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Hardware and Software for Panoramic Photography
ROVANIEMI UNIVERSITY OF APPLIED SCIENCES SCHOOL OF TECHNOLOGY Degree Programme in Information Technology Thesis HARDWARE AND SOFTWARE FOR PANORAMIC PHOTOGRAPHY Julia Benzar 2012 Supervisor: Veikko Keränen Approved _______2012__________ The thesis can be borrowed. School of Technology Abstract of Thesis Degree Programme in Information Technology _____________________________________________________________ Author Julia Benzar Year 2012 Subject of thesis Hardware and Software for Panoramic Photography Number of pages 48 In this thesis, panoramic photography was chosen as the topic of study. The primary goal of the investigation was to understand the phenomenon of pa- noramic photography and the secondary goal was to establish guidelines for its workflow. The aim was to reveal what hardware and what software is re- quired for panoramic photographs. The methodology was to explore the existing material on the topics of hard- ware and software that is implemented for producing panoramic images. La- ter, the best available hardware and different software was chosen to take the images and to test the process of stitching the images together. The ex- periment material was the result of the practical work, such the overall pro- cess and experience, gained from the process, the practical usage of hard- ware and software, as well as the images taken for stitching panorama. The main research material was the final result of stitching panoramas. The main results of the practical project work were conclusion statements of what is the best hardware and software among the options tested. The re- sults of the work can also suggest a workflow for creating panoramic images using the described hardware and software. The choice of hardware and software was limited, so there is place for further experiments. -
Understanding Image Formats and When to Use Them
Understanding Image Formats And When to Use Them Are you familiar with the extensions after your images? There are so many image formats that it’s so easy to get confused! File extensions like .jpeg, .bmp, .gif, and more can be seen after an image’s file name. Most of us disregard it, thinking there is no significance regarding these image formats. These are all different and not cross‐ compatible. These image formats have their own pros and cons. They were created for specific, yet different purposes. What’s the difference, and when is each format appropriate to use? Every graphic you see online is an image file. Most everything you see printed on paper, plastic or a t‐shirt came from an image file. These files come in a variety of formats, and each is optimized for a specific use. Using the right type for the right job means your design will come out picture perfect and just how you intended. The wrong format could mean a bad print or a poor web image, a giant download or a missing graphic in an email Most image files fit into one of two general categories—raster files and vector files—and each category has its own specific uses. This breakdown isn’t perfect. For example, certain formats can actually contain elements of both types. But this is a good place to start when thinking about which format to use for your projects. Raster Images Raster images are made up of a set grid of dots called pixels where each pixel is assigned a color. -
Archives First: Digital Preservation Further Investigations Into Digital
Archives First: digital preservation Further investigations into digital preservation for local authorities Viv Cothey * 2020 * Gloucestershire County Council ii Not caring about Archives because you have nothing to archive is no different from saying you don’t care about freedom of speech because you have nothing to say. Or that you don’t care about freedom of the press because you don’t like to read. (after Snowden, 2019, p 208) Disclaimer The views and opinions expressed in this report do not necessarily represent those of the institutions to which the author is affiliated. iii iv Executive summary This report is about an investigation into digital preservation by (English) local authorities which was commissioned by the Archives First consortium of eleven local authority record offices or similar memory organisations (Archives). The investigation is partly funded by The National Archives. Archival institutions are uniquely able to serve the public by providing current and future generations with access to authentic unique original records. In the case of local authority Archives these records will include documents related to significant decision making processes and events that bear on individuals and their communities. Archival practice, especially relating to provenance and purposeful preservation, is instrumental in supporting continuing public trust and essential to all of us being able to hold authority to account. The report explains how Archival practice differs from library practice where provenance and purposeful preservation are absent. The current investigation follows an earlier Archives First project in 2016-2017 that investigated local authority digital preservation preparedness. The 2016-2017 investigation revealed that local authority line of business systems in respect of children services, did not support the statutory requirement to retain digital records over the long- term (at least 100 years). -
USER MANUAL Media Asset Management
USER MANUAL XMAM Media Asset Management (Rev. 1.2 ENG) axeltechnology.com ENG CONTENT 1 USERS MANUAL ....................................................................................................................................................... 4 1.1 OVERVIEW ......................................................................................................................................................... 4 1.1.1 FEATURES ........................................................................................................................................................................4 1.2 HOW TO USE XMAM .......................................................................................................................................... 4 1.2.1 SHARED FOLDERS ..........................................................................................................................................................4 1.2.2 HOW TO ACCESS XMAM WEB .......................................................................................................................................5 1.2.3 FINDING RESOURCES ....................................................................................................................................................6 1.2.3.1 RECENT RESOURCES ...........................................................................................................................................6 1.2.3.2 SIMPLE SEARCH ...................................................................................................................................................6 -
Certified Digital Designer Professional Certification Examination Review
Digital Imaging & Editing and Digital & General Photography Certified Digital Designer Professional Certification Examination Review Within this presentation – We will use specific names and terminologies. These will be related to specific products, software, brands and trade names. ADDA does not endorse any specific software or manufacturer. It is the sole decision of the individual to choose and purchase based on their personal preference and financial capabilities. the Examination Examination Contain at Total 325 Questions 200 Questions in Digital Image Creation and Editing Image Editing is applicable to all Areas related to Digital Graphics 125 Question in Photography Knowledge and History Photography is applicable to General Principles of Photography Does not cover Photography as a General Arts Program Examination is based on entry level intermediate employment knowledge Certain Processes may be omitted that are required to achieve an end result ADDA Professional Certification Series – Digital Imaging & Editing the Examination Knowledge of Graphic and Photography Acronyms Knowledge of Graphic Program Tool Symbols Some Knowledge of Photography Lighting Ability to do some basic Geometric Calculations Basic Knowledge of Graphic History & Theory Basic Knowledge of Digital & Standard Film Cameras Basic Knowledge of Camera Lens and Operation General Knowledge of Computer Operation Some Common Sense ADDA Professional Certification Series – Digital Imaging & Editing This is the Comprehensive Digital Imaging & Editing Certified Digital Designer Professional Certification Examination Review Within this presentation – We will use specific names and terminologies. These will be related to specific products, software, brands and trade names. ADDA does not endorse any specific software or manufacturer. It is the sole decision of the individual to choose and purchase based on their personal preference and financial capabilities. -
Digital Preservation Handbook
Digital Preservation Handbook Digital Preservation Briefing Illustrations by Jørgen Stamp digitalbevaring.dk CC BY 2.5 Denmark Who is it for? Senior administrators (DigCurV Executive Lens), operational managers (DigCurV Manager Lens) and staff (DigCurV Practitioner Lens) within repositories, funding agencies, creators and publishers, anyone requiring an introduction to the subject. Assumed level of knowledge Novice. Purpose To provide a strategic overview and senior management briefing, outlining the broad issues and the rationale for funding to be allocated to the tasks involved in preserving digital resources. To provide a synthesis of current thinking on digital preservation issues. To distinguish between the major categories of issues. To help clarify how various issues will impact on decisions at various stages of the life-cycle of digital materials. To provide a focus for further debate and discussion within organisations and with external audiences. Gold sponsor Silver sponsors Bronze sponsors Reusing this information You may re-use this material in English (not including logos) with required acknowledgements free of charge in any format or medium. See How to use the Handbook for full details of licences and acknowledgements for re-use. For permission for translation into other languages email: [email protected] Please use this form of citation for the Handbook: Digital Preservation Handbook, 2nd Edition, http://handbook.dpconline.org/, Digital Preservation Coalition © 2015. 2 Contents Why Digital Preservation Matters -
Which Image Format
CASE STUDY Which Image Format PNG PNG (Portable Network Graphics), an extensible file format for the lossless, portable, well-compressed storage of raster images. PNG provides a patent-free replacement for GIF and can also replace many common uses of TIFF. Indexed-color, gray scale, and true color images are supported, plus an optional alpha channel. Sample depths range from 1 to 16 bits. However, the format is not widely supported in common image programs. AVI AVI stands for Audio Video Interleave and is currently the most common file format for storing audio/video data on the PC. AVI’s are 8-bit per image plane. This file format conforms to the Microsoft Windows Resource Interchange File Format (RIFF) specification, which makes it convenient for sharing the image sequence between computers. AVI files (which typically end in the .avi extension) require a specific player that supports. RAW A RAW image format contains minimally processed data from the image sensor. RAW literally means unprocessed or uncooked. RAW images must be processed and converted to RGB format if it is a color image. Photron however, does not limit RAW as a unprocessed image. The “Bayer” check box must be selected to save the RAW image as an unprocessed image. RAW images have 8-bits per image plane. RAWW A RAWW image format contains minimally processed data from the image sensor. RAWW images must be processed and converted to RGB format if it is a color image. Photron however, does not limit RAWW as a unprocessed image. The “Bayer” check box must be selected to save the RAWW image as an unprocessed image. -
A New Digital Dark Age? Collaborative Web Tools, Social Media and Long-Term Preservation Stuart Jeffrey Version of Record First Published: 05 Dec 2012
This article was downloaded by: [University of York] On: 10 December 2012, At: 04:01 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK World Archaeology Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rwar20 A new Digital Dark Age? Collaborative web tools, social media and long-term preservation Stuart Jeffrey Version of record first published: 05 Dec 2012. To cite this article: Stuart Jeffrey (2012): A new Digital Dark Age? Collaborative web tools, social media and long-term preservation, World Archaeology, 44:4, 553-570 To link to this article: http://dx.doi.org/10.1080/00438243.2012.737579 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. A new Digital Dark Age? Collaborative web tools, social media and long-term preservation Stuart Jeffrey Abstract This paper examines the impact of exciting new approaches to open data sharing, collaborative web tools and social media on the sustainability of archaeological data. -
Digital Preservation.Pdf
Digital Preservation By Jean-Yves Le Meur project leader of CERN Digital Memory 100 AD End of cuneiform on tablets 350-50 BC Jupiter orbit Tablets -> British Museum 1800- 1300-1400 Jupiter orbit 2014 (again) The missing 29 Jan 2016 ‘rosetta’ tablet Digital preservation in a nutshell ● World wide Landscape ○ Rationale ○ Interesting initiatives ○ Good practices: OAIS ● The different Approaches The Digital “Dark Age” "We are nonchalantly throwing all of our data into what could become an information black hole without realizing it" Vint Cerf (vice-president of Google in Feb 2015) The Digital “Dark Age” ● Very large community worrying about the preservation of digital content ● Digital Preservation Coalition ● Open Preservation Foundation ● UNESCO PERSIST project, EU e-ARK project, National Libraries and Archives ● Many related conferences: iPRES series, etc. “This is not about preserving bits, It is about preserving meaning, much like the Rosetta Stone.” More than 70 major libraries destroyed over time: accidents, disasters, ethnocides How digital data evaporates (I) 1. Physical Obsolescence: Bit rot Ten 2. Redundancy failure Major 3. Technological Obsolescence of readers, formats, OS, HWs New 4. Lost in migrations ! Risks 5. Missing context: no codec ! How digital data evaporates (II) 6. Redundancy failure Ten 7. Economical Failures Major 8. Lost in transitions: people ! New 9. Corruption, mistake or attack 10. Dissipation: out of reach Risks Some examples at CERN ● The very first WWW pages ○ Reconstructed in 2013 - found again in 2018! -
Cph001 Cameras, Lenses and the Digital Image
CPH001 CAMERAS, LENSES AND THE DIGITAL IMAGE CPH001 – CAMERAS, LENSES AND THE DIGITAL IMAGE Table of Contents WELCOME ............................................................................................................... 6 THE PHOTOGRAPHIC PROCESS ........................................................................... 7 DIGITAL CAMERA TYPES ....................................................................................... 8 DSLR CAMERAS .................................................................................................. 8 INTERCHANGEABLE LENSES ......................................................................... 9 INTEGRATED LIGHT METERS ......................................................................... 9 DEPTH OF FIELD PREVIEW BUTTON ............................................................. 9 MIRRORLESS CAMERAS .................................................................................. 10 POINT AND SHOOT CAMERAS ......................................................................... 11 HYBRID CAMERAS ............................................................................................ 12 CHOOSING YOUR CAMERA BODY ................................................................... 13 LENSES .................................................................................................................. 15 FIXED LENSES (SMALL, MEDUIM AND TELEPHOTO): .................................... 16 ZOOM LENSES (SMALL, MEDIUM AND TELEPHOTO): .................................... 17 MACRO -
What Images File Formats Do We Support?
What images file formats do we support? Written by Administrator - JPEG/JFIF JPEG (Joint Photographic Experts Group) is a compression method; JPEG-compressed images are usually stored in the JFIF (JPEG File Interchange Format) file format. JPEG compression is (in most cases) lossy compression . The JPEG/JFIF filename extension in DOS is JPG (other operating systems may use JPEG ). Nearly every digital camera can save images in the JPEG/JFIF format, which supports 8 bits per color (red, green, blue) for a 24-bit total, producing relatively small files. When not too great, the compression does not noticeably detract from the image's quality, but JPEG files suffer generational degradation when repeatedly edited and saved. Photographic images may be better stored in a lossless non-JPEG format if they will be re-edited, or if small "artifacts" (blemishes caused by the JPEG's compression algorithm) are unacceptable. The JPEG/JFIF format also is used as the image compression algorithm in many Adobe PDF files. Exif The Exif ( Exchangeable image file format ) format is a file standard similar to the JFIF format with TIFF extensions; it is incorporated in the JPEG-writing software used in most cameras. Its purpose is to record and to standardize the exchange of images with image metadata between digital cameras and editing and viewing software. The metadata are recorded for individual images and include such things as camera settings, time and date, shutter speed, exposure, image size, compression, name of camera, color information, etc. When images are viewed or edited by image editing software, all of this image information can be displayed. -
Problems of Digital Sustainability
Acta Polytechnica Hungarica Vol. 7, No. 3, 2010 Problems of Digital Sustainability Tamás Szádeczky Department of Measurement and Automation, Kandó Kálmán Faculty of Electrical Engineering, Óbuda University Tavaszmező u. 17, H-1084 Budapest, Hungary [email protected] Abstract: The article introduces digital communication by drawing comparisons between the histories of digital and conventional written communication. It also shows the technical and legal bases and the currently reached achievements. In relation to the technical elements, it acquaints the reader with the development and current effects of computer technology, especially cryptography. In connection with the legal basis, the work presents the regulations which have emerged and made possible the legal acceptance of the digital signature and electronic documents in the United States of America, in the European Union and among certain of its member countries, including Hungary. The article reviews the regulations and the developed practices in the fields of e-commerce, electronic invoices, electronic records management and certain e-government functions in Hungary which are necessary for digital communication. The work draws attention to the importance of secure keeping and processing of electronic documents, which is also enforced by the legal environment. The author points to the technical requirements and practical troubles of digital communication, called digital sustainability. Keywords: electronic archive; digital sustainability; preservation; electronic signature; data security 1 Introduction We may distinguish three revolutions in the development of written communication [1]. The first revolution was the invention of alphabetical writing carrying phonetic value around 1300 BC., which segregated the text from the content. The second revolution in the 15th Century was the book printing invented by Gutenberg, Johannes Gensfleisch, which made written material widely available.