Thea Astley: Inventing Her Own Weather Free

Total Page:16

File Type:pdf, Size:1020Kb

Thea Astley: Inventing Her Own Weather Free FREE THEA ASTLEY: INVENTING HER OWN WEATHER PDF Karen Lamb | 376 pages | 30 Apr 2015 | University of Queensland Press | 9780702253560 | English | St Lucia, Australia Thea Astley: Inventing Her Own Weather — The Wheeler Centre Aboriginal and Torres Strait Islander readers are respectfully cautioned that this website contains images of people who have passed away. Over a fifty-year writing career, Astley published more than a dozen novels and short story collections, including The AcolyteThe Slow Natives and, finally, Drylands in She was the first person to win multiple Miles Franklin awards — four in total. With many of her works published internationally, Astley was a trailblazer for women writers. In her personal life, she was renowned for her dry wit, eccentricity and compassion. Although a loving mother and wife, she Thea Astley: Inventing Her Own Weather above the domestic limitations imposed Thea Astley: Inventing Her Own Weather women at the time to carve out a professional life true to her creative drive. Karen Lamb has drawn on an unparalleled range of interviews and correspondence to create a detailed picture of Thea the woman, as well as Astley the writer. She paints this portrait with exactly the right balance of candour, critical engagement and evident affection for her subject that you would expect in a biography. It is an important resource for students of Australian literature and an insight into the life of an author whose own existence was such a profound influence and source of inspiration for her writing. Buy from Amazon. Buy from Kobo. Buy from Apple Books. Buy from Google Play. Karen Lamb teaches literature and communication at the Australian Catholic University and has held teaching and research positions at The University of Queensland, Monash University and the University of Melbourne, where she taught in literary studies, media and communication, and cultural studies. Her research interests include Australian literature, life writing, and the cultural context of authorship. She has edited a book of Australian short stories, and published book chapters and articles on Australian authors, including a book on Peter Carey. She lives in Sydney. Australian writer Thea Astley — published seventeen novels and more than a dozen free-standing short stories. She studied arts at The University of Queensland and held a position as Fellow in Australian Literature at Macquarie University until Thea Astley: Inventing Her Own Weather, when she retired to write Thea Astley: Inventing Her Own Weather. In she was granted an honorary doctorate of letters from The University of Queensland. Astley lived and wrote on the New South Wales south coast until her death in In she won the Patrick White Award. Download book cover Read extract. Share Award winner. Dispatched business days. Add to cart. Overview Details Awards Reviews ebook. The Hoopla. Inside Story. More by Karen Lamb, Thea Astley. Related titles. Ian Frazer: The man who saved a million lives Madonna King. Thea Astley: Inventing Her Own Weather | UQP With public gathering restricted during the Covid pandemic, we're keeping you connected with good conversation and meaningful ideas at home. Click here to find out more. View our privacy policy here. This is the first book-length biography of Thea Astley, one of our most critically acclaimed writers. She was the first woman to win multiple Miles Franklin Awards — four in total. With many of her works published internationally, Astley was a trailblazer for women writers. Karen Lamb has drawn on an unparalleled range of interviews and correspondence to create a detailed picture of Thea the woman, as well as Astley the writer. Karen Lamb teaches literature and communication at the Australian Catholic University and has held teaching and research positions at the University of Queensland, Monash University and the University of Melbourne, where she taught in literary studies, media and communication, and cultural studies. Her research interests include Australian literature, life writing, and the cultural context of authorship. She has edited a book of Australian short stories, and published book chapters and articles on Australian authors, including a book on Peter Carey. She lives in Sydney. Though her novels have fallen out of fashion in recent times, Thea Astley — winner of four Miles Franklin awards — is an important figure in Australian literature and this biography makes a wonderful start at acknowledging and perpetuating that talent. The prose in Thea Astley: Inventing her own weather speaks to the spirited, idiosyncratic nature of Astley, as well as a sense of sadness that she Thea Astley: Inventing Her Own Weather not see herself as a success and often found something to complain about, even when Thea Astley: Inventing Her Own Weather going was good. Karen Lamb provides insights to the inner workings of Astley that will captivate not just fans of Astley but also those who might not yet be familiar with her work. There was never a time when multi-award-winning Australian novelist Thea Astley was not a writer. Her first novel, Girl with a Monkeypublished indazzled with insight and wit. Further novels appeared almost every two years throughout the s. By the end of the next decade she had picked up a further two Miles Franklin Awards for The Slow Natives and The Acolyte and a healthy Thea Astley: Inventing Her Own Weather of other major literary prizes. Yet Astley spent her life suffering from an acute sense of being a writer who was out of favour, a sentiment that Thea Astley: Inventing Her Own Weather curiously alongside her visible success. When she received the Patrick White Award in — intended for writers who might not have received the recognition Thea Astley: Inventing Her Own Weather deserved — Astley regarded it as confirmation of her failure. While eccentric, this attitude can be understood. It is astonishing to think that even by the mids Astley was already as much of a household name as any Australian writer can be, that is, in Australia. The relentless commerce of publishing, the thirst for the new, dictates much of that answer. Thea Astley was being published — and reviewed — in the United States, as well as in Australia. Drylandspublished in when she was in her seventies, won her a fourth Miles Franklin Award a feat shared only by Tim Winton. She has influenced a generation of Australian women writers such as Helen Thea Astley: Inventing Her Own Weather and Kate Grenville and is known for her support of the many younger writers who came within her orbit as a teacher. Their will is seemingly suspended, their memory animated by usually hostile past events, while they await the decline of the ripened body. In her work as in her life, Thea Astley was a fatalist. In public she could display a strange mixture of bombast and anxiety, be sentimental — reduced to tears by a recalled scene — yet blunt in her opinions, often mumbling a shambolic apology. Thea Astley: Inventing Her Own Weather to the Wheeler Weekly for the latest on our upcoming events, broadcasts and notes from our website, and previews of events and presenters from our programme. View our privacy policy. Skip to content. Account Update account information Update email preferences View cart. Up next View all 12 of our upcoming events. Young Adult. "Thea Astley: Inventing her own weather" by Karen Lamb Goodreads helps you keep track of Thea Astley: Inventing Her Own Weather you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Thea Astley by Karen Lamb. Over a year writing career, Astley published more than a dozen novels and short story collections, including The AcolyteDrylandsand The Slow Nativesand was the first person to win multiple Miles Franklin Awards. With many of her works published internationally, Astley was a trailblazer for women writers. In her personal life, she was renowned for her dry wit, eccentricity, and compassion. Karen Lamb has drawn on an unparalleled range of interviews and correspondence to create a detailed picture of Thea the woman, as well as Astley the writer. Get A Copy. Paperbackpages. More Details Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Thea Astleyplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Jan 30, Alison rated it really liked it. I really enjoyed reading this biog of Thea Astley. I studied lit in north qld so she was a popular novelist on courses and in bookshops. I strongly identified with her version of north qld. What a complex mix of brazen abrasiveness and vulnerability she turns out to be. A lovely entwining of her life and life's work which is non determinist but beautifully reflective of both. Dec 06, Jess rated it it was amazing Shelves: biographyreading-womenaustralia. A wonderful Thea Astley: Inventing Her Own Weather which does full justice to the richness and complexity of a talented, contradictory, and complicated woman. May 19, Lisa rated it really liked it Shelves: c21stbiographyaustralialiterary-biography. But Karen Lamb makes a very convincing case that this seemingly perverse behaviour stemmed from a deep insecurity and from an acute awareness that male writers were supported differently both in terms of sales-generating publicity and with promotion of their books into international markets. Especially in the early years of Astley's writing career… Thea Astley grew up in a staunchly Catholic household, witnessing the unhappy marriage of her journalist father Cecil and his wife Eileen. Dec 14, Anne Fenn rated it it was amazing Shelves: biography.
Recommended publications
  • Reflections on Some Recent Australian Novels ELIZABETH WEBBY
    Books and Covers: Reflections on Some Recent Australian Novels ELIZABETH WEBBY For the 2002 Miles Franklin Award, given to the best Australian novel of the year, my fellow judges and I ended up with a short list of five novels. Three happened to come from the same publishing house – Pan Macmillan Australia – and we could not help remarking that much more time and money had been spent on the production of two of the titles than on the third. These two, by leading writers Tim Winton and Richard Flanagan, were hardbacks with full colour dust jackets and superior paper stock. Flanagan’s Gould’s Book of Fish (2001) also featured colour illustrations of the fish painted by Tasmanian convict artist W. B. Gould, the initial inspiration for the novel, at the beginning of each chapter, as well as changes in type colour to reflect the notion that Gould was writing his manuscript in whatever he could find to use as ink. The third book, Joan London’s Gilgamesh (2001), was a first novel, though by an author who had already published two prize- winning collections of short stories. It, however, was published in paperback, with a monochrome and far from eye-catching photographic cover that revealed little about the work’s content. One of the other judges – the former leading Australian publisher Hilary McPhee – was later quoted in a newspaper article on the Award, reflecting on what she described as the “under publishing” of many recent Australian novels. This in turn drew a response from the publisher of another of the short- listed novels, horrified that our reading of the novels submitted for the Miles Franklin Award might have been influenced in any way by a book’s production values.
    [Show full text]
  • Download Program
    Festival Guests Festival Information Sponsors Amanda Anastasi is an award-winning poet writer of the The Treehouse series and the in Residence at Melbourne University, Janet How to Book Festival Venues Major Partners Williamstown Literary whose work ranges from the introspective to BUM trilogy. Clarke Hall. willy All events held on Saturday 13 June the socio-political. Gideon Haigh has been an independent Susan Pyke teaches with the University of For detailed descriptions of sessions, David Astle is the Dictionary Guy on Letters journalist for almost 30 years. Melbourne, and her poetry, short stories and presenters and to book tickets, visit and Sunday 14 June are located at either the Williamstown Town Hall www.willylitfest.org.au or phone the ( and Numbers (SBS) and well-known crossword John Harms is a writer, publisher, broadcaster associative essays have appeared in various Festival lit compiler. and historian who appears on Offsiders (ABC) journals. Box Office on 9932 4074. or the Williamstown Library. ‘’ Kate Atkinson is an actor and one of the and runs footyalmanac.com.au Jane Rawson was formerly the Environment Book before midnight, Sunday 24 May Both are located at 104 Ferguson original founders of Actors for Refugees. & Energy Editor for news website, The Catherine Harris is an award-winning writer 2015 for special early bird pricing. Street, Williamstown. Please check 13 and 14 June 2015 fest Matt Blackwood has won multiple awards for and author of The Family Men. Conversation. She is the author of the novel, A Wrong Turn at the Office of Unmade Lists. your ticket for room details.
    [Show full text]
  • The Cyclone As Trope of Apocalypse and Place in Queensland Literature
    ResearchOnline@JCU This file is part of the following work: Spicer, Chrystopher J. (2018) The cyclone written into our place: the cyclone as trope of apocalypse and place in Queensland literature. PhD Thesis, James Cook University. Access to this file is available from: https://doi.org/10.25903/7pjw%2D9y76 Copyright © 2018 Chrystopher J. Spicer. The author has certified to JCU that they have made a reasonable effort to gain permission and acknowledge the owners of any third party copyright material included in this document. If you believe that this is not the case, please email [email protected] The Cyclone Written Into Our Place The cyclone as trope of apocalypse and place in Queensland literature Thesis submitted by Chrystopher J Spicer M.A. July, 2018 For the degree of Doctor of Philosophy College of Arts, Society and Education James Cook University ii Acknowledgements of the Contribution of Others I would like to thank a number of people for their help and encouragement during this research project. Firstly, I would like to thank my wife Marcella whose constant belief that I could accomplish this project, while she was learning to live with her own personal trauma at the same time, encouraged me to persevere with this thesis project when the tide of my own faith would ebb. I could not have come this far without her faith in me and her determination to journey with me on this path. I would also like to thank my supervisors, Professors Stephen Torre and Richard Landsdown, for their valuable support, constructive criticism and suggestions during the course of our work together.
    [Show full text]
  • An Open Book David Malouf POETRY
    LONDON BOOK FAIR 2019 UNIVERSITY OF QUEENSLAND PRESS PUBLICATION DETAILS ARE CORRECT AS OF MARCH 2019 BUT ARE SUBJECT TO CHANGE Kate McCormack Telephone +617 3365 2998 PO Box 6042 Fax +617 3365 7579 St Lucia Email [email protected] QLD 4067 Website www.uqp.com.au 1 The White Girl FICTION Tony Birch A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love. Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families. PRAISE FOR TONY BIRCH 'Birch evokes place and time with small details dropped in unceremoniously, and the stories are rife with social commentary. ''Well, who are we to judge?” Perhaps that is the point — Birch shows empathy so that we might find it.' Weekend Australian Tony Birch is the author of Ghost River, which won the Victorian Premier’s Literary Award for Indigenous Writing and Blood, which was shortlisted for the Miles Franklin Award.
    [Show full text]
  • Figuring the Sacred Geography, Spirituality and Literature
    Kunapipi Volume 17 Issue 2 Article 15 1995 Figuring the Sacred Geography, Spirituality and Literature Elaine Lindsay Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Lindsay, Elaine, Figuring the Sacred Geography, Spirituality and Literature, Kunapipi, 17(2), 1995. Available at:https://ro.uow.edu.au/kunapipi/vol17/iss2/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Figuring the Sacred Geography, Spirituality and Literature Abstract Imagine Australia. First the geography of Australia. Yes, there it is, an island centred upon a glowing desert heart. What of its population? A fringe of coastal encampments with a scattering of people across the plains and deserts. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol17/iss2/15 60 Elaine Lindsay ELAINE LINDSAY Figuring the Sacred Geography, Spirituality and Literature Imagine Australia. First the geography of Australia. Yes, there it is, an island centred upon a glowing desert heart. What of its population? A fringe of coastal encampments with a scattering of people across the plains and deserts. Now add in the early European explorers. There they go, waving goodbye to their women in the coastal towns and snail-trailing across the map, heading inland into the mysterious emptiness, looking for water and finding desolation. Overlay this map with one which shows holy sites, as identified over the years by Christian theologians. There's God in the centre, some­ where around Uluru, Ayers Rock.
    [Show full text]
  • Nothing Will Silence It
    LeadingWriters-FinalText.x 5/2/07 9:45 AM Page 3 Nothing Will Silence It By Alex Miller I don’t know that it’s making any difference, is it? And if it is making a difference, how do we begin to quantify the differ- ence it’s making? It’s rather like prayer. How can we know? Without poetry and drama and novels and music and art we know ourselves to be poorer. We know such things as these enrich our existence. But really that’s about all we can say. We can’t really say what it all means, or how it changes anything, at least not for other people, and perhaps not even for ourselves — unless we are book reviewers, of course, and no mysteries of the human soul are hidden from us. It is a rather elusive thing really, what creative writing or music mean. And this is one of their greatest charms. They elude our reason and give us respite from its tyrannies. What is this feeling of wonder that holds us in thrall as we read W.G. Sebald’s description of the decay of the Ashbury household in Ireland? Why are we so mesmerised? We don’t know these people. They are not our neighbours or our old friends. We are not learning anything useful. And Sebald is telling someone else’s story — the greatest source for all story- tellers, of course, other people’s stories. We are listening to Sebald’s own astonishment, to his sense of the melancholy and the inexplicable meaninglessness of the lives of this stricken family of forlorn exiles.
    [Show full text]
  • A World-Ecological Reading of Drought in Thea Astley's
    humanities Article Dry Country, Wet City: A World-Ecological Reading of Drought in Thea Astley’s Drylands Ashley Cahillane Discipline of English, National University of Ireland, Galway, Ireland; [email protected] Received: 6 January 2020; Accepted: 16 July 2020; Published: 11 August 2020 Abstract: Using a postcolonial and world-ecological framework, this article analyses the representation of water as an energy source in Thea Astley’s last and most critically acclaimed novel Drylands (1999). As environmental historians have argued, the colonial, and later capitalist, settlement of Australia, particularly the arid interior, was dependent on securing freshwater sources—a historical process that showed little regard for ecological impact or water justice until recent times. Drylands’ engagement with this history will be considered in relation to Michael Cathcart’s concept of ‘water dreaming’ (2010): the way in which water became reimagined after colonization to signify the prospect of economic growth and the consolidation of settler belonging. Drylands self-consciously incorporates predominant modes of ‘water dreaming’ into its narrative, yet resists reducing water to a passive resource. This happens on the level of both content and form: while its theme of drought-induced migration is critical of the past, present, and future social and ecological effects of the reckless extraction of freshwater, its nonlinear plot and hybrid form as a montage of short stories work to undermine the dominant anthropocentric colonial narratives that underline technocratic water cultivation. Keywords: Australian literature; world-ecology; blue humanities; world literature; ecocriticism; postcolonial ecocriticism 1. Introduction Water dictates Australia’s ecology, economy, and culture. Though surrounded by water, Australia is the world’s driest inhabited continent.
    [Show full text]
  • SL Magazine Summer Edition 2017-18
    –Magazine for members Summer 2017–18 Painting by numbers: Ferdinand Bauer Message Dear readers, visitors and friends, What a privilege it is to be State Librarian, responsible for one of the best loved and most important institutions in Australia. Since I began on 28 August, I have encountered nothing but enthusiasm, good will and a broad desire to see the Library continue to flourish and grow — a tribute to the three State Librarians with whom I have worked over the years, Regina Sutton, Alex Byrne and Lucy Milne. I also pay tribute to a remarkable generation of recent curators and librarians, now retired, including the likes of Paul Brunton, Alan Davies and Elizabeth Ellis. This time next year the Library will be a very different place — with more of its unique treasures on public show than ever before thanks to a great partnership between the NSW Government and our benefactors led by Michael Crouch AC, who is driving a major development of new galleries in the Mitchell wing, and John B Fairfax AO, who is behind a new learning centre being created in the same building. You can find a little more about the plans for the next phase of the Library’s history inside these pages, but I would like to mention a special event in November which draws attention to another very important aspect of the Library’s work — collaboration with scholars and scientists. For some years, the Belalberi Foundation (led by Peter Crossing AM and Sally Crossing AM) has generously supported original research into Australian natural history at the Library, and on 16 November we are launching a book and special online exhibition marking the culmination of this remarkable, long term project.
    [Show full text]
  • An Analysis of Food and Its Significance in the Australian Novels of Christina Stead, P
    F.O.O.D. (Fighting Order Over Disorder): An Analysis of Food and Its Significance in the Australian Novels of Christina Stead, Patrick White and Thea Astley. Jane Frugtneit A thesis submitted for the degree of Doctor of Philosophy Department of Humanities James Cook University August 2007 ABSTRACT The purpose of this thesis is to find a correlation between food as symbol and food as necessity, as represented in selected Australian novels by Christina Stead, Patrick White and Thea Astley. Food as a springboard to a unique interpretation of the selected novels has been under-utilised in academic research. Although comparatively few novels were selected for study, on the basis of fastidiousness, they facilitated a rigorous hermeneutical approach to the interpretation of food and its inherent symbolism. The principle behind the selection of these novels lies in the complexity of the prose and how that complexity elicits the “transformative powers of food” (Muncaster 1996, 31). The thesis examines both the literal and metaphorical representations of food in the novels and relates how food is an inextricable part of ALL aspects of life, both actual and fictional. Food sustains, nourishes and, intellectually, its many components offer unique interpretative tools for textual analysis. Indeed, the overarching structure of the thesis is analogous with the processes of eating, digestion and defecation. For example, following a discussion of the inextricable link between food, quest and freedom in Chapter One, which uncovers contrary attitudes towards food in the novels discussed, the thesis presents a more complex psychoanalytic theory of mental disorders related to food in Chapter Two.
    [Show full text]
  • The Genesis of Thea Astley's the Multiple Effects of Rainshadow
    The Genesis of Thea Astley’s The Multiple Effects of Rainshadow CHERYL TAYLOR JAMES COOK UNIVERSITY My purpose in this essay, which extends a project commenced a decade ago (Taylor 2009), is to analyse the sources of Thea Astley’s The Multiple Effects of Rainshadow, including but going beyond the list provided in the author’s ‘Acknowledgments.’ In truth, Astley’s achievement in Multiple Effects as in her other fiction far surpasses the sum of contributions that she derived from earlier writings. The mostly forgotten books that she lists as ‘[i]mpulses’ and her bequest to the Fryer Library of her newspaper sources and hand-written notes suggest that she may have welcomed a study of this novel’s genesis. The essay begins with an overview of the place of Multiple Effects in Astley’s oeuvre and the literary and political contexts for Astley’s increasing engagement with the history of Aboriginal dispossession. It then turns in detail to the novel itself and offers an excavation of the sources that inform its historical narrative. In doing this I hope to demonstrate something about Astley’s creative process: the extent and detail of her research, the ways in which her novel creatively reworks this archive, and some of the effects of that on the kind of history that Astley tells. Following the publication in 1994 of Coda, intended as the title indicates to be Astley’s last novel, the Keating Labor government awarded her a five-year Creative Fellowship of $325,000. Thus encouraged, after ‘one year of musing and two years of writing’ (Sayer 18) at Cambewarra on the NSW south coast, Astley published Multiple Effects in August 1996.
    [Show full text]
  • Front Matter Antipodes Editors
    Antipodes Volume 4 | Issue 1 Article 1 1990 Front Matter Antipodes Editors Follow this and additional works at: https://digitalcommons.wayne.edu/antipodes Recommended Citation Editors, Antipodes (1990) "Front Matter," Antipodes: Vol. 4 : Iss. 1 , Article 1. Available at: https://digitalcommons.wayne.edu/antipodes/vol4/iss1/1 Spring 1990 A North American Journal of Australian Literature The Publication of the American Association of Australian Literary Studies Antipodes A North American Journal of Australian Literature The Publication of the American Association of Contents Spring 1990, Vol. 4, No. 1 Australian Literary Studies POETRY EDITOR 12 Chris Wallace-Crabbe, Two Fruits Robert Ross 17 R. A. Simpson, Wattle Flowering Edward A. Clark Center for Australian Studies 21 Dennis Haskell, The Mitchell Freeway University of Texas at Austin 28 Chris Wallace-Crabbe, Paradise Regained 33 Stephen Edgar, Reef MANAGING EDITOR Marian Arkin 36 Connie Barber, Kore City University of New York 54 Jan Owen, Metro, Fern FICTION EDITOR 58 Stephen Edgar, How the World is Made Ray Willbanks 61 Kevin Hart, That Bad Summer Memphis State University 63 Mark O’Connor, In the Gardiner Valley POETRY EDITOR Paul Kane FICTION Yale University BOOK REVIEW EDITOR 9 David Malouf, from The Great World Phyllis Fahrie Edelson 23 Rome Warren, Aviary Pace University 25 Thea Astley, from Reaching Tin River EDITORIAL ADVISORY BOARD 37 Paul Wenz, Little Murphy Ian Adam, University of Calgary; Jack 55 Ian Kennedy Williams, Lily Healy, Carleton University; Herbert C. 59 Gillian Mears, Afterthought Jaffa, New York University; Joseph Jones, University of Texas at Austin; Glen Love, University of Oregon; Robert McDowell, ESSAYS University of Texas at Arlington; Daniel Walden, Pennsylvania State University.
    [Show full text]
  • Read Ebook {PDF EPUB} a Descant for Gossips by Thea Astley a Descant for Gossips
    Read Ebook {PDF EPUB} A Descant for Gossips by Thea Astley A Descant for Gossips. The world’s #1 eTextbook reader for students. VitalSource is the leading provider of online textbooks and course materials. More than 15 million users have used our Bookshelf platform over the past year to improve their learning experience and outcomes. With anytime, anywhere access and built-in tools like highlighters, flashcards, and study groups, it’s easy to see why so many students are going digital with Bookshelf. titles available from more than 1,000 publishers. customer reviews with an average rating of 9.5. digital pages viewed over the past 12 months. institutions using Bookshelf across 241 countries. A Descant for Gossips by Thea Astley and Publisher University of Queensland Press. Save up to 80% by choosing the eTextbook option for ISBN: 9780702254987, 0702254983. The print version of this textbook is ISBN: 9780702253553, 0702253553. A Descant for Gossips by Thea Astley and Publisher University of Queensland Press. Save up to 80% by choosing the eTextbook option for ISBN: 9780702254987, 0702254983. The print version of this textbook is ISBN: 9780702253553, 0702253553. ISBN 13: 9781459696884. A stylish reissue of one of Thea Astley's finest early novels In this classic story of small - town life, two schoolteachers are drawn to each other by their concern for a lonely young girl. For as long as Vinny Lalor could remember, she had been on the fringe of things - in her family and at school. But as the final term of the year progresses, rumour and malice mount against Vinny and her two teachers, sweeping them towards scandal and, for one of them, disaster.
    [Show full text]