The Tudors and Jacobethan England History Literature Click here for a Tudor timeline. The royal website includes a history of the Tudor Monarchs [and those prior and post this period]. Art This site will guide you to short articles on the Kings and Queens of the Tudor Music Dynasty. Another general guide to Tudor times can be found here. Architecture Click here for a fuller account of Elizabeth. One of the principle events of the reign of Elizabeth was the defeat of the Spanish Armada (here's the BBC Armada site). Elizabeth's famous (and short) speech before the battle can be found here. England's power grew mightily in this period, which is reflected in the lives and achievements of contemporary 'heroes' such as Sir Francis Drake, fearless fighter against the Spanish who circumnavigated the globe, and Sir Walter Raleigh (nowadays pronounced Rawley), one of those who established the first British colonies across the Atlantic (and who spelt his name in over 40 different ways...). Raleigh is generally 'credited' with the commercial introduction of tobacco into England .about 1778, and possibly of the potato. On a lighter note, information on Elizabethan costume is available here (including such items as farthingales and bumrolls). Literature Drama and the theatre The Elizabethan age is the golden age of English drama, for which the establishment of permanent theatres is not least responsible. As performances left the inn-yards and noble houses for permanent sites in London, the demand for drama increased enormously. While some of the smaller theatres were indoors, it is the purpose-built round/square/polygonal buildings such as The Theatre (the first, built in 1576), the Curtain (late 1570s?), the Rose (1587), the Swan (1595), the Fortune (1600) and of course the Globe (1599) that are most characteristic of the period. -
The Architectural Style of Bay Pines VAMC
The Architectural Style of Bay Pines VAMC Lauren Webb July 2011 The architectural style of the original buildings at Bay Pines VA Medical Center is most often described as “Mediterranean Revival,” “Neo-Baroque,” or—somewhat rarely—“Churrigueresque.” However, with the shortage of similar buildings in the surrounding area and the chronological distance between the facility’s 1933 construction and Baroque’s popularity in the 17th and 18th centuries, it is often wondered how such a style came to be chosen for Bay Pines. This paper is an attempt to first, briefly explain the Baroque and Churrigueresque styles in Spain and Spanish America, second, outline the renewal of Spanish-inspired architecture in North American during the early 20th century, and finally, indicate some of the characteristics in the original buildings which mark Bay Pines as a Spanish Baroque- inspired building. The Spanish Baroque and Churrigueresque The Baroque style can be succinctly defined as “a style of artistic expression prevalent especially in the 17th century that is marked by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements.” But the beauty of these contrasting elements can be traced over centuries, particularly for the Spanish Baroque, through the evolution of design and the input of various cultures living in and interacting with Spain over that time. Much of the ornamentation of the Spanish Baroque can be traced as far back as the twelfth century, when Moorish and Arabesque design dominated the architectural scene, often referred to as the Mudéjar style. During the time of relative peace between Muslims, Christians, and Jews in Spain— the Convivencia—these Arabic designs were incorporated into synagogues and cathedrals, along with mosques. -
Small Episodes, Big Detectives
Small Episodes, Big Detectives A genealogy of Detective Fiction and its Relation to Serialization MA Thesis Written by Bernardo Palau Cabrera Student Number: 11394145 Supervised by Toni Pape Ph.D. Second reader Mark Stewart Ph.D. MA in Media Studies - Television and Cross-Media Culture Graduate School of Humanities June 29th, 2018 Acknowledgments As I have learned from writing this research, every good detective has a sidekick that helps him throughout the investigation and plays an important role in the case solving process, sometimes without even knowing how important his or her contributions are for the final result. In my case, I had two sidekicks without whom this project would have never seen the light of day. Therefore, I would like to thank my thesis supervisor Toni Pape, whose feedback and kind advice was of great help. Thank you for helping me focus on the important and being challenging and supportive at the same time. I would also like to thank my wife, Daniela Salas, who has contributed with her useful insight, continuous encouragement and infinite patience, not only in the last months but in the whole master’s program. “Small Episodes, Big Detectives” 2 Contents Introduction ...................................................................................................................... 4 1. Literature Seriality in the Victorian era .................................................................... 8 1.1. The Pickwick revolution ................................................................................... 8 -
Private Dining [email protected]
LARGE GROUP DINING & CATERING Pat Leone, Director of Private Dining [email protected] Rails Steakhouse 10 Whitehall Road Towaco, NJ 07082 973.487.6633 cell / text 973.335.0006 restaurant 2 Updated 8/2/2021 PRIVATE DINI NG P L A N N I N G INFORMATION RAILS STEAKHOUSE IS LOCATED IN MORRIS COUNTY IN THE HEART ROOM ASSIGNMENTS OF MONTVILLE TOWNSHIP AND RANKS AMONG THE TOP ROOMS ARE RESERVED ACCORDING TO THE NUMBER OF PEOPLE STEAKHOUSES IN NEW JERSEY. RAILS IS KNOWN FOR USDA PRIME ANTICIPATED AT THE TIME OF THE BOOKING. ROOM FEES ARE AND CAB CORN-FED BEEF, DRY-AGED 28-30 DAYS ON PREMISE IN APPLICABLE IF GROUP ATTENDANCE DROPS BELOW THE ESTIMATED OUR DRY AGING STEAK ROOM, AND AN AWARD WINNING WINE ATTENDANCE AT THE TIME OF BOOKING. RAILS RESERVES THE LIST RECOGNIZED BY WINE SPECTATOR FIVE CONSECTUTIVE YEARS. RIGHT TO CHANGE ROOMS TO A MORE SUITABLE SIZE, WITH NOTIFICATION, IF ATTENDANCE DECREASES OR INCREASES. DINING AT RAILS THE INTERIOR DESIGN IS BREATHTAKING - SPRAWLING TIMBER, EVENT ARRANGEMENTS NATURAL STONE WALLS, GLASS ACCENTS, FIRE AND WATER TO ENSURE EVERY DETAIL IS HANDLED IN A PROFESSIONAL FEATURES. GUESTS ARE INVITED TO UNWIND IN LEATHER MANNER, RAILS REQUIRES THAT YOUR MENU SELECTIONS AND CAPTAIN'S CHAIRS AND COUCHES THAT ARE ARRANGED TO INSPIRE SPECIFIC NEEDS BE FINALIZED 3 WEEKS PRIOR TO YOUR FUNCTION. CONVERSATION IN ONE OF THREE LOUNGES. AT THAT POINT YOU WILL RECEIVE A COPY OF OUR BANQUET EVENT ORDER ON WHICH YOU MAY MAKE ADDITIONS AND STROLL ALONG THE CATWALK AND EXPLORE RAFTER'S LOUNGE DELETIONS AND RETURN TO US WITH YOUR CONFIRMING AND THE MOSAIC ROOM. -
Boca Raton, Florida 1 Boca Raton, Florida
Boca Raton, Florida 1 Boca Raton, Florida City of Boca Raton — City — Downtown Boca Raton skyline, seen northwest from the observation tower of the Gumbo Limbo Environmental Complex Seal Nickname(s): A City for All Seasons Location in Palm Beach County, Florida Coordinates: 26°22′7″N 80°6′0″W Country United States State Florida County Palm Beach Settled 1895 Boca Raton, Florida 2 Incorporated (town) May, 1925 Government - Type Commission-manager - Mayor Susan Whelchel (N) Area - Total 29.1 sq mi (75.4 km2) - Land 27.2 sq mi (70.4 km2) - Water 29.1 sq mi (5.0 km2) Elevation 13 ft (4 m) Population - Total 86396 ('06 estimate) - Density 2682.8/sq mi (1061.7/km2) Time zone EST (UTC-5) - Summer (DST) EDT (UTC-4) ZIP code(s) Area code(s) 561 [1] FIPS code 12-07300 [2] GNIS feature ID 0279123 [3] Website www.ci.boca-raton.fl.us Boca Raton (pronounced /ˈboʊkə rəˈtoʊn/) is a city in Palm Beach County, Florida, USA, incorporated in May 1925. In the 2000 census, the city had a total population of 74,764; the 2006 population recorded by the U.S. Census Bureau was 86,396.[4] However, the majority of the people under the postal address of Boca Raton, about 200,000[5] in total, are not actually within the City of Boca Raton's municipal boundaries. It is estimated that on any given day, there are roughly 350,000 people in the city itself.[6] In terms of both population and land area, Boca Raton is the largest city between West Palm Beach and Pompano Beach, Broward County. -
Locating Masculinities from the Gothic Novel to Henry James
Gero Bauer Houses, Secrets, and the Closet Lettre Gero Bauer is a research fellow at the Center for Gender and Diversity Research, University of Tübingen. His academic interests include gender and queer stu- dies, and European literary and cultural history. Gero Bauer Houses, Secrets, and the Closet Locating Masculinities from the Gothic Novel to Henry James An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3468-0. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative of the original work and for commercial use, further permission is required and can be obtained by contac- ting [email protected] © 2016 transcript Verlag, Bielefeld Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de Cover layout: Kordula Röckenhaus, Bielefeld Cover -
DRAFT Staff Report
COMMISSION FOR HISTORICAL & ARCHITECTURAL PRESERVATION Brandon M. Scott Tom Liebel, Chairman Chris Ryer Mayor Director STAFF REPORT February 9, 2021 REQUEST: Construct rear/rooftop addition with front deck/balcony ADDRESS: 223 E. Churchill Street (Federal Hill Historic District) APPLICANT: Jim Shetler, AIA, Trace Architects OWNER: Andrew Germek STAFF: Walter W. Gallas, AICP RECOMMENDATION: Approval with final details to be reviewed and approved by CHAP staff SITE/HISTORIC DISTRICT General Area: The property is located in the Federal Hill Historic District on the south side of E. Churchill Street in a block bounded by William Street on the west, Warren Avenue on the south, and Battery Street on the east. (Images 1-2). Comprising about 24 city blocks with street names retained from its original colonial settlement, Federal Hill is located just south of the Inner Harbor. At its northeast corner, Federal Hill Park rises steeply from Key Highway overlooking the downtown skyline. The neighborhood retains intact streets of largely residential properties reflecting the eras in which they were built and the economic status of their early residents. Site Conditions: The existing property is a narrow two-bay two-story masonry house with a shallow side-gabled roof. The three windows at the façade are 6/6. The first floor window and the front door with transom have jack arches. Along the east side of the house is a narrow walkway accessing the rear, and which has an easement enabling access to the rear yards of houses on Warren Avenue (Images 3-5). The house appears on the 1890 Sanborn map, looking like the smallest house on the block, with two stories and a one-story rear addition (Image 6). -
Notes for an Unwritten Biography of William Trevor
Colby Quarterly Volume 38 Issue 3 September Article 4 September 2002 "Bleak Splendour": Notes for an Unwritten Biography of William Trevor Denis Sampson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.3, September 2002, p. 280-294 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Sampson: "Bleak Splendour": Notes for an Unwritten Biography of William Tr "Bleak Splendour": Notes for an Unwritten Biography of William Trevor By DENIS SAMPSON IILITERARY BIOGRAPHERS," William Trevor has ren1arked, "often make the mistake of choosing the wrong subjects. A novelist-or any artist admired for what he produces, may not necessarily have lived anything but the most mundane of lives" (Excursions 176). His remark is a warning to any prospective biographer of Trevor himself, his way of implying that his own life has no worthwhile story. Yet the warning has its own paradoxical interest, for surely it is Trevor's particular gift to make literature out of the mundane. His refusal to dramatize the artistic self, to adopt heroic or romantic postures, somehow allows him to absorb and honor his mundane material, to find a tone that mirrors the inner lives of his unheroic characters. The consistency of that tone is his major accomplishment, according to John Banville: "his inimitable, calmly ambiguous voice can mingle in a single sentence pathos and humor, outrage and irony, mockery and love.... He is almost unique among n10dem novelists in that his own voice is never allowed to intrude into his fiction" (Paulson 166-67). -
Walkthrough 2018 Version: Gog 1.0B Hotfix1
Walkthrough 2018 Version: GoG 1.0b_hotfix1 Party creation and Game Mechanics The party may contain up to six characters. I played with four, and don’t see the need for any more than that. Fewer characters get more XPs for each fight, and learn skills quicker. My party had no problems during the game. (I also had some dummy characters, used for storing excess items which I couldn’t or didn’t want to sell or drop. These were moved from town to town as needed.) The way the game is constructed it’s an advantage, actually a necessity, to change classes frequently. Most traits are taught by the different guilds, and some traits only taught to high-guild-level members, hence ideally all characters should be member of all guilds and do all quests to advance as far as possible. Note that even though a skill once learned can be advanced irrespectively of current class, this does not apply to magic skills. If you change to a class that cannot learn a spell book, spells from that book will be very costly to learn, as you need twice the normal skill level to learn spells. (E.g. a Paladin former priest will need a skill level of eight to learn level four Vine spells). An exception is the Warlock class which can learn any spells from known spell books at actual cost. The general advice here is to learn all the spells you need from one class, then change class, as acquiring new skills and spells at level up takes much longer once past about level 13 or 14 or thereabouts. -
Location, Location, Location by Pam Horack Page 15
Nancy Drew: Location, Location, Location by Pam Horack Page 15 Nancy’s World (to me) In real estate, the mantra is “Location, Location, Location”. As in a story, the right setting can be an effective plot device and can be used to evoke specific feelings. The Nancy Drew books often used a location to create the backdrop for the mysterious and adventurous. As a child, I was able to use my grandparents’ home as a true reference for many of the Nancy Drew settings, thus bringing the stories to life and turning me into Nancy Drew Green’s Folly, located in Halifax County, Virginia, was home to my maternal grandparents. As my mother was raised there, our family visited frequently. The estate has served many functions through the years: county courthouse, a racetrack, a farm, and currently an 18-hole golf course, which was originally developed by my grandfather, John G. Patterson, Jr. As a child with a vivid imagination, my senses were aroused by mysterious features of the old home. This was the world of my childhood and it made a natural location for many of my adventures with Nancy Drew. As many of the Nancy Drew stories involved large old estates, my mind easily substituted the real world for the fictitious. There seemed to be too many coincidences and similarities for it to be otherwise. I found my imagination using Green’s Folly as the backdrop for the following stories: 1. The Hidden Staircase 2. The Mystery at Lilac Inn 3. The Sign of the Twisted Candles 4.