DOCSLIB.ORG

How to Do Everything with Your Digital Camera

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
How to Do Everything with Your Digital Camera Want to learn more? We hope you enjoy this McGraw-Hill eBook! If you, d like more information about this book, its author, or related books and websites, please click here. Digital Camera Second Edition This page intentionally left blank. Digital Camera Second Edition Dave Johnson McGraw-Hill/Osborne New York Chicago San Francisco Lisbon London Madrid Mexico City Milan New Delhi San Juan Seoul Singapore Sydney Toronto Copyright © 2002 by The McGraw-Hill Companies, Inc. All rights reserved. Manufactured in the United States of America. Except as permitted under the United States Copyright Act of 1976, no part of thåis publication may be reproduced or distributed in any form or by any means, or stored in a data- base or retrieval system, without the prior written permission of the publisher. 0-07-222826-1 The material in this eBook also appears in the print version of this title: 0-07-222555-6. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales pro- motions, or for use in corporate training programs. For more information, please contact George Hoare, Special Sales, at [email protected] or (212) 904-4069. TERMS OF USE This is a copyrighted work and The McGraw-Hill Companies, Inc. (“McGraw-Hill”) and its licensors reserve all rights in and to the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hill’s prior consent. You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohibited. Your right to use the work may be terminated if you fail to comply with these terms. THE WORK IS PROVIDED “AS IS”. McGRAW-HILL AND ITS LICENSORS MAKE NO GUAR- ANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMA- TION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. McGraw-Hill and its licensors do not warrant or guarantee that the func- tions contained in the work will meet your requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inac- curacy, error or omission, regardless of cause, in the work or for any damages resulting therefrom. McGraw-Hill has no responsibility for the content of any information accessed through the work. Under no circumstances shall McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This limitation of lia- bility shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise. DOI: 10.1036/0072228261 For Newt 1987–2000 About the Author Dave Johnson writes about technology from his home in Colorado Springs, Colorado. He’s the enterprise editor at Handheld Computing magazine and writes a free weekly electronic newsletter on digital photography for PC World magazine. In addition, he’s the author of two dozen books that include How to Use Digital Video, How to Do Everything with MP3 and Digital Music, and How to Do Everything with Your Palm Handheld (the latter two with Rick Broida). His short story for early readers, The Wild Cookie, has been transformed into an interactive storybook on CD-ROM. He’s also busy writing a book of family-style robot construction projects. Dave started writing professionally in 1990, before anyone had a chance to talk him out of it. Prior to that, he had a somewhat unfocused career that included flying satellites, driving an ice cream truck, managing weapons at an Air Force base, stocking shelves at Quick Check, teaching rocket science, photographing a rock band, and writing about space penguins. He’s still not playing bass in a psychedelic band, but at least he’s found steady work. For more information about this title, click here. Contents at a Glance PART I Your Camera CHAPTER 1 Welcome to the Future . 3 CHAPTER 2 Understanding Exposure . 21 CHAPTER 3 Composition Essentials . 43 CHAPTER 4 Flash and Lighting . 71 CHAPTER 5 Taking Close-Ups . 91 CHAPTER 6 Pushing Your Camera to Its Limits . 113 PART II Transferring Images CHAPTER 7 Conquering File Formats . 137 CHAPTER 8 Working with Digital Film . 151 CHAPTER 9 Keeping Images on the PC . 169 CHAPTER 10 Turning Prints into Digital Images . 187 PART III Editing Images CHAPTER 11 Quick Changes for Your Images . 203 CHAPTER 12 Cleaning Up Your Images . 237 CHAPTER 13 Creating Special Effects . 271 CHAPTER 14 Working with Text and Creating Projects . 303 Copyright 2002 by The McGraw-Hill Companies, Inc. Click Here for Terms of Use. vii viii How to Do Everything with Your Digital Camera PART IV Using Your Images CHAPTER 15 Printing Your Pictures . 329 CHAPTER 16 Sharing Your Pictures . 351 Index . 375 For more information about this title, click here. Contents Acknowledgments . xvii Introduction . xix PART I Your Camera CHAPTER 1 Welcome to the Future . 3 A History Lesson . 4 A Slow Evolution . 5 The Future of Digital Cameras . 6 Features, Gadgets, and Goodies . 8 The Optical System . 9 Power Systems . 10 Memory Storage . 12 Camera Controls . 13 Choosing Your Own Digital Camera . 15 Resolution . 15 Optics . 16 Memory . 17 Flash . 18 Special Effects . 18 Transfer Mechanism . 18 Gear You Need . 19 CHAPTER 2 Understanding Exposure . 21 How Cameras Take Pictures . 22 Inside a 35mm Camera . 23 The Moment of Exposure . 23 How Digicams Are Different . 28 Use ISO for Exposure Control . 29 Change the ISO Setting . 29 Perfecting Shots with Aperture and Shutter . 30 How Cameras Choose Aperture and Shutter Speed . 30 ix Copyright 2002 by The McGraw-Hill Companies, Inc. Click Here for Terms of Use. x How to Do Everything with Your Digital Camera Adjusting Exposure Manually . 32 Use Shutter or Aperture Priority Adjustments . 34 Tricky Lighting Situations . 35 Using Exposure Compensation . 35 Switching Metering Modes . 37 Using Exposure Lock . 39 When to Take Control . 41 CHAPTER 3 Composition Essentials . 43 Why Composition Is Important . 44 What We See . 45 Rules of Composition . 45 Isolate the Focal Point . 46 Use the Rule of Thirds . 47 Fill the Frame . 48 Move the Horizon . 51 Use Lines, Symmetry, and Patterns . 52 Use Foreground to Balance the Background . 53 Know When to Break the Rules . 54 Using Depth of Field . 56 Applying Depth of Field to Your Pictures . 59 Getting the Most Out of Your Zoom Lens . 60 Using Your Camera’s Exposure Modes . 64 Choosing Exposure Modes and Lenses in Special Situations . 65 Nature and Landscapes . 68 CHAPTER 4 Flash and Lighting . 71 Basics of Flash Photography . 72 Stay Within the Range of Your Flash . 73 Master Your Flash Modes . 76 Improve Your Outdoor Photographs . ..
Load more

Recommended publications
  • Hardware and Software for Panoramic Photography
    ROVANIEMI UNIVERSITY OF APPLIED SCIENCES SCHOOL OF TECHNOLOGY Degree Programme in Information Technology Thesis HARDWARE AND SOFTWARE FOR PANORAMIC PHOTOGRAPHY Julia Benzar 2012 Supervisor: Veikko Keränen Approved _______2012__________ The thesis can be borrowed. School of Technology Abstract of Thesis Degree Programme in Information Technology _____________________________________________________________ Author Julia Benzar Year 2012 Subject of thesis Hardware and Software for Panoramic Photography Number of pages 48 In this thesis, panoramic photography was chosen as the topic of study. The primary goal of the investigation was to understand the phenomenon of pa- noramic photography and the secondary goal was to establish guidelines for its workflow. The aim was to reveal what hardware and what software is re- quired for panoramic photographs. The methodology was to explore the existing material on the topics of hard- ware and software that is implemented for producing panoramic images. La- ter, the best available hardware and different software was chosen to take the images and to test the process of stitching the images together. The ex- periment material was the result of the practical work, such the overall pro- cess and experience, gained from the process, the practical usage of hard- ware and software, as well as the images taken for stitching panorama. The main research material was the final result of stitching panoramas. The main results of the practical project work were conclusion statements of what is the best hardware and software among the options tested. The re- sults of the work can also suggest a workflow for creating panoramic images using the described hardware and software. The choice of hardware and software was limited, so there is place for further experiments.
    [Show full text]
  • User Guide: Imaging
    User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 User Guide: Imaging Horizontal and Micro NMR Imaging With VNMR 6.1C Software Pub. No. 01-999163-00, Rev. A0201 Revision history: A0800 – Initial release for VNMR 6.1C. A0201 – Removed obsolete dslice macro per C. Hofstetter and M. Hedehus. Applicability of manual: Imaging modules on Varian NMR superconducting spectrometer systems with VnmrIMAGE version 4.4 software installed. Technical contributors: Simon Chu, Matt Howitt, Chris Price, Alan Rath, Subramaniam Sukumar, Evan Williams Technical writers: Michael Carlisle, Dan Steele Technical editor: Dan Steele Copyright 2000–2001 by Varian, Inc. 3120 Hansen Way, Palo Alto, California 94304 http://www.varianinc.com All rights reserved. Printed in the United States. The information in this document has been carefully checked and is believed to be entirely reliable. However, no responsibility is assumed for inaccuracies. Statements in this document are not intended to create any warranty, expressed or implied. Specifications and performance characteristics of the software described in this manual may be changed at any time without notice. Varian reserves the right to make changes in any products herein to improve reliability, function, or design. Varian does not assume any liability arising out of the application or use of any product or circuit described herein; neither does it convey any license under its patent rights nor the rights of others. Inclusion in this document does not imply that any particular feature is standard on the instrument.
    [Show full text]
  • Megaplus Conversion Lenses for Digital Cameras
    Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses.
    [Show full text]
  • High Redshift Galaxies As Probes of the Epoch of Reionization
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 High Redshift Galaxies As Probes Of The Epoch Of Reionization Jessie Frances Taylor University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Astrophysics and Astronomy Commons, and the Physics Commons Recommended Citation Taylor, Jessie Frances, "High Redshift Galaxies As Probes Of The Epoch Of Reionization" (2016). Publicly Accessible Penn Dissertations. 2603. https://repository.upenn.edu/edissertations/2603 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2603 For more information, please contact [email protected]. High Redshift Galaxies As Probes Of The Epoch Of Reionization Abstract Following the Big Bang, as the Universe cooled, hydrogen and helium recombined, forming neutral gas. Currently, this gas largely resides between galaxies in a highly diffuse state known as the intergalactic medium (IGM). Observations indicate that the IGM, fueled by early galaxies and/or accreting black holes, ``reionized'' early in cosmic history--the entire volume of the Universe refilling with ionized gas. This thesis analyzes and develops several ways to use observations of high redshift galaxies to probe this period, the Epoch of Reionization (EoR). We examine the redshift evolution of the Ly-alpha fraction, the percentage of Lyman-break selected galaxies (LBGs) that are Lyman-alpha emitting galaxies (LAEs). Observing a sharp drop in this fraction at z ~ 7, many early studies surmised the z ~ 7 IGM must be surprisingly neutral. We model the effect of patchy reionization on Ly-alpha fraction observations, concluding that sample variance reduces the neutral fraction required.
    [Show full text]
  • Introduction to (Un)Intentional Errors in Analog Film and Photography
    Introduction to (un)intentional errors in analog film and photography Ejla Kovačević & Anita Budimir (Klubvizija SC) /‘fu:bar/ 2016 Film specifications - Every manufacturer does his own film stock with own specifications, processing rules and chemical solutions (Kodak, Fuji, Foma...) - Development process highly regulated, most important: temperature, time, agitation - Old unexposed filmstock sometimes cannot be developed anymore because it requires specific chemical solutions which are no longer produced and vice versa - Today independent film labs are making their own chemical solutions and film stock to avoid dependence on commercial manufacturers Multiple exposure - Multiple light exposing onto single film frame in the camera Dziga Vertov – Man with a movie camera 1929 Murnau: Sunrise 1927 and The last laugh 1924 Example Manufraktur (Peter Tscherkassky, 1985) scratch / cameraless film / direct animation - Process of drawing or scratching directly on film - Scratch film animation emerged in 1920s with Len Lye - Associated with abstracts artists (Hans Richter, Oskar Fischinger, Viking Eggeling) - Reemerged in 50s and 60s with Stan Brakhage, Norman McClaren, Maurice Lemaitre... Scratch / cameraless film / direct animation Stan Brakhage strips A colour box (Len Lye, 1935) An optical poem (Oscar Fischinger, 1938.) Examples Blinkity Blank (Norman McClaren, 1955) https://www.youtube.com/watch?v=ftEci6AMUKg Mothlight (Stan Brakhage, 1963) https://www.youtube.com/watch?v=YGupnCXNuM8 Solarisation ● Also called Sabattier effect ● Discovered in 1862 by french photographer Armand Sabattier ● Reverse effect of light during too strong light exposure, whereby instead of negatives produces positive Man Ray - Experimented with unorthodox photographic processes during 1920s - His manipulated photographs are considered the origins of surrealist photography - The ultimate goal of photography in his own words, was to "..
    [Show full text]
  • Photography Techniques Intermediate Skills
    Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image.
    [Show full text]
  • Malamegi LAB.11 International Art Contest Final Exhibition
    Malamegi LAB.11 International Art Contest Final exhibition We are pleased to announce the dates of “Malamegi LAB 11” final exhibition, which will Malamegi LAB 11 be held over a two week period from 12 to 26 January 2019 in Venice, in the spaces of International Art Contest Imagoars, Campo del Ghetto Vecchio 1145 - Cannaregio, Venice - Italy. Final exhibition - opening The exhibition presents works by 12 international artists: Alessandra Brown (Italy), Saturday, 12 January 2019 6:00PM Alessandro Lobino (Italy), Carlo D’Orta (Italy), Damian Kerr (New Zealand), Elena Rolando Perino (Italy), Fabiana Succi (Italy), Federico Gessi (Italy), Hyun Jung Ji (South Korea), Laura Zamboni (Italy), Nicoletta Cossa (Italy), Paula Machado (Brazil), Taha Afshar (United Kingdom). Each artist, through different mediums, investigates the multi-facet perspectives and shades of the human being, displaying new innovative concepts. The works of the various artists included in this exhibition resonate with major contemporary cultural, economic and political realities experienced as part of everyday lives and across the globe. CENTRO TRANSNAZIONALE DELLE ARTI VISIVE IMAGOARS This exhibition traces the emergent contemporary art’s current trends, spanning different generations, their practices traversing the disciplines of contemporary artistic Campo del Ghetto Vecchio 1145 creation. Cannaregio, Venezia Opening Days: 12-26 January 2019 Among all participants of the exhibition, Malamegi Lab will allot 4 different prizes, that will be notificated at the end of the
    [Show full text]
  • Shooting Panoramas and Virtual Reality
    4104_ch09_p3.qxd 6/25/03 11:17 PM Page 176 4104_ch09_p3.qxd 6/25/03 11:17 PM Page 177 Shooting Panoramas and Virtual Reality With just a little help from special software, you can extend the capabilities of your digital camera to create stunning panoramas and enticing virtual reality (VR) images. This chapter shows you how to shoot—and create— images that are not only more beautiful, but 177 ■ also have practical applications in the commer- SHOOTING PANORAMAS AND VIRTUAL REALITY cial world as well. Chapter Contents 9 Panoramas and Object Movies Shooting Simple Panoramas Extending Your View Object Movies Shooting Tips for Object Movies Mikkel Aaland Mikkel 4104_ch09_p3.qxd 6/25/03 11:18 PM Page 178 Panoramas and Object Movies Look at Figure 9.1. It’s not what it seems. This panorama is actually comprised of several images “stitched” together using a computer and special software. Because of the limitations of the digital camera’s optical system, it would have been nearly impos- sible to make this in a single shot. Panoramas like this can be printed, or with an extended angle of view and more software help, they can be turned into interactive virtual reality (VR) movies viewable on a computer monitor and distributed via the Web or on a CD. Figure 9.1: This panorama made by Scott Highton using a Nikon Coolpix 990 is comprised of 178 four adjacent images, “stitched” together using Photoshop Elements’ 2 Photomerge plug-in. ■ If you look at Figure 9.2 you’ll see another example where software was used to extend the capabilities of a digital camera.
    [Show full text]
  • Panoweaver 9 User Manual (To Start the Online Help, Select Help > Help Topics from the Main Menu Or Press F1)
    Panoweaver User Manual www.easypano.com Table Of Contents Welcome .................................................................................................... 1 Introduction ............................................................................................... 3 What's New........................................................................................... 3 Edition Comparison ................................................................................ 4 Get Help ............................................................................................... 5 Install Panoweaver 9 ................................................................................... 7 System Requirements .......................................................................... 10 System Requirements ..................................................................... 10 For Windows .................................................................................. 10 For Macintosh ................................................................................ 11 Activate Panoweaver 9 ............................................................................... 13 Activate Panoweaver 9 ......................................................................... 13 Purchase ............................................................................................ 13 Product Activation ................................................................................ 13 Transfer License Key ...........................................................................
    [Show full text]
  • Diseño De Un Recorrido Virtual 360° Sobre
    Diseño de un recorrido virtual 360° sobre características técnicas de accesibilidad en personas con discapacidad motora que hacen uso de sillas de ruedas por el campus de la Universidad San Buenaventura Cali Stephania Gallego Rojas, [email protected] Carlos Andrés Apolinar Calvo, [email protected] Trabajo de Grado presentado para optar al título de Ingeniero Multimedia Asesor: Deisy Marín Velásquez, Ingeniero Multimedia. Universidad de San Buenaventura Colombia Facultad de Ingeniería Ingeniería Multimedia Santiago de Cali, Colombia 2018 DISEÑO DE RECORRIDO VIRTUAL 360° SOBRE ACCESIBILIDAD 2 DE PERSONAS EN SILLA DE RUEDAS Citar/How to cite [1] Referencia/Reference [1] S. Gallego Rojas y C. A. Apolinar Calvo, “Diseño de un recorrido virtual 360° sobre características técnicas de accesibilidad en personas con discapacidad Estilo/Style: motora que hacen uso de sillas de ruedas por el campus de la Universidad San IEEE (2014) Buenaventura Cali.”, Trabajo de grado Ingeniería Multimedia, Universidad de San Buenaventura Cali, Facultad de Ingeniería, 2018. Bibliotecas Universidad de San Buenaventura Biblioteca Digital (Repositorio) http://bibliotecadigital.usb.edu.co Biblioteca Fray Alberto Montealegre OFM - Bogotá. Biblioteca Fray Arturo Calle Restrepo OFM - Medellín, Bello, Armenia, Ibagué. Departamento de Biblioteca - Cali. Biblioteca Central Fray Antonio de Marchena – Cartagena. Universidad de San Buenaventura Colombia Universidad de San Buenaventura Colombia - http://www.usb.edu.co/ Bogotá - http://www.usbbog.edu.co Medellín - http://www.usbmed.edu.co Cali - http://www.usbcali.edu.co Cartagena - http://www.usbctg.edu.co Editorial Bonaventuriana - http://www.editorialbonaventuriana.usb.edu.co/ Revistas - http://revistas.usb.edu.co/ DISEÑO DE RECORRIDO VIRTUAL 360° SOBRE ACCESIBILIDAD 3 DE PERSONAS EN SILLA DE RUEDAS Tabla de Contenido RESUMEN ..................................................................................................................................................6 I.
    [Show full text]
  • Manual De Usuario
    UNIVERSIDAD NACIONAL DE CHIMBORAZO FACULTAD DE INGENIERÍA ESCUELA DE INGENIERÍA EN SISTEMAS Y COMPUTACIÓN “Trabajo de grado previo a la obtención del Título de Ingeniero en Sistemas y Computación” TRABAJO DE GRADUACIÓN Título del proyecto: DESARROLLO DE UNA PROPUESTA METODOLÓGICA ESPECÍFICA PARA LA CREACIÓN DE RECORRIDOS VIRTUALES ENFOCADO COMO MEDIO DE INFORMACIÓN. CASO PRÁCTICO: RECORRIDO VIRTUAL PARA EL COMPLEJO ARQUEOLÓGICO DE INGAPIRCA AUTORES: ESTHELA KATERINE SANTANDER SIGUENCIA MARÍA NATIVIDAD CAGUANA QUINATOA DIRECTOR: Ingeniero Danny Velasco Riobamba – Ecuador 2012 UNIVERSIDAD NACIONAL DE CHIMBORAZO FACULTAD DE INGENIERÍA ESCUELA DE INGENIERÍA EN SISTEMAS Y COMPUTACIÓN “Trabajo de grado previo a la obtención del Título de Ingeniero en Sistemas y Computación” TRABAJO DE GRADUACIÓN Título del proyecto: DESARROLLO DE UNA PROPUESTA METODOLÓGICA ESPECÍFICA PARA LA CREACIÓN DE RECORRIDOS VIRTUALES ENFOCADO COMO MEDIO DE INFORMACIÓN. CASO PRÁCTICO: RECORRIDO VIRTUAL PARA EL COMPLEJO ARQUEOLÓGICO DE INGAPIRCA AUTORES: ESTHELA KATERINE SANTANDER SIGUENCIA MARÍA NATIVIDAD CAGUANA QUINATOA DIRECTOR: Ingeniero Danny Velasco Riobamba – Ecuador 2012 Los miembros del Tribunal de Graduación del proyecto de investigación de título: “DESARROLLO DE UNA PROPUESTA METODOLÓGICA ESPECÍFICA PARA LA CREACIÓN DE RECORRIDOS VIRTUALES ENFOCADO COMO MEDIO DE INFORMACIÓN. CASO PRÁCTICO: RECORRIDO VIRTUAL PARA EN EL COMPLEJO ARQUEOLÓGICO DE INGAPIRCA”, presentado por: Katerine Santander Siguencia, María Natividad Caguana Quinatoa y dirigida por: Ing. Danny Velasco. Una vez escuchada la defensa oral y revisado el informe final del proyecto de investigación con fines de graduación escrito en la cual se ha constatado el cumplimiento de las observaciones realizadas, remite la presente para uso y custodia en la biblioteca de la Facultad de Ingeniería de la UNACH.
    [Show full text]
  • 432-0012-02-10 M400 Operators Manual
    Operator’s Manual M400 This document provides operating instructions for M400 cameras running software update version v2.1.x. This document does not contain export-controlled information © 2020 FLIR Systems, Inc. All rights reserved worldwide. No parts of this manual, in whole or in part, may be copied, photocopied, translated, or transmitted to any electronic medium or machine readable form without the prior written permission of FLIR Systems, Inc. Names and marks appearing on the products herein are either registered trademarks or trademarks of FLIR Systems, Inc. and/or its subsidiaries. All other trademarks, trade names, or company names referenced herein are used for identification only and are the property of their respective owners. This product is protected by patents, design patents, patents pending, or design patents pending. The contents of this document are subject to change without notice. FLIR Systems, Inc. 6769 Hollister Ave. Goleta, CA 93117 Phone: 888.747.FLIR (888.747.3547) [email protected] Proper Disposal of Electrical and Electronic Equipment (EEE) The European Union (EU) has enacted Waste Electrical and Electronic Equipment Directive 2002/96/EC (WEEE), which aims to prevent EEE waste from arising; to encourage reuse, recycling, and recovery of EEE waste; and to promote environmental responsibility. In accordance with these regulations, all EEE products labeled with the “crossed out wheeled bin” either on the product itself or in the product literature must not be disposed of in regular rubbish bins, mixed with regular household or other commercial waste, or by other regular municipal waste collection means. Instead, and in order to prevent possible harm to the environment or human health, all EEE products (including any cables that came with the product) should be responsibly discarded or recycled.
    [Show full text]