Stereolab Mars Audiac Quintet Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Stereolab Mars Audiac Quintet Mp3, Flac, Wma Stereolab Mars Audiac Quintet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Mars Audiac Quintet Country: Japan Released: 1994 Style: Experimental, Post Rock, Indie Rock MP3 version RAR size: 1439 mb FLAC version RAR size: 1454 mb WMA version RAR size: 1683 mb Rating: 4.1 Votes: 436 Other Formats: MPC DTS MP4 ADX TTA WMA MP3 Tracklist Hide Credits 1 Three-Dee Melodie 5:02 2 Wow And Flutter 3:08 3 Transona Five 5:32 4 Des Étoiles Électroniques 3:20 Ping Pong 5 3:02 Guitar [Twang] – Sean O'Hagan 6 Anamorphose 7:33 7 Three Longers Later 3:28 8 Nihilist Assault Group 6:55 International Colouring Contest 9 3:47 Guitar [Tremolo] – Sean O'Hagan 10 The Stars Our Destination 2:58 Transporté Sans Bouger 11 4:20 Backing Vocals – Jean-Baptiste Garnero, Katharine Gifford 12 L'Enfer Des Formes 3:53 13 Outer Accelerator 5:21 14 New Orthophony 4:34 Fiery Yellow 15 4:04 Percussion – Sean O'HaganWritten By – Gane / O'Hagan 16 Moogie Wonderland Credits Arranged By [Brass], Marimba, Guitar [Slide] – Sean O'Hagan Bass – Duncan Brown Drums, Percussion – Andy Ramsay Engineer – Paul Tipler Guitar, Organ [Vox, Farfisa], Synthesizer [Moog], Bass – Tim Gane Layout – Trouble Management – Martin Pike, Sheri Hood Mastered By – Nick Webb, Steve Rooke Mixed By – Paul Tipler, Stereolab Organ [Vox, Farfisa], Synthesizer [Moog] – Katharine Gifford Photography – Peter Morris Saxophone [Tenor], Flute – Alan Carter Trombone – Andy Robinson Trumpet – Lindsay Low Violin – Vera Daucher Vocals [Second], Guitar, Tambourine, Percussion [Eggs] – Mary Hansen Vocals, Tambourine, Organ [Vox, Mint's Organ], Guitar – Laetitia Sadier Written-By – Sadier* (tracks: 1 to 14), Gane* (tracks: 1 to 14) Notes Recorded spring 1994 at Blackwing Studios, London. Mastered at Abbey Road Studios. "International Colouring Contest" contains a sample of "Into Outer Space with Lucia Pamela" written by Lucia Pamela, licensed by permission of Arf Arf Records. Barcode and Other Identifiers Barcode: 4988029253248 Other versions Category Artist Title (Format) Label Category Country Year Mars Audiac Duophonic Ultra D - UHF - CD05 Stereolab Quintet (CD, High Frequency D - UHF - CD05 UK 1994 Album) Disks Mars Audiac Elektra 61669-4 Stereolab Quintet (Cass, 61669-4 US 1994 Entertainment Album, Promo) Mars Audiac Elektra 96 16694 Stereolab Quintet (Cass, 96 16694 Canada 1994 Entertainment Album) Mars Audiac Duophonic Ultra D-UHF-MC05 Stereolab Quintet (Cass, High Frequency D-UHF-MC05 UK 1994 Album) Disks Mars Audiac CD 61669 Stereolab Quintet (CD, Elektra CD 61669 Canada 1994 Album) Related Music albums to Mars Audiac Quintet by Stereolab Sean Cos Mason, Sean Mason - Stereolab - Dots And Loops Sean Tillmann - Sean Tillmann Is A Fucking Star Patrick O'Hagan - Dear Little Shamrock Cass Hagan And His Hotel Manger Orchestra - Hallelujah! / Sometimes I'm Happy Stereolab - Sound-Dust Seán Keane - Portrait The Best Of Seán Keane (1993-2000) Sean Na Na / Lucky Jeremy - Sean Na Na / Lucky Jeremy Stereolab - Ping Pong Stereolab - Miss Modular.
Recommended publications
  • The 26Th Society for Animation Studies Annual Conference Toronto
    Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud.
    [Show full text]
  • A Method to Recognize Universal Patterns in Genome Structure Using Hi-C
    A method to recognize universal patterns in genome structure using Hi-C Author Neil Chowdhury (Phillips Exeter Academy, New Hampshire, USA) Mentor Sameer Abraham (Massachusetts Institute of Technology, Massachusetts, USA) A method to recognize universal patterns in genome structure using Hi-C Abstract The expression of genes in cells is a complicated process. Expression levels of a gene are determined not only by its local neighborhood but also by more distal regions, as is the case with enhancer-promoter interactions, which can connect regions millions of bases away [1]. The large-scale organization of DNA within the cell nucleus plays a substantial role in gene expression and cell fate, with recent developments in biochemical assays (such as Hi-C) generating quantitative maps of the higher-order structure of DNA. The interactions captured by Hi-C have been attributed to several distinct physical processes. One of the processes is that of segregation of DNA into compartmental domains by phase separation. While the current consensus is that there are broadly two types of compartmental domains (A and B), there is some evidence for a larger number of compartmental domains [2]. Here a methodology to determine the identity and number of such compartments is presented, and it is observed that there are four distinct compartments within the genome. Keywords: Hi-C, Clustering, Compartmentalization, Dimensionality Reduction, Stability, ChIP- seq, Repli-seq Contents Introduction .................................................................................................................................3
    [Show full text]
  • Segmentation-Free Online Arabic Handwriting Recognition
    International Journal of Pattern Recognition and Arti¯cial Intelligence Vol. 25, No. 7 (2011) 1009À1033 #.c World Scienti¯c Publishing Company DOI: 10.1142/S0218001411008956 SEGMENTATION-FREE ONLINE ARABIC HANDWRITING RECOGNITION FADI BIADSY Computer Science, Columbia University New York, NY 10027, USA [email protected] RAID SAABNI Computer Science, Ben-Gurion University of The Negev Beer-Sheva, 84105, Israel Triangle Research & Development Center Kafr Qara, 30075, Israel [email protected] JIHAD EL-SANA Computer Science, Ben-Gurion University of The Negev Beer-Sheva, 84105, Israel [email protected] Arabic script is naturally cursive and unconstrained and, as a result, an automatic recognition of its handwriting is a challenging problem. The analysis of Arabic script is further complicated in comparison to Latin script due to obligatory dots/stokes that are placed above or below most letters. In this paper, we introduce a new approach that performs online Arabic word recog- nition on a continuous word-part level, while performing training on the letter level. In addition, we appropriately handle delayed strokes by ¯rst detecting them and then integrating them into the word-part body. Our current implementation is based on Hidden Markov Models (HMM) and correctly handles most of the Arabic script recognition di±culties. We have tested our implementation using various dictionaries and multiple writers and have achieved encouraging results for both writer-dependent and writer-independent recognition. Keywords: Online handwriting recognition; Arabic; HMM. 1. Introduction Keyboards and electronic mice may not endure as the prevalent means of human- computer interfacing. Devices such as digital tablets, hand-held computers, and mobile technology, provide signi¯cant opportunities for alternative interfaces that work in forms smaller than the traditional keyboard and mouse.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • Norman Mclaren: Between the Frames
    Dobson, Nichola. "Influential Arts." Norman McLaren: Between the Frames. London: Bloomsbury Academic, 2017. 109–132. Animation: Key Films/ Filmmakers. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781501328800.ch-004>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 11:41 UTC. Copyright © Nichola Dobson 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 109 Chapter 4 I NFLUENTIAL ARTS McLaren found inspiration and infl uence in many aspects of his life, with early talent undoubtedly informed, by his family and their interior decorating busi- ness. A fl air for this could be seen in early examples of drawing and design completed while he attended Stirling High School and then Glasgow School of Art. It has been outlined elsewhere 1 that he was infl uenced by early interests in music and dance and these rather substantive aspects of interest are examined in more depth later in this chapter. Th is section considers some of the earlier, formative experiences that remained with him throughout his career, from his Art School education, through to some of the pioneering animators, and which he would later cite as being so infl uential to him. Th e chapter begins with a discussion of his painting habit; something which would remain with him throughout his life and would even be used as a meta- phor when describing his process of direct animation: ‘And so my militant phi- losophy is this: to make with a brush on canvas is a simple and direct delight – to make a movie should be the same’.
    [Show full text]
  • Localgasoline Profits Dwindling
    Inside: Golf: Opinions 4 . Remington, Burlebart reflect Sports 9 Friday 017 their Cougar careers - Borderline 14 il1ay 3, 1996 Page 9 Classifieds 18 ONLINE AT www. ONLINE-GREEN. COM Th e IJ a i ly VOLUME 102, NUMBER 157 Local gasoline profits dwindling Merchants show little confidence in president's decision to use reserves By Mai Ling Slaughter LL high as $5 or $10 in American dollars, al costs by rolling back gas taxes, Clinton The Daily Evergreen ii Conoco owner Darren Ellis said Americans also authorized the sale of 12 million barrels will drive with or without high gas prices. of oil from the petroleum reserves to increase As each gas company competes for the Gas is the cheapest thing you "Gas is still the cheapest thing you can buy, supplies. lowest, or at least affordable prices, gasoline can buy, and probably will and probably will always be," he said. San nan said he feels the amount released is rising 10 numbers not seen since the Gulf Although the average price for unleaded will provide little help, because it can only War. always be. gas now is about $1.32 a gallon, Pullman satisfy about a day's worth of American "It's a fight to stay under everyone as Darren Ellis prices are usually higher because of the trans- gasoline consumption. quickly as petroleum is increasing," said Bob Conoco owner portation costs. Ellis said he also has little faith that the Sannan, manager of Cenex Convenience •• The cheapest in town is at Conoco on reserve oil will impact the rising price of stores.
    [Show full text]
  • Stereolab Low Fi Mp3, Flac, Wma
    Stereolab Low Fi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Low Fi Country: UK Released: 1992 Style: Leftfield, Space Rock, Avantgarde, Indie Rock MP3 version RAR size: 1455 mb FLAC version RAR size: 1991 mb WMA version RAR size: 1297 mb Rating: 4.9 Votes: 203 Other Formats: MP1 MPC MP2 TTA VOC ASF DTS Tracklist Hide Credits Low Fi A1 Piano – RobbsVocals – Mary Hansen (Varoom!) A2 Bouzouki [Bazouki] – Andy Ramsey* Laisser-Faire B3 Organ [Farfisa] – Mick ConroyVocals – Mary Hansen Elektro (He Held The World In His Iron Grip) B4 Piano – Robbs Companies, etc. Phonographic Copyright (p) – Too Pure Copyright (c) – Too Pure Published By – Complete Music Ltd. Distributed By – A.P.T. Credits Bass – Martin Kean Drums – Andy Ramsey* Engineer – Robbs Guitar, Synthesizer [Moog], Organ [Farfisa] – Tim Gane Producer – Robbs, Stereolab Vocals, Synthesizer [Moog] – Seaya Sadier* Written-By – Sadier*, Gane* Notes A side ends in a locked groove Tracks listed sequentially on center labels. Barcode and Other Identifiers Barcode: 5016554701466 Matrix / Runout: PURE 14 A2 Matrix / Runout: PURE 14 B2 Other versions Category Artist Title (Format) Label Category Country Year PURE 14 Stereolab Low Fi (10", EP) Too Pure PURE 14 UK 1992 PURE 14 Stereolab Low Fi (10", EP) Too Pure PURE 14 UK 1992 PURE 14 Stereolab Low Fi (10", EP, MP) Too Pure PURE 14 UK 1992 PURE CD 14 Stereolab Low Fi (CD, EP) Too Pure PURE CD 14 UK 1993 PURE 14 Stereolab Low Fi (10", EP) Too Pure PURE 14 UK 1992 Related Music albums to Low Fi by Stereolab Stereolab - Mars Audiac Quintet Stereolab - Transient Random-Noise Bursts With Announcements The Robbs - Last Of The Wine Stereolab - Sound-Dust Pure Joy - Now I Know Stereolab - Ping Pong Stereolab - Fab Four Suture Stereolab - Miss Modular Stereolab - Eye Of The Volcano Stereolab - Switched On.
    [Show full text]
  • Pdfs That Request Users Contact the Drawing Information Systems Group
    MIT’s The Weather Oldest and Largest Today: Cloudy, 40°F (4°C) Tonight: Cloudy, late showers, Newspaper 50°F (10°C) Tomorrow: Rain, High 57°F (14°C) http://tech.mit.edu/ Details, Page 2 Volume 128, Number 61 Cambridge, Massachusetts 02139 Tuesday, December 9, 2008 Initial Dining Proposal Includes Possible Automatic Meal Charge By Austin Chu mitted its first set of proposals to be habits. During the term, this money STAFF REPORTER evaluated by an outside consultant. could be applied toward meals at Amid reports that the Blue Rib- One of these proposals includes a house dining locations and on cam- bon Committee on Dining is consid- “minimum nutritional fee” to en- pus restaurants, gift cards for Star ering the possibility of an automatic courage students to invest in their Market or Trader Joe’s, or fraternity, meal charge for most undergradu- nutritional well being. sorority, or independent living group ates, the Undergraduate Association This proposal, variously de- dining membership fees. Senate last night passed a bill de- scribed over the past week and con- The revelation that the Blue Rib- manding more transparency in the firmed by members of the commit- bon Committee on Dining had al- committee’s deliberations. tee, would require undergraduates ready sent proposals to an outside The Blue Ribbon Committee on to pay a certain minimum amount consultant prompted students to call Dining, formed in the fall of 2007 by for food-related expenses per term. for more transparency. Currently, former Dean for Student Life Larry By making this amount a sunk cost, members of the committee are not G.
    [Show full text]
  • Pittiplatsch 3000 #11, Juni 2005
    #11 pop.kultur.zine juni05 • 2€euro Spezial Du und viele von deinen gesichtslosen Internet-Freunden Interviews Frank Black • Kimya Dawson • Schwervon! • Archie Müller • Körperhaarschmuck Stories Stereolab • Libertines • Morrissey • Weezer • John Michael McCarthy • Twin Peaks • Die Kunst des Dissens • (Anti-)Pop und Kunst so put that record on and dance until the sadness is gone Wer dieses Heft in den Händen hält und auch Leidenschaft ist. Es hat sicher auch etwas damit zu tun, schon früher mal die eine oder andere Ausgabe von dass Säm und ich uns kaum mehr sehen. Auf keinen Pitti Platsch 3000 gelesen hat, kann es wahrscheinlich Fall hat es etwas mit Erwachsenwerden oder so einem kaum glauben, noch einmal (in Printform) von uns zu Schwachsinn zu tun. Indes, wie soll man so ein auf hören. Noch kann ich es glauben. Was ist seitdem Enthusiasmus bauendes Projekt vorantreiben? passiert? Nun, sehr viel und doch nichts. Genauer Jedenfalls haben wir zu danken: den Autoren dieser darauf einzugehen würde ein eigenes Heft, wenn nicht Ausgabe, ohne die diese nicht möglich gewesen wäre. Buch, beanspruchen, schlechte Laune verbreiten und Elvira für die Layout-Arbeit. Unseren Abonnenten, den am Ende doch niemanden interessieren. Deshalb von Leuten, die NICHT angeblich im Moment wirklich kein mir dieses Mal kein Seelen-FKK, keine Selbstdarstellung, Geld hätten und sich anschließend drei Bier vom Tresen kein Fanzine-typischer Ego-Kram – nur das, wovon und geholt haben, und natürlich denen, die immer wieder wofür wir hier leben, womit wir unsere Beziehungen gefragt haben, wann es denn ein neues Heft gibt. Vor strapazieren, woran wir unser Geld, unsere Zeit und allem ihnen.
    [Show full text]
  • The Film-Work of Norman Mclaren in the Context of His Objectives
    The Film-Work Norman McLaren Terence Dobson A thesis submitted in accordance with the requirements for the Degree of Doctor of Philosophy in the University of Canterbury University of Canterbury 1994 Contents page Abstract iii List of Illustrations iv Preface v Introduction vii Part One Chapter One An Informative Drawing 1 Chapter Two The Early Years 23 Chapter Three McLaren at the G PO Film Unit 57 Part Two Chapter Four New York Interlude 103 Chapter Five Canada 128 Part Three Chapter Six Technical Processes 170 Chapter Seven Confluence and Conflict in Synchromy 197 Chapter Eight Venus and Mars 218 Conclusion 237 Chronology 248 Bibliography 249 Interviews, Films and Recordings 281 ill Abstract This thesis examines the film-work of Norman Mclaren in the context of his objectives. The thesis is divided into three parts, based on chronological divisions in McLaren's life. The first part deals with McLaren's formative years in Scotland and England and examines his early exposure to the social, artistic and institutional influences that were to shape his filmic output. The second part deals with Mclaren's maturation in the USA and Canada. His reaction to the contrasting working environment he found in each of the two countries is examined. In order to show McLaren's development more clearly, both parts one and two are based on a chronological sequencing. The third part of the thesis examines specific issues in relation to Mclaren and his work and as such is concerned principally with his mature output. McLaren's films contain incongruities, conflicts and apparent inconsistencies.
    [Show full text]
  • TEHO TEARDO (ITA) H.22,30-0,00 LAETITIA SADIER from STEREOLAB (FR/UK) H.21,00-22
    Sabato 29 SETTEMBRE 2018 TEATRO LA VETRERIA L’ Associazione culturale Parallel Coast con il patrocinio dell’ Assessorato cultura e spettacolo del Comune di Cagliari e la collaborazione di Cada Die Teatro è lieta di presentare l’evento di chiusura degli appuntamenti di CagliariPaesaggio il 29 Settembre 2018 presso il teatro La Vetreria (via Italia 63). Inizio eventi h18. Un evento ispirato e dedicato all’ integrazione delle culture. Un programma musicale di concerti e artisti internazionali, una selezione musicale live set e djset tra un mix di atmosfere esotiche ed elettroniche. FESTIVAL LINEUP: TEHO TEARDO (ITA) h.22,30-0,00 LAETITIA SADIER from STEREOLAB (FR/UK) h.21,00-22 JABEL KANUTEH (Gambia) h.20-20,45 TOPRAK BASGIT DJSET (Turchia) h.18-20 LILIES ON MARS DJSET (ITA) h.0,00-1,00 Teho Teardo Compositore, musicista e sound designer, Teho Teardo si è affermato in questi ultimi anni come uno dei più originali ed eclettici artisti nel panorama musicale europeo. Esploratore sonoro curioso e sempre attento agli stimoli che vengono da altre forme artistiche, si dedica all’attività concertistica e discografica pubblicando diversi album che indagano il rapporto tra musica elettronica e strumenti tradizionali. Ha realizzato colonne sonore per importanti registi come Salvatores, Sorrentino, Molaioli, Chiesa, Vicari, Incerti, Cupellini, Faenza divenendo nel giro di pochi anni un riferimento per la musica al cinema. Ha vinto il Ciak d’Oro per la migliore colonna sonora ed ha ottenuto diverse nomination al Nastro d’Argento e David di Donatello. Nel 2009 vince il premio Ennio Morricone all’Italia Film Fest ed il David di Donatello per il film “Il Divo” di Paolo Sorrentino.
    [Show full text]
  • Beta Theta Pi Tosee National Charter
    VOL. 104 No.42 reeA STUDENTPUBLICATIONOFWASHINGTONSTATEUNIVERSITY SPORTS FriQay, October 17, 1997 No. 13 WSU hosts Cal in U.S. could stop worldwide Weather 21 Sports 12 Homecoming game religious persecution Borderline 15 Classifieds 26 Page 5 www.online-green.com Page 11 A Beta Theta Pi tosee national charter By ANNIE MORROW their new situation. also said the fraternity's road to The Daily Evergreen "(Richard) Phennager comes in homelessness began in January, here and says, 'Get the hell out!'" when the national fraternity organi- Former Beta Theta Pi members former Beta Theta Pi member Ken zation issued a set of guidelines sat on their front steps Thursday dis- Colman said of the fraternity district called the Reconstruction Plan. cussing where to get apartments, chief's recent decision to dismember The four-year plan was a way for how they would pay for them and the group and close their house the fraternity to redeem itselfafter the how, in 21 hours. they would vacate down. alcohol violations. a fraternity house that had been in Colman was frustrated and voiced A senior member remembered use for 58 years. the feelings of his brothers. what the house was like whenhe was The chapter received a letter "Something that you love dearly a freshman. Wednesday night, hand-delivered by got pulled out from under you," he "It was the 'Animal House' in the alumni and accompanied by security said. movie," he said under condition of guards. The contents of the letter The charter of the chapter was anonymity. explained their charter had been suspended in January 1996, because Broken beer bottles scattered revoked and the members would be of conduct issues related to alcohol throughout the house were, at one STAFF PHOTO BY NICOLE WALLA forced to move out of their house, problems, Phennager explained.
    [Show full text]