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THE AMERICAN ART-1 Corregido
THE AMERICAN ART: AN INTRODUCTION Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection Paris-Boston, April 2011 SOMMARY INTRODUCTION 3 18th CENTURY 5 19th CENTURY 6 20th CENTURY 8 AMERICAN REALISM 8 ASHCAN SCHOOL 9 AMERICAN MODERNISM 9 MODERNIST PAINTING 13 THE AMERICAN SOUTHWEST 14 HARLEM RENAISSANCE 14 NEW DEAL ART 14 ABSTRACT EXPRESSIONISM 15 ACTION PAINTING 18 COLOR FIELD 19 POLLOCK AND ABSTRACT INFLUENCES 20 ART CRITICS OF THE POST-WORLD WAR II ERA 21 AFTER ABSTRACT EXPRESSIONISM 23 OTHER MODERN AMERICAN MOVEMENTS 24 THE GELONCH VILADEGUT COLLECTION 2 http://www.gelonchviladegut.com The vitality and the international presence of a big country can also be measured in the field of culture. This is why Statesmen, and more generally the leaders, always have the objective and concern to leave for posterity or to strengthen big cultural institutions. As proof of this we can quote, as examples, the Bibliothèque Nationale de France, the British Museum, the Monastery of Escorial or the many American Presidential Libraries which honor the memory of the various Presidents of the United States. Since the Holy Roman Empire and, notably, in Europe during the Renaissance times cultural sponsorship has been increasingly active for the sake of art or for the sense of splendor. Nowadays, if there is a country where sponsors have a constant and decisive presence in the world of the art, this is certainly the United States. Names given to museum rooms in memory of devoted sponsors, as well as labels next to the paintings noting the donor’s name, are a very visible aspect of cultural sponsorship, especially in America. -
NEW YORK CITY 2019 Progress Report NEW YORK CITY REGIONAL ECONOMIC DEVELOPMENT COUNCIL MEMBERS
State of the Region: NEW YORK CITY 2019 Progress Report NEW YORK CITY REGIONAL ECONOMIC DEVELOPMENT COUNCIL MEMBERS Regional Co-Chairs Winston Fisher Partner, Fisher Brothers Cheryl A. Moore President & COO, New York Genome Center Appointed Members Stuart Appelbaum Marcel Van Ooyen President, RWDSU Executive Director, Grow NYC Wellington Chen Jessica Walker Executive Director, Chinatown Partnership President and CEO, Manhattan Chamber of Commerce Cesar J. Claro Sheena Wright President & CEO, Staten Island Economic President & CEO, United Way of New York City Development Corporation Kathryn Wylde Carol Conslato President & CEO, Partnership for New York City Co-chair Queens Chamber of Commerce Foundation Kinda Younes Faith C. Corbett Executive Director, ITAC Assistant Vice President, Public Affairs and Partnerships, City Tech, CUNY Ex-Officio Members Lisa Futterman Vicki Been Regional Director New York City, Workforce Deputy Mayor of New York City Development Institute Ruben Diaz Jr. David Garza Bronx Borough President Executive Director, Henry Street Settlement Eric Adams Steve Hindy Brooklyn Borough President Co-founder and Chairman, Brooklyn Brewery Gale A. Brewer Dr. Marcia V. Keizs Manhattan Borough President President, York College Melinda Katz Andrew Kimball Queens Borough President CEO, Industry City James Oddo Kenneth Knuckles Staten Island Borough President Vice Chair, New York City Planning Commission Gary LaBarbera President, Building and Construction Trades Council of Greater New York Nick Lugo President, New York City Hispanic Chamber of Commerce Carlo Scissura, Esq. President & CEO, New York Building Congress Douglas C. Steiner Chairman, Steiner Studios Cover: Boyce Technologies in Long Island City, Queens Table of Contents MESSAGE FROM THE CO-CHAIRS..................................................... 3 I. EXECUTIVE SUMMARY ....................................................................... -
Exhibit 4 Environmental Impact
Empire Offshore Wind LLC Empire Wind 1 Project Article VII Application Exhibit 4 Environmental Impact June 2021 Empire Wind 1 Project Article VII Application Exhibit 4: Environmental Impact TABLE OF CONTENTS EXHIBIT 4: ENVIRONMENTAL IMPACT ..........................................................................................................4-1 4.1 Introduction ........................................................................................................................................4-1 4.1.1 Impact Assessment Methodology ....................................................................................4-4 4.1.2 Impact-Producing Factors - Construction ......................................................................4-6 4.1.3 Impact-Producing Factors – Operations ..................................................................... 4-17 4.1.4 Proposed Avoidance, Minimization and Mitigation Measures ................................. 4-20 4.2 Marine Physical and Chemical Conditions ................................................................................. 4-27 4.2.1 Marine Physical and Chemical Studies and Analysis .................................................. 4-27 4.2.2 Existing Marine Physical Characteristics ...................................................................... 4-28 4.2.3 Existing Marine Chemical Characteristics.................................................................... 4-35 4.2.4 Potential Marine Chemical and Physical Impacts and Proposed Mitigation.......... 4-41 4.3 Topography, -
About Henry Street Settlement
TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement. -
Artists Talk On
FRIDAY JANUARY 21 7 PM at the School of Visual Arts Artists Talk On Art Critical Dialogue in the Visual Arts–since 1975 presents Aesthetic Realism: The Opposites in Art & Life What are artists doing in their work that people—including artists—want to do in their lives? The answer is in this great principle stated by poet and founder of the philosophy Aesthetic Realism, Eli Siegel: “All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves.” CHAIM KOPPELMAN, printmaker —on “Power and Tenderness in Picasso's Minotauromachy” and on his own “Napoleon series” of prints and drawings Teacher of printmaking at SVA, he is a member of the National Academy, and recently received a Lifetime Achievement Award from the Society of American Graphic Artists. Koppelman Napoleons on Alligators MARCIA RACKOW, painter and lecturer —on the work of contemporary American realist painters Leon Golub, Alex Katz, and Philip Pearlstein Teacher of the museum/gallery course “The Visual Arts and the Opposites,” she was recently a guest lecturer at The Pennsylvania Academy of Fine Arts. Katz Cocktail Party DALE LAURIN, architect —on heaviness and lightness in the innovative designs of Santiago Calatrava, architect for the WTC transportation center An associate with Urbane Architects, P.C., he has been a panelist presenting “Housing: A Basic Human Right” at universities, including Harvard, NYU, and the American Institute of Architects. Calatrava Milwaukee Art Museum KEN KIMMELMAN, filmmaker —on the opposition to contempt through the art of animation, showing Disney’s 1929 Skeleton Dance and his own award- winning film Brushstrokes Director of Imagery Film, Ltd., he has made films for the UN and received Emmys for his anti-prejudice public service film The Heart Knows Better and for his contributions to Sesame Street. -
Catalog Price $4.00
CATALOG PRICE $4.00 Michael E. Fallon / Seth E. Fallon COPAKE AUCTION INC. 266 Rt. 7A - Box H, Copake, N.Y. 12516 PHONE (518) 329-1142 FAX (518) 329-3369 Email: [email protected] - Website: www.copakeauction.com UNRESERVED ESTATE AUCTION Plus Selected Additions Saturday May 21, 2016 at 3:00 pm 774 LOTS Featuring Estate fresh 18th and 19th c. furniture, artwork, folk art, period accessories, china, glass, stoneware, primitives & more. Gallery Preview Dates/Times: Thursday May 19, 11-5 PM - Friday May 20, 11-5 PM (*NEW Friday closing time 5pm) Saturday May 21, 12 Noon - 2:45 PM TERMS: Everything sold “as is”. No condition reports in descriptions. Bidder must look over every lot to determine condition and authenticity. Cash or Travelers Checks - MasterCard, Visa and Discover Accepted * First time buyers cannot pay by check without a bank letter of credit * 17% buyer's premium, 20% buyer’s premium for LIVEAUCTIONEERS online purchases, 22% buyer’s premium for INVALUABLE & AUCTIONZIP online purchases. OUR NEXT EVENT: Catalogued Estate Auction – Saturday June 25, 2016 @ 3 PM National Auctioneers Association - NYS Auctioneers Association CONDITIONS OF SALE 1. Some of the lots in this sale are offered subject to a reserve. This reserve is a confidential minimum price agreed upon by the consignor & COPAKE AUCTION below which the lot will not be sold. In any event when a lot is subject to a reserve, the auctioneer may reject any bid not adequate to the value of the lot. 2. All items are sold "as is" and neither the auctioneer nor the consignor makes any warranties or representations of any kind with respect to the items, and in no event shall they be responsible for the correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, provenance, period, source, origin or historical relevance of the items and no statement anywhere, whether oral or written, shall be deemed such a warranty or representation. -
Why Attacks on Public Employee Unions Are on the Rise!
NH Labor News Progressive Politics, News & Information from a Labor Perspective MARCH 6, 2015 NHlabornews.com • New Hampshire Why Attacks on Public Employee Unions Are on the Rise! By Steven Weiner workers have lost their jobs, union-busting is rampant, and in- creasing numbers of Americans are struggling in desperate In recent years throughout America, there have been massive at- poverty. tacks on public employees and the unions that represent them. The latest salvo has come from the newly elected governor of Illi- In an issue of The Right of Aesthetic Realism to Be Known, Ellen nois, Bruce Rauner, who, in the name of “fiscal austerity,” issued Reiss explains: an executive order that bars public sector unions from requiring “Because of this failure of business based on private profit, workers they represent to pay fees (often called “fair share pay- there has been a huge effort in the last decade to privatize ments”) to the union. This means that a worker can benefit from publicly run institutions. The technique is to disseminate mas- a union’s collective bargaining with respect to wages, health in- sive propaganda against the public institutions, and also do surance, pensions and job protections, while not financially sup- what one can to make them fail, including through withhold- porting the union by paying their fair share. The purpose behind ing funding from them. Eminent among such institutions are this measure is described by Roberta Lynch, Executive Director the public schools and the post office. The desire is to place of AFSCME Council 31: them in private hands—not for the public good, not so that “I was shocked by the breadth of his assault on labor….It’s the American people can fare well—but to keep profit eco- not limited to public sector unions. -
Marion Harding Artist
MARION HARDING – People, Places and Events Selection of articles written and edited by: Ruan Harding Contents People Antoni Gaudí Arthur Pan Bryher Carl Jung Hugo Perls Ingrid Bergman Jacob Moritz Blumberg Klaus Perls Marion Harding Pablo Picasso Paul-Émile Borduas Pope John Paul II Theodore Harold Maiman Places Chelsea, London Hyères Ireland Portage la Prairie Vancouver Events Nursing Painting Retrieved from "http://en.wikipedia.org/wiki/User:Ernstblumberg/Books/Marion_Harding_- _People,_Places_and_Events" Categories: Wikipedia:Books Antoni Gaudí Antoni Gaudí Antoni Gaudí in 1878 Personal information Name Antoni Gaudí Birth date 25 June 1852 Birth place Reus, or Riudoms12 Date of death 10 June 1926 (aged 73) Place of death Barcelona, Catalonia, (Spain) Work Significant buildings Sagrada Família, Casa Milà, Casa Batlló Significant projects Parc Güell, Colònia Güell 1See, in Catalan, Juan Bergós Massó, Gaudí, l'home i la obra ("Gaudí: The Man and his Work"), Universitat Politècnica de Barcelona (Càtedra Gaudí), 1974 - ISBN 84-600-6248-1, section "Nacimiento" (Birth), pp. 17-18. 2 "Biography at Gaudí and Barcelona Club, page 1" . http://www.gaudiclub.com/ingles/i_vida/i_vida.asp. Retrieved on 2005-11-05. Antoni Plàcid Guillem Gaudí i Cornet (25 June 1852–10 June 1926) – in English sometimes referred to by the Spanish translation of his name, Antonio Gaudí 345 – was a Spanish Catalan 6 architect who belonged to the Modernist style (Art Nouveau) movement and was famous for his unique and highly individualistic designs. Biography Birthplace Antoni Gaudí was born in the province of Tarragona in southern Catalonia on 25 June 1852. While there is some dispute as to his birthplace – official documents state that he was born in the town of Reus, whereas others claim he was born in Riudoms, a small village 3 miles (5 km) from Reus,7 – it is certain that he was baptized in Reus a day after his birth. -
Barnes Rune 2012 (Decoding the Mysteries of Pennsylvania’S Barnes Foundation, a Special American Place)
BARNES RUNE 2012 (Decoding The Mysteries of Pennsylvania’s Barnes Foundation, A Special American Place) Richard Ralph Feudale Table of Contents Prologue ................................................................................................................ 1 Chapter 1—Telltale Art (Through the Looking Glass) ....................................... 7 Chapter 2—Wisteria sinensis .............................................................................. 13 Chapter 3—An American Home ...................................................................... 17 Chapter 4—Angels in the Architecture ............................................................. 21 Chapter 5—A Diving Platform near Pourville ................................................. 29 Chapter 6—The Founder’s Circle—The Tears of St. Lawrence ....................... 37 Chapter 7— The Founder’s Circle—In Flanders Fields, The Cret Connection ..................................................................... 43 Chapter 8—The Founder’s Circle—Then We All Went Home ....................... 55 Chapter 9—The Founder’s Circle—Something Happened .............................. 59 Chapter 10— The Founder’s Circle—The Gate that Looketh toward the East ............................................................................. 63 Chapter 11—The Founder’s Circle—Gallery IV, The Chapel .......................... 79 Chapter 12—The Founder’s Circle—The Order of the Knights Templar ..... 87 Chapter 13— The Founder’s Circle—“The Flanders 43” (between Heaven and Hell) ......................................................... -
By Carrie Wilson and Dale Laurin, Journal of the Print
Reprinted from e th f Journalo Print World devoted to contemporary and antique works of fine art on paper July 2018 Dorothy Koppelman Dorothy Koppelman A Life of Art and Ethics (1920-2017) by Carrie Wilson and Dale Laurin t is with great feeling we say that on October 25, 2017 Dorothy characterizes each picture....The fact that they are good as well as Koppelman—artist, Aesthetic Realism consultant, founding director moving depends on the vitality of her touch and the strength of her Iof the Terrain Gallery, and one of the most color, both of which are out of the ordinary.” important women in cultural history —died at “All beauty is a making The Museum of Modern Art included her in the age of 97. Courage, strength of mind, keen, their important 1962 exhibition “Recent Paint - orig inal perception, and deep human sympathy one of opposites, and the ing USA: The Figure,” and she was in exhibi - characterized both her life and her art. making one of opposites tions at the Whitney and Brooklyn Museums. Born in Brooklyn, Dorothy Myers came to Man - is what we are going Awards included a Tiffany Grant; and her folio, hattan as a young painter, looking for what could Poems and Prints, of 2000, is in the collection enable her to become the artist and person she after in ourselves.” of the National Museum of Women in the Arts. hoped to be. She had the great good fortune to —ELI SIEGEL Her work is at once vigorous and tender. There find it. In June of 1942, while working with other are the water towers she loved for their humil - artists on a Win the War parade, she met Chaim Koppelman, who ity and pride; powerful, almost abstract paintings of the wrecked fuse - told her he was studying in classes taught by the great American poet lage of a plane; vivid domestic still lifes; and paintings of the human and critic Eli Siegel, and invited her to join him. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
BOOTS, BRUSHES and the BIGHORN MOUNTAINS Artwork from the 1860S to the 1930S
BOOTS, BRUSHES AND THE BIGHORN MOUNTAINS Artwork from the 1860s to the 1930s EXHIBITION DATES JUNE 15 - SEPTEMBER 7, 2015 INAUGURAL EXHIBITION IN THE S.K. JOHNSTON, JR. FAMILY GALLERY AT DIRECTOR’S STATEMENT and subject matter, the earliest being two watercolors by Walter Sies. They fittingly depict scenes of Fort Reno and Boots, Brushes and The Bighorn Mountains is the our country’s early military inroads into what was previously culmination of a long-imagined exhibit of works dating ceded to the Crow and Lakota people through the Laramie from the 1860s into the late 1930s. Until recently the idea Treaty of 1851. The military theme boils into conflict as set for it was confined to the back of my mind due to several forth in Frederic Remington’s Fight on the Little Bighorn mitigating factors, not the least of which was lack of a which depicts the famous battle of 1876 as well as in Miles proper environment in which to house the impressive and his Escort, in which the artist places himself riding to collection of artwork I envisioned for the show. Our new the left of Major General Nelson A. Miles. As you view the Forrest E. Mars, Jr. Building now provides The Brinton show be careful to read labels because the chronology of Museum with the perfect setting in which to display the art the subject matter does not always correspond to the time of and about this majestic, historic and enticing mountain of the canvases’ execution. For example, Fight on the Little range and the surrounding lands which it shades and Bighorn was painted by Remington in 1900, some 24 years waters.