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Kohl's Launches Lauren Conrad Beauty, Bringing New Clean Beauty
Kohl’s Launches Lauren Conrad Beauty, Bringing New Clean Beauty Offerings to Customers Nationwide ● Lauren Conrad Beauty launches in select Kohl’s stores and online at Kohls.com on October 9, 2020 ● The new skincare and cosmetics line features certified-clean, vegan and cruelty-free products designed to bring out every individual’s natural beauty ● The launch of Lauren Conrad Beauty at Kohl’s further demonstrates the company’s plans to actively grow its beauty business MENOMONEE FALLS, Wis., September 29, 2020 – Kohl’s (NYSE: KSS) and long-time partner, Lauren Conrad, announced today that Lauren Conrad Beauty, a new line of clean skincare and cosmetics, will be available in select Kohl’s stores and on Kohls.com beginning October 9, 2020. Inclusive of skincare, bath and body, color cosmetics, and accessories, Lauren Conrad Beauty offers quality, natural beauty products to millions of Kohl’s customers nationwide. “Beauty is something I’ve always had a passion for and this launch was especially exciting for me as it’s my first beauty collection, born from my desire for clean beauty products with recyclable packaging that make you look great and feel confident,” said Lauren Conrad. “After working with a team of experts to produce a clean, vegan, and ethically sourced line, I’m so proud to share that Lauren Conrad Beauty will now be offered at Kohl’s, to make this beauty line even more accessible and to empower more women to embrace their own beauty.” “We believe that beauty is a strategic area of growth for Kohl’s, and we see a tremendous opportunity ahead, as consumers are investing in clean ingredients and beautiful products that bring a seamless sense of joy and self-expression to their new routines,” said Doug Howe, Kohl’s chief merchandising officer. -
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This price-per-ounce guide to high-end eye products was compiled and provided by Temptalia.com. We took popular brands and products along with current pricing (as of Fall 2012) and quantity in ounces to come up with price-per-ounce (PPO). This makes it easier to compare pricing across brands. For example, if you expect to finish a product and/or re-purchase, PPO can be important. If you rarely finish any products and find yourself using a product only a few times before moving on, then the actual price (regardless of how much product you’re getting) will be more important. Product quantities were taken from our product reviews as well as retailer websites. All quantities were rounded to the nearest thousandth (e.g. a product that contains 0.00945 will show as 0.009 oz. but the PPO is calculated using the actual quantity). Many eyeliners range between 0.001 and 0.048, so we felt it important to show the distinction and round further out in this category. www.temptalia.com Brows Brand Formula Price Ounce PPO MAC Brow Set $ 16.00 0.280 $ 57.14 MAC Penultimate $ 18.50 0.030 $ 616.67 Chantecaille Brow Definer $ 22.00 0.050 $ 440.00 Giorgio Armani Defining Pencil $ 29.00 0.040 $ 725.00 Le Metier de Beaute Brow Bound $ 36.00 0.040 $ 900.00 Chanel Crayon Sourcils $ 29.00 0.030 $ 966.67 MAC Eye Brows $ 15.00 0.003 $ 5,000.00 Eyeliner - Gel Brand Formula Price Ounce PPO Sephora Waterproof Smoky Cream Liner $ 12.00 0.150 $ 80.00 Clinique Brush-On Cream Liner $ 15.00 0.170 $ 88.24 Stila Smudge Pots $ 20.00 0.140 $ 142.86 MAC Fluidline $ 15.00 0.100 -
Amritavabodhini
AmritaMonthlyvabodhini Newsletter of Amrita School of Ayurveda November 2019 Volume 1 Issue 1 AMMA’S MESSAGE Satguru Sri Mata Amritanandamayi Devi Religion is the secret of life. It teaches us to love, to serve, to forgive, and to be compassionate. Advaita (non-duality) is a purely subjective experience. But in daily life it may be expressed as love and compassion. —Amma Br. Dr. Sankara Chaitanya Director’s Medical Director & Principal Message Amrita School of Ayurveda, Amritapuri Aum Namah Shivaya! According to Indian culture the four Varnas and Ashramas are very important. The four Ashramas are 1. Brahmacharya 2. Grahasthasrama. 3. Vanaprastha 4. Sanyasa. Accoring to the persons age one has to perform the duties prescribed for that Ashrama. Eg. In childhood you are allowed to play. In old age you are expected to perform Tapas and isolate yourself to realise the self or god. Koumara Bhritya is one of the eight branches of Ayurveda which deals with the care and management of the diseases of the children. It also describes about the ways of bringing up the children and infants in accordance with the Vedas. Kashyapa Samhita or Vriddha Jeevaka Tantra is one of the earliest texts on this branch. The text also describes all the rituals and rites to be followed from the birth. Several contexts in Koumarabhritya has Vedic references like the Rakshoghna Karma etc. It also includes many Samskaras or initiations which empower and initiate the child to spirituality. Kashyapa Samhita is regarded as the main text on Koumarabhritya, but it is not completly available. We have to depend upon the spiritual and cultural texts to have a complete knowledge on how to grow a child correctly. -
All-Star Competition Make-Up *Each All-Star Team Has a Specific Lipstick Color This Year
All-Star Competition Make-up *Each All-Star team has a specific lipstick color this year. As for all the other make-up, you must follow the color directions, but you may buy which ever brand you want. Tiny Team and Mini Teams Eye shadow- Smoky eye in PURPLE tones. SHIMMER looks best. You are looking for 3 shades. 1. White 2. Light Purple 3. Dark Purple You DO NOT need to get a compact of all 3; you can get separates. A Good opaque white is important. Examples: L’Oreal #270 Unforgettable Lilac, Maybelline Eye Studio #30 Purple Icon Blush- a berry color Examples: Cover Girl #185 True Plum Maybelline FitMe! in Deep Rose Eyeliner- BLACK ** You have a few choices. Either a black liquid, or a black automatic pencil with smugger- a regular pencil is not an option; there is a huge difference in the effect. See below for suggestions Rimmel- Exaggerate #261 Noir CoverGirl- Perfect Point Plus #200 Black Onyx Maybelline- Defining liner #201 Ebony Black L’Oreal- Infallible Never Fail #591 Black or #799 Liquid Pencil Maybelline- Eye Studio “Lasting Drama” eye gel (**Favorite!) Foundation- one shade darker than your skin Powder-Loose powder works better, but pressed will be fine Mascara- Black Highlighting Pencil- this is a white eyeliner pencil (Rimmel #071 Pure White, Wet n Wild White pencil) Bronzer- You may need this depending on your skin type (fair skin) Application tools- like sponges, Q-tips, etc. Lipstick- Wishing Stars: L’Oreal #251 Wisteria Rose Rising Stars: L’Oreal #251 Wisteria Rose Shooting Stars: L’Oreal #251 Wisteria Rose You can find this lipstick at most stores. -
Leaded Eye Cosmetics: a Cultural Cause of Elevated Lead Levels in Children Ron V
Leaded Eye Cosmetics: A Cultural Cause of Elevated Lead Levels in Children Ron V. Sprinkle, MD Davis, California Background. Preventing lead exposure is of paramount /xmol/L) for Pakistani/Indian children not using eye importance because lead is significantly toxic at subclini- cosmetics and 12.9 /xg/dL (0.62 /xrnol/L) (P=.03)for cal levels, and treating patients with elevated blood lead those using the products. Chemical evaluation of some levels is difficult. Children were evaluated for lead expo of the eye cosmetics used by these children revealed sure in California through a state-mandated lead screen high lead content. ing program that was begun in November 1991. Im ported eye cosmetics were identified as a suspected Conclusions. Use of eye cosmetics imported from Pa source of lead exposure for Pakistani and Indian chil kistan was found to be strongly correlated with ele dren who used these products. vated blood lead levels. Although importation of leaded eye cosmetics is prohibited by law, legislation Methods. A retrospective chart review of children at a has not been effective in protecting children from this county hospital clinic was undertaken for the period be source of lead exposure. Education regarding low- ginning October 1991 and ending February 1994. Lead level lead toxicity and avoidance of substances con exposure questionnaires were filled out at clinic visits, taining lead is needed, particularly for targeted sub and telephone interviews were conducted with parents populations. or guardians of children from ethnic groups who use eye cosmetics. Key words. Lead; environmental exposure; lead poison Results. Lead level results were available for 175 chil ing; surma, kohl; cosmetics(eye); child welfare. -
Pooja Items List for Individual Poojas at Home Or Temple Gruhapravesam
Pooja Items List for Individual Poojas at Home or Temple Gruhapravesam and Vastu Pooja Turmeric, Chandanam and Kumkuma - Packet each Agarbatti , Karpuram / Camphor - Packet each White Pumpkin Whole Rice - 2 lb 1 Blouse piece Towel - 1 Navadhanyam - 1 Packet Quarter Coins - 40 Beetle Leaves - 20 Beetle Nuts - 20 Fruits - 12 bananas, 5 variety of fruits Flowers - 2 bunches Coconut -6 Dry Dates - 25 Lemons - 4 Hammer - 1 New Vessel for boiling milk Aluminium Trays - 4 Picture or Idol of a cow God Pictures - your choice Lamps - 2 with wicks Matchbox or lighter Oil or Ghee for lamp knife - 1 scissors - 1 God photo - 1 Mango leaves garland - 1 Flower garland – 1 Homam Dry coconuts - 6 Ghee - 1 lb Cashews - 1 pack Elatchi - 1 pack Silk Blouse piece - 1 Big Aluminium trays - 5 Paper bowls - 5 Navadhanyam - 1 packet Satyanarayana Swamy Pooja at Home: Flowers - 3 bunches fruits - 3 varieties Betel leaves - 20 Coconuts - 8 1 Blouse piece and one Towel Milk – 1 Gallon (Organic) Rava Prasadam Ghee Cashews Sugar Yogurt Honey Turmeric and Kumkuma- Packet each Chandanam / sandal wood powder - 1 packet camphor - 1 packet Rice – 2 lb Agarbatti / incense sticks - 1 packet Navadhanyam - 1 packet Beetle Nuts - 20 Dry Dates - 20 Other items: Satyanarayana swamy photo small table - 1 steel bowls - 2 Hammer - 1 (to break coconuts) Harathi / Aarati plate - 1 Lamps - 2 oil matchbox cotton wicks kalasam - 1 panchapara (glass) and uddarini ( spoon) - 1 each small trays - 2 big trays - 2 small cups - 5 spoons napkins Satyanarayana Swamy Pooja at Temple: Flowers - -
Cosmetics in Roman Antiquity: Substance, Remedy, Poison Author(S): KELLY OLSON Source: the Classical World, Vol
Cosmetics in Roman Antiquity: Substance, Remedy, Poison Author(s): KELLY OLSON Source: The Classical World, Vol. 102, No. 3 (SPRING 2009), pp. 291-310 Published by: The Johns Hopkins University Press on behalf of the Classical Association of the Atlantic States Stable URL: http://www.jstor.org/stable/40599851 Accessed: 28-06-2016 17:54 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/40599851?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press, Classical Association of the Atlantic States are collaborating with JSTOR to digitize, preserve and extend access to The Classical World This content downloaded from 141.211.4.224 on Tue, 28 Jun 2016 17:54:40 UTC All use subject to http://about.jstor.org/terms Cosmetics in Roman Antiquity: Substance, Remedy, Poison ABSTRACT: Mention of ancient makeup, allusions to its associations, and its connection to female beauty are scattered throughout Latin literature. It may seem a minor, even unimportant concern, but nonetheless one from which we may recover aspects of women s historical experience and knowledge of women as cultural actors. -
1918, 09/09/2019 P`Kasana : Baart Sarkar Vyaapar Icanh Rijast/I Esa
Trade Marks Journal No: 1918, 09/09/2019 Reg. No. TECH/47-714/MBI/2000 Registered as News Paper p`kaSana : Baart sarkar vyaapar icanh rijasT/I esa.ema.raoD eMTa^p ihla ko pasa paosT Aa^ifsa ko pasa vaDalaa mauMba[- 400037 durBaaYa : 022 24101144 ,24101177 ,24148251 ,24112211. Published by: The Government of India, Office of The Trade Marks Registry, Baudhik Sampada Bhavan (I.P. Bhavan) Near Antop Hill, Head Post Office, S.M. Road, Mumbai-400037. Tel: 022 24101144, 24101177, 24148251, 24112211. 1 Trade Marks Journal No: 1918, 09/09/2019 Anauk/maiNaka INDEX AiQakairk saucanaaeM Official Notes vyaapar icanh rijasT/IkrNa kayaa-laya ka AiQakar xao~ Jurisdiction of Offices of the Trade Marks Registry sauiBannata ko baaro maoM rijaYT/ar kao p`arMiBak salaah AaoOr Kaoja ko ilayao inavaodna Preliminary advice by Registrar as to distinctiveness and request for search saMbaw icanh Associated Marks ivaraoQa Opposition ivaiQak p`maaNa p`~ iT.ema.46 pr AnauraoQa Legal Certificate/ Request on Form TM-46 k^apIra[T p`maaNa p`~ Copyright Certificate t%kala kaya- Operation Tatkal saava-jainak saucanaaeM Public Notices iva&aipt Aavaodna Applications advertised class-wise: 2 Trade Marks Journal No: 1918, 09/09/2019 vaga- / Class - 1 11-135 vaga- / Class - 2 136-186 vaga- / Class - 3 187-579 vaga- / Class - 4 580-637 vaga- / Class - 5 638-1872 vaga- / Class - 6 1873-1984 vaga- / Class - 7 1985-2201 vaga- / Class - 8 2202-2242 vaga- / Class - 9 2243-2780 vaga- / Class - 10 2781-2868 vaga- / Class - 11 2869-3093 vaga- / Class - 12 3094-3210 vaga- / Class - 13 -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
Venkateswara Abhishekam
Venkateswara Abhishekam: Milk - 3 gallons Ghee Sugar Juice Turmeric Chandanam Rose Water - 2 Fruits & Flowers Betel leaves - 12 Betel nuts Saffron Pacha Karpuram 3 Flower Garlands 2 Pattu Sarees & 2 applicable pattu sarees to Venkateswara Swamy Panchamrutam (making with fruits, Honey and ghee) Agarbatti Karpuram - Camphor Venkateswara Kalyanam: Milk - 1 Gallon Zeelakarra & bellam (not necessary) 3 flower garlands 2 Pattu Sarees & applicable pattu saree to Venkateswara Swamy Dry coconuts – 4 Dry Dates Betel leaves – 12 Betel nuts Mango leaves Agarbatti Karpuram - Camphor Sai Baba Abhishekam: Milk - 2 gallons Panchaamrutam – small quantity (with milk, yogurt, ghee, honey & sugar) Rose water Vastram Fruits & Flowers Agarbatti Karpuram – Camphor Vibhoothi Hanuman Chalisa: Milk - 2 gallons Ghee Sugar Juice Chandanam Rose Water Fruits & Flowers Betel leaves & Betels leaves mala Panakam Vastram Shiva Abhishekam: Milk - 2 gallons Ghee Sugar Juice Turmeric Chandanam Rose Water Fruits & Flowers Dhothi - 1 pair Uttariyam 2 Flower Garlands Panchamrutam Vibhhothi Satyanarayana Swami Pooja: Panchamrutam (with milk, yogurt, ghee, honey & sugar) Milk – 1 Gallon Dry ravva prasadam Betel leaves - 25 Coconuts - 7 1 Blouse piece 1 flower garland loose flowers Sudarshana Homam: Milk - 2 gallons Ghee Honey Sugar Juice Turmeric Chandanam Rose Water Fruits & Flowers Panakam Uttariyam - pattu vastram Ghee - 4 cups Elaichi Cashews Saffron Dry Coconuts – 6 Dry dates Small wood chips Car pooja: Lemons - 4 Fruits & Flowers Coconut – 1 Sri Venkateswara or Lakshmi Sahashranama -
6 Ways to Get the Perfect Eyeliner Look for Your Eye Shape in 1 Handy Chart February 10, 2016
6 Ways to Get the Perfect Eyeliner Look for Your Eye Shape in 1 Handy Chart February 10, 2016 When it comes to eyeliner, there isn’t a shape that is going to make you look bad, but certain tricks accentuate them and can even bring symmetry to asymmetrical eyes. Rita Ora’s makeup artist Kathy Jeung created six looks for six different eye shapes which you can enjoy below in one handy chart! Asymmetrical Eyes: If one is slightly larger than the other, you’ll want to use a liner technique that will help you correct and equal out both your eyes. Jeung suggests using a black kohl liner, like Rimmel London ScandalEyes Waterproof Kohl Kajal Eye Liner in "Black," along the lashline, from the inner corner to the outer corner, increasing the width at the outer corner on the slightly uneven eye only to make it appear wider and even. Close-Set Eyes: The key to this eye shape is creating the illusion that your eyes are wider apart than they are. First, use concealer on the inner corners to lighten and open up the eye area. Try NudeStix Concealer Pencil. Then, on the outer third part of your eye, create a "V" shape using a black liner, and then trace the shape with a jumbo liquid liner to make a thick wing, such as Rimmel London ScandalEyes Jumbo Liquid Eye Liner in "Black." 1 Monolids: Extend the product up the upper lid so the fold on the lower lid doesn’t hide your liner. Jeung recommends using a waterproof black pencil, like Urban Decay 24/7 Glide-On Eye Pencil, along the lashline from inner to outer corner and stopping where the eye ends. -
Toxic Elements in Traditional Kohl-Based Eye Cosmetics in Spanish and German Markets
International Journal of Environmental Research and Public Health Article Toxic Elements in Traditional Kohl-Based Eye Cosmetics in Spanish and German Markets Elisabet Navarro-Tapia 1,2,3,† , Mariona Serra-Delgado 3,4,†, Lucía Fernández-López 5, Montserrat Meseguer-Gilabert 5, María Falcón 5, Giorgia Sebastiani 1,6, Sebastian Sailer 1,6, Oscar Garcia-Algar 1,3,6,‡ and Vicente Andreu-Fernández 1,2,*,‡ 1 Grup de Recerca Infancia i Entorn (GRIE), Institut d’Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS), 08036 Barcelona, Spain; [email protected] (E.N.-T.); [email protected] (G.S.); [email protected] (S.S.); [email protected] (O.G.-A.) 2 Department of Health, Valencian International University (VIU), 46002 Valencia, Spain 3 Maternal & Child Health and Development Research Network-Red SAMID Health Research, Programa RETICS, Health Research Institute Carlos III, 28029 Madrid, Spain; [email protected] 4 Institut de Recerca Sant Joan de Déu, 08950 Esplugues de Llobregat, Spain 5 Departamento de Ciencias Sociosanitarias, Medicina Legal y Forense, Universidad de Murcia, 30003 Murcia, Spain; [email protected] (L.F.-L.); [email protected] (M.M.-G.); [email protected] (M.F.) 6 Department of Neonatology, Hospital Clínic-Maternitat, ICGON, Institut d’Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS), Barcelona Center for Maternal-Fetal and Neonatal Medicine (BCNatal), 08036 Barcelona, Spain * Correspondence: [email protected] † These authors share co-first authorship. ‡ These authors share last authorship. Citation: Navarro-Tapia, E.; Serra-Delgado, M.; Fernández-López, Abstract: Kohl is a traditional cosmetic widely used in Asia and Africa. In recent years, demand L.; Meseguer-Gilabert, M.; Falcón, M.; for kohl-based eyelids and lipsticks has increased in Europe, linked to migratory phenomena of Sebastiani, G.; Sailer, S.; Garcia-Algar, populations from these continents.