Photographs Acc

Total Page:16

File Type:pdf, Size:1020Kb

Photographs Acc Photographs Acc. No.: 2008-006 Description / Scope and Contents 4 boxes of photographs donated by Rikki Swin. Boxes contain a variety of photographs from The Rikki Swin Institute (RSI), Ari Kane, Fantasia Fair, The International Foundation for Gender Education (IFGE), and Virginia Prince. Box 1: 1.1 Photographs – Rikki Swin Institute (RSI) March 2001 opening (216) – proof sheets (15) – single proof – written correspondence 1.1.1 Rikki Swin Institute March 2001 opening ceremony (18) 1.1.2 Rikki Swin Institute March 2001 opening dinner (76) 1.1.3 Rikki Swin Institute March 2001 opening (74) 1.1.4 Rikki Swin Institute March 2001 opening (47) 1.1.5 Rikki Swin Institute March 2001 opening – proof pages (15) – single proof – written correspondence 1.1.6 Rikki Swin – undated – 5x7 (1) 1.2 Photograph proofs – undated (579) 1.3 Photographs – book covers / miscellaneous / Ariadne Kane (22) – negative sheets (11) – proof sheets (33) 1.3.1 Crossdressing / Transsexual book covers 1980 (20) 1.3.2 Crossdressing / Transsexual book covers 1980 proof sheets (4) 1.3.3 Crossdressing / Transsexual book covers – negatives (5 sheets) 1.3.4 Miscellaneous negatives - undated (1 sheet) 1.3.5 Couples dancing - undated (1) 1.3.6 Officers and Board of Directors of the International Foundation for Gender Education – early seventies (1) 1.3.7 Ariadne Kane posing and miscellaneous – proof sheets – undated and 1975 (3) 1.3.8 Ariadne Kane posing – negatives – undated and 1975 (2 sheets) 1.3.9 Posed shots - large negatives sheets – undated (3) 1.3.10 Miscellaneous collection – proof sheets – undated (26) – written notes 1.4 Photographs – miscellaneous (25) – negative sheets (7) – proof sheets (15) 1.4.1 Miscellaneous black and white 3x5 photographs - undated (15) 1.4.2 Outdoors / coast – colour 5x7 photographs – undated (7) – negatives (1 sheet) 1.4.3 Posed photograph – black and white 8x11 – undated (1) 1.4.4 Mountains – black & white 8x11 – undated (1) Updated April 21, 2016 1.4.5 Colour photograph – signed to Ari from Adrienne – colour 3x5 – undated (1) 1.4.6 Miscellaneous negatives – undated (2 sheets) 1.4.7 1988 event – proof sheets (15) 1.4.8 Undated event – negatives (4 sheets) 1.5 Photographs – miscellaneous colour – undated 70s ? (23) – black and white photocopies (6 sheets) – list of names – 1978 newspaper article 1.6 Photographs – RSI fashion show 2001 / Provincetown, MA (55) – proof pages (5) – colour-filtered image sheets (11) 1.6.1 Rikki Swin Institute fashion show 2001 – photographs (37) 1.6.2 Rikki Swin Institute fashion show 2001 – proof pages (5) 1.6.3 Dan DePalma, Provincetown, MA – miscellaneous outdoors small colour photographs – undated (6) 1.6.4 Dan DePalma, Provincetown, MA – landscape sunset 5x7 colour photographs – undated (5) 1.6.5 Dan DePalma, Provincetown, MA – undated – outdoors 8x11 (7) 1.6.6 Dan DePalma, Provincetown, MA – colour filtered images (3 sets / 11 sheets) 1.7 Photographs – Fantasia Fair various years (379) – correspondence (1) 1.7.1 Fantasia Fair undated “Award winners” – b&w (6) 1.7.2 Fantasia Fair undated “Fashion show” – b&w (4) 1.7.3 “Fan Fair” undated – b&w (15) 1.7.4 “Michelle” undated – b&w (6) 1.7.5 “Individual Poses” undated – black & white (19) 1.7.6 Fantasia Fair 1980 – colour (11) 1.7.7 “Scenery” undated – polaroids (6) 1.7.8 Fantasia Fair undated miscellaneous –colour (2) 1.7.9 Fantasia Fair 1990 “Awards Banquet” – polaroids (60) 1.7.10 Fantasia Fair 1990 individuals “Pot Pourri” – polaroids (56) 1.7.11 Fantasia Fair 1990 “Fasion Show” at “Gifford House Inn” – b&w (56) 1.7.12 Fantasia Fair 1990 “Bisexual Partner” / TV’s on the Street” – b&w (12) 1.7.13 Fantasia Fair 1990 “OutReach Banquet” / “Girls at Gifford with Dog” / “Pudding” / “Photo Session” / “Make Up Photos” – b&w (12) 1.7.14 Fantasia Fair 1990 “Fi on Stage Strip Performance” – b&w 4x4 (10) 1.7.15 Fantasia Fair 1990 “Award Banquet” – b&w 4x4 (7) 1.7.16 Fantasia Fair 1990 “Open House Cocktail Party” – b&w 4x4 (14) 1.7.17 Fantasia Fair 1990 “Fantasy Ball” – b&w 4x4 (7) 1.7.18 Fantasia Fair 1990 “Fashion & Beauty Course” – b&w 4x4 (8) 1.7.19 Fantasia Fair 1990 miscellaneous – b&w 4x4 (66) 1.7.20 Fantasia Fair undated – individuals on stage – b&w (2) 1.7.21 Letter to Betty Ann Lin from “Nancy” re: 1990 Fantasia Fair 1.8 Negatives – Fantasia Fair 1990 (24 sheets) 1.9 Slides – Fantasia Fair 1976/75 (230) – photographs 1992 (37) negative sheets (2) 1.9.1 Fantasia Fair 1976 “Cocktail Party” – slides (25) 1.9.2 Fantasia Fair 1976 “Fashion Show & Auction” – slides (39) 1.9.3 Fantasia Fair 1976 “FB / Course” – slides (16) Updated April 21, 2016 1.9.4 Fantasia Fair 1976 “Banquet / Awards” – slides (15) 1.9.5 Fantasia Fair 1976 “Potluck Supper / Symposium) – slides (12) 1.9.6 Fantasia Fair 1976 “Dinner 2nd / Terrace” – slides (10) 1.9.7 Fantasia Fair 1976 “Evening with Charlotte” – slides (8) 1.9.8 Fantasia Fair 1976 “Ages of Fashion / Raffle” – slides (10) 1.9.9 Fantasia Fair 1976 miscellaneous / unsorted – slides (64) 1.9.10 1975 event Fantasia Fair ? - slides (31) 1.9.11 Ariadne Kane 1992 miscellaneous – photographs (37) 1.9.12 Ariadne Kane 1992 miscellaneous – negatives (2 sheets) 1.10 Photographs – undated eighties ? (394) – correspondence (1) 1.10.1 Event – undated Fantasia Fair ? eighties ? – redscale 4x6 (95) 1.10.2 Event – undated Fantasia Fair ? eighties ? – redscale 4x6 (61) 1.10.3 Event – undated Fantasia Fair ? eighties ? – redscale 4x6 (76) 1.10.4 Event – undated Fantasia Fair ? eighties ? – b&w 4x6 (115) 1.10.5 Event – undated Fantasia Fair ? eighties ? – colour 4x6 (24) 1.10.6 Event – undated Fantasia Fair ? 1988 ? – colour 4x6 (20) 1.10.7 1986 Miscellaneous photos from “Robin” to Ariadne Kane 1986 (2) – 1987 letter 1.10.8 From “Sonya” to Ariadne Kane – undated – colour (1) 1.11 Photographs - Ariadne Kane miscellaneous and travel (368) (4 photocopies) – negative sheets (6) – other materials (2) 1.11.1 Photography Exhibition presented by The Cyclops of Leysin American School 1968, faculty advisor Joseph DeMaios – b&w 7x9.5 (10) – program guides (2) 1.11.2 Cape Breton Island sunset by Joseph DeMaios – undated 5x7 (6) 1.11.3 Miscellaneous travel including South America and Africa – undated (33) 1.11.4 Miscellaneous 1984 travel including Utah (33) 1.11.5 Mini plane 1984 (5) 1.11.6 Miscellaneous travel including South America – b&w (34) – photocopies (4) 1.11.7 Colorado River rafting, 1975 (20) 1.11.8 Ariadne Kane / Joseph DeMaios miscellaneous family – undated (8) 1.11.9 Ariadne Kane “Family Dinner” – undated (26) 1.11.10 Miscellaneous including steam donkey ? (109) 1.11.11 “Sierra foray – Henry / Marge / Fitz” 1987 (16) 1.11.12 “Fungus Federation of Santa Cruz Picnic + Sierra foray” 1987 (18) 1.11.13 “Fungus Federation Picnic” April 4, 1987 (21) 1.11.14 “Fungus Federation Trip – Boulder Creek” 1987 (23) 1.11.15 Miscellaneous including Cape Breton sunset – undated 8x10 (6) 1.11.16 “Sierra Foray” / “Fungus Federation” negatives (5 sheets) 1.11.17 Colorado River rafting 1.11.7 – negatives (8 strips) Box 2: 2.1 Photographs – Ariadne Kane miscellaneous 1986 / 1987 (194) – negatives sheets (13) – written correspondence (4) 2.1.1 “Western Regional Quads meeting” 1987 (30) – written notes (2) 2.1.2 “Be All Weekend” 1987 – 3.5x5 (25) Updated April 21, 2016 2.1.3 “Be All Weekend” 1987 – 4x6 (7) 2.1.4 “Visit with the Cranes” 1987 (4) 2.1.5 “Studying at UCSC campus / Flowers in the Santa Cruz area / Pinnacle Monument” 1987 (37) 2.1.6 1987 negatives (7 sheets) 2.1.7 Photo to Ariadne Kane from Michael E. Perry – 1987 (1) – letter (1) 2.1.8 “Be All Weekend” 1986 (13) 2.1.9 From “Jane Hoffman” 1986 (21) – letter (1) 2.1.10 Saint Louis 1986 (15) 2.1.11 Utah, February 1986 (19) 2.1.12 “Androgyny Project Phase #1 with Ric Blake” 1986 ? (22) 2.1.13 1986 negatives (6 sheets) 2.2 Photographs – Miscellaneous 1980s and undated (183) – negative sheets (7) 2.2.1 “Provincetown Dunes” 1980 (8) 2.2.2 “Test roll with Pentax MLX” 1981 (19) 2.2.3 “Charles River Trip with Rose & Bill” September 1981 (8) 2.2.4 “Sea Kayaking in Maine” 1983 (21) 2.2.5 “Christmas dinner at Walworths” – undated (7) 2.2.6 Miscellaneous – undated (29) 2.2.7 Ski trip – undated (7) 2.2.8 Camping trip – undated (13) 2.2.9 Negatives of 2.2.1-2.2.8 (6 sheets) 2.2.10 “Joanie’s Party” including Ariadne Kane and Virginia Prince 1986 (71) 2.2.11 “Joanie’s Party” negatives (1 sheet) 2.3 Photographs – Miscellaneous (245) – written note (1) 2.3.1 Restaurant 1961 – b&w (15) 2.3.2 “New York” – undated (22) 2.3.3 “China and India bad shots” – undated (14) 2.3.4 Miscellaneous travel – undated (78) 2.3.5 Miscellaneous outdoors / coast – undated (51) 2.3.6 Canoeing – undated – b&w (7) 2.3.7 Mountains – undated (11) 2.3.8 Miscellaneous – undated (24) 2.3.9 “Provincetown, MA” – undated (14) 2.3.10 Photos to Rikki Swin from “Yosh” – undated (9) – written note (1) 2.4 Photo proofs 1983 (10 strips) – Sicily slides (32) – Miscellaneous negative sheets (25) 2.4.1 “Sea Kayaking”, August 1983 – strips of proofs (10) 2.4.2 Sicily – undated – slides (32) 2.4.3 Miscellaneous 1980s – negatives (6 sheets) [list below] 2.4.4 Miscellaneous / travel – undated – negatives (19 sheets) 2.5 Correspondence – Joseph DeMaios miscellaneous postcards [list below] 2.6 Photographs - Fantasia Fair 1987/86 (164) – negatives (2) 2.6.1 Fantasia Fair 1987 individuals – b&w 5x7 (45) [list below] 2.6.2 Fantasia Fair 1987 miscellaneous – b&w 5x7 (56) Updated April 21, 2016 2.6.3 Fantasia Fair miscellaneous – undated 1986/1987 ? – b&w 5x7 (62) – negatives (2) [list below] 2.6.4 Fantasia Fair audience including Virginia Prince – undated – b&w 5x7 (1)
Recommended publications
  • User Guide: Imaging
    User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 Revision history: A0800 – Initial release for VNMR 6.1C. A0201 – Removed obsolete dslice macro per C. Hofstetter and M. Hedehus. Applicability of manual: Imaging modules on Varian NMR superconducting spectrometer systems with VnmrIMAGE version 4.4 software installed. Technical contributors: Simon Chu, Matt Howitt, Chris Price, Alan Rath, Subramaniam Sukumar, Evan Williams Technical writers: Michael Carlisle, Dan Steele Technical editor: Dan Steele Copyright 2000–2001 by Varian, Inc. 3120 Hansen Way, Palo Alto, California 94304 http://www.varianinc.com All rights reserved. Printed in the United States. The information in this document has been carefully checked and is believed to be entirely reliable. However, no responsibility is assumed for inaccuracies. Statements in this document are not intended to create any warranty, expressed or implied. Specifications and performance characteristics of the software described in this manual may be changed at any time without notice. Varian reserves the right to make changes in any products herein to improve reliability, function, or design. Varian does not assume any liability arising out of the application or use of any product or circuit described herein; neither does it convey any license under its patent rights nor the rights of others. Inclusion in this document does not imply that any particular feature is standard on the instrument.
    [Show full text]
  • High Redshift Galaxies As Probes of the Epoch of Reionization
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 High Redshift Galaxies As Probes Of The Epoch Of Reionization Jessie Frances Taylor University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Astrophysics and Astronomy Commons, and the Physics Commons Recommended Citation Taylor, Jessie Frances, "High Redshift Galaxies As Probes Of The Epoch Of Reionization" (2016). Publicly Accessible Penn Dissertations. 2603. https://repository.upenn.edu/edissertations/2603 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2603 For more information, please contact [email protected]. High Redshift Galaxies As Probes Of The Epoch Of Reionization Abstract Following the Big Bang, as the Universe cooled, hydrogen and helium recombined, forming neutral gas. Currently, this gas largely resides between galaxies in a highly diffuse state known as the intergalactic medium (IGM). Observations indicate that the IGM, fueled by early galaxies and/or accreting black holes, ``reionized'' early in cosmic history--the entire volume of the Universe refilling with ionized gas. This thesis analyzes and develops several ways to use observations of high redshift galaxies to probe this period, the Epoch of Reionization (EoR). We examine the redshift evolution of the Ly-alpha fraction, the percentage of Lyman-break selected galaxies (LBGs) that are Lyman-alpha emitting galaxies (LAEs). Observing a sharp drop in this fraction at z ~ 7, many early studies surmised the z ~ 7 IGM must be surprisingly neutral. We model the effect of patchy reionization on Ly-alpha fraction observations, concluding that sample variance reduces the neutral fraction required.
    [Show full text]
  • Introduction to (Un)Intentional Errors in Analog Film and Photography
    Introduction to (un)intentional errors in analog film and photography Ejla Kovačević & Anita Budimir (Klubvizija SC) /‘fu:bar/ 2016 Film specifications - Every manufacturer does his own film stock with own specifications, processing rules and chemical solutions (Kodak, Fuji, Foma...) - Development process highly regulated, most important: temperature, time, agitation - Old unexposed filmstock sometimes cannot be developed anymore because it requires specific chemical solutions which are no longer produced and vice versa - Today independent film labs are making their own chemical solutions and film stock to avoid dependence on commercial manufacturers Multiple exposure - Multiple light exposing onto single film frame in the camera Dziga Vertov – Man with a movie camera 1929 Murnau: Sunrise 1927 and The last laugh 1924 Example Manufraktur (Peter Tscherkassky, 1985) scratch / cameraless film / direct animation - Process of drawing or scratching directly on film - Scratch film animation emerged in 1920s with Len Lye - Associated with abstracts artists (Hans Richter, Oskar Fischinger, Viking Eggeling) - Reemerged in 50s and 60s with Stan Brakhage, Norman McClaren, Maurice Lemaitre... Scratch / cameraless film / direct animation Stan Brakhage strips A colour box (Len Lye, 1935) An optical poem (Oscar Fischinger, 1938.) Examples Blinkity Blank (Norman McClaren, 1955) https://www.youtube.com/watch?v=ftEci6AMUKg Mothlight (Stan Brakhage, 1963) https://www.youtube.com/watch?v=YGupnCXNuM8 Solarisation ● Also called Sabattier effect ● Discovered in 1862 by french photographer Armand Sabattier ● Reverse effect of light during too strong light exposure, whereby instead of negatives produces positive Man Ray - Experimented with unorthodox photographic processes during 1920s - His manipulated photographs are considered the origins of surrealist photography - The ultimate goal of photography in his own words, was to "..
    [Show full text]
  • Photography Techniques Intermediate Skills
    Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image.
    [Show full text]
  • Malamegi LAB.11 International Art Contest Final Exhibition
    Malamegi LAB.11 International Art Contest Final exhibition We are pleased to announce the dates of “Malamegi LAB 11” final exhibition, which will Malamegi LAB 11 be held over a two week period from 12 to 26 January 2019 in Venice, in the spaces of International Art Contest Imagoars, Campo del Ghetto Vecchio 1145 - Cannaregio, Venice - Italy. Final exhibition - opening The exhibition presents works by 12 international artists: Alessandra Brown (Italy), Saturday, 12 January 2019 6:00PM Alessandro Lobino (Italy), Carlo D’Orta (Italy), Damian Kerr (New Zealand), Elena Rolando Perino (Italy), Fabiana Succi (Italy), Federico Gessi (Italy), Hyun Jung Ji (South Korea), Laura Zamboni (Italy), Nicoletta Cossa (Italy), Paula Machado (Brazil), Taha Afshar (United Kingdom). Each artist, through different mediums, investigates the multi-facet perspectives and shades of the human being, displaying new innovative concepts. The works of the various artists included in this exhibition resonate with major contemporary cultural, economic and political realities experienced as part of everyday lives and across the globe. CENTRO TRANSNAZIONALE DELLE ARTI VISIVE IMAGOARS This exhibition traces the emergent contemporary art’s current trends, spanning different generations, their practices traversing the disciplines of contemporary artistic Campo del Ghetto Vecchio 1145 creation. Cannaregio, Venezia Opening Days: 12-26 January 2019 Among all participants of the exhibition, Malamegi Lab will allot 4 different prizes, that will be notificated at the end of the
    [Show full text]
  • 432-0012-02-10 M400 Operators Manual
    Operator’s Manual M400 This document provides operating instructions for M400 cameras running software update version v2.1.x. This document does not contain export-controlled information © 2020 FLIR Systems, Inc. All rights reserved worldwide. No parts of this manual, in whole or in part, may be copied, photocopied, translated, or transmitted to any electronic medium or machine readable form without the prior written permission of FLIR Systems, Inc. Names and marks appearing on the products herein are either registered trademarks or trademarks of FLIR Systems, Inc. and/or its subsidiaries. All other trademarks, trade names, or company names referenced herein are used for identification only and are the property of their respective owners. This product is protected by patents, design patents, patents pending, or design patents pending. The contents of this document are subject to change without notice. FLIR Systems, Inc. 6769 Hollister Ave. Goleta, CA 93117 Phone: 888.747.FLIR (888.747.3547) [email protected] Proper Disposal of Electrical and Electronic Equipment (EEE) The European Union (EU) has enacted Waste Electrical and Electronic Equipment Directive 2002/96/EC (WEEE), which aims to prevent EEE waste from arising; to encourage reuse, recycling, and recovery of EEE waste; and to promote environmental responsibility. In accordance with these regulations, all EEE products labeled with the “crossed out wheeled bin” either on the product itself or in the product literature must not be disposed of in regular rubbish bins, mixed with regular household or other commercial waste, or by other regular municipal waste collection means. Instead, and in order to prevent possible harm to the environment or human health, all EEE products (including any cables that came with the product) should be responsibly discarded or recycled.
    [Show full text]
  • Color Correction Look Book: Creative Grading Techniques for Film and Video Alexis Van Hurkman
    COLOR From the best-selling author of Color Correction Handbook COLOR CORRECTION CORRE COLOR LOOK BOOK CORRECTION The digital colorist’s job is no longer to simply balance, fix, and Alexis Van Hurkman is a LOOK BOOK optimize. Today’s filmmakers often want to recreate the idiosyncrasies of older writer, director, and colorist based in Saint Paul, Minnesota. He has written CT recording methods, or are looking for something completely new, to differentiate widely on the topic of color correction, the look of a given project. Furthermore, end-to-end digital shooting, post- including Color Correction Handbook; Creative Grading Techniques ION production, and distribution means that stylizations and effects once created by Adobe SpeedGrade Classroom in a Book; for Film and Video the film lab are no longer photochemically available. The color grading suite has Autodesk Smoke Essentials; and Apple become the lab, and these sorts of stylizations are now part of the colorist’s job Pro Training Series titles The Encyclope- description. In this follow-up volume to the bestseller Color Correction Handbook, dia of Color Correction, Advanced Color Correction and Effects in Final Cut Pro, and L Alexis Van Hurkman walks you through twenty-one categories of creative Final Cut Pro X Advanced Editing. Alexis OOK grading techniques, designed to give you an arsenal of stylizations you can pull has also written software documenta- out of your hat when the client asks for something special, unexpected, and tion, including the DaVinci Resolve unique. Each chapter presents an in-depth examination and step-by-step, cross- Manual and the Apple Color User platform breakdown of stylistic techniques used in music videos, commercial Manual.
    [Show full text]
  • 121 Digital Frames
    PHOTOGRAPHY 121 800-947-7785 | 212-444-6635 Digital Frames Digital Photo Frames More than just a digital frame, these are Digital Lifestyle Devices PanImage 7- and 8-inch Digital Photo Frames View pictures, listen to music and watch home videos on these true The PanImage 7” and 8” frames feature 800 x 600 resolution, color LCDs. Insert an SD /SDHC card or USB drive into the frame and hold up to 6400 images on 1GB of internal memory and are picutures automatically start in a slideshow mode. Easily transfer files WiFi/Bluetooth compatible. Built-in stereo speakers allows for a from your computer to the frames’ built-in memory with the included full multimedia experience. They allow you to transfer images USB 2.0 cable. Display on a table top with the included frame stand directly from a memory card via 5-in-1 card reader or from PC or mount on your wall — great for digital signage. They include a with included USB cable. Customize the look of your frame with remote control for easy operation the interchangeable white and charcoal mats. They also feature 8-inch: 512MB Memory, 800 x 600 resolution (ALDPF8) ............................................................52.99 a real time clock, calendar, alarm, audio out port, programmable 8-inch: Same as above, without speakers and no remote (ALDPF8AS) .........................................40.96 On/Off, and image rotate/resize. 12-inch: 512MB Memory, 800 x 600 resolution (ALDPF12) .........................................................95.00 7-inch Frame (PADPF7) ..........................................................................................................59.95 15-inch: 256MB Memory, 1024 x 768 resolution (ALDPF15) .....................................................159.00 8-inch Frame (PADPF8) ..........................................................................................................64.95 PanImage 10.4” Digital Picture Frame DP356 Stores up to 5000 images on 1GB of internal memory and is WiFi/ 3.5” Digital Photo Album with Alarm Clock Bluetooth compatible.
    [Show full text]
  • Grand Canyon Wilderness Character Narrative and Baseline Monitoring Assessment Building Blocks for Wilderness Stewardship
    National Park Service U.S. Department of the Interior Natural Resource Stewardship and Science Grand Canyon Wilderness Character Narrative and Baseline Monitoring Assessment Building Blocks for Wilderness Stewardship Natural Resource Report NPS/GRCA/NRR—2019/2003 “I hope the United States of America is not so rich that she can afford to let these wildernesses pass by, or so poor she cannot afford to keep them.” – Margaret Murie ONCalifornia THIS PAGE condor (NPS/MICHAEL QUINN). California condor (NPS/MICHAEL QUINN) ON THE COVER Sunset over the Grand Canyon wilderness observed from the Grandview Trail (NPS/TOBIAS NICKEL) Grand Canyon Wilderness Character Narrative and Baseline Monitoring Assessment Building Blocks for Wilderness Stewardship Natural Resource Report NPS/GRCA/NRR—2019/2003 Tobias Nickel National Park Service Grand Canyon National Park Grand Canyon, Arizona American Conservation Experience Flagstaff, Arizona September 2018 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado, publishes a range of reports that address natural resource topics. These reports are of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public. The Natural Resource Report Series is used to disseminate comprehensive information and analysis about natural resources and related topics concerning lands managed by the National Park Service. The series supports the advancement of science, informed decision-making, and the achievement of the National Park Service mission. The series also provides a forum for presenting more lengthy results that may not be accepted by publications with page limitations.
    [Show full text]
  • (12) United States Patent (10) Patent No.: US 8,585,956 B1 Pagryzinski Et Al
    US008585956B1 (12) United States Patent (10) Patent No.: US 8,585,956 B1 Pagryzinski et al. (45) Date of Patent: Nov. 19, 2013 (54) SYSTEMS AND METHODS FOR LASER 4,156,124 A 5, 1979 Macken et al. MARKINGWORK PIECES 4,276,829 A 7, 1981 Chen 4,336,439 A 6, 1982 Sasnett et al. (75) Inventors: WilliamO O V. Pagryzinski, Leo, IN (US); 4,390.903.4,354,196 A 10,6, 19831982 NStay tal.a Caleb A. Ziebold, Defiance, OH (US) 4,446,165 A 5/1984 Roberts 4,468,551 A 8, 1984 Neiheisel (73) Assignee: Therma-Tru, Inc., Edgerton, OH (US) (Continued) (*) Notice: Subject to any disclaimer, the term of this FOREIGN PATENT DOCUMENTS patent is extended or adjusted under 35 U.S.C. 154(b) by 119 days. DE 4300378 7, 1993 EP 213546 1, 1991 (21) Appl. No.: 12/911,336 (Continued) (22) Filed: Oct. 25, 2010 OTHER PUBLICATIONS Related U.S. Application Data The Engravers Journal, vol. 19, No. 2, Sep. 1993, 18 pgs. (60) Provisional application No. 61/254,453, filed on Oct. (Continued) 23, 2009. Primary Examiner — Larry Thrower (51) Int. Cl. (74) Attorney, Agent, or Firm — Califee, Halter & Griswold B29C 35/08 (2006.01) LLP (52) U.S. Cl. USPC .......................................................... 264/400 (57) ABSTRACT (58) Field of Classification Search A method of laser marking a workpiece involves reproducing USPC .................................... ... 264/400 a pattern having a Surface marked portion and a depth See application file for complete search history. engraved portion from a digital image of the pattern. The (56) References Cited grayscale shades of pixels in one portion of the image are adjusted while maintaining grayscale shades of pixels in the U.S.
    [Show full text]
  • Discovery of Diffuse Optical Emission Lines from the Inner Galaxy
    SCIENC E ADVANCE S | RESEARC H ARTICL E Copyright © 2020 ASTRONOMY The Authors, some rights reserved; Discovery of diffuse optical emission lines exclusive licensee American Association from the inner Galaxy: Evidence for LI(N)ER-like gas for the Advancement of Science. No claim to 1 2 3,4,1 D. Krishnarao *, R. A. Benjamin , L. M. Haffner original U.S. Government Works. Distributed Optical emission lines are used to categorize galaxies into three groups according to their dominant central under a Creative radiation source: active galactic nuclei, star formation, or low-ionization (nuclear) emission regions [LI(N)ERs] Commons Attribution that may trace ionizing radiation from older stellar populations. Using the Wisconsin H-Alpha Mapper, we detect NonCommercial optical line emission in low-extinction windows within eight degrees of Galactic Center. The emission is associated License 4.0 (CC BY-NC). with the 1.5-kiloparsec-radius “Tilted Disk” of neutral gas. We modify a model of this disk and find that the hydrogen gas observed is at least 48% ionized. The ratio [NII] λ6584 angstroms/Hα λ6563 angstroms increases from 0.3 to 2.5 with Galactocentric radius; [OIII] λ5007 angstroms and Hβ λ4861 angstroms are also sometimes detected. The line ratios for most Tilted Disk sightlines are characteristic of LI(N)ER galaxies. INTRODUCTION line ratios may be explained by a population of hot old low-mass Evidence for ionized gas in galaxies has existed since 1909 when evolved stars [e.g., (18) and references therein]. There are several optical emission lines were first detected in the spectra of a “spiral classes of potential ionizing sources, e.g., post–asymptotic giant branch nebula” (1).
    [Show full text]
  • December 2012
    Late shopping night at Beau Photo! On Thursday December 13th we will be open until 8:30pm. Holiday Hours at Beau: We will be closing on December 24th at 2pm and re-opening on January 2nd at 8:30am. Happy holidays to all of you from all of us! Beau Newsletter - December 2012 10% off Plastic Cameras • Rollei Redscale Film • Cleaning Old Negatives • Lowepro and Kata Bags 15% off • Price Drop on Pelican Cases • Profoto Pro-8a and Canon 6D in Rentals • Drop it Modern Backdrops 25% off • Cinevate Sale • Phase One Events • Fujifilm X-E1 in stock • Nikon and Canon Rebates • Renaissance Sale • more ••• BEAU NEWS DECEMBER 2012 FILM / ANALOG NEWS 10% off Plastic Cameras! Nicole L.-D The perfect Christmas gift for photographers of all ages Searching for that perfect gift? Well search no longer! Beau has a fabulous Christmas plastic camera sale on! Most of our fun Lomography & Holga stock is 10% off for the entire month of December! Just in! Rollei Redscale 35mm films And just when you were starting to despair about the winter, Rollei’s Red Bird 400 & Night Bird 800 35mm films are now in stock. Not only are these films a higher ISO to beat the dark skies and rain outside right now, but these films are tricky. They have been rolled “redscale style” which means they are rolled into the canister inside-out, giving you a strong color shift to red due to the red- sensitive layer of the film being exposed first. Perfect for warming up any drab rainy day! There are a few spaces left for the Impossible Project workshop, call now to reserve! Learn to make your own lifts and transparencies - Thursday December 13th, 5:00 - 6:30 PM.
    [Show full text]