The Largest Magazine
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
“Brother, Can You Spare a Dime?”—Rudy Vallee (1932) Added to the National Registry: 2013 Essay by Doris Bickford-Swarthout (Guest Post)*
“Brother, Can You Spare a Dime?”—Rudy Vallee (1932) Added to the National Registry: 2013 Essay by Doris Bickford-Swarthout (guest post)* Rudy Vallee The writers said this song was not meant to be a sentimental piece or one for begging. It expressed the frustration, anger and puzzlement of millions of the unemployed and hungry. When the Great Depression hit, working-class veterans of World War I were especially harmed. Back from the war with injuries and loss, they tried to rebuild their lives, only to find, suddenly, that there were no jobs and for many, no homes. Why, they ask? They used to tell me I was building a dream And so I followed the mob When there was earth to plow or guns to bear I was always there right on the job. They used to tell me I was building a dream With peace and glory ahead Why should I be standing in line Just waiting for bread? Once I built a railroad, I made it run Made it race against time Once I built a railroad, now it's done Brother, can you spare a dime? Once I built a tower up to the sun Brick and rivet and lime Once I built a tower, now it's done Brother, can you spare a dime? Rudy Vallee was born Hubert Prior Vallée, July 28, 1901, at Island Pond, Vermont. His family moved to Westport, Maine, where he grew up. His earliest ambition was to play the saxophone in a band. He was a pupil of Rudy Wiedoeft, whom he admired so much that his friends began calling him “Rudy.” The name stuck, and the only time Valle used his birth name was during World War II when he served in the Coast Guard. -
You Can Observe a Lot by Watching What I’Ve Learned About Teamwork from the Yankees and Life
You Can Observe a Lot by Watching What I’ve Learned about Teamwork from the Yankees and Life YOGI BERRA with Dave Kaplan John Wiley & Sons, Inc. ffirs.indd iii 3/27/08 12:13:23 PM ffirs.indd vi 3/27/08 12:13:25 PM You Can Observe a Lot by Watching ffirs.indd i 3/27/08 12:13:22 PM Books by Yogi Berra Ten Rings: My Championship Seasons When You Come to a Fork in the Road, Take It! The Yogi Book Yogi: It Ain’t Over What Time Is It? You Mean Now? ffirs.indd ii 3/27/08 12:13:23 PM You Can Observe a Lot by Watching What I’ve Learned about Teamwork from the Yankees and Life YOGI BERRA with Dave Kaplan John Wiley & Sons, Inc. ffirs.indd iii 3/27/08 12:13:23 PM This book is printed on acid-free paper. ϱ Copyright © 2008 by LTD Enterprises. All rights reserved Photos copyright © by LTD Enterprises. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada All photos courtesy of Berra Archives. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photo copying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output. -
Man on the Moon 1999
'•MAM ON TEE MOON" Written by Scott Alexander and Larry Karaszewski FIRST DRAFT December 8, 1997 * - FADE IN: Ijp*>\ INT. VOID - DAY Sitting in a nonexistent set is ANDY KAUFMAN, looking a bit nervous. Wide-eyed, tentative, he stares at us with a needy, unsettling cuteness. His hair is slicked-down, and he wears his father's loud blazer. Finally, Andy speaks — in a peculiar FOREIGN ACCENT. ANDY (AS FOREIGN MAN) Hallo. I am Andy. Welcoom to my movie. (beat; he gets upset) It was very good of you to come... but now you should leave. Because this movie ees terrible 1 It is all LIES! Tings are out of order... people are mixed-up... I rue the day I signed dat release! (he composes himself) So... just go. Tell de manager you want your mooney back. If you leave right now, he has to give you a refund. (he thinks) Or just sneak into another theater. Maybe they have one of those "event" movies. Well, bye-bye. Long pause. Andy sits patiently and HUMS... watching his imaginary audience leave and march up the aisles. Beat — then a sly smile. Andy leans in and WHISPERS. ANDY (AS FOREIGN MAN) Okay, good. Just my friends are left. I wanted to get rid of dose other people... they would have laughed in de wrong places. (beat) I was only kidding about de movie... it is actually VERY GOOD! It shows everything... from me as a little boy until my death — (his eyes pop; he covers his mouth) Oops!! I wasn't supposed to talk about that! Oh. -
Radiodigest3310.Pdf
ocr ~3 fOBER ' BURNS & ALLEN WERE CACA EVEN THEN CAN DANCE MAESTROS DANCE? JEFF MACHAMER • F. C. COOPER RUDY VALLEE • HARRY EVANS REVIEWS HERBERT MITCHELL Famous as a composer, concert soloist on the 'cello, and conductor, Rosario Bourdon has just begun his seventh year as leader of Cities Service Orchestra. Before Mr. Bourdon entered radio he had studied, written, or played music in most of the large countries of the world. He was born in Montreal, in 1881, ROSARIO BOURDON and by the time he was thirteen he had attended the Montclam School and the Jesuit College in Montreal and the Quebec Musical Academy. Then he went to the conservatory in Ghent, Belgium, and at fourteen became soloist with the Kursal Orchestra of Ostend. Mr. Bourdon once worked in a Canadian saw mill and he swears that it was there he first had the idea of becoming a 'cellist. He composes best before breakfast and he likes baseball, football, golf, and tennis. But he says that movie love scenes annoy him to the point of madness. : TALK OF THE AIR What's wrong with Radio? or fourteen-year-old child. I am its own continuity writing field one notable specialist in the serial keep hearing rumors that sure that there is a large group of craft. WE highly intelligent radio listeners, and For this class material it's still de- radio is not all it might be and of that it is advisable to keep this group pending on newspapermen and the you may have read some rather criti- in mind when planning programs." pidp boys, the latter's knack turn- cal statements of programs in the of ing them out in reams being a heavy pages of this magazine. -
Valentine's Day Is for Crooners
A Letter from SNAP Etobicoke Inc. Publisher Peter Foy tel: 416-420-9582 office: 416-604-2666 SNAP Etobicoke [email protected] Editor Justin Harrington tel: 647-883-7226 office: 416-604-2666 [email protected] Ahhh, February: a month of snow, cold and more snow. A this fantastic skiing and snowboarding facility. Keep flipping to VP Operations month where nothing happens and everybody stays inside. see pictures of skaters, cross-country skiers, toboganners, snow- Kelly Kenny Although tempting, our family has decided to embrace the man builders, winter walkers and a whole lot more, all SNAP’d tel: 416-604-2666 [email protected] winter and all that it has to offer. There is nothing better than right here in the ‘hood. Account Manager bundling up and going for a skate at an outdoor rink like the Michael Orlando new one at Colonel Samuel Smith Park. What a joy to see the Make sure you have a peek at the key events section on page tel: 416-901-4201 office: 416-604-2666 rosy cheeks on the children as they race around the figure- 17 and the events calendar on pages 18 and 19 for even more [email protected] Creative Designer eight. Seeing couples holding hands as they skate reminds me ways to enjoy the month. Don’t forget that Family Day is com- Joel Maxwell that Valentine’s Day will soon be upon us. I’ve already started ing up – perhaps our calendar will give you some inspiration [email protected] to make plans for my wife and me. -
Vallee (Rudy) Papers and Memorabilia, 1917-1984
The University of Maine DigitalCommons@UMaine Finding Aids Special Collections 2015 Vallee (Rudy) Papers and Memorabilia, 1917-1984 Special Collections, Raymond H. Fogler Library, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/findingaids Part of the History Commons Recommended Citation Special Collections, Raymond H. Fogler Library, University of Maine, "Vallee (Rudy) Papers and Memorabilia, 1917-1984" (2015). Finding Aids. Number 37. https://digitalcommons.library.umaine.edu/findingaids/37 This Finding Aid is brought to you for free and open access by the Special Collections at DigitalCommons@UMaine. It has been accepted for inclusion in Finding Aids by an authorized administrator of DigitalCommons@UMaine. For more information, please contact Special Collections, Fogler Library, 207-581-1686 or [email protected]. Vallée (Rudy) Papers and Memorabilia This finding aid was produced using ArchivesSpace on March 09, 2020. Finding aid written in English. Describing Archives: A Content Standard Raymond H. Fogler Library Special Collections 5729 Raymond H. Fogler Library University of Maine Orono, ME 04469-5729 URL: http://www.library.umaine.edu/speccoll Vallée (Rudy) Papers and Memorabilia Table of Contents Summary Information ......................................................................................................................................... 3 Biographical Note ................................................................................................................................................ -
Phoenix, 2013-04-03 Student Life
Governors State University OPUS Open Portal to University Scholarship Phoenix Student Newspapers 4-3-2013 Phoenix, 2013-04-03 Student Life Follow this and additional works at: http://opus.govst.edu/phoenix Recommended Citation Governors State University Student Life, Phoenix (2013, April 3). http://opus.govst.edu/phoenix/145 This Article is brought to you for free and open access by the Student Newspapers at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Phoenix by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. Futurist entbraces change in the shift social, and ideological change released in January. He also writes experienced in human history will a blog that can be found at be recreated in the next "1 0 to 100 www.evolutionshift.com. years." Houle expressed that the time "The definitions we use for of women is now and that society economics, our understanding of will see women continue to reach culture, and our concept of gender new heights and that gender will will all be changed onto a new radically be redefined by this courtesy of shiftedtransformation.com level never before witnessed by generation. history," he said. Houle likened the upcoming Ha ha! Special By Andrew Kriz In the Shift Age, people will culture change to an earthquake. Contributing Writer place a higher importance on the "You may think you are built on April Fools environment and undoing the solid ground with what you know, David Houle, one of the mistakes made in the 20th century, but when in every six, 12, or 18 edition! leading futurists of the 21st will understand the concept of months everything you previously century, spoke to attendees in the place as where in cyberspace a believed is shaken up and Insert inside Hall of Honors on March 6 about person is, and will fuse changed, you know you're in the what he feels is the biggest change technology and biology to make Shift Age," he said. -
THE TUFTS DAILY NEWS | FEATURES Thursday, September 29, 2005
THE TUFTS Where You Read It First VOLUME L, NUMBER 15 DAILY THURSDAY,SEPTEMBER 29, 2005 TOEFL language proficiency exam adds speaking section BY ALIYAH SHAHID English. “Some universities require first-year based test. The price of the test — $140 Contributing Writer Changes were made in response to students to live in dormitories on cam- — is not changing. complaints that students who scored pus. Others allow students to live off “Speaking and listening are important Foreign students, especially those well on the TOEFL were unable to com- campus. Which policy do you think is in the process of learning a language,” from Asia, should start practicing their municate effectively once they came to better for first-year students and why? sophomore Amod Rajbhandari said. “If vowels and consonants. the United States. Include details and examples in your you can’t speak, you’re left behind.” The Test of English as a Foreign The new test includes a mandatory explanation,” one example question Rajbhandari, originally from Nepal, Language (TOEFL) has been revamped, speaking section. It will be incorporated said. lived in India for ten years. and some educators think the new into the other three sections: listening, Test takers are given 15 seconds to The biggest criticism of the new test is speaking section might affect Asian stu- reading and writing. The previously sep- prepare and then 45 seconds to answer that it may put Asian students at a dis- dents more than others. The new test arate sections will be combined, so stu- the question. Students record their advantage. English teachers in Asia tend was given for the first time on Saturday, dents will have to speak and write their answers for the speaking section using a to focus on reading, writing, and gram- Sept. -
COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer
secrets 2nd edition secrets the best-selling book on how to think funny, write funny, act funny, and get paid for it Mel Helitzer with Mark Shatz WRITER'S DIGEST BOOKS Cincinnati, Ohio www. writersdigest.com COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer. Printed and bound in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote passages in a review. Published by Writer's Digest Books, an imprint of F+W Publications, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236, (800) 289-0963. Second edition. Other fine Writer's Digest Books are available at your local bookstore or direct from the publisher. 09 08 07 06 05 5 4 3 2 1 Distributed in Canada by Fraser Direct, 100 Armstrong Avenue, Georgetown, ON, Canada L7G 5S4, Tel: (905) 877-4411. Distributed in the U.K. and Europe by David & Charles, Brunei House, Newton Abbot, Devon, TQ12 4PU, England, Tel: (+44) 1626 323200, Fax: (+44) 1626 323319, E-mail: [email protected]. Distributed in Australia by Capricorn Link, P.O. Box 704, S. Windsor NSW, 2756 Australia, Tel: (02) 4577-3555. Library of Congress Cataloging-in-Publication Data Helitzer, Melvin. Comedy writing secrets: the best-selling book on how to think funny, write funny, act funny, and get paid for it / by Mel Helitzer with Mark Shatz. p. cm. Includes index. ISBN 1-58297-357-1 (pbk.: alk.