SG-Threemusketeers 00-13.Indd

Total Page:16

File Type:pdf, Size:1020Kb

SG-Threemusketeers 00-13.Indd STUDY GUIDE Saddleback Educational Publishing STUDY GUIDE - T h E T h r E E m U S k E TEE r S ISBN-13: 978-1-61651-153-1 ISBN-10: 1-61651-153-2 provide a Timeless Timeless Classics Study Guides STUDY GUIDE The wealth of reproducible support materialshelp studentsto extend the learning experience. Features include critical backgroundon both thenotes author and the times, descriptions,character chapter summaries, and“universal” exercises—focusing on plot, eight theme, character, vocabulary, important literary terms, and book report structure. | Contents | Notes to the Teacher .......................... 4 17 Recalling Details, Ch. 8 ........ 30 Facts About the Author ..................... 5 18 Words and Meanings, Ch. 9 ... 31 Facts About the Times ....................... 5 19 Comprehension Check, Ch. 9 ... 32 Facts About the Characters ............... 6 20 Words and Meanings, Ch. 10 ... 33 Chapter Summaries ........................... 7 21 Character Study, Ch. 10......... 34 Answer Key ...................................... 10 22 Words and Meanings, Ch. 11 ... 35 Literary Glossary ............................. 12 23 Identifying Synonyms, Ch. 11 ... 36 24 Who Did What?, Epilogue ..... 37 CHAPTER EXERCISES 1 Words and Meanings, Ch. 1 .... 14 END-OF-BOOK EXERCISES 2 Comprehension Check, Ch. 1 ... 15 25 Book Sequence ........................ 38 3 Words and Meanings, Ch. 2 .... 16 26 Final Exam, Part 1 ................... 39 4 Sequence of Events, Ch. 2 ....... 17 26 Final Exam, Part 2 ................... 40 5 Words and Meanings, Ch. 3 .... 18 6 People and Places, Ch. 3 ......... 19 UNIVERSAL EXERCISES 7 Words and Meanings, Ch. 4 .... 20 27 Beyond the Text ....................... 41 8 Inference, Ch. 4 ....................... 21 28 Plot Study ................................ 42 9 Words and Meanings, Ch. 5 .... 22 29 Theme Analysis ....................... 43 10 Drawing Conclusions, Ch. 5 .... 23 30 Character Study ....................... 44 11 Words and Meanings, Ch. 6 .... 24 31 Vocabulary Study ..................... 45 12 Figurative Language, Ch. 6 ..... 25 32 Glossary Study ........................ 46 13 Words and Meanings, Ch. 7 .... 26 33 Book Review, Part 1 ................ 47 14 Cause and Effect, Ch. 7 ........... 27 33 Book Review, Part 2 ............... 48 15 Words and Meanings, Ch. 8 ... 28 16 Personalizing the Story, Ch. 8 ... 29 TIMELESS CLASSICS NOTES TO THE TEACHER THE NOVELS Timeless Classics were expressly designed to Research shows that the most effective way help struggling readers gain access to some of to improve comprehension is to teach students the world’s greatest literature. While retaining strategies. The foundation of any comprehension the essence and stylistic “flavor” of the original, strategy requires knowledge of the skills found each novel has been expertly adapted to a in these activities including: main idea, noting reading level that never exceeds grade 4.0. details, drawing conclusions, finding the An ideal introduction to later investigations sequence, cause and effect, making inferences, of the original works, Timeless Classics and more. A two-page final exam is also included utilize a number of strategies to ensure the in every Timeless Classics Study Guide. involvement of struggling readers: airy, uncomplicated page design; shortened USING THE STUDY GUIDES sentences; easy-reading type style; elimination Before assigning any of the reproducible of archaic words and spellings; shortened total exercises, be sure your students each have a book length; and handsome illustrations. personal copy of the Glossary and the Facts About the Author and About the Times. By To further engage struggling readers, some organizing the reading process in this way, you of our Timeless Classics titles are available in a will be able to set a purpose for reading and new and exciting graphic format, which can activate prior knowledge. The Facts About the bridge literacies and build complex reading Author and About the Times lend themselves skills—a perfect opportunity for differentiation. to any number of writing or research projects THE STUDY GUIDES you may wish to assign. To further preview the novel, you may wish to review the Facts About The Timeless Classics Study Guides provide the Characters. Students will also need to be a wealth of reproducible support materials to help familiar with many of the literary terms in order students extend the learning experience. Features to complete the worksheets. include critical background notes on both the author and the times, character descriptions, The title-specific exercises may be used chapter summaries, and eight “universal” as a springboard for class discussions and exercises that may be used for any Timeless role-playing. Alternatively, you may wish to Classic or Saddleback Illustrated Classic. assign some exercises as homework and others during the closing minutes of a class period. In addition to the universal exercises, 26 title-specific activities are included to review, All exercises in this Guide are designed to test, or enrich the student’s grasp of important accommodate independent study as well as vocabulary and concepts. These reproducible group work. The occasional assignment of study worksheets are designed to be used chapter-by- partners or competitive teams often enhances chapter as the student’s reading of the novel interest and promotes creativity. Oral language proceeds. At least two exercises are provided activities, such as paraphrasing or summarizing for each book chapter. One of the two always a part of the story, provide an intervention focuses on key vocabulary. The other may be opportunity to strengthen oral language skills a simple comprehension check or present an and, in turn, strengthen reading skills. important literary concept. 4 the THREE MUSKETEERS FACTS ABOUT THE AUTHOR ALEXANDRE DUMAS (1802–1870) The French novelist and dramatist and paid no attention at all to those Alexandre Dumas was born in 1802, the who criticized him for pilfering the work son of a general in Napoleon’s army. of others. Although his plots have been criticized as Today, Dumas’s best-known works are “melodramatic” and his writing style as his historical romances: The Count of “careless,” readers still enjoy the colorful Monte Cristo, The Three Musketeers, and characters and exciting action in his stories. The Black Tulip. In France, Dumas is still Because of his tremendous literary noted for his plays, Henri III et sa cour and output—nearly 300 volumes—Dumas Napoléon Bonaparte. was somewhat of a legend in his own time. How was he able to produce such a great volume of work? He hired several collaborators to search through the works of earlier memoir writers for exciting plots. He cheerfully called these writing assistants his “factory” FACTS ABOUT THE TIMES In 1802, when Alexandre Dumas was Elizabeth Barrett Browning published born . Poems…in Norway, people began to ski as Thomas Jefferson was the president of a sport for the first time. the United States…the population of New In 1870, when Alexandre Dumas York topped 60,000 for the first time… died . Napoleon became president of the Italian John D. Rockefeller founded the Standard Republic. Oil Company…Confederate General In 1844, when The Count of Monte Cristo Robert E. Lee and English novelist Charles was published . Dickens died…Jules Verne’s Twenty The YMCA was founded in England… Thousand Leagues Under the Sea was wood-pulp paper was invented… published. 5 TE MH HREE USKETEERS FACTS ABOUT THE CHARACTERS D’Artagnan Duke of Buckingham A brave young man who comes to Paris English nobleman and military leader; to seek fame and fortune as a musketeer secretly in love with Queen Anne of France Count de Rochefort Queen Anne Agent of Cardinal Richelieu Wife of French King Louis XIII; secretly in love with the Duke of Buckingham Milady (Lady de Winter) Cardinal Richelieu Evil spy in the employ of Richelieu; Lord Intelligent, powerful church official who de Winter’s sister-in-law vies with the king for control of France Monsieur de Tréville King Louis XIII Captain of the king’s musketeers Ruler of France; a scheming man with a streak of cruelty Porthos A tall, proud musketeer who wears a Lord de Winter half-golden shoulder belt B rother-in-law and enemy of Milady; friend of the Duke of Buckingham Aramis Kitty A handsome musketeer with dark eyes and a smooth face Milady’s maid; secretly in love with D’Artagnan Athos (Count de La Fère) Bazin D’Artagnan’s closest friend among the Servant of Aramis musketeers; a sad, noble man John Felton Planchet Puritan guard who helps Milady escape Servant hired for D’Artagnan by Porthos from imprisonment in Lord de Winter’s castle Monsieur Bonacieux D’Artagnan’s landlord, who proves the abbess himself to be a weak, greedy man N un who offers her convent to shelter Constance Bonacieux and Milady Madame Constance Bonacieux Queen Anne’s maid and confidant; the the executioner of Lille object of D’Artagnan’s love B rother of one of Milady’s victims; eventually Milady’s executioner 6 TE MH HREE USKETEERS CHAPTER SUMMARIES CHAPTER 1 D’Artagnan, a young man from Gascony, below his. After sending D’Artagnan to pursues his dream of becoming one of King the Louvre with a message for the queen’s Louis XIII’s musketeers. On the road to valet, Madame Bonacieux is seen walking Paris he encounters a dark-haired stranger down the street and talking with the Duke with piercing eyes and a scar on his face. of Buckingham. She introduces the duke After a skirmish over an insult, the stranger to D’Artagnan, and he escorts them to the steals D’Artagnan’s letter of introduction Louvre. to Monsieur de Tréville, captain of the musketeers. While in Paris visiting with CHAPTER 4 Tréville, D’Artagnan meets three dashing Queen Anne and the handsome duke musketeers named Athos, Porthos, and declare their love during their secret meeting Aramis. Then he unexpectedly spots the at the Louvre. As a remembrance, she gives scar-faced stranger and chases after him.
Recommended publications
  • The Black Tulip This Is No
    Glx mbbis Digitized by the Internet Archive in 2018 with funding from University of Alberta Libraries https://archive.org/details/blacktulip00duma_0 EVERYMAN’S LIBRARY EDITED BY ERNEST RHYS FICTION THE BLACK TULIP THIS IS NO. 174 OF eFe%r31^3^S THE PUBLISHERS WILL BE PLEASED TO SEND FREELY TO ALL APPLICANTS A LIST OF THE PUBLISHED AND PROJECTED VOLUMES ARRANGED UNDER THE FOLLOWING SECTIONS: TRAVEL ^ SCIENCE ^ FICTION THEOLOGY & PHILOSOPHY HISTORY ^ CLASSICAL FOR YOUNG PEOPLE ESSAYS » ORATORY POETRY & DRAMA BIOGRAPHY REFERENCE ROMANCE THE ORDINARY EDITION IS BOUND IN CLOTH WITH GILT DESIGN AND COLOURED TOP. THERE IS ALSO A LIBRARY EDITION IN REINFORCED CLOTH J. M. DENT & SONS LTD. ALDINE HOUSE, BEDFORD STREET, LONDON, W.C.2 E. P. DUTTON & CO. INC. 286-302 FOURTH AVENUE, NEW YORK g^e BEAGK TULIPBY AISXANDRE DUMAS LONDON S' TORONTO J-M-DENTS'SONS LTD. ^ NEW YORK E P-DUTTON SCO First Published in this Edition . 1906 Reprinted.1909, 1911, 1915, 1919, 1923, 1927, 1931 PRINTED IN GREAT BRITAIN ( library OF THE IfMIVfRSITY I OF ALBERT^ il EDITOR’S NOTE La Tulipe Noire ” first appeared in 1850. Dumas was then nearing the end of his Monte Christo magnifi¬ cences, and about to go into a prodigal’s exile at Brussels. It is said that he was given the story, all brief, by King William the Third of Holland, whose coronation he did undoubtedly attend. It is much more probable, nay, it is fairly certain, that he owed it to his history-provider, Lacroix. An historical critic, however, has pointed out that in his fourth chapter, “ Les Massacreurs,” Dumas rather leads his readers to infer that that other William III., William of Orange, was the prime mover and moral agent in the murder of the De Witts.
    [Show full text]
  • THE THREE MUSKETEERS by Alexandre Dumas
    THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime).
    [Show full text]
  • EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with Other MUSKETEERS and RED GUARDS Clear a Path Through a Bustling CROWD
    EXT. PARIS. TOWN SQUARE. DAY ATHOS and ARAMIS, with other MUSKETEERS and RED GUARDS clear a path through a bustling CROWD. Excitement is in the air. CONSTANCE is amongst the CROWD, accompanied by FLEUR BAUDIN and her friend THERESE DUBOIS. ARAMIS Stand back. They jostle for a good position to see whatever is coming next. THERESE Please, let me through! Meanwhile FATHER LUCA SESTINI leads his horse away from the CROWD, unknown that he is being followed by three THIEVES. EXT. PARIS. STREET. DAY SESTINI pauses to tie up his horse and rest, then starts to take down his luggage from the saddle. Seeing their opportunity the THREE THIEVES push him roughly aside and try to grab the bags from him. SESTINI Help! Please help! Help! He turns and calls into the CROWD. SESTINI (cont'd) Thieves! Thieves! ATHOS and ARAMIS hear his cries as they ride through the CROWD. They glance at each other and nod. ATHOS Make way!! They push their way through the CROWD, climb down off their horses and launch into a sword fight with the THIEVES. EXT. PARIS. STREET. DAY The Royal Carriage continues on its journey through the cheering CROWD with TREVILLE and PORTHOS at the head. (CONTINUED) 2. CONTINUED: The CROWD cheer from either side of the street as the carriage hurries through. MAN God bless you, Your Majesty! EXT. PARIS. STREET. DAY The sword fight between ARAMIS, ATHOS and the three THIEVES continues, even SESTINI has drawn his dagger and fights. One of the THIEVES picks up one of SESTINI’s bags and starts to run off with it.
    [Show full text]
  • Against Fraud for Fame Reflected in Alexandre Dumas’S Novel the Black Tulip (1850): Sociological Approach
    AGAINST FRAUD FOR FAME REFLECTED IN ALEXANDRE DUMAS’S NOVEL THE BLACK TULIP (1850): SOCIOLOGICAL APPROACH Submitted as a Partial Fulfillment of the Requirements for getting Bachelor Degree of Education in English Department by: ANIS NURUL ROHMAH A320130132 DEPARTMENT OF ENGLISH EDUCATION FACULTY OF TEACHER TRAINING AND EDUCATION UNIVERSITAS MUHAMMADIYAH SURAKARTA 2018 APPROVAL AGAINST FRAUD FOR FAME REFLECTED IN ALEXANDRE DUMAS’S NOVEL THE BLACK TULIP (1850): SOCIOLOGICAL APPROACH PUBLICATION ARTICLE by ANIS NURUL ROHMAH A320130132 Approved to be examined by Consultant Dr. M. Thoyibi, M.S. NIK. 410 i ACCEPTANCE AGAINST FRAUD FOR FAME REFLECTED IN ALEXANDRE DUMAS’S NOVEL THE BLACK TULIP (1850): A SOCIOLOGICAL APPROACH by ANIS NURUL ROHMAH A320130132 Accepted and Approved by the Board of Examiners School of Teacher Training and Education Muhammadiyah University of Surakarta On January 2018 Team of Examiners: 1. Dr. M. Thoyibi, M.S. ( ) (First Examiner) 2. Dr. Abdillah Nugroho, M.Hum. ( ) (Second Examiner) 3. Dr. Maryadi, M.A ( ) (Third Examiner) Dean, Prof. Dr. Harun Joko Prayitno, M.Hum. NIP 196504281993031001 ii TESTIMONY Herewith, I testify in this publication article there is no plagiarism of the previous literary work which has been raised to obtain Bachelor Degrees of university, nor there are options or masterpiece which have been written or published by others, except those which the writing are referred in the manuscript and mentioned in literary review and bibliography. Hence, later, if it is proven that there are some untrue statements in this testimony, I will hold fully responsibility. Surakarta, January 13th , 2018 The Researcher Woro Desy K A320130184 iii AGAINST FRAUD FOR FAME REFLECTED IN ALEXANDRE DUMAS’S NOVEL THE BLACK TULIP (1850): SOCIOLOGICAL APPROACH Abstrak Penelitian ini bertujuan untuk mengetahui fraud untuk ketenaran di novel The Black Tulip dengan menggunakan pendekatan sosiologi.
    [Show full text]
  • The Black Tulip
    The Black Tulip by Alexandre Dumas A n Electronic Classics Series Publication The Black Tulip by Alexandre Dumas is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. The Black Tulip by Alexandre Dumas, The Electronic Classics Series, Jim Manis, Editor, PSU- Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages is not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis Copyright © 2000 - 2013 The Pennsylvania State University is an equal opportunity university. Dumas muskets on their shoulders, or sticks in their hands, were The Black Tulip pushing on to the Buytenhof, a terrible prison, the grated windows of which are still shown, where, on the charge of by attempted murder preferred against him by the surgeon Tyckelaer, Cornelius de Witt, the brother of the Grand Pensionary of Holland was confined.
    [Show full text]
  • FAMILY Nemacheilidae Regan, 1911
    FAMILY Nemacheilidae Regan, 1911 - stone loaches [=Nemachilinae, Adiposiidae, Lefuini, Yunnanilini, Triplophysini] GENUS Aborichthys Chaudhuri, 1913 - hillstream loaches Species Aborichthys boutanensis (McClelland, 1842) - Bolan hillstream loach [=kempi] Species Aborichthys cataracta Arunachalam et al., 2014 - Arunachal hillstream loach Species Aborichthys elongatus Hora, 1921 - Reang hillstream loach Species Aborichthys garoensis Hora, 1925 - Tura hillstream loach Species Aborichthys kempi Chaudhuri, 1913 - Egar hillstream loach Species Aborichthys tikaderi Barman, 1985 - Namdapha hillstream loach Species Aborichthys verticauda Arunchalam et al., 2014 - Ranga hillstream loach Species Aborichthys waikhomi Kosygin, 2012 - Bulbulia stone loach GENUS Acanthocobitis Peters, 1861 - loaches Species Acanthocobitis pavonacea (McClelland, 1839) - pavonacea loach [=longipinnis] GENUS Afronemacheilus Golubtsov & Prokofiev, in Prokofiev, 2009 - stone loaches Species Afronemacheilus abyssinicus (Boulenger, 1902) - Bahardar stone loach Species Afronemacheilus kaffa Prokofiev & Golubtsov, 2013 - kaffa stone loach GENUS Barbatula Linck, 1790 - stone loaches [=Cobites, Orthrias] Species Barbatula altayensis Zhu, 1992 - Kelang stone loach Species Barbatula barbatula (Linnaeus, 1758) - stone loach [=anglicana, blackiana, caucasicus, erythrinna, fuerstenbergii, furstenbergii, hispanica B, hispanica L, markakulensis, parisiensis, taurica, pictava, pironae, vardarensis, variabilis] Species Barbatula conilobus Prokofiev, 2016 - Bogd loach Species Barbatula dgebuadzei
    [Show full text]
  • The Black Tulip the Black Tulip
    [Download] The Black Tulip The Black Tulip 81Hqev4AT The Black Tulip BReiYYS7g RX-30236 70BLQ3Uvp USmix/Data/US-2013 pR7gC03HY 4/5 From 809 Reviews nesnzTsbt Alexandre Dumas wJNiWShNN *Download PDF | ePub | DOC | audiobook | ebooks Q0H050PMv bzK2Y7FOJ N7T7l8VKT 88gBqLuvY jQeSSwCmO IjrvPQ62f lhcB81kHr ytDu4pxit 3 of 3 people found the following review helpful. Jealousy Knows No Bounds in iI1wCrALR this BookBy Loni GeeAlexander Dumas takes on a totally unique subject as he nhWcNnpPO writes about the creation of the black tulip. If you love flowers, you will want to sqGDfmBsu read this book as Dumas describes some of the processes the hero uses to create mIHyRVWwX a unique colored tulip. It is really a love story; love of the tulip and love zRPp5846S between two people who seem unlikely to ever be able to get together. But, it is uJ615URGU overwhelmingly a tale of incredible jealousy and to what extent one man will go qWAebDLPF to, to prevent his rival from winning the award for the black tulip. It's a fast gelvN7Bc3 read, and it's okay. It's not my favorite book, but it's a unique look at growing vfEhnSXzu tulips in Holland.0 of 0 people found the following review helpful. Two Cheers nKCRjrcSB for The Black TulipBy Karen AmrheinSince I was a child I've loved "The Three 3fyZwDQLG Musketeers" and its sequels, "Twenty Years After" and "The Vicomte de 6BHCves2C Bragelonne". They are among my favorite books of all, so I'm ever interested in POeUTYKRj a "new" book by Alexandre Dumas. "The Black Tulip" was one of those books OBIOHWGW4 of his I'd not read, nor even heard of until recently.The story is set in The Netherlands during the time of William of Orange (1670s).
    [Show full text]
  • The Three Musketeers Online
    Ku4wb [Download] The Three Musketeers Online [Ku4wb.ebook] The Three Musketeers Pdf Free Alexandre Dumas ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Dumas Alexandre 2016-08-04Original language:English 9.00 x 1.29 x 6.00l, 1.66 #File Name: 1536873535572 pagesThe Three Musketeers | File size: 19.Mb Alexandre Dumas : The Three Musketeers before purchasing it in order to gage whether or not it would be worth my time, and all praised The Three Musketeers: 0 of 0 people found the following review helpful. Dumas' classic is a great swashbuckling storyBy Gary HoggattAlexandre Dumas' 1844 novel The Three Musketeers is the most well-known swashbuckling novel in the genre, and with good reason. This well-deserved classic is a lot of fun, and the adventures of d'Artagnan, Athos, Porthos, and Aramis are very enjoyable. There are a couple of small issues I have with the story, but it's well worth reading.Dumas takes an interesting approach in that our main protagonist, d'Artagnan, is not in fact one of the titular Three Musketeers. Travelling from Gascony to Paris in 1620's France to make his fortune, the young, arrogant, brave, and - fortunately for himself - very capable d'Artagnan ends up friends with Athos, Porthos, and Aramis, and caught in the web of plots surrounding Cardinal Richelieu, King Louis XIII, and the Queen, Anne of Austria. D'Artagnan and each of the Musketeers are an interesting character in their own right, with Athos serious and brooding, Porthos an amusing but deadly fop, and Aramis constantly flirting with taking up the priesthood.
    [Show full text]
  • Read an Excerpt
    by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele­ tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video­ tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty.
    [Show full text]
  • MUSKETEERS Ep 1 by Adrian Hodges 12.09.12
    THE MUSKETEERS Ep 1 by Adrian Hodges 12.09.12 1 EXT. COUNTRYSIDE. GASCONY. DAY. 1 OPEN on rolling countryside in the ancient province of Gascony, near the Spanish border. A small party of MUSKETEERS ride their horses at walking pace. Their uniforms are distinctive though dirty from the road. The men - five of them in all - look weary. At the head of them is ATHOS (30s), a handsome man of striking aristocratic features. We know a hero when we see one, but we also might sense a hidden melancholy he is too proud to show to the world at large. At his side rides CORNET. He is still young but has an air of authority. He leads a mule with a rope tied to his saddle; the patient creature is laden with heavy saddle bags. Athos reins in his horse and turns to him. ATHOS This is as far as I go. The road is safe enough from here. Cornet extends his hand. Athos shakes it. ATHOS Go on to Bayonne and wait. Cornet nods and glances at the saddle-bags. CORNET Athos? Don’t you wonder what’s in there? ATHOS We’re not paid to be curious. (Pause) When we’re paid at all. He smiles and spurs his horse, turning back in the direction they’ve come. Cornet’s smile fades. We sense a tension in the tight line of his mouth and the way his gaze flicks restlessly around the hills. He darts a glance at his men laughing and joking a few yards behind him.
    [Show full text]
  • The Three Musketeers an Adaptation by Jackie Mellor
    THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there .
    [Show full text]
  • The Three Musketeers in the Novel by Alexandre Dumas “The Three Musketeers”
    SOCIAL INFLUENCES OF D’ARTAGNAN TOWARD THE THREE MUSKETEERS IN THE NOVEL BY ALEXANDRE DUMAS “THE THREE MUSKETEERS” Rosmaidar1, Dewi Canggih2 Dosen Universitas Bina Darma1, Mahasiswa Universitas Bina Darma2 Jalan Ahmad Yani No.3 Palembang Sur-el: [email protected], [email protected] Abstract: This study is to describe the kinds of social influences of D’Artagnan toward the three musketeers in the Novel “The Three Musketeers”. ”The Three Musketeers” set in seventeenth- century England and France, this classic rip – roaring tale tells of valour, intrigue and love. “The Three Musketeers”, Athos, Porthos and Aramis, and their companion, D’Artagnan, fight and love their way through a series of hair-raising adventures. This study used the descriptive method. The writers used the technique of documentation, where the data were collected from books, dictionaries, and internet.D’Artagnan social influences toward The Three Musketeers are divided into (1) Friendship, (2) Charisma, (3) Reputation, and, (4) Conformity. In charisma effect divided into two subjects (a) Leadership and (b) Power. He has given good and big effect to The Three Musketeers through his social influences. Keywords: The Three Musketeers, D’artagnan, Social Influence Abstrak: Penelitian inibertujuan untuk menggambarkan jenis pengaruh sosial dari D'Artagnan menuju three musketeers dalam Novel “The Three Musketeers”. “The Three Musketeers” diatur dalamabad ketujuh belas Inggris dan Perancis, kisah ini bercerita tentang keberanian, intrik dan cinta. “The Three Musketeers”, Athos, Porthos dan Aramis, dan teman mereka, D'Artagnan, melawan dan mencintai cara mereka melalui serangkaian petualangan yang menegangkan. Penelitian ini menggunakan metode deskriptif. Penulis menggunakan teknik dokumentasi, di mana data dikumpulkan dari buku-buku, kamus, dan internet.
    [Show full text]