How to Do Everything with Your Digital Camera
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Hardware and Software for Panoramic Photography
ROVANIEMI UNIVERSITY OF APPLIED SCIENCES SCHOOL OF TECHNOLOGY Degree Programme in Information Technology Thesis HARDWARE AND SOFTWARE FOR PANORAMIC PHOTOGRAPHY Julia Benzar 2012 Supervisor: Veikko Keränen Approved _______2012__________ The thesis can be borrowed. School of Technology Abstract of Thesis Degree Programme in Information Technology _____________________________________________________________ Author Julia Benzar Year 2012 Subject of thesis Hardware and Software for Panoramic Photography Number of pages 48 In this thesis, panoramic photography was chosen as the topic of study. The primary goal of the investigation was to understand the phenomenon of pa- noramic photography and the secondary goal was to establish guidelines for its workflow. The aim was to reveal what hardware and what software is re- quired for panoramic photographs. The methodology was to explore the existing material on the topics of hard- ware and software that is implemented for producing panoramic images. La- ter, the best available hardware and different software was chosen to take the images and to test the process of stitching the images together. The ex- periment material was the result of the practical work, such the overall pro- cess and experience, gained from the process, the practical usage of hard- ware and software, as well as the images taken for stitching panorama. The main research material was the final result of stitching panoramas. The main results of the practical project work were conclusion statements of what is the best hardware and software among the options tested. The re- sults of the work can also suggest a workflow for creating panoramic images using the described hardware and software. The choice of hardware and software was limited, so there is place for further experiments. -
User Guide: Imaging
User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 Revision history: A0800 – Initial release for VNMR 6.1C. A0201 – Removed obsolete dslice macro per C. Hofstetter and M. Hedehus. Applicability of manual: Imaging modules on Varian NMR superconducting spectrometer systems with VnmrIMAGE version 4.4 software installed. Technical contributors: Simon Chu, Matt Howitt, Chris Price, Alan Rath, Subramaniam Sukumar, Evan Williams Technical writers: Michael Carlisle, Dan Steele Technical editor: Dan Steele Copyright 2000–2001 by Varian, Inc. 3120 Hansen Way, Palo Alto, California 94304 http://www.varianinc.com All rights reserved. Printed in the United States. The information in this document has been carefully checked and is believed to be entirely reliable. However, no responsibility is assumed for inaccuracies. Statements in this document are not intended to create any warranty, expressed or implied. Specifications and performance characteristics of the software described in this manual may be changed at any time without notice. Varian reserves the right to make changes in any products herein to improve reliability, function, or design. Varian does not assume any liability arising out of the application or use of any product or circuit described herein; neither does it convey any license under its patent rights nor the rights of others. Inclusion in this document does not imply that any particular feature is standard on the instrument. -
Megaplus Conversion Lenses for Digital Cameras
Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses. -
High Redshift Galaxies As Probes of the Epoch of Reionization
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 High Redshift Galaxies As Probes Of The Epoch Of Reionization Jessie Frances Taylor University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Astrophysics and Astronomy Commons, and the Physics Commons Recommended Citation Taylor, Jessie Frances, "High Redshift Galaxies As Probes Of The Epoch Of Reionization" (2016). Publicly Accessible Penn Dissertations. 2603. https://repository.upenn.edu/edissertations/2603 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2603 For more information, please contact [email protected]. High Redshift Galaxies As Probes Of The Epoch Of Reionization Abstract Following the Big Bang, as the Universe cooled, hydrogen and helium recombined, forming neutral gas. Currently, this gas largely resides between galaxies in a highly diffuse state known as the intergalactic medium (IGM). Observations indicate that the IGM, fueled by early galaxies and/or accreting black holes, ``reionized'' early in cosmic history--the entire volume of the Universe refilling with ionized gas. This thesis analyzes and develops several ways to use observations of high redshift galaxies to probe this period, the Epoch of Reionization (EoR). We examine the redshift evolution of the Ly-alpha fraction, the percentage of Lyman-break selected galaxies (LBGs) that are Lyman-alpha emitting galaxies (LAEs). Observing a sharp drop in this fraction at z ~ 7, many early studies surmised the z ~ 7 IGM must be surprisingly neutral. We model the effect of patchy reionization on Ly-alpha fraction observations, concluding that sample variance reduces the neutral fraction required. -
Introduction to (Un)Intentional Errors in Analog Film and Photography
Introduction to (un)intentional errors in analog film and photography Ejla Kovačević & Anita Budimir (Klubvizija SC) /‘fu:bar/ 2016 Film specifications - Every manufacturer does his own film stock with own specifications, processing rules and chemical solutions (Kodak, Fuji, Foma...) - Development process highly regulated, most important: temperature, time, agitation - Old unexposed filmstock sometimes cannot be developed anymore because it requires specific chemical solutions which are no longer produced and vice versa - Today independent film labs are making their own chemical solutions and film stock to avoid dependence on commercial manufacturers Multiple exposure - Multiple light exposing onto single film frame in the camera Dziga Vertov – Man with a movie camera 1929 Murnau: Sunrise 1927 and The last laugh 1924 Example Manufraktur (Peter Tscherkassky, 1985) scratch / cameraless film / direct animation - Process of drawing or scratching directly on film - Scratch film animation emerged in 1920s with Len Lye - Associated with abstracts artists (Hans Richter, Oskar Fischinger, Viking Eggeling) - Reemerged in 50s and 60s with Stan Brakhage, Norman McClaren, Maurice Lemaitre... Scratch / cameraless film / direct animation Stan Brakhage strips A colour box (Len Lye, 1935) An optical poem (Oscar Fischinger, 1938.) Examples Blinkity Blank (Norman McClaren, 1955) https://www.youtube.com/watch?v=ftEci6AMUKg Mothlight (Stan Brakhage, 1963) https://www.youtube.com/watch?v=YGupnCXNuM8 Solarisation ● Also called Sabattier effect ● Discovered in 1862 by french photographer Armand Sabattier ● Reverse effect of light during too strong light exposure, whereby instead of negatives produces positive Man Ray - Experimented with unorthodox photographic processes during 1920s - His manipulated photographs are considered the origins of surrealist photography - The ultimate goal of photography in his own words, was to ".. -
Photography Techniques Intermediate Skills
Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image. -
Malamegi LAB.11 International Art Contest Final Exhibition
Malamegi LAB.11 International Art Contest Final exhibition We are pleased to announce the dates of “Malamegi LAB 11” final exhibition, which will Malamegi LAB 11 be held over a two week period from 12 to 26 January 2019 in Venice, in the spaces of International Art Contest Imagoars, Campo del Ghetto Vecchio 1145 - Cannaregio, Venice - Italy. Final exhibition - opening The exhibition presents works by 12 international artists: Alessandra Brown (Italy), Saturday, 12 January 2019 6:00PM Alessandro Lobino (Italy), Carlo D’Orta (Italy), Damian Kerr (New Zealand), Elena Rolando Perino (Italy), Fabiana Succi (Italy), Federico Gessi (Italy), Hyun Jung Ji (South Korea), Laura Zamboni (Italy), Nicoletta Cossa (Italy), Paula Machado (Brazil), Taha Afshar (United Kingdom). Each artist, through different mediums, investigates the multi-facet perspectives and shades of the human being, displaying new innovative concepts. The works of the various artists included in this exhibition resonate with major contemporary cultural, economic and political realities experienced as part of everyday lives and across the globe. CENTRO TRANSNAZIONALE DELLE ARTI VISIVE IMAGOARS This exhibition traces the emergent contemporary art’s current trends, spanning different generations, their practices traversing the disciplines of contemporary artistic Campo del Ghetto Vecchio 1145 creation. Cannaregio, Venezia Opening Days: 12-26 January 2019 Among all participants of the exhibition, Malamegi Lab will allot 4 different prizes, that will be notificated at the end of the -
Shooting Panoramas and Virtual Reality
4104_ch09_p3.qxd 6/25/03 11:17 PM Page 176 4104_ch09_p3.qxd 6/25/03 11:17 PM Page 177 Shooting Panoramas and Virtual Reality With just a little help from special software, you can extend the capabilities of your digital camera to create stunning panoramas and enticing virtual reality (VR) images. This chapter shows you how to shoot—and create— images that are not only more beautiful, but 177 ■ also have practical applications in the commer- SHOOTING PANORAMAS AND VIRTUAL REALITY cial world as well. Chapter Contents 9 Panoramas and Object Movies Shooting Simple Panoramas Extending Your View Object Movies Shooting Tips for Object Movies Mikkel Aaland Mikkel 4104_ch09_p3.qxd 6/25/03 11:18 PM Page 178 Panoramas and Object Movies Look at Figure 9.1. It’s not what it seems. This panorama is actually comprised of several images “stitched” together using a computer and special software. Because of the limitations of the digital camera’s optical system, it would have been nearly impos- sible to make this in a single shot. Panoramas like this can be printed, or with an extended angle of view and more software help, they can be turned into interactive virtual reality (VR) movies viewable on a computer monitor and distributed via the Web or on a CD. Figure 9.1: This panorama made by Scott Highton using a Nikon Coolpix 990 is comprised of 178 four adjacent images, “stitched” together using Photoshop Elements’ 2 Photomerge plug-in. ■ If you look at Figure 9.2 you’ll see another example where software was used to extend the capabilities of a digital camera. -
Panoweaver 9 User Manual (To Start the Online Help, Select Help > Help Topics from the Main Menu Or Press F1)
Panoweaver User Manual www.easypano.com Table Of Contents Welcome .................................................................................................... 1 Introduction ............................................................................................... 3 What's New........................................................................................... 3 Edition Comparison ................................................................................ 4 Get Help ............................................................................................... 5 Install Panoweaver 9 ................................................................................... 7 System Requirements .......................................................................... 10 System Requirements ..................................................................... 10 For Windows .................................................................................. 10 For Macintosh ................................................................................ 11 Activate Panoweaver 9 ............................................................................... 13 Activate Panoweaver 9 ......................................................................... 13 Purchase ............................................................................................ 13 Product Activation ................................................................................ 13 Transfer License Key ........................................................................... -
Diseño De Un Recorrido Virtual 360° Sobre
Diseño de un recorrido virtual 360° sobre características técnicas de accesibilidad en personas con discapacidad motora que hacen uso de sillas de ruedas por el campus de la Universidad San Buenaventura Cali Stephania Gallego Rojas, [email protected] Carlos Andrés Apolinar Calvo, [email protected] Trabajo de Grado presentado para optar al título de Ingeniero Multimedia Asesor: Deisy Marín Velásquez, Ingeniero Multimedia. Universidad de San Buenaventura Colombia Facultad de Ingeniería Ingeniería Multimedia Santiago de Cali, Colombia 2018 DISEÑO DE RECORRIDO VIRTUAL 360° SOBRE ACCESIBILIDAD 2 DE PERSONAS EN SILLA DE RUEDAS Citar/How to cite [1] Referencia/Reference [1] S. Gallego Rojas y C. A. Apolinar Calvo, “Diseño de un recorrido virtual 360° sobre características técnicas de accesibilidad en personas con discapacidad Estilo/Style: motora que hacen uso de sillas de ruedas por el campus de la Universidad San IEEE (2014) Buenaventura Cali.”, Trabajo de grado Ingeniería Multimedia, Universidad de San Buenaventura Cali, Facultad de Ingeniería, 2018. Bibliotecas Universidad de San Buenaventura Biblioteca Digital (Repositorio) http://bibliotecadigital.usb.edu.co Biblioteca Fray Alberto Montealegre OFM - Bogotá. Biblioteca Fray Arturo Calle Restrepo OFM - Medellín, Bello, Armenia, Ibagué. Departamento de Biblioteca - Cali. Biblioteca Central Fray Antonio de Marchena – Cartagena. Universidad de San Buenaventura Colombia Universidad de San Buenaventura Colombia - http://www.usb.edu.co/ Bogotá - http://www.usbbog.edu.co Medellín - http://www.usbmed.edu.co Cali - http://www.usbcali.edu.co Cartagena - http://www.usbctg.edu.co Editorial Bonaventuriana - http://www.editorialbonaventuriana.usb.edu.co/ Revistas - http://revistas.usb.edu.co/ DISEÑO DE RECORRIDO VIRTUAL 360° SOBRE ACCESIBILIDAD 3 DE PERSONAS EN SILLA DE RUEDAS Tabla de Contenido RESUMEN ..................................................................................................................................................6 I. -
Manual De Usuario
UNIVERSIDAD NACIONAL DE CHIMBORAZO FACULTAD DE INGENIERÍA ESCUELA DE INGENIERÍA EN SISTEMAS Y COMPUTACIÓN “Trabajo de grado previo a la obtención del Título de Ingeniero en Sistemas y Computación” TRABAJO DE GRADUACIÓN Título del proyecto: DESARROLLO DE UNA PROPUESTA METODOLÓGICA ESPECÍFICA PARA LA CREACIÓN DE RECORRIDOS VIRTUALES ENFOCADO COMO MEDIO DE INFORMACIÓN. CASO PRÁCTICO: RECORRIDO VIRTUAL PARA EL COMPLEJO ARQUEOLÓGICO DE INGAPIRCA AUTORES: ESTHELA KATERINE SANTANDER SIGUENCIA MARÍA NATIVIDAD CAGUANA QUINATOA DIRECTOR: Ingeniero Danny Velasco Riobamba – Ecuador 2012 UNIVERSIDAD NACIONAL DE CHIMBORAZO FACULTAD DE INGENIERÍA ESCUELA DE INGENIERÍA EN SISTEMAS Y COMPUTACIÓN “Trabajo de grado previo a la obtención del Título de Ingeniero en Sistemas y Computación” TRABAJO DE GRADUACIÓN Título del proyecto: DESARROLLO DE UNA PROPUESTA METODOLÓGICA ESPECÍFICA PARA LA CREACIÓN DE RECORRIDOS VIRTUALES ENFOCADO COMO MEDIO DE INFORMACIÓN. CASO PRÁCTICO: RECORRIDO VIRTUAL PARA EL COMPLEJO ARQUEOLÓGICO DE INGAPIRCA AUTORES: ESTHELA KATERINE SANTANDER SIGUENCIA MARÍA NATIVIDAD CAGUANA QUINATOA DIRECTOR: Ingeniero Danny Velasco Riobamba – Ecuador 2012 Los miembros del Tribunal de Graduación del proyecto de investigación de título: “DESARROLLO DE UNA PROPUESTA METODOLÓGICA ESPECÍFICA PARA LA CREACIÓN DE RECORRIDOS VIRTUALES ENFOCADO COMO MEDIO DE INFORMACIÓN. CASO PRÁCTICO: RECORRIDO VIRTUAL PARA EN EL COMPLEJO ARQUEOLÓGICO DE INGAPIRCA”, presentado por: Katerine Santander Siguencia, María Natividad Caguana Quinatoa y dirigida por: Ing. Danny Velasco. Una vez escuchada la defensa oral y revisado el informe final del proyecto de investigación con fines de graduación escrito en la cual se ha constatado el cumplimiento de las observaciones realizadas, remite la presente para uso y custodia en la biblioteca de la Facultad de Ingeniería de la UNACH. -
432-0012-02-10 M400 Operators Manual
Operator’s Manual M400 This document provides operating instructions for M400 cameras running software update version v2.1.x. This document does not contain export-controlled information © 2020 FLIR Systems, Inc. All rights reserved worldwide. No parts of this manual, in whole or in part, may be copied, photocopied, translated, or transmitted to any electronic medium or machine readable form without the prior written permission of FLIR Systems, Inc. Names and marks appearing on the products herein are either registered trademarks or trademarks of FLIR Systems, Inc. and/or its subsidiaries. All other trademarks, trade names, or company names referenced herein are used for identification only and are the property of their respective owners. This product is protected by patents, design patents, patents pending, or design patents pending. The contents of this document are subject to change without notice. FLIR Systems, Inc. 6769 Hollister Ave. Goleta, CA 93117 Phone: 888.747.FLIR (888.747.3547) [email protected] Proper Disposal of Electrical and Electronic Equipment (EEE) The European Union (EU) has enacted Waste Electrical and Electronic Equipment Directive 2002/96/EC (WEEE), which aims to prevent EEE waste from arising; to encourage reuse, recycling, and recovery of EEE waste; and to promote environmental responsibility. In accordance with these regulations, all EEE products labeled with the “crossed out wheeled bin” either on the product itself or in the product literature must not be disposed of in regular rubbish bins, mixed with regular household or other commercial waste, or by other regular municipal waste collection means. Instead, and in order to prevent possible harm to the environment or human health, all EEE products (including any cables that came with the product) should be responsibly discarded or recycled.