The Differences and Similarities of the Beast(S) in Revelation 12 and 13:1-10
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Revelation 13:11-18 - Who Is Afraid of the Number 666? Be Wise!
Revelation 13:11-18 - Who is afraid of the number 666? Be wise! - Author: Evert Jan Hempenius © 2018 www.christianstudylibrary.org For any questions about this Scripture passage or the notes, please contact us through the Contact Us tab on the website. Foreword Who is afraid of the number 666 (Revelation 13:18)? I’m not! It is not the number of Satan, the devil, the serpent, the dragon. It is not the number of the Antichrist. It is just the number of man. It is the number of a man or human, who has godly aspirations. The number 666 is a so-called triangle number. This means that a triangle can be made by using for instance 666 pebbles, just like a triangle can be made from three, six or ten pebbles. Within the context of Revelation, triangle numbers refer to the godly realm. Revelation 13:11-18 describes the mechanisms of persecution when the political powers and ideologies ask the predominant religion od atheism for support of their agenda. This calls for wisdom not for fear. The main question is, how to deal as Christian with a man, an Emperor, a government, an ideology with godly aspirations and requesting worship and total obedience from the people of a nation. A Christian and the church must know that Christ has overcome all powers, and all ideologies (Revelation 11:15). Revelation 13:1-18 opens our eyes to the mechanisms of past and modern-day persecutions. The context, form and structure, theological notes, technical and hermeneutical notes given in this sermon outline show some overlap with other sermon outlines taken from the book of Revelation. -
The Beast, the Whore, the Bride & the Groom
The Beast, The Whore, The Bride & The Groom Revelation 12-19 Revelation 12:1-6 The Woman & Dragon Act 2: After the Seventh Trumpet - Setting: Heaven moving to Earth. - The Woman with the Sun, Moon and Crown: Giving Birth (12:2) - The Red Dragon (Satan), with his tail he sweeps a third of the stars down from heaven. He opposes the Woman (12:3-4) - The Child: Identified as Jesus, was caught up to Heaven. The Woman Retreats into the wilderness. (12:5-6) Revelation 12:7-12 The Heavenly War Michael and His Angels declare war on the Dragon Satan is Cast Down with his minions Heaven Rejoices: “Now Salvation the of our Christ has come” Revelation 12:13-17 The Woman & The Dragon Part 2 The Dragon Pursues her and the earth aids the woman. The earth opens its mouth to swallow the water that the Dragon intends to destroy her with. The Dragon then pursues her children, attempting to make war with them. Discussion Question #1 Koester notes that the woman in labor should be understood as the people of God, and notes, “Christian readers might naturally identify her with Mary… By the end of the chapter, however, it becomes clear that the woman is the mother of all believers…” (123) Is this interpretation of the woman valid? Why or why not? Revelation 13: The Beasts ● The Beast from the Sea (13:1-10): 10 Horns and 7 Heads and 10 Diadems. It was worshipped, given authority to conquer and was utterly blasphemous. Everyone worshipped it except those who were found in the Book of Life. -
The Background and Meaning of the Image of the Beast in Rev. 13:14, 15
Andrews University Digital Commons @ Andrews University Dissertations Graduate Research 2016 The Background and Meaning of the Image of the Beast in Rev. 13:14, 15 Rebekah Yi Liu [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/dissertations Part of the Biblical Studies Commons Recommended Citation Liu, Rebekah Yi, "The Background and Meaning of the Image of the Beast in Rev. 13:14, 15" (2016). Dissertations. 1602. https://digitalcommons.andrews.edu/dissertations/1602 This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. ABSTRACT THE BACKGROUNDS AND MEANING OF THE IMAGE OF THE BEAST IN REV 13:14, 15 by Rebekah Yi Liu Adviser: Dr. Jon Paulien ABSTRACT OF GRADUATE STDUENT RESEARCH Dissertation Andrews University Seventh-day Adventist Theological Seminary Title: THE BACKGROUNDS AND MEANING OF THE IMAGE OF THE BEAST IN REV 13:14, 15 Name of researcher: Rebekah Yi Liu Name and degree of faculty adviser: Jon Paulien, Ph.D. Date Completed: May 2016 Problem This dissertation investigates the first century Greco-Roman cultural backgrounds and the literary context of the motif of the image of the beast in Rev 13:14, 15, in order to answer the problem of the author’s intended meaning of the image of the beast to his first century Greco-Roman readers. Method There are six steps necessary to accomplish the task of this dissertation. -
Hom 9413 Preaching Various Literary Genre
HOM 9413 PREACHING VARIOUS LITERARY GENRE Syllabus Pre-campus Period: April 1—June 25, 2011, Campus Period: June 27—July 1, 2011 Post-Campus Period: July 2, 2011—August 26, 2011 William J. Larkin, Instructor Contact Information Office: #224 Schuster Mailing Address: CIU Seminary and School of Missions 7435 Monticello Road Columbia, SC 29230-3122 Phone: (O) 803-807-5334 (H) 803-798-6888 Email: [email protected] I. COURSE DESCRIPTION A study of the appropriation of Scripture's rich literary texture for preaching today. The student will investigate literary genres of Old Testament law, narrative, prophecy, praise and wisdom and New Testament narrative, parable, epistle, speech, and prophetic-apocalyptic and their promise for preaching. He will develop and execute, from study through preached sermon, an exegetical- homiletical method designed to produce effective sermons which embody the literary-rhetorical moves of the various Biblical genre. II. REQUIRED TEXTS Arthurs, Jeffrey D. Preaching with Variety: How to Recreate the Dynamics of Biblical Genre . Grand Rapids: Kregel, 2007. Bailey , James L. and Lyle D. Vanderbroek. Literary Forms in the New Testament: A Handbook . Louisville, KY: Westminster/John Knox, 1992. Kaiser, Jr., Walter C. Preaching and Teaching from the Old Testament: A Guide for the Church . Grand Rapids, MI: Baker Academic, 2003. Larkin, William J. Greek is Great Gain: A Method for Exegesis and Exposition . Eugene, OR: Wipf and Stock, 2008. “Appendix: Additional Genre and Literary Form Analysis Procedures” (available at course website under “Resources”). Sandy, D. Brent and Ronald L. Giese, eds. Cracking Old Testament Codes: A Guide to Interpreting the Literary Genres of the Old Testament . -
An Apocalyptic Christmas Story Revelation 12:1-17 Introduction: 1) Concerning Our Text Eugene Peterson Says, “This Is Not
An Apocalyptic Christmas Story Revelation 12:1-17 Introduction: 1) Concerning our text Eugene Peterson says, “This is not the nativity story we grew up with, but is it the nativity story all the same” (Mounce, f.n.15, 234). Peterson is right. There is no baby in a manger, shepherds rejoicing or wise men bringing gifts and worshipping. There are angels, but they are not singing. Rather, they are engaged in a heavenly war of eschatological proportions. No, in this Christmas story there is a beautifully clothed woman, a male child (“Son”) and a great fiery red dragon who stands ready to devour, to eat, the Son “who is going to shepherd all nations” (v. 5). This is an apocalyptic Christmas Story. 2) Revelation 12:1-17 tells us, in part and in summary fashion, the Grand Redemptive Story of the Bible. It is something of a panorama of salvation history. It tells us in fantastic imagery and vision the true story of the whole world. It looks to the past, addresses the present, and points to the future. It naturally divides into 3 sections: 1) 1-6 is the story of the woman, the male child and the dragon; 2) 7-12 is a war in heaven and song of redemption; 3) 13-17 is the satanic attempt to destroy the people of God and its failed project. This is a Christmas story unlike any you have probably ever heard! 1 I. God sent a Savior just as He promised 12:1-6 The story of Christmas does not begin in a city called Bethlehem. -
Literary Techniques
Literary Techniques: The following literary techniques are introduced in sequence at various points in the year, and then reviewed and practiced as the year progresses. Understanding how formal techniques of literature are used by an author to present his or her content in a particular way involves use of the fourth level or sixth level of cognitive tasks in Bloom’s taxonomy, and involves cross- curricular integration as the same sort of questions are asked in Literature class as well. For each technique below, the number in parenthesis constitutes the class in which the technique is introduced (the first time we reach it in our reading of the text). Each one is reviewed multiple times afterwards. 1. Parable (2) 2. Metaphor (2) 3. Simile (2) 4. Leitwort (2) – the repeated use of a non-typical word in a section for the purpose of conveying a theme. 5. Biblical Parallelism (4) – the poetic technique used in the Bible where an idea is presented twice, in two consecutive phrases, using different words. 6. Irony (4) 7. Use of Structure (6) – the decision to arrange the text of a large passage in a stylized way, often using a repeated refrain or chorus to divide the large text into subsections. 8. Personification (11) 9. Selection of Genre (11) – the author’s decision to write using a particular genre (such as poetry, prose, etc.) instead of another. 10. Alliteration (11) 11. Pun (11) 12. Word Choice (14) – the author’s decision to use one particular word, when another, more common word may have been more appropriate. -
The Three Powers Armageddon
Understanding Revelation – Topic 26 The three powers which will lead the world to Armageddon An exposition of Revelation Chapter 16:13-16 Contents Introduction .....................................................................................................................................3 Spiritism...........................................................................................................................................3 The beast .........................................................................................................................................4 The dragon.......................................................................................................................................5 Identity of the dragon............................................................................................................................................................5 Significance of the ten horns ...............................................................................................................................................5 Further evidence of the dragon’s composition ...................................................................................................................8 Influence of the occult ..........................................................................................................................................................8 The false prophet ............................................................................................................................9 -
The Downfalls of Satan in the Book of Revelation
Avondale College ResearchOnline@Avondale School of Ministry and Theology (Avondale Theology Papers and Journal Articles Seminary) 2-2013 The Downfalls of Satan in the Book of Revelation Kayle de Waal Avondale College, [email protected] Follow this and additional works at: https://research.avondale.edu.au/theo_papers Part of the Biblical Studies Commons Recommended Citation de Waal, K. (2013). The downfalls of Satan in the Book of Revelation. Ministry: International Journal for Pastors, 85(2), 22-24. This Article is brought to you for free and open access by the School of Ministry and Theology (Avondale Seminary) at ResearchOnline@Avondale. It has been accepted for inclusion in Theology Papers and Journal Articles by an authorized administrator of ResearchOnline@Avondale. For more information, please contact [email protected]. KAYLE DE WAAL Kayle de Waal, PhD, is lecturer in New Testament studies, Avondale College, Cooranbong, New South Wales, Australia. The downfalls of Satan in the book of Revelation he cosmic conflict is the the first downfall — the Old Testament. However, those primary background against kicked out of heaven studying their Bibles find God often which the book of Revelation The first downfall is the primeval depicted as engaging in battle with Tmust be understood. John, the fall of Satan indirectly alluded to in hostile forces. Psalm 74:13, 14 reads: author of this book, brings together this Revelation 12:3, 4: “Then another sign “It was you who split open the sea by significant theme through numerous appeared in heaven: an enormous red your power; you broke the heads of the symbols and creative ways in Revelation. -
Power, Eros, and Biblical Genres
Power, Eros, and Biblical Genres Christine Mitchell What Is Genre? But something created is always created out of something given.… What is given is completely transformed in what is created. (Bakhtin 1986:119–20). Biblical form criticism supposes that genres are givens: they are forms that give the key to content. This is the reason there is such concern for trac- ing, say, the development of apocalyptic literature as a genre. Genre simply exists as a set form. This particular kind of deductive genre theory, seen in lit- erary studies most clearly in the work of Northrop Frye (247–48), is implicit in almost all work on biblical genres. We may consider, with Thomas Beebee, that genre theory has moved through four phases: (1) ancient-through- Renaissance “production-oriented” theory, that is, “genre as rules”; (2) early modern classification theory, looking at the growth and change in genre, that is, “genre as species”; (3) early twentieth-century theory, looking at the textual forms and features that indicate genre, that is, “genre as patterns of textual features”; and (4) late twentieth-century theory, locating the meaning of genre not in the intention of the author or in literary history or in the features of the text, but in the reader/s of the text, that is, “genre as reader conventions” (2–3). In this broad scheme, biblical genre theory is located roughly in the third phase, although the concern with tracing the development of a genre (like apocalyptic from prophecy) is located squarely in the second phase. But before biblical scholars start jumping on the fourth-stage bandwagon (i.e., genre as reader-created), it should be noted that with a revived interest in genre theory in literary studies, most contemporary genre theory has moved into a new phase, one that locates genre both in text and in reader, in text and in context, and in the combination and recombination of genres and frag- ments with each other (Cohen 2003). -
The Book of Revelation (Apocalypse)
KURUVACHIRA JOSE EOBIB-210 1 Student Name: KURUVACHIRA JOSE Student Country: ITALY Course Code or Name: EOBIB-210 This paper uses UK standards for spelling and punctuation THE BOOK OF REVELATION (APOCALYPSE) 1) Introduction Revelation1 or Apocalypse2 is a unique, complex and remarkable biblical text full of heavenly mysteries. Revelation is a long epistle addressed to seven Christian communities of the Roman province of Asia Minor, modern Turkey, wherein the author recounts what he has seen, heard and understood in the course of his prophetic ecstasies. Some commentators, such as Margaret Barker, suggest that the visions are those of Christ himself (1:1), which He in turn passed on to John.3 It is the only book in the New Testament canon that shares the literary genre of apocalyptic literature4, though there are short apocalyptic passages in various places in the 1 Revelation is the English translation of the Greek word apokalypsis (‘unveiling’ or ‘uncovering’ in order to disclose a hidden truth) and the Latin revelatio. According to Adela Yarbro Collins, it is likely that the author himself did not provide a title for the book. The title Apocalypse came into usage from the first word of the book in Greek apokalypsis Iesou Christon meaning “A revelation of Jesus Christ”. Cf. Adela Yarbro Collins, “Revelation, Book of”, pp. 694-695. 2 In Codex Sinaiticus (4th century), Codex Alexandrinus (5th century) and Codex Ephraemi (5th century) the title of the book is “Revelation of John”. Other manuscripts contain such titles as, “Revelation of John, the one who speaks about God”, “Revelation of Saint John, the one who speaks about God”, “Revelation of John, the one who speaks about God, [the] evangelist” and “The Revelation of the Apostle John, the Evangelist”. -
Revelation 12
Second Baptist Church of Doylestown Bible Study Notes 7-11-18 Revelation 12 Revelation chapter 11 ends with the announcement that Christ will now reign personally. Details, such as how Satan and the wicked will finally be vanquished are deferred until later and are not answered in chapter twelve. The vision of the seven seals has ended and John begins his account of another series of visions with his vision of the dragon, the woman, and the child. Christians in John’s era were suffering unbelievable persecution from the Roman Empire; in this new series of visions that begin in Revelation chapter 12 John explains the true origin of this persecution. The Woman And The Dragon – Verses 1-9 A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head.2 She was pregnant and cried out in pain as she was about to give birth.3 Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on its heads. 4 Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. 5 She gave birth to a son, a male child, who “will rule all the nations with an iron scepter.” And her child was snatched up to God and to his throne. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Men in Travail: Masculinity and the Problems of the Body in the Hebrew Prophets Permalink https://escholarship.org/uc/item/3153981r Author Graybill, Cristina Rhiannon Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Men in Travail: Masculinity and the Problems of the Body in the Hebrew Prophets by Cristina Rhiannon Graybill A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Robert Alter, Chair Professor Daniel Boyarin Professor Chana Kronfeld Professor Celeste Langan Spring 2012 Copyright © 2012 Cristina Rhiannon Graybill, All Rights Reserved. Abstract Men in Travail: Masculinity and the Problems of the Body in the Hebrew Prophets by Cristina Rhiannon Graybill Doctor of Philosophy in Near Eastern Studies with the Designated Emphasis in Critical Theory University of California, Berkeley Professor Robert Alter, Chair This dissertation explores the representation of masculinity and the male body in the Hebrew prophets. Bringing together a close analysis of biblical prophetic texts with contemporary theoretical work on masculinity, embodiment, and prophecy, I argue that the male bodies of the Hebrew prophets subvert the normative representation of masculine embodiment in the biblical text. While the Hebrew Bible establishes a relatively rigid norm of hegemonic masculinity – emphasizing strength, military valor, beauty, and power over others in speech and action – the prophetic figures while clearly male, do not operate under these masculine constraints.