Couching Tutorial
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Ribbit Sweet Yarns for Real Life
Ribbit a free design by Susan B. Anderson ™ ™ www.spudandchloe.com ™ sweet yarns for real life Black embroidery floss Stitch marker Stitch holder or waste yarn Gauge: 6 stitches per inch in stockinette stitch Abbreviations: k: knit p: purl k2tog: knit 2 stitches together m1: make a stitch by placing the bar between the stitches on the left needle and knitting it through the back loop kfb: knit in the front and back of the same stitch st(s): stitch(es) rnd(s): round(s) Body: Starting at the bottom of the body with Grass and the double‐ pointed needles cast on 9 stitches placing 3 stitches on each of 3 double‐pointed needles. Join to work in the round being careful not to twist the stitches. Place a stitch marker on the first stitch. Rnd 1: knit Rnd 2: (k1, m1, k1, m1, k1) repeat to the end of the round (5 sts per needle, 15 sts total) Rnd 3: knit Rnd 4: (k1, m1, knit to the last stitch on the needle, m1, k1) repeat on each needle Rnd 5: knit Repeat rounds 4 and 5 until there are 15 stitches on each needle, Finished Measurements: 45 stitches total. 3 inches wide by 5 inches tall End with a round 4. Place a stitch marker on the last completed round and leave it there. Yarn: Knit every round until the body measures 1½ inches above the Spud & Chloë Sweater (55% superwash wool, 45 % organic stitch marker. cotton; 160 yards/100grams), 1 skein in Grass #7502 Decrease rounds: Tools: Rnd 1: (k3, k2tog) repeat to the end of the round (12 sts per US size 5 double pointed needles, set of 4 or size to obtain gauge needle, 36 sts total remain) Yarn needle Rnd 2: (k2, k2tog) repeat to the end of the round (9 sts per needle, Scissors 27 sts total remain) Tape measure or ruler Polyester fiber‐fill (small amount) Tennis ball (optional) © 2012 • This pattern is copyrighted material and under the copyright laws of the United States. -
Winter Mitten Making
1 Winter Mitten Making By: Kielyn & Dave Marrone Version 2.0, October 2015 http://lureofthenorth.com 2 Note 1- This booklet is part of a series of DIY booklets published by Lure of the North. For all other publications in this series, please see our website at lureofthenorth.com. Published instructional booklets can be found under "Info Hub" in the main navigation menu. Note 2 – Lure Mitten Making Kits: These instructions are intended to be accompanied by our Mitten Making Kit, which is available through the “Store” section of our website at: http://lureofthenorth.com/shop. Of course, you can also gather all materials yourself and simply use these instructions as a guide, modifying to suit your requirements. Note 3 - Distribution: Feel free to distribute these instructions to anyone you please, with the requirement that this package be distributed in its entirety with no modifications whatsoever. These instructions are also not to be used for any commercial purpose. Thank you! Note 4 – Feedback and Further Help: Feedback is welcomed to improve clarity in future editions. For even more assistance you might consider taking a mitten making workshop with us. These workshops are run throughout Ontario, and include hands-on instructions and all materials. Go to lureofthenorth.com/calendar for an up to date schedule. Our Philosophy: This booklet describes our understanding of a traditional craft – these skills and this knowledge has traditionally been handed down from person to person and now we are attempting to do the same. We are happy to have the opportunity to share this knowledge with you, however, if you use these instructions and find them helpful, please give credit where it is due. -
This Tutorial Will Explain What a Balanced Plied Yarn Is, and H
An HJS Studio Tutorial: To Chose or Not to Choose an Electric Spinner Introduction I've been spinning since March 1986, when I got started with a homemade drop spindle, some very coarse and ugly carded wool, and a little booklet about drop spinning—almost as low-tech as you can get. Today I'm the happy owner of an electric spinner, which I use almost exclusively. I still drop spin, especially with very fine, short fibers, and still use my Ashford Traveller when I won't be around electricity, but the espinner is my prime choice for all other spinning. This page is for those who are contemplating purchasing an espinner, those who can't understand why someone would use an espinner, and production spinners with speed on their minds. I wel- come specific questions; contact me any time if you think I can help. Reasons to get an espinner seem to fall into two main categories: Speed, and physical need. Speed I approached the purchase of an espinner from the speed point of view, and have learned a lot along the way about what speed really is on any spinning device. A brief diversion to explain what the ratio on a wheel is. It's essentially the number of times the flyer turns each time the drive wheel is turned one time. It's expressed so: 30:1 (read as "thirty to one") which means your flyer turned 30 times for one full turn of the drive wheel. Each turn of the flyer puts one twist into your fiber. -
Thread Yarn and Sew Much More
Thread Yarn and Sew Much More By Marsha Kirsch Supplies: • HUSQVARNA VIKING® Yarn embellishment foot set 920403096 • HUSQVARNA VIKING® 7 hole cord foot with threader 412989945 • HUSQVARNA VIKING ® Clear open toe foot 413031945 • HUSQVARNA VIKING® Clear ¼” piecing foot 412927447 • HUSQVARNA VIKING® Embroidery Collection # 270 Vintage Postcard • HUSQVARNA VIKING® Sensor Q foot 413192045 • HUSQVARNA VIKING® DESIGNER™ Royal Hoop 360X200 412944501 • INSPIRA® Cut away stabilize 141000802 • INSPIRA® Twin needles 2.0 620104696 • INSPIRA® Watercolor bobbins 413198445 • INSPIRA® 90 needle 620099496 © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB • Warm and Natural batting • Yarn –color to match • YLI pearl crown cotton (color to match yarn ) • 2 spools of matching Robison Anton 40 wt Rayon thread • Construction thread and bobbin • ½ yard back ground fabric • ½ yard dark fabric for large squares • ¼ yard medium colored fabric for small squares • Basic sewing supplies and 24” ruler and making pen Cut: From background fabric: 14” wide by 21 ½” long From dark fabric: (20) 4 ½’ squares From medium fabric: (40) 2 ½” squares 21” W x 29” L (for backing) From Batting 21” W x 29” L From YLI Pearl Crown Cotton: Cut 2 strands 1 ¾ yds (total 3 ½ yds needed) From yarn: Cut one piece 5 yards © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB Directions: 1. -
Watermelon Hat Sweet Yarns for Real Life
Watermelon Hat a free design by Susan B. Anderson ™ ™ www.spudandchloe.com ™ sweet yarns for real life P: purl Rnd(s): round(s) St(s): stitch(s) Hat With C, CO 56 (64, 72, 80, 88) stitches. Join to work in the round being careful not to twist the stitches. Place a stitch marker on the first st. Rnds 1–3: (K1, p1) repeat to the end of the round. Rnds 4 & 5: Knit. Rnds 6: Change to B, knit. Rnds 7: Knit. Change to A and knit every round until the hat measures 4 (4.5, 5, 5.5, 6)” from the cast on edge. Decrease rounds: Rnd 1: (K6, k2tog) repeat to the end of the round. Rnd 2: (K5, k2tog) repeat to the end of the round. Rnds 3 & 4: Knit. Transfer all sts dpns. Rnd 5: (K4, k2tog) repeat to the end of the round. Rnd 6: Knit. Rnd 7: (K3, k2tog) repeat to the end of the round. Rnd 8: (K2, k2tog) repeat to the end of the round. Rnd 9: Knit. Rnd 10: (K1, k2tog) repeat to the end of the round. Rnds 11–13: Knit. Rnd 14: K2tog to the end of the round. Materials Rnds 15–17: Knit. • Spud & Chloë Sweater (100 g/160 yds), 1 hank each A, B, C, D Rnd 18: K2tog to the end of the round, knit any remaining sts. • Size 7 (4.5 mm) 16” circular needles for all sizes except newborn Place all stitches on 1 dpn. Work in I-cord on 2 dpns. For some sizes size, or size to obtain gauge on the first row of the I-cord you will need to knit k2tog until you have • Size 7 (4.5 mm) set of 4 double-pointed needles, or size to obtain 3 stitches remaining. -
Pleats, Tucks, & Ruffles
My BERNINA BERNINA ACCESSORIES WORKBOOK PLEATS, TUCKS, & RUFFLES GATHERING PINTUCKS PINTUCKS & STITCHES PLEATING & RUFFLING NARROW TUCKS 48 My BERNINA BERNINA ACCESSORIES WORKBOOK GATHERING Gathering Foot #16 comes in two versions, one for 5.5 mm machines and one for 9 mm machines. They are both called #16 and both have a 5.5 mm needle opening. One is wider than the other and it is designed to fit the wider feed teeth of the larger machines. Supplies & Settings • Three pieces medium weight cotton, one 3” x 6” and two 4” x 12” Gathering Foot #16 • Cotton or polyester thread • Gathering Foot #16 • 80/12 Universal needle • Center needle position • Stitch: Straight Stitch Gathering Attach the gathering foot to the machine, select the Straight Stitch and adjust the stitch length to 5 mm. Swatch #1 1. Place one 12” length of fabric right side up under the foot. 2. Stitch the length of the fabric; it will gather as it goes under the needle. Swatch #2 1. Place the remaining 12” length of fabric right side up under the presser foot. Stitch 2”-3” and stop. Note: There are three things that 2. Insert the 6” length of fabric right side down into affect the amount of gathers: the slot of the foot with the raw edge against the right side of the slot. Fabric Weight—The lighter weight the 3. Continue stitching, carefully guiding both pieces of fabric, the more it gathers. fabric. Guide the fabric being gathered with the left hand and the flat piece of fabric with the right hand. -
Leather, Wool & Wood Foldover Clutch
LEATHER, WOOL & WOOD FOLDOVER CLUTCH Designed by Brett Bara Come with me on a journey into the world of mixed media crafting! This bag design combines chunky hand-knit panels with sections of supple leather, joined together on a sewing machine and embellished with wooden macrame flair -- all in a foldover clutch shape that’s super hot this year. Yes, it’s a mouthful (!), but the result is a textural treat that’s a perfect piece to complete your fall boho vibe. So break out your knitting needles and sewing machine and do not be afraid -- I promise this project isn’t difficult, and you’ll learn a ton! Brooklyn Craft Company | www.brooklycraftcompany.com Follow & tag us! @brooklyncraftcompany #brooklyncraftcompany (Psst: If you’re feeling daunted by the variety of materials used here, don’t worry – we got you! You can snag a one-stop-shopping kit for all the supplies needed to make this bag. See the link below.) FINISHED SIZE Approximately 12” x 9” when folded (12” x 15” when opened) MATERIALS Note: All the materials to make this bag can be purchased as a kit here: https://www.brooklyncraftcompany.com/products/leather-wool-wood-foldover- clutch-kit • Malabrigo Rasta in Archangel (100% Merino Wool, 90 yards, 150 grams) - 1 skein • Size US13/9mm Knitting Needles • Medium-Weight Leather: enough to cut two pieces measuring 13” x 9 ½” and one piece measuring 1” x 6” • 2 ½” Wooden Macrame Ring Brooklyn Craft Company | www.brooklycraftcompany.com Follow & tag us! @brooklyncraftcompany #brooklyncraftcompany • 2” Oblong Wooden Macrame Bead • Double-sided tape • Sewing machine equipped with walking foot and leather needle • All-purpose sewing thread to match yarn and/or leather • 8” scrap piece of craft wire GAUGE 2.5 stitches per inch on size US13/9mm needles THE KNITTING PART Bag Body Panels (Make two) Cast on 32 sts. -
Bernina Bernina Accessories Workbook Bernina
MYMy BERNINA BERNINA ACCESSORIES WORKBOOK BERNINA MASTERY BOOK SERIES Presser Feet and Accessories BERNINA PRESSER FEET ACCESSORIES WORKBOOK 1 ©2019 BERNINA of America. Permission granted to copy and distribute in original form only. Content may not be altered or used in any other form or under any other branding. 06022019 My BERNINA BERNINA ACCESSORIES WORKBOOK TABLE OF CONTENTS INTRODUCTION ....................................... 4 CORDED EDGE ....................................... 25 FEET INFORMATION ................................ 5 NARROW HEM ....................................... 26 SEAMS ..................................................... 6 TRIMMED EDGE ..................................... 27 PATCHWORK SEAM ................................ 7 SPECIALTY FABRICS .............................. 28 STANDARD SEAM .................................... 8 SEWING JEANS & DENIM ...................... 29 KNIT SEAM ............................................... 9 SEWING LEATHER, VINYL & PLASTIC .... 30 FAGOTED SEAM .................................... 10 APPLIQUÉ & DECORATIVE STITCHES .. 31 HEMSTITCHED SEAM ............................. 11 BLANKET STITCH APPLIQUÉ .................. 32 EDGE JOINING SEAM ............................. 12 INVISIBLE APPLIQUÉ .............................. 33 FLAT FELLED SEAM ................................ 13 DECORATIVE STITCHING ....................... 34 CLOSURES ............................................. 14 QUILTING ............................................... 35 MANUAL BUTTONHOLES ..................... -
Straight Stitch
Straight Stitch 16.105 Page 1 Common to all sewing machines, except toy chainstitch models, the straight stitch is the basic stitch used for sewing garments, home dec and craft projects. Formed by the interlocking needle and bobbin threads, this versatile stitch can have many faces, depending on its use. Length Common straight stitch uses: On most machines the straight stitch Basting is temporary stitching to hold length can be adjusted from zero (stitching something in place until construction in one place without moving the fabric) to stitching is done. up to 6mm long. Gathering is drawing in fullness to fit When sewing seams, use a straight stitch another portion of the project--like on a 2mm to 2.5mm long, depending on the skirt or ruffle. fabric. A shorter stitch length is used on lightweight fabrics that tend to pucker. Topstitching A length of 6mm is used for gathering and When a straight stitch is sewn on the right for basting. Some machines offer an even side of the project, either decoratively or to longer straight stitch variation specifically hold something in place, it is called for basting. topstitching. This may be done parallel to a A length of zero, where the needle actually seam, along an stitches up and down in the same place, is edge or within used to anchor a seam at the beginning the interior, and and end of the stitching line. multiple rows may be used In Reverse together. Often A straight stitch can be sewn in reverse to the presser foot anchor the beginning and end of a seam width is used as instead of stitching in place. -
LOOKING for a NEW SEWING PROJECT? You Can Find What You Want in “Inspiration”, Our Sewing Magazine
BERNINA 475 QE LOOKING FOR A NEW SEWING PROJECT? You can find what you want in “inspiration”, our sewing magazine. Thanks to great sewing patterns and detailed sewing instructions, every project succeeds right away. Inspiration magazine is available in German, English, French and Dutch * Not available in all countries. Welcome Dear BERNINA customer Congratulations! You have decided on BERNINA and therefore on a product which will delight you for years. For more than 100 years our family company has attached greatest importance to satisfied customers. As for me, it is a matter of personal concern to offer you Swiss development and precision at the height of perfection, future-orientated sewing technology and a comprehensive customer service. The BERNINA 4-series consists of several ultramodern machines, whose development not only focused the highest demands on technique and the ease of use but also considered the design of the product. After all we sell our products to creative people like you, who do not only appreciate high quality but also form and design. Enjoy the creative sewing on your new BERNINA 475 QE and keep informed about the various accessories at www.bernina.com. On our homepage you will also find a lot of inspiring sewing instructions, to be downloaded for free. Our highly trained BERNINA dealers will provide you with more information on service and maintenance offers. I wish you lots of pleasure and many creative hours with your new BERNINA. H.P. Ueltschi Owner BERNINA International AG CH-8266 Steckborn 3 Edition notice Edition notice Graphics www.sculpt.ch Text, Setting and Layout BERNINA International AG Photos Patrice Heilmann, Winterthur Part number 2018/02 en 1031755.0.04 1st Edition Copyright 2018 BERNINA International AG All rights reserved: For technical reasons and for the purpose of product improvements, changes concerning the features of the machine can be made at any time and without advance notice. -
Powerhouse Museum Lace Collection: Glossary of Terms Used in the Documentation – Blue Files and Collection Notebooks
Book Appendix Glossary 12-02 Powerhouse Museum Lace Collection: Glossary of terms used in the documentation – Blue files and collection notebooks. Rosemary Shepherd: 1983 to 2003 The following references were used in the documentation. For needle laces: Therese de Dillmont, The Complete Encyclopaedia of Needlework, Running Press reprint, Philadelphia, 1971 For bobbin laces: Bridget M Cook and Geraldine Stott, The Book of Bobbin Lace Stitches, A H & A W Reed, Sydney, 1980 The principal historical reference: Santina Levey, Lace a History, Victoria and Albert Museum and W H Maney, Leeds, 1983 In compiling the glossary reference was also made to Alexandra Stillwell’s Illustrated dictionary of lacemaking, Cassell, London 1996 General lace and lacemaking terms A border, flounce or edging is a length of lace with one shaped edge (headside) and one straight edge (footside). The headside shaping may be as insignificant as a straight or undulating line of picots, or as pronounced as deep ‘van Dyke’ scallops. ‘Border’ is used for laces to 100mm and ‘flounce’ for laces wider than 100 mm and these are the terms used in the documentation of the Powerhouse collection. The term ‘lace edging’ is often used elsewhere instead of border, for very narrow laces. An insertion is usually a length of lace with two straight edges (footsides) which are stitched directly onto the mounting fabric, the fabric then being cut away behind the lace. Ocasionally lace insertions are shaped (for example, square or triangular motifs for use on household linen) in which case they are entirely enclosed by a footside. See also ‘panel’ and ‘engrelure’ A lace panel is usually has finished edges, enclosing a specially designed motif. -
LACE SUMMER CARDIGAN Pattern Number: M20324 NUB
Free Crochet Pattern LION BRAND® NUBOO LACE SUMMER CARDIGAN Pattern Number: M20324 NUB ©2021 Lion Brand Yarn Company, all rights reserved. LION BRAND® NUBOO LACE SUMMER CARDIGAN Pattern Number: M20324 NUB SKILL LEVEL – EASY SIZES XS (S, M, L, 1X, 2X, 3X, 4X, 5X) Finished Bust About 36 (39, 42, 46, 52, 55, 58, 62, 68) in. (91.5 (99, 106.5, 117, 132, 139.5, 147.5, 157.5, 172.5) cm) Finished Length About 29 1/2 in. (75 cm) Note: Pattern is written for smallest size with changes for larger sizes in parentheses. When only one number is given, it applies to all sizes. To follow pattern more easily, circle all numbers pertaining to your size before beginning. MATERIALS • LION BRAND® NUBOO (Art. #838) #187 Goldenrod 5 (5, 6, 6, 7, 7, 8, 8, 9) balls • LION BRAND® large-eyed blunt needle ADDITIONAL MATERIALS Crochet hook size 7 (4.5 mm) GAUGE 20 sts + 10 rows = about 4 in. (10 cm) over pattern in Rows 2-5 of Back. BE SURE TO CHECK YOUR GAUGE. NOTES 1. Body of Cardigan is worked in one piece back and forth in rows. 2. Body is worked from lower back edge up to shoulders. Then piece is divided for back neck and fronts are worked separately from the shoulders down to the lower front edges. 3. Body is folded and side seams sewn, leaving openings for armholes 4. Sleeves are worked in joined rnds directly into the armholes. BODY Back Ch 91 (99, 107, 115, 131, 139, 147, 155, 171).