Hardware and Software for Panoramic Photography
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Instruction Manual Go to for ENGLISH, FRANÇAIS, DEUTSCH, ITALIANO, ESPAÑOL and NEDERLANDS Translations
Fisheye Wide Angle Lens (SL975) Instruction Manual Go to www.sealife-cameras.com/manuals for ENGLISH, FRANÇAIS, DEUTSCH, ITALIANO, ESPAÑOL and NEDERLANDS translations. 1. What’s in the Box: Lens (SL97501) with Retaining Lanyard (SL95010) Neoprene Lens cover (SL97508) Lens Dock (SL97502) With mounting screw (SL97201) 2. Great Pictures Made Easy Without and …………………….with Fisheye Lens The secret to taking bright and colorful underwater pictures is to get close to the subject. The fisheye wide angle lens creates a super wide angle effect that allows you to get closer to the subject and still fit everything in the picture. In addition to increasing field of view, the fisheye lens will help you shoot better, steadier video by dampening movement. You will also be able to take super macro pictures with increased depth of field. 3. Attach Lens Dock Screw Lens Dock on to bottom of flash tray 4. Attach Retaining Lanyard To prevent dropping or losing the lens, attach the lens retaining lanyard to the camera as shown. When the lens is not being used, slide it in to Lens Dock to secure and protect lens. 5. Attach Lens to Camera Push lens onto lens port of any SeaLife “DC”-series underwater camera. Lens can be attached on land or underwater. When entering the water, make sure to remove air bubbles trapped under the lens - There should be water between the lens and the camera. Important: The camera’s focus setting must be set to “Macro Focus” or “Super Macro Focus” or the resulting picture/video will not be in focus. -
Optics – Panoramic Lens Applications Revisited
Panoramic Lens Applications Revisited Simon Thibault* M.Sc., Ph.D., Eng Director, Optics Division/Principal Optical Designer ImmerVision 2020 University, Montreal, Quebec, H3A 2A5 Canada ABSTRACT During the last few years, innovative optical design strategies to generate and control image mapping have been successful in producing high-resolution digital imagers and projectors. This new generation of panoramic lenses includes catadioptric panoramic lenses, panoramic annular lenses, visible/IR fisheye lenses, anamorphic wide-angle attachments, and visible/IR panomorph lenses. Given that a wide-angle lens images a large field of view on a limited number of pixels, a systematic pixel-to-angle mapping will help the efficient use of each pixel in the field of view. In this paper, we present several modern applications of these modern types of hemispheric lenses. Recently, surveillance and security applications have been proposed and published in Security and Defence symposium. However, modern hemispheric lens can be used in many other fields. A panoramic imaging sensor contributes most to the perception of the world. Panoramic lenses are now ready to be deployed in many optical solutions. Covered applications include, but are not limited to medical imaging (endoscope, rigiscope, fiberscope…), remote sensing (pipe inspection, crime scene investigation, archeology…), multimedia (hemispheric projector, panoramic image…). Modern panoramic technologies allow simple and efficient digital image processing and the use of standard image analysis features (motion estimation, segmentation, object tracking, pattern recognition) in the complete 360o hemispheric area. Keywords: medical imaging, image analysis, immersion, omnidirectional, panoramic, panomorph, multimedia, total situation awareness, remote sensing, wide-angle 1. INTRODUCTION Photography was invented by Daguerre in 1837, and at that time the main photographic objective was that the lens should cover a wide-angle field of view with a relatively high aperture1. -
Download a Sample
Copyright ©2017 Hudson Henry All rights reserved. First edition, November 2017 Publisher: Rick LePage Design: Farnsworth Design Published by Complete Digital Photography Press Portland, Oregon completedigitalphotography.com All photography ©Hudson Henry Photography, unless otherwise noted. PANORAMAS MADE SIMPLE How to create beautiful panoramas with the equipment you have—even your phone By Hudson Henry Complete Digital Photography Press Portland, Oregon TABLE OF CONTENTS PREFACE MY PASSION FOR PANORAMAS 1 3 CAPTURING THE FRAMES 26 How is this book organized? Lens selection Exposure metering 1 AN INTRODUCTION TO PANORAMIC PHOTOGRAPHY 5 Use a tripod, Where Possible Go wide and with more detail The importance of being level Simple Panoramas Defined Orient your camera vertically Not all panoramas are narrow slices (most of the time) Equipment for simple panoramas Focus using live view Advanced panoramas Beware of polarizers or graduated filters Marking your panoramas 2 THINKING ABOUT LIGHT, FOCUS AND SETUP 12 Compose wide and use lots of overlap Light and composition: the rules still apply Move quickly and carefully Watch out for parallax Finding the infinity distance 4 ASSEMBLING YOUR PANORAMA 35 Learning how to lock your camera settings My workflow at a glance Why shouldn’t I use my phone’s Building Panoramas with automatic panorama mode? Lightroom Classic CC Why is manual exposure so important? Working with Photoshop CC to create panoramas Building Panoramas in ON1 Photo Raw 2018 5 RESOURCES 52 PREFACE MY PASSION FOR PANORAMAS My frst panorama, I GREW UP WITH ADVENTURESOME EXTENDED FAM- with image quality. Like many similar photographers, I created from three ILY MEMBERS WHO LOVED TRAVELING, CLIMBING, AND shifted to medium-format film for the bigger frame and frames of medium- format flm. -
Panorama Photography by Andrew Mcdonald
Panorama Photography by Andrew McDonald Crater Lake - Andrew McDonald (10520 x 3736 - 39.3MP) What is a Panorama? A panorama is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film/video, or a three-dimensional model. Downtown Kansas City, MO – Andrew McDonald (16614 x 4195 - 69.6MP) How do I make a panorama? Cropping of normal image (4256 x 2832 - 12.0MP) Union Pacific 3985-Andrew McDonald (4256 x 1583 - 6.7MP) • Some Cameras have had this built in • APS Cameras had a setting that would indicate to the printer that the image should be printed as a panorama and would mask the screen off. Some 35mm P&S cameras would show a mask to help with composition. • Advantages • No special equipment or technique required • Best (only?) option for scenes with lots of movement • Disadvantages • Reduction in resolution since you are cutting away portions of the image • Depending on resolution may only be adequate for web or smaller prints How do I make a panorama? Multiple Image Stitching + + = • Digital cameras do this automatically or assist Snake River Overlook – Andrew McDonald (7086 x 2833 - 20.0MP) • Some newer cameras do this by “sweeping the camera” across the scene while holding the shutter button. Images are stitched in-camera. • Other cameras show the left or right edge of prior image to help with composition of next image. Stitching may be done in-camera or multiple images are created. • Advantages • Resolution can be very high by using telephoto lenses to take smaller slices of the scene -
Understanding Image Formats and When to Use Them
Understanding Image Formats And When to Use Them Are you familiar with the extensions after your images? There are so many image formats that it’s so easy to get confused! File extensions like .jpeg, .bmp, .gif, and more can be seen after an image’s file name. Most of us disregard it, thinking there is no significance regarding these image formats. These are all different and not cross‐ compatible. These image formats have their own pros and cons. They were created for specific, yet different purposes. What’s the difference, and when is each format appropriate to use? Every graphic you see online is an image file. Most everything you see printed on paper, plastic or a t‐shirt came from an image file. These files come in a variety of formats, and each is optimized for a specific use. Using the right type for the right job means your design will come out picture perfect and just how you intended. The wrong format could mean a bad print or a poor web image, a giant download or a missing graphic in an email Most image files fit into one of two general categories—raster files and vector files—and each category has its own specific uses. This breakdown isn’t perfect. For example, certain formats can actually contain elements of both types. But this is a good place to start when thinking about which format to use for your projects. Raster Images Raster images are made up of a set grid of dots called pixels where each pixel is assigned a color. -
Cata-Fisheye Camera for Panoramic Imaging
Cata-Fisheye Camera for Panoramic Imaging Gurunandan Krishnan Shree K. Nayar Department of Computer Science Columbia University {gkguru,nayar}@cs.columbia.edu Abstract Current techniques for capturing panoramic videos can We present a novel panoramic imaging system which uses be classified as either dioptric (systems that use only refrac- a curved mirror as a simple optical attachment to a fish- tive optics) or catadioptric (systems that use both reflective eye lens. When compared to existing panoramic cameras, and refractive optics). Dioptric systems include camera- our “cata-fisheye” camera has a simple, compact and inex- clusters and wide-angle or fisheye lens based systems. Cata- pensive design, and yet yields high optical performance. It dioptric systems include ones that use single or multiple captures the desired panoramic field of view in two parts. cameras with one or more reflective surfaces. The upper part is obtained directly by the fisheye lens and Dioptric camera-clusters [14, 20, 28] compose high reso- the lower part after reflection by the curved mirror. These lution panoramas using images captured simultaneously by two parts of the field of view have a small overlap that is multiple cameras looking in different directions. In this ap- used to stitch them into a single seamless panorama. The proach, due to their finite size, the cameras cannot be co- cata-fisheye concept allows us to design cameras with a located. Hence, they do not share a single viewpoint and, wide range of fields of view by simply varying the param- in general, have significant parallax. To address this issue, eters and position of the curved mirror. -
USER MANUAL Media Asset Management
USER MANUAL XMAM Media Asset Management (Rev. 1.2 ENG) axeltechnology.com ENG CONTENT 1 USERS MANUAL ....................................................................................................................................................... 4 1.1 OVERVIEW ......................................................................................................................................................... 4 1.1.1 FEATURES ........................................................................................................................................................................4 1.2 HOW TO USE XMAM .......................................................................................................................................... 4 1.2.1 SHARED FOLDERS ..........................................................................................................................................................4 1.2.2 HOW TO ACCESS XMAM WEB .......................................................................................................................................5 1.2.3 FINDING RESOURCES ....................................................................................................................................................6 1.2.3.1 RECENT RESOURCES ...........................................................................................................................................6 1.2.3.2 SIMPLE SEARCH ...................................................................................................................................................6 -
Megaplus Conversion Lenses for Digital Cameras
Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses. -
Canon EF 8-15Mm F/4L USM Fisheye by Phil Rudin
Canon EF 8-15mm F/4L USM Fisheye by Phil Rudin Rarely do we see a photo product started to become popular during the come along that is both unique and early 1960s. The difference between exciting in so many ways. The Canon the two types of lenses is simple, EF 8-15mm F/4L USM Fisheye the circular fisheye lens renders a zoom lens is both radical in design perfectly round image within the and exceptionally well suited for center of the 3:2 format sensor while underwater photography. This lens is the full-frame fisheye covered the not new and was announced in August entire frame. Keep in mind that with 2010 to replace the old EF 15mm the circular image you are loosing F/2.8 Fisheye for full-frame sensor megapixels to the black negative bodies. At the time Canon had no space while the full-frame image takes fisheye lens to cover APS-C or APS-H advantage of the entire sensor. Both size sensors. This lens combines both 8mm and 15mm fisheye lenses for circular and full-frame fisheyes into Canon full-frame cameras are offered one lens. Unlike the popular Tokina by third-party lens manufactures like 10-17mm for APS-C cameras that Sigma but the Canon 8-15mm fisheye covers a range from 180-100 degrees is the only lens that combines the the Canon 8-15mm covers a range two into one lens making it a unique from 180-175-30 degrees on full- and more cost effective addition for frame. -
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Panoramic Photography & ANRA's Water Quality Monitoring Program
Panoramic Photography in ANRA’s Water Quality Monitoring Program Jeremiah Poling Information Systems Coordinator, ANRA Disclaimer The equipment and software referred to in this presentation are identified for informational purposes only. Identification of specific products does not imply recommendation of or endorsement by the Angelina and Neches River Authority, nor does it imply that the products so identified are necessarily the best available for the purpose. All information presented regarding equipment and software, including specifications and photographs, were acquired from publicly-available sources. Background • As part of our routine monitoring activities, standard practice has been to take photographs of the areas upstream and downstream of the monitoring station. • Beginning in the second quarter of FY 2011, we began creating panoramic images at our monitoring stations. • The panoramic images have a 360o field of view and can be viewed interactively in a web browser. • Initially these panoramas were captured using a smartphone. • Currently we’re using a digital SLR camera, fisheye lens, specialized rotating tripod mount, and a professional software suite to create and publish the panoramas. Basic Terminology • Field of View (FOV), Zenith, Nadir – When we talk about panoramas, we use the term Field of View to describe how much of the scene we can capture. – FOV is described as two numbers; a Horizontal FOV and a Vertical FOV. – To help visualize what the numbers represent, imagine standing directly in the center of a sphere, looking at the inside surface. • We recognize 180 degrees of surface from the highest point (the Zenith) to the lowest point (the Nadir). 180 degrees is the Maximum Vertical FOV. -
Certified Digital Designer Professional Certification Examination Review
Digital Imaging & Editing and Digital & General Photography Certified Digital Designer Professional Certification Examination Review Within this presentation – We will use specific names and terminologies. These will be related to specific products, software, brands and trade names. ADDA does not endorse any specific software or manufacturer. It is the sole decision of the individual to choose and purchase based on their personal preference and financial capabilities. the Examination Examination Contain at Total 325 Questions 200 Questions in Digital Image Creation and Editing Image Editing is applicable to all Areas related to Digital Graphics 125 Question in Photography Knowledge and History Photography is applicable to General Principles of Photography Does not cover Photography as a General Arts Program Examination is based on entry level intermediate employment knowledge Certain Processes may be omitted that are required to achieve an end result ADDA Professional Certification Series – Digital Imaging & Editing the Examination Knowledge of Graphic and Photography Acronyms Knowledge of Graphic Program Tool Symbols Some Knowledge of Photography Lighting Ability to do some basic Geometric Calculations Basic Knowledge of Graphic History & Theory Basic Knowledge of Digital & Standard Film Cameras Basic Knowledge of Camera Lens and Operation General Knowledge of Computer Operation Some Common Sense ADDA Professional Certification Series – Digital Imaging & Editing This is the Comprehensive Digital Imaging & Editing Certified Digital Designer Professional Certification Examination Review Within this presentation – We will use specific names and terminologies. These will be related to specific products, software, brands and trade names. ADDA does not endorse any specific software or manufacturer. It is the sole decision of the individual to choose and purchase based on their personal preference and financial capabilities.