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Research and Analysis Essay
Research and Analysis Essay OBJECTIVES The purpose of this essay is for you to: a) broaden your knowledge of 1970s American cinema and society and b) hone skills of writing and critical analysis. GUIDELINES You will choose one of the general topics provided below and carve out of it your own specific analysis. Try to be specific and focused. Construct a thesis in your introduction that outlines what you will argue and focus on; then, continually reinforce, point back to, and illustrate this thesis in the body; and wrap up your paper and thesis in the conclusion. Regardless of which topic you choose, this essay requires you to combine the following: A) research, whereby you will locate and cite scholarly writings that strengthen your study; and B) analysis, in which you will make sense of and think critically about the subject matter. Be sure, as well – again, regardless of topic – to examine in some way the relationship between American cinema and society in the 1970s. TOPICS Choose one of these below. Be careful not to tackle the entire topic, which would not be advisable in such a short paper. Instead find a topic below that interests you and go about finding a particular area within it that will permit you to accomplish the objectives and follow the guidelines. 1. New genres — Pick one of the new genres that came out of the 1970s. Consider why this genre and movie (could be as many as two movies) emerge during the 1970s. How does it generically address issues particularly relevant to 1970s America? And, in turn, how does the film generically determine its aesthetics, themes, and/or ideology? How is the film representative of that genre and of the decade? The films below are mere suggestions; you may find others. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Knife World Books
SPRING 2019, Issue 55 ® JOURNAL OF THE AMERICAN BLADESMITH SOCIETY, INC. Officers Board of Directors In This Issue Editor’s Note Harvey Dean (04) Robert Calvert (07) 4 Chairman 911 Julia Street 5 ABS Calendar 3266 CR 232 Rayville, LA 71269 5 School Calendars Rockdale,TX 76567-4302 318-348-4490 6 Chairman’s Corner 512-446-3111, [email protected] 8 Annual Meeting Schedule [email protected] 9 Auction Knife Descriptions Kevin R. Cashen (11) 10 Mid America Symposium Info Steve Dunn (03) 5615 Tyler Street 11 New England Symposium Flyer Vice Chairman Hubbardston, Michigan 48845-9708 376 Bigger Staff Road 989-981-6780 13 Art of Steel Show Awards Smiths Grove, KY 42171 [email protected] 18 Great Smoky Mountain Hammer-in 270-563-9830, 21 Alabama Forge Council [email protected] Mark Zalesky (11) 26 AD Index 4152 Forest Glen Drive Billy Ray Hughes (76) Knoxville, TN 37919 Carolyn Hughes, Editor Secretary & Founder 865-540-4189 305 Phillips Circle [email protected] American Bladesmith is published 3 times a year Wake Village, TX 75501 by the American Bladesmith Society, PO Box 903-838-0134, James Rodebaugh (15) 160, Grand Rapids, OH 43522 and is printed [email protected] P.O. Box 404 by NeTex Printing, 3101 New Boston Rd., Carpenter, WY 82054 Texarkana, TX 75501. The publishers and staff of Bill Wiggins (09) 307-649-2394 American Bladesmith are not responsible for any Treasurer [email protected] mishaps which might occur from use of published 105 Kaolin Lane information. No part of the publication may be Canton, NC 28716 Robert Wilson (18) reproduced without written permission from the 828-226-2551 3659 Battle Road editor. -
Knives 2019 Amoureux—Armour
custom knifemakers ABEGG—AMOS Uses stainless, salvage wrought iron, brass and copper for fi ttings. Handle materials A include stabilized and natural domestic and exotic fi gured woods, durable synthetics, ABEGG, ARNIE stacked leather. Makes own sheaths. Prices: $300 and up. Remarks: Part-time maker. 5992 Kenwick Cr, Huntington Beach, CA 92648, Phone: 714-848-5697 First knife sold in 2013. Doing business as Aldrich Knife & Tool. Emphasis put on clean ABERNATHY, LANCE lines, fi t and fi nish and performance. Mark: An arched ALDRICH. Sniper Bladeworks, 1924 Linn Ave., North Kansas City, MO 64116, Phone: 816-585- ALEXANDER, EUGENE 1595, [email protected]; Web: www.sniperbladeworks.com Box 540, Ganado, TX 77962-0540, Phone: 512-771-3727 Specialties: Tactical frame-lock and locking-liner folding knives. Alexander,, Oleg, and Cossack Blades ACCAWI, FUAD 15460 Stapleton Way, Wellington, FL 33414, Phone: 443-676-6111, Web: www. 130 Timbercrest Dr., Oak Ridge, TN 37830, Phone: 865-414-4836, gaccawi@ cossackblades.com comcast.net; Web: www.acremetalworks.com Technical: All knives are made from hand-forged Damascus (3-4 types of steel are used to Specialties: I create one of a kind pieces from small working knives to performance create the Damascus) and have a HRC of 60-62. Handle materials are all natural, including blades and swords. Patterns: Styles include, and not limited to hunters, Bowies, daggers, various types of wood, horn, bone and leather. Embellishments include the use of precious swords, folders and camp knives. Technical: I forge primarily 5160, produces own metals and stones, including gold, silver, diamonds, rubies, sapphires and other unique Damascus and does own heat treating. -
Allen Rostron, the Law and Order Theme in Political and Popular Culture
OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills. -
News-LEADER Arkansas’S Heritage While Leading Through the 21St Century Wednesday, Jan
THE NASHVILLE HH HH Preserving SouthwestNews-LEADER Arkansas’s Heritage While Leading Through the 21st Century Wednesday, Jan. 22, 2020 u Vol. 17, Issue 30 u 14 pages, 2 sections u 75¢ Poultry leader, Leader former senator Board dies at age 91 www.swarkansasnews.com By John R. Schirmer News-Leader staff OPINION 4A Neely Cassady of Nashville, Looking back a former state senator and pio- neer in the at a wet but Southwest historic day at Arkansas poultry Washington. industry, died Sat- urday, Jan. Applications 18, in Tex- arkana. He for utility help was 91. Funeral to be taken services The Central Arkansas were held Development Coun- Monday, cil has begun taking Jan. 20, at Neely Cassady applications for utility Immanuel assistance. Baptist Church of Nashville, Pike County -- 120 where Cassady served as a dea- E. Court, Murfreesboro; con, trustee, Sunday School Wednesday, Thursday, superintendent and teacher. (See Friday, 8-noon. obituary, page 2A.) Hempstead County Cassady was elected to the -- 200 S. Elm, Hope; News-Leader photo/LOUIE GRAVES Arkansas Senate in 1982. He ran Wednesday, 8:30 a.m.- AT BLADESMITH SCHOOL DEDICATION. Master bladesmith Jerry Fisk (right) of Nashville wore unopposed for re-election three noon. his trademark black cowboy hat and assisted Gov. Asa Hutchinson in the unveiling of the blade Fisk terms and served for 14 years. He The program will made for the occasion. was an advocate for agriculture operate as long as funds issues throughout his tenure in are available. For more the Senate. information call Todd An- Governor dedicates bladesmithing school Cassady’s role in the state’s derson, 501-315-1121. -
1-Abdul Haseeb Ansari
Journal of Criminal Justice and Law Review : Vol. 1 • No. 1 • June 2009 IDENTIFYING LARGE REPLICABLE FILM POPULATIONS IN SOCIAL SCIENCE FILM RESEARCH: A UNIFIED FILM POPULATION IDENTIFICATION METHODOLOGY FRANKLIN T. WILSON Indiana State University ABSTRACT: Historically, a dominant proportion of academic studies of social science issues in theatrically released films have focused on issues surrounding crime and the criminal justice system. Additionally, a dominant proportion has utilized non-probability sampling methods in identifying the films to be analyzed. Arguably one of the primary reasons film studies of social science issues have used non-probability samples may be that no one has established definitive operational definitions of populations of films, let alone develop datasets from which researchers can draw. In this article a new methodology for establishing film populations for both qualitative and quantitative research–the Unified Film Population Identification Methodology–is both described and demonstrated. This methodology was created and is presented here in hopes of expand the types of film studies utilized in the examination of social science issues to those communication theories that require the examination of large blocks of media. Further, it is anticipated that this methodology will help unify film studies of social science issues in the future and, as a result, increase the reliability, validity, and replicability of the said studies. Keywords: UFPIM, Film, Core Cop, Methodology, probability. Mass media research conducted in the academic realm has generally been theoretical in nature, utilizing public data, with research agendas emanating from the academic researchers themselves. Academic studies cover a gambit of areas including, but not limited to, antisocial and prosocial effects of specific media content, uses and gratifications, agenda setting by the media, and the cultivation of perceptions of social reality (Wimmer & Dominick, 2003). -
News-LEADER Arkansas’S Heritage While Leading Through the 21St Century Wednesday, Jan
THE NASHVILLE HH HH Preserving SouthwestNews-LEADER Arkansas’s Heritage While Leading Through the 21st Century Wednesday, Jan. 15, 2020 u Vol. 17, Issue 29 u 14 pages, 2 sections u 75¢ Leader Governor to dedicate Board ‘Arkansas #1’ Friday www.swarkansasnews.com at Historic Washington OPINION 4A Knife designed by local bladesmith Prince may be HISTORIC WASHINGTON - statehood. The twelve-inch blade competitor for Gov. Asa Hutchinson will be the also contains steel from the hand- post of local guest speaker at the grand open- rail of the Statue of Liberty to ing of the James Black School of represent the liberty and freedom j-turn officer. Bladesmithing and Historic Trades Arkansans enjoy as American citi- Friday, Jan. 17, at 2:30 p.m. at His- zens. Twenty-five arrow points are toric Washington State Park. in the running wheat pattern start- Hempstead The school is located in the ing from the center of the back of Stephens House at 601 Lawrence the handle to the guard. The points County sets St. in Washington. It is part of the signify Arkansas being designated University of Arkansas Hope- as the 25th state to join the union, info meetings Texarkana. and each point also represents a Hutchinson will formally dedi- star on the flag of Arkansas. on sales tax cate the “Arkansas #1” Bowie The handle of Arkansas #1 is A series of meetings knife. Arkansas #1 was commis- fashioned from the state-designat- will be held throughout sioned by the UAHT Foundation ed James Black Walnut Tree located Hempstead County over to commemorate the significance in the cemetery where James Black the next few weeks as of the Bowie knife being named Ar- is buried. -
The Peer Review Process-The Good Bad and Ugly
The Hospital Medical Staff Peer Review Process: The Good, The Bad, and The Ugly Presented by: www.TheHealthLawFirm.com © Copyright 2017. George F. Indest III. All rights reserved. SUBTITLE: “Practical Matters the Physician Must Know When Confronted by a Medical Staff Peer Review/ Clinical Privileges/Fair Hearing Proceeding” Originally presented by George F. Indest III at an annual meeting of the American College of Surgeons Presented by: www.TheHealthLawFirm.com © Copyright 2017. George F. Indest III. All rights reserved. George F. Indest III, J.D., M.P.A., LL.M. Board Certified by the Florida Bar in the Legal Specialty of Health Law Website: www.TheHealthLawFirm.com Main Office: 1101 Douglas Avenue Altamonte Springs, Florida 32714 Phone: (407) 331-6620 Fax: (407) 331-3030 Website: www.TheHealthLawFirm.com “In the next fifteen minutes we have to create enough confusion to get out of here alive.” -Smith [Clint Eastwood] in “Where Eagles Dare” “If you want to play the game, you’d better know the rules….” -Inspector Harry Callahan [Clint Eastwood] in “The Dead Pool” TERMINOLOGY “Peer Review Hearing” a/k/a – Privileges Hearing – Fair Hearing – Medical Review Hearing – Credentials Hearing – Medical Staff Hearing – Disciplinary Hearing – Credentials Committee Hearing – Ad Hoc Committee Hearing The “Private Practice Physician” We are Discussing 1. Not a Hospital employee. 2. Does not have a direct contract with the Hospital. 3. Not a member of a group with an exclusive contract. 4. Does have clinical privileges at the Hospital. Two components of a physician’s medical staff relationship in a Hospital (often used interchangeably & incorrectly): 1. -
Introduction
Introduction Crime Film and the Messy City Many a commercial film or television production is a genuine achievement besides being a commodity. Germs of new beginnings may develop within a thoroughly alienated environment. —Siegfried Kracauer, Theory of Film ❧ n 1974, Vincent Canby wrote a piece for the New York Times, titled “New York Woes Are Good For Box Office,” that puzzled over the Ispate of films that had been made in the city over the last few years. What confused Canby was why so many recent films that portrayed New York so unfavorably—he cites Serpico (1973), The Super Cops (1974), Law and Disorder (1974), Mean Streets (1973), Death Wish (1974), For Pete’s Sake (1974), and The Taking of Pelham One Two Three (1974)—were seemingly so popular: New York is a mess, say these films. It’s run by fools. Its citi- zens are at the mercy of its criminals who, as often as not, are protected by an unholy alliance of civil libertarians and crooked cops. The air is foul. The traffic is impossible. Services are diminishing and the morale is such that ordering a cup of coffee in a diner can turn into a request for a fat lip. (1) 1 © 2018 State University of New York Press, Albany 2 Welcome to Fear City Pointing out that New York has been a mess for much of its history, Canby was less fretful about the negative portrayal of the city in these films than curious as to why, at this moment, the mess of the city had become a subject of interest. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
M2355 MAGNUM FORCE (USA, 1973) (Other Titles: 44 [I.E
M2355 MAGNUM FORCE (USA, 1973) (Other titles: 44 [i.e. quaranta quattro] Magnum per l’ispettore Callaghan) Credits: director, Ted Post ; writers, John Milius, Michael Cimino. Cast: Clint Eastwood, Hal Holbrook, Felton Perry, Mitchell Ryan, David Soul. Summary: Detective/mystery film set in contemporary San Francisco. A mysterious wave of assassinations is sweeping the San Francisco underworld. Detective ‘Dirty Harry’ Callahan (Eastwood) discovers why: sharpshooting rookie policemen have turned vigilante. Some of them are Vietnam veterans Adair, Gilbert. Vietnam on film [GB] (p. 131) Agan, Patrick. Clint Eastwood: the man behind the myth New York : Pyramid, 1975. [Reprinted, London : Hale, 1977; Sevenoaks [England] : Coronet, 1978] Allombert, Guy. “Magnum force” Revue du cinema 283 (Apr 1974), p. 129; 288-289 (Oct 1974), p. 212. Auster, Albert and Quart, Leonard. How the war was remembered: Hollywood & Vietnam [GB] (p. 48, 49) ___________________________. “Film review: Man and superman: Vietnam and the new American hero” Social policy [GB] Bingham, Dennis. Acting male: masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood New Brunswick, N.J. : Rutgers Univ. Press, 1994. (p. 180-95) Butcher, Maryvonne. “Cinema” Tablet 228 (Jan 12, 1974), p. 37. Castell, David. “Magnum force” Films illustrated 3 (Jan 1974), p. 252. Cheatham, Richard Beau. Clint Eastwood: an ideological study of his films, star image, and popularity Thesis (Ph.D.)--University of Southern California, 1992. Cluny, Claude Michel. “Magnum force” Cinema 74 186 (Mar 1974), p. 38-9. Cole, Gerald and Williams, Peter. Clint Eastwood London : W.H. Allen, 1983. Coleman, John. “Outlaws incorporated” New statesman 86 (Dec 14, 1973), p.