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It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
CIRCOLARE INFORMATIVA S T a G I O N E T E a T R A
ESSEVUTEATRO NEW S.R.L. Via Quintino Sella, 65 – 50136 Firenze Tel. 055/666420 – Fax 055/666430 cellulare 335/6225939 www.apriteilsipario.it – [email protected] CIRCOLARE INFORMATIVA (aggiornata al 07/05/2019) S t a g i o n e T e a t r a l e 2 0 1 9 / 2 0 2 0 Le notizie di seguito riportate possono essere soggette a variazioni, aggiunte ed esclusioni. Qualora il presente elenco fosse diffuso o riprodotto Vi preghiamo di citarne la fonte. 1 A CHRISTMAS CAROL musical basato sul romanzo di Charles Dickens (ripresa) con la partecipazione straordinaria di ROBERTO CIUFOLI regia e coreografie di Fabrizio Angelini FRANCESCA AGOSTINI-MAURO BERNARDI-ANDREA DI CASA-FILIPPO DINI-ILARIA FALINI- MARIANGELA-GRANELLI-DARIO IUBATTI-ORIETTA NOTARI-MARIA PAIATO-NICOLA PANNELLI- BENEDETTA PARISI-GIAMPIERO RAPPA “Cosi è (se vi pare)” di Luigi Pirandello regia Filippo Dini “ALADIN – il musical” ideato e diretto da Maurizio Colombi GIGIO ALBERTI-FILIPPO DINI-GIOVANNI ESPOSITO-VALERIO SANTORO-GENNARO DI BIASE “Regalo di Natale” di Pupi Avati (ripresa) regia Marcello Cotugno GIGIO ALBERTI-BARBARA BOBULOVA-ANTONIO CATANIA-GIOVANNI ESPOSITO-VALERIO SANTORO “Anfitrione ” di Sergio Pierattini . regia Filippo Dini ALE E FRANZ “Romeo e Giulietta - nati sotto contraria stella” da William Shakespeare con EUGENIO ALLEGRI-MARCO ZANNONI-TEODOSIO BARRESI regia Leo Muscato AMBRA ANGIOLINI-LUDOVICA MODUGNO “Il nodo” di Johnna Adams regia Serena Sinigaglia ROBERTO ANDRIOLI-FABRIZIO CHECCACCI-LORENZO DEGLI INNOCENTI “Le opere complete di William Shakespeare in 90 minuti -
Italian: Rosso Come Il Cielo) Is a 2005 Italian Drama Film Written and Directed by Cristiano Bortone and Starring Luca Capriotti and Paolo Sassanelli
Rosso come il cielo Red Like the Sky (Italian: Rosso come il cielo) is a 2005 Italian drama film written and directed by Cristiano Bortone and starring Luca Capriotti and Paolo Sassanelli. It is based on the childhood experiences of sound editor Mirco Mencacci. Mirco Mencacci (born 1961) is a famous Italian sound designer who works with all aspects of sound, within art (film, music). Mencacci was born in Tuscany in Italy. When he was 4 years old, he was rendered blind due to a shotgun accident in his grandfather’s garden. He moved in Genoa at the age of 7 to attend a disabled school, specifically for the blind children. His story inspired the Italian autobiographical film Red like the Sky which illustrates the conditions of schools for disabled students in Italy in the 1970s. In 1981, Mencacci founded the SAM recording-facility in Lari, Italy. Since 2001, he has been fighting a personal battle against noise pollution which the second biggest pollutant in the world. In the cinema field, Mencacci has crafted sound design for international films that have screened in over one hundred film festivals across the world, such as the Venice Film Festival, the San Francisco International Film Festival, Eye Honors New York, the Milwaukee Film Festival, and the Hamburg International Short Film Festival. Mencacci is the inventor of the Spherical Sound System, which he uses in his cinematographic works. In 2016 he was invited by Dolby to the Casa del Cinema in Rome in to demonstrate his system to audiences. Red Like the Sky - won the Audience Awards at the São Paulo International Film Festival and at the Sydney Film Festival. -
30 Giugno 6 Luglio 2014
17* GENOVA 30 GIUGNO FILM 6 LUGLIO 2014 FESTIVAL 17* GENOVA 30 GIUGNO FILM 6 LUGLIO 2014 FESTIVAL DIREZIONE ARTISTICA E ORGANIZZATIVA Cristiano Palozzi Antonella Sica ASSISTENTE ALLA DIREZIONE Caterina Nascimbene SEGRETERIA ORGANIZZATIVA Associazione Culturale Daunbailò con la collaborazione di Thierry Bousseau RESPONSABILE TECNICO Raffaello Cantatore ASSISTENTI DI SALA Marika Cirillo Valeria Deplano Alessandra Gatti Ketlin Maffessoni Vanessa Sarti laia UFFICIO STAMPA Bonsai Film - Genova con la collaborazione di Davide Bressanin COMUNICAZIONE Bonsai Film – Genova collaborazione alla redazione del catalogo Alessandra Gatti FOTOGRAFO UFFICIALE Stefania Bianucci PROGETTO GRAFICO Matteo G. Palmieri SITO INTERNET Nunzio Gaeta (Cybear) Si ringrazia per la collaborazione tecnica: Luca Mattighello Fausto Chierchini Eugenia Oczoli Edvin Xifaj 2 - GENOVA FILM FESTIVAL 2014 Dedicato a Claudio G. Fava IL GENOVA FILM FESTIVAL RINGRAZIA (in ordine alfabetico) Angelo Berlangieri E inoltre: Nicola Borrelli Paolo Odone Carla Sibilla Daniele Biello Egidio Camponizzi Maurizio Caviglia Genovafilmservice Daniele D’Agostino Marina D’Andrea Genova Palazzo Ducale Anna Galleano Fondazione per la Cultura Elena Manara Sindacato Nazionale Critici Milena Palattella Cinematografici Italiani Carla Turinetto Claudio Bertieri Natalino Bruzzone Cecchi Gori HV Jacopo Chessa International Video 80 Oreste De Fornari Steve Della Casa Media One Entertainment Aldo De Scalzi Mira Films Gianluca De Serio Massimiliano De Serio Strani Film Maria Linda Germi Surf Film Martina Germi -
Rocco Papaleo Sergio Rubini
! SELEZIONE UFFICIALE ! ! DOMENICO PROCACCI e RAI CINEMA presentano ROCCO PAPALEO SERGIO RUBINI ! un film di SERGIO RUBINI con IVANA LOTITO BIANCA GUACCERO GENO DIANA Una produzione FANDANGO con RAI CINEMA Opera realizzata con il sostegno della REGIONE LAZIO - Fondo regionale per il cinema e l'audiovisivo ! con il contributo di ! ! ! ! AL CINEMA DAL 9 MAGGIO 2019 UFFICIO STAMPA FILM 01 DISTRIBUTION COMUNICAZIONE Daniela Staffa: +39 335 1337630 Annalisa Paolicchi: [email protected] Anna Rita Peritore: +39 348 3419167 Rebecca Roviglioni: [email protected] Email: [email protected] Cristiana Trotta: [email protected] [email protected] Stefania Lategana: [email protected] !1 crediti non contrattuali materiali stampa disponibili www.01distributon.it Media Partner Rai Cinema Channel www.raicinemachannel.it CAST TECNICO Regia SERGIO RUBINI soggetto e sceneggiatura CARLA CAVALLUZZI, DIEGO DE SILVA, ANGELO PASQUINI, SERGIO RUBINI sceneggiatura CARLA CAVALLUZZI, ANGELO PASQUINI, SERGIO RUBINI aiuto regia e casting GISELLA GOBBI musiche LUDOVICO EINAUDI costumi PATRIZIA CHIERICONI scenografia LUCA GOBBI montaggio BENNY ATRIA fotografia MICHELE D’ATTANASIO trucco LUIGI CIMINELLI acconciature FABRIZIO NANNI fonico presa diretta VALENTINO GIANNI’ fonico mix FRANCESCO CUCINELLI organizzatore generale JACOPO CINO supervisione alla produzione CLAUDIO ZAMPETTI produttore delegato LAURA PAOLUCCI prodotto da DOMENICO PROCACCI una produzione FANDANGO con RAI CINEMA distribuzione 01 DISTRIBUTION -
PB Giorno Piu Bello Mondo.Pdf
Presentano un film di Alessandro Siani con Alessandro Siani, Stefania Spampinato, Giovanni Esposito e i piccoli Sara Ciocca e Leone Riva Distribuzione Vision Distribution Uscita: 31 ottobre 2019 Il giorno più bello del mondo Cast Artistico ALESSANDRO SIANI Arturo Meraviglia STEFANIA SPAMPINATO Flavia Mainardi GIOVANNI ESPOSITO Gianni Pochi Pochi SARA CIOCCA Rebecca LEONE RIVA Gioele Il giorno più bello del mondo Cast Tecnico REGIA Alessandro Siani SOGGETTO E SCENEGGIATURA Alessandro Siani, Gianluca Ansanelli AIUTO REGIA Roy Bava MONTAGGIO Valentina Mariani FOTOGRAFIA Michele D’Attanasio MUSICHE ORIGINALI Umberto Scipione COSTUMI Eleonora Rella SCENOGRAFIA Chiara Balducci CASTING Marita D’Elia PRODUTTORE ESECUTIVO Massimo Di Rocco, Luigi Napoleone DIRETTORE DI PRODUZIONE Giuseppe Pugliese Il giorno più bello del mondo Sinossi Arturo Meraviglia è l’impresario di un piccolo teatro di avanspettacolo ormai in declino. Un inaspettato lascito da parte di un lontano zio gli accende la speranza di risolvere i problemi con i debitori, ma quando scopre che l’eredità sono due bambini, Rebecca e Gioele, cade nello sconforto. Dopo i primi momenti di convivenza burrascosa, un bel giorno scopre che Gioele ha un potere sorprendente!!! Le magie che il bambino è in grado di compiere sembrano essere la chiave per risolvere i problemi di Arturo e risollevarlo dal vicinissimo tracollo. Il talento del piccolo illusionista non sfugge però a un team di loschi scienziati che vogliono scoprire cosa si cela dietro queste grandi doti. Con l’aiuto di buffi e sconclusionati amici e di una bella ricercatrice, tra colpi di scena e avventurose situazioni, Arturo farà di tutto per proteggere Gioele e per rimettere in piedi il suo teatro e vivere così il giorno più bello del mondo. -
DA VINCI a Film by Yuri Ancarani Italy, 25 Min Colour No Dialogues Da
DA VINCI a flm by Yuri Ancarani Italy, 25 min colour no dialogues Da Vinci is the title of the fnal chapter of Yuri Ancarani's trilogy, which is centred on the theme of work. Conceived and made as artist documentaries, the frst two chapters, as well as being able to boast several important names, such as Maurizio Cattelan as producer, were presented at the 67th and 68th Venice Film Festivals. The three chapters will become a feature flm in episodes which will be presented as a special event in 2013. The flm Da Vinci is entirely set inside an operating room, an imaginative journey into a microcosm where the hope and expectation felt from the outside are confused with the clear and rational objectivity of the machine and the surgeons. An unintentional drama is triggered by the working process, with time marked by the waiting, moments of pathos, a sense of routine normality that leads us viewers to be fascinated by such serenity and professionalism in the doctors and operating room staff. Ancarani sought and captured the innovation of the Da Vinci system which consists of this: the patient's body who will never be touched directly by the hands of the physician, but only by the arms of the robot. During the course of the entire operation the extraordinary images captured by the robot will guide, in addition to our own, the expert eyes of the physician surgeon. The flm has been shown in an International Premiere on November 15, 2012 at the Rome Film Festival , in the new section entitled "Cinema of the twenty-frst century", in collaboration with the MAXXI National Museum of XXI century Art. -
Download Program Magazine
Dear Patrons of the Arts and Italian Culture Dear Patron of the Arts, Miami, October 2014 Starting in 2014 and continuing in perpetuity the Senate of the State of Florida proclaimed the month of October as “Italian Heritage Month”. It is a great satisfaction for us at Cinema Italy that have been celebrating our culture and arts in Miami on Columbus Day and the rest of the month of October for the past 12 years together with our General Consulate, the Societa` Dante Alighieri, ODLI and a number of other cultural organizations. With over 30 film festival and exhibitions in Acapulco, Miami, Atlanta, San Juan, Auburn and New York we have worked hard to let you visit “il Bel Paese” without leaving your home. This journey wouldn't have been possible without our great volunteers and the generosity of our sponsors, most of them having supported us since the very beginning and still doing so today. 2014 also marks the 20th anniversary of the film Il Postino winner of 31 awards, of which three were Oscar including the coveted Best Picture. Cinema Italy has invited Italian super star, actress, producer Maria Grazia Cucinotta to host this year festival as the event Godmother. She will be present throughout all of our events and will be our guest of honor at the Closing Dinner and Award Ceremony on October 14th at Bianca Restaurant in the lobby of the Delano Hotel. This year also marks a considerable expansion on our events pre-festival with free screenings in venues as diverse as the Koubek Center, the Wolfsonian Museum, the Tower Theatre in Little Havana, the Societa Dante Alighieri and more. -
Masculinity, Stardom, and Italian Cinema 1. the Actresses Listed Were Margherita Buy, Claudia Gerini, and Cristiana Capotondi
Notes Introduction Trouble Men: Masculinity, Stardom, and Italian Cinema 1. The actresses listed were Margherita Buy, Claudia Gerini, and Cristiana Capotondi. Capotondi was bracketed with regular costar Fabio De Luigi in eighth place. Buy ranked nineteenth and Gerini twenty-third. The top male stars were mostly comics (including Alessandro Siani, Claudio Bisio, Christian De Sica, Checco Zalone, Carlo Verdone, and Antonio Albanese). See Ciak, September 9, 2013. 2. The majority of this criticism has been Anglophone, though see Grignaffini (1988). On Loren, see Gundle (1995a) and Small (2009); on Lollobrigida, see Buckley (2000). Gundle (2007: xix) mentions that male beauty could also be discussed, and cites Malossi’s volume on the figure of the Latin Lover. However, it is interesting that La Cecla in that book admits that “it is difficult to take the Latin Lover seriously” (1996: 26), and he is interpreted as a figure of slightly pathetic comic value, rather than as a symbol of the nation. All trans- lations from Italian are my own, unless otherwise stated. 3. See the cover images for Bondanella (2014), Bertellini (2004), Brunetta (2009), Wood (2005), Sorlin (1996), Brizio-Skov (2011), and Nowell-Smith (1996). 4. De Biasio identifies this as a compensatory move on the part of femi- nism: “The omnipresence and presumed ‘universality’ of men in his- tory, in the arts, in science, in public life, has led to the focusing on women’s identity, lobbying for the rights that were still denied them [ . ] and valorizing their achievements and their contributions to the collective” (2010: 12). 5. Jedlowski says: “While we have an abundant literature on the dif- ferent manifestations and transformations of female identity, reflec- tions on masculinity are, till now, few and far between in Italy” (2009: 11). -
ERBA Un Film Di Juliane Biasi Hendel
presentano I L COLORE DELL’ERBA un film di Juliane Biasi Hendel Hai mai pensato di vedere un film a occhi chiusi? Film riconosciuto di Interesse Culturale con contributo economico del Ministero dei Beni e delle Attività Culturali e del Turismo - Direzione Generale per il Cinema Realizzato con il sostegno di Trentino Film Commission, Piemonte Doc Film Fund, Rai 3 (Doc 3) E con il patrocinio di UICI - Unione Italiana Ciechi ed Ipovedenti e I.RI.FO.R - Torino DATA DI USCITA 18 gennaio 2016 Distribuzione UFFICIO STAMPA CONTATTI INDYCA UFFICIO STAMPA LOCALE Giulia Ghigi Simone Catania Paolo Morelli [email protected] [email protected] [email protected] www.indycafilm.com/docs/il-colore-dellerba /thecolourofgrass @infoindyca I L COLORE DELL’ERBA Regia JULIANE BIASI HENDEL Protagoniste GIORGIA PIZZINI e GIONA XHEKA HAXIRAJ Sound designer MIRCO MENCACCI Sound Team S.A.M. – SPHERICALSOUND Musiche Originali NIKI LA ROSA Cinematografia ALESSANDRA BRANCATI Montaggio JULIANE BIASI HENDEL MARCO REZOAGLI Prodotto da INDYCA Produttore SIMONE CATANIA (Indyca) Produttore Delegato LAURA D’AMORE (Indyca) In associazione con KURAJ In collaborazione con TRENTINO FILM COMMISSION e con RAI 3 – DOC 3 Con il sostegno di PIEMONTE DOC FILM FUND FONDO REGIONALE PER IL DOCUMENTARIO Con il patrocinio di U.I.C.I. - Unione Italiana dei Ciechi e degli Ipovedenti Onlus I.RI.FO.R. – Istituto per la Ricerca, la Formazione e la Riabilitazione Onlus - Sezioni Provinciali di Torino Distribuzione italiana INDYCA Vendite Internazionali VITAGRAPH Durata 59’ Anno 2016 Ufficio Stampa GIULIA GHIGI Ufficio Stampa Locale PAOLO MORELLI 1 I L COLORE DELL’ERBA ______________________________________________________________________ Sinossi L’adolescenza è un’età sorprendente, rivoluzionaria, persino spiazzante. -
President's Message
A PUBLICATION OF THE ITALIAN CULTURAL SOCIETY WINTER 2019 VOLUME 20 ISSUE 2 President’s Message Saluti amici e Buon Anno! With this writing we are celebrating our 21st year of the Italian Cultural Society of Naples. Thus far, our first two Events, the Columbus Day Luncheon and the Welcome Back Lecture and Luncheon, have been well-attended as our snowbird members (like the storied Capistrano swallows) slowly make their way back here to Naples and Paradise. You should know that Ron Diorio, one of our first ICS members, has been busy this fall preparing a History of our organization which we will eventually place on our website for all to have. It will then be regularly updated. Equally busy has been Board member Kathleen Azzariti, who has organized three exciting and useful activities under the heading of Amicizia Groups. They include a Book Discussion group; a Travel Group where members discuss past and future trips to Italy: what to see, how to travel, etc., including trips to this year’s ICS area of interest, the Northwest Macro Region of Italy; and finally, there is the Family Legacy Group that exchanges memorabilia about one’s family, including recipes, photographs, scrap books and places of interest, and offers help writing family journals, and the like. A different member will lead each group at her home. All members are welcome to participate. You can always call Kathleen for the latest information at 239-304-0924 or email her at [email protected]. These activities have really taken off, so join in for the fun and the learning. -
The Challenge
ANTHROPOLOGY OF A CONTEMPORARY DESERT THE CHALLENGE A FILM BY YURI ANCARANI 69° FESTIVAL DEL FILM LOCARNO CINEASTI DEL PRESENTE SPECIAL JURY PRIZE In THE CHALLENGE, director Yuri Ancarani crosses the Persian Gulf to accompany a falconer to an important competition. In the glaring light of an empty landscape, among SUVs, Lamborghini, private jets and Mad Max-like dune bashing contests, the film tells the story of an intense weekend in the desert. SYNOPSIS DIRECTOR’S STATEMENT Falconry has a history that stretches back THE CHALLENGE is a complex film, even if over forty centuries. In the West it was a its viewing is fluid and accessible. Getting prevailing passion of the medieval aristocracy, to that desert is simple, you take a flight, a but its prestige continues undiminished in guide, you go for a two or three hours tour, contemporary Arab culture. Three years of you ride a camel and then you go back to the observing this form of hunting in the field city. Stopping and looking carefully is almost have made it possible to capture the spirit of impossible. a tradition that allows its practitioners to keep I realised that the life in these new metropolis a close rapport with the desert, in spite of like Dubai or Doha is for everyone, but not for their predominantly urban lifestyle. Our guide Bedouins, who keep loving their desert and is a falconer taking his birds to compete in a need to live it fully and intensely. tournament in Qatar. It is a matter of tradition. CREDITS Year | 2016 In association with | Arte France, La Lucarne Production Countries | France, Italy Martine Saada, Fabrice Puchault, Alex Szalat Running time | 69’ Commissioning Editor | Luciano Rigolini Original Language | Arabic With the participation of | Cnc- Centre National de la Subtitles | English, French, Italian Cinématographie et de l’image animée, Ministero dei Beni e delle Attività Culturali e del Turismo – Direzione Generale per Image | Yuri Ancarani, Luca Nervegna, Jonathan Ricquebourg il Cinema, Région Ile-De- France.