Workshop Camerino

OPHERA WORKSHOP CAMERINO

6 - 10 September 2021 School of Law - University of Camerino Via D'Accorso c/o C ampus Universitario 62032 Camerino (Italy)

OPENING THE EARTHQUAKE-DAMAGED CULTURAL HERITAGE CONSERVATION PROCESS TO COMMUNITIES: METHODS AND TOOLS

AGENDA REV. A

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@Ophera MiC

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Ophera MiC WORKSHOP FELLOWS

Group 1 VISSO Collegiata Maria Santissima Pilar Montero Vilar Meta Kržan Andrea Giugliarelli

Group 2 VISSO Palazzo dei Priori

Alessia Travanti Ali Dalalbashi Isabel Valle Luca Formigari

Group 3 ASCOLI PICENO Palazzo Saladini di Rovetino Stefania Pignatelli Antonios Kotsonias Roman Rener

Group 4 ACQUASANTA TERME Castel di Luco

Federica Recla Alessandra Marilungo Blaž Šeme Charnjeev Kang

Group 5 PIEVE TORINA Complex of Sant'Agostino Ankie Petersen Paola Belletti Martino Matteoni Simona Miraglia

Group 6 MONTE SAN MARTINO Palazzetto Urbani Casa Campili Telma Ribeiro Orsola Spada Matteo Pompei Partners

In collaboration with Special thanks to OPHERA OPENING THE WORKSHOP EARTHQUAKE-DAMAGED CULTURAL HERITAGE CONSERVATION PROCESS CAMERINO TO COMMUNITIES: METHODS AND TOOLS 6 - 10 September 2021 School of Law - University of Camerino AULA 3 Via D'Accorso c/o Campus Universitario 62032 Camerino (Italy)

Workshop programme OPHERA Workshop Camerino - DAY 1

WS1 - TEAM A Monday, 6 September 2021, 11.00-13.00 CEST Limassol, Cyprus Digital technologies for knowledge 11.00 OPENING WELCOMING and promotion cultural heritage Venue: School of Law - University of Camerino during the restoration and Moderator: Maurizio Bilò reconstruction process Date: 17-21 May 2021 Alessandra Luchetti Head of Dept., European Commission, EACEA WS2 - TEAM B Carlo Russo Segretario Regionale Marche, Ministry of Culture Guimarães, Portugal Marta Mazza SABAP Marche, Ministry of Culture Traditional and innovative methods Sandro Sborgia Mayor of Camerino for structurl monitoring and safety Giorgia Latini Regione Marche - Culture Dept. Head assesment of built cultural heritage Francesco Massara Archbishop Camerino - San Severino Diocese Date: 28 June - 1 July 2021 Claudio Pettinari University of Camerino - Rector WS3 - TEAM A+B Marinos Iannides Cyprus University of Technology Camerino, Italy Daniel Oliveira University of Minho Open to communities the restoration Roko Zarnic University of Ljubljana process of architectural heritage Marco Zuppiroli University of Ferrara damaged by seismic event. Tools and methods Date: 6-10 September 2021 12:00 OPENING SPEECH Gianluca Loffredo FIND US ON: Subcommissario Straordinario Ricostruzione Sisma 2016 ophera.beniculturali.it Special Sub-Commissioner - Central-Italy 2016 earthquake reconstruction @Ophera MiC @ophera_project_mic Ophera MiC Partners

Workshop programme OPHERA Workshop Camerino - DAY 1

WS1 - TEAM A Monday, 6 September 2021, 15.00-18.30 CEST Limassol, Cyprus Digital technologies for knowledge and promotion cultural heritage 1500 - 16.00 SETTING THE SCENE during the restoration and Aula 3 - School of Law - University of Camerino reconstruction process Date: 17-21 May 2021 Workshop presentation: objectives, activities and expected results

WS2 - TEAM B Giovanni Issini - Architect, MiC Guimarães, Portugal Matteo Piscicelli - Post-doc researcher, University of Ferrara Traditional and innovative methods for structurl monitoring and safety assesment of built cultural heritage 16.00 - 16.30 Transfer to Camerino historic centre Date: 28 June - 1 July 2021 Piazza Cavour

WS3 - TEAM A+B Camerino, Italy 16.30 - 18.00 SITE VISIT Open to communities the restoration process of architectural heritage Camerino historic centre walkthrough damaged by seismic event. Tools With the participation of: and methods Date: 6-10 September 2021 Sandro Sborgia - Mayor of Camerino Marco Orioli - Chief Engineer, Municipality of Camerino FIND US ON: ophera.beniculturali.it @Ophera MiC 19:30 WELCOME DINNER @ophera_project_mic Ophera MiC Partners

In collaboration with Special thanks to OPHERA WORKSHOP CAMERINO

OPHERA Workshop Camerino - DAY 2 Tuesday, 7 September 2021, 09.30-13.00 CEST

ROUND TABLE Cultural heritage conservation methods and technologies between project and practice: the challenge of the communities engagement

Venue: School of Law - University of Camerino - Aula 3 Moderator: Marco Zuppiroli

Workshop programme 9:30 Introduction

WS1 - TEAM A 9:40 - 10:50 Limassol, Cyprus Stefano Tasso - Firefighters Emergency Response Unit Digital technologies for knowledge Cultural heritage under risk in the post-disaster scenarios: the role of the and promotion cultural heritage firefighters response unit for the local communities during the restoration and reconstruction process Francesca Capanna - ICR Conservator, MiC From Musè to Kathmandu. The ICR model for the recovery of movable property in Date: 17-21 May 2021 emergency; make and tell the methodological choices between practice and theory

WS2 - TEAM B Francesco Karrer - Architect/Urban Planner Guimarães, Portugal The Camerino's historical centre reconstruction after the 2016 earthquake Traditional and innovative methods for structurl monitoring and safety Coffee Break assesment of built cultural heritage 11:10 - 12:00 Date: 28 June - 1 July 2021 Giovanni Cangi - Architectural Heritage Engineer WS3 - TEAM A+B The communities engagement in the recovery of the historical buildings: a cultural Camerino, Italy contribution addressed to promote cultural heritage and to the re-adapting use of the traditional building technologies Open to communities the restoration process of architectural heritage Roko Zarnic - University of Ljubljana damaged by seismic event. Tools Efficiency of traditional and new strengthening techniques for masonry structures and methods Date: 6-10 September 2021 Daniel Oliveira - University of Minho Overview of technologies for the improvement of built cultural heritage FIND US ON: ophera.beniculturali.it 12:00 - 12:50 Questions rounds to the speakers @Ophera MiC 12:50 Wrap-up and conclusion @ophera_project_mic Ophera MiC Partners

In collaboration with Special thanks to OPHERA WORKSHOP CAMERINO

OPHERA Workshop Camerino - DAY 2 Tuesday, 7 September 2021, 09.30-13.00 CEST

ROUND TABLE Cultural heritage conservation methods and technologies between project and practice: the challenge of the communities engagement

BACKGROUND NOTE

Since the 18th Century, the cultural heritage conservation theory and practice developed several specialized skills addressed to the artwork’s preservation from external actions, such as natural or anthropic events, as well as from normal aging and decay processes. The technological development, especially in the last two decades, has strongly improved the technical tools available for operators but, in the end, the cultural challenges embedded into the conservation act are still almost identical.

More than technological development, other processes seem to be more “change maker” such as the acknowledgement of the social value of the cultural heritage stated in the Council of Europe Framework Convention on the Value of Cultural Heritage for Society, better known as the “Faro Convention”, came into force on 1 June 2011 and currently ratified by 20 European States and the European Cultural Heritage Strategy for the 21st Century (“Strategy 21”), launched in April 2017.

Indeed, the Faro Convention is not the result of a professional circle analysis about practices to adopt for the cultural heritage conservation. It is the output of a social background which can be found in numerous social changes such as demographic changes in society, a different political situation in Europe after the fall of the Berlin Wall, an increased flow of information because of the social media use and knowledge digitalisation, and the fact that cultural heritage also represents an economic value. Faro Convention is based on two key assumptions: put people at the centre of cultural heritage policies thanks to a connection to the area of human rights and the fact that cultural heritage is a resource for sustainable economic development. Cultural heritage is therefore considered to have an interactive nature, which means that it can continually be redefined. Following to this new perspective, conservation operators are requested to answer to the new needs and challenges submitted both by the cultural heritage arena and by other stakeholders such as communities, enterprises, local and national administrations, NGOs, etc.

Based on the people-oriented approach ratified by the Convention and by Strategy 21, the conservation act shall not only focus on how the various typologies of heritage items should be protected, but it also deals with issues concerning what we should preserve and why and for whom. The conservation process is challenged to go beyond the physical preservation of cultural heritage, and to propose strategies and tools on how cultural heritage can be managed and integrated into ongoing local and global processes. This awareness implies that conservation should not start from the physical objects only, but to a larger degree from the human beings.

The interactive nature of cultural heritage is particularly visible in the post-disaster scenarios, where the various types of remnants of the past may need to be displaced from their original sites, saved, secured, and repaired. Starting from this awareness, the Round Table aims to investigate how the new cultural heritage people-based perspectives are starting to affect and drive the cultural heritage conservation methods and tools. The speakers will present to the audience their experiences on the different scales of conservation field. First, they will focus on the methodological and technical aspects embedded in their specific activity which affect the physical and spiritual integrity of cultural heritage. Three main types of cultural heritage items will be investigated: the movable artworks, the architectural heritage, and the urban heritage, in two different conservation steps: the emergency response and the long-term conservation, focusing especially on the structural reinstatement.

Based on the specific cultural skills developed in their own activity, speakers will explain through real case-studies the role of the communities in the approach to the conservation act, by applying good practices such as: Interaction between the groups belonging to different disciplinary fields; Involving citizen associations, NGOs sector and supply chains, which usually are not involved in the cultural processes; Holistic approach; Participatory bottom-up planning.

The Round Table aims to investigate how the new cultural heritage people-based perspectives are starting to affect and drive the cultural heritage conservation methods and tools.

Partners

In collaboration with Special thanks to OPHERA WORKSHOP CAMERINO

OPHERA Workshop Camerino - DAY 2 Tuesday, 7 September 2021, 14.30-18.00 CEST

ROUND TABLE Methods and strategies for the audience development in the cultural heritage conservation field

Venue: School of Law - University of Camerino - Aula 3 Moderator: Marinos Ioannides

Workshop programme 14:30 Introduction

WS1 - TEAM A 14:40 - 15:45 Limassol, Cyprus Matteo D'Ambrosio - '900 Foundation, Turin Digital technologies for knowledge Audience development strategies at Polo del' 900: historical archives, from and promotion cultural heritage researcher to researchers during the restoration and reconstruction process Carlo Birrozzi - ICCD Director, MiC Damaged cultural heritage systems in the Central-Italy post-earthquake scenario. Date: 17-21 May 2021 Experiences to make visibile the safeguard actions to local communities

WS2 - TEAM B Paolo Belardi - University of Perugia Guimarães, Portugal LEARNING FROM NORCIA. Rebuilding places, rebuilding identities Traditional and innovative methods for structurl monitoring and safety Coffee Break assesment of built cultural heritage 16:15 - 17:00 Date: 28 June - 1 July 2021 Alessandra Sprega - University of York WS3 - TEAM A+B Collaborative mapping to enhance resilience and promote heritage values in the Camerino, Italy historic centre of Amatrice Open to communities the restoration Antonio Massena - Cultural Manager process of architectural heritage Recovery and reuse of cultural and architectural heritage damaged by the damaged by seismic event. Tools earthquake. Artistic and cultural projects aimed at the rebirth of the urban and and methods social fabric Date: 6-10 September 2021 17:00 - 17:50 Questions rounds to the speakers FIND US ON: ophera.beniculturali.it 17:50 Wrap-up and conclusion @Ophera MiC @ophera_project_mic Ophera MiC Partners

In collaboration with Special thanks to OPHERA WORKSHOP CAMERINO

OPHERA Workshop Camerino - DAY 2 Tuesday, 7 September 2021, 14.30-18.00 CEST

ROUND TABLE Methods and strategies for the audience development in the cultural heritage conservation field

BACKGROUND NOTE

The term “audiences” describes all the people who might come into contact with a cultural heritage item through the action to be carried out on the item itself (analysis, conservation, exploitation, exhibition, etc.). This includes people taking part in activities (architects, historians, conservators, art managers, etc.) as well as traditional users and visitors. It also includes target groups who could become visitors, attendees, and users in the future.

Audience development may be defined as “a planned and managed process that involves taking proactive steps to develop audiences”. This process can involve: increasing the engagement of existing audiences, with a greater number of people and/or with a more frequent and active involvement. enlarging of the current audience, by attracting new and wider groups and people from under-represented groups.

Audience development actions applied to cultural heritage field, is about taking action to put people centre-stage, matching the people- oriented approach introduced by the Faro Convention. Cultural operators are challenged to investigate what communities want and elaborate tools to present cultural knowledge in a way which is accessible and meaningful.

OPHERA project is finalized to promote the audience development of the cultural contents generated by the conservation process ongoing on the cultural heritage system affected by 2016/2017 earthquake in Central-Italy, particularly in Marche Region. Cultural heritage damaging due to natural disasters represents a loss of artistic and historical materials and at the same time it is an immaterial loss of memory and people identity. In Marche Region, the most affected territory, 1664 historical listed churches and 1223 listed buildings (including castles, palaces, and archaeological areas) were damaged or destroyed. From those listed buildings more than 13000 movable artworks with different levels of damage were removed and stored in temporary conservation centres. In terms of landscape impact, 285 historical villages were damaged.

The OPHERA project audience development strategy is based on the awareness that the reinstatement of this cultural heritage is a long-term process and will be therefore dedicated to next generations. The project idea is therefore to make accessible part of the damaged cultural heritage and cultural-artistic contents associated to the restoration activity throughout the conservation process by mean of traditional and advanced interactive methods and tools. OPHERA project aims to reveal the conservation process of cultural values, which are characterized by a rich pattern of skills and creative steps usually shared among conservation professionals (architects, artwork conservators, researchers, art managers, historians, etc.) including the most advanced technologies about preventive methods for heritage conservation to increase the people culture of prevention.

Speakers will develop the round table subject under both a theoretical and practical approach, highlighting the following aspects: How to plan and carry out an efficient audience development action; Which are the target audiences needs and expectations; Analysis of case-studies where the conservation challenges and the consequent acts, in different ways, have been shared with the local communities.

Partners

In collaboration with Special thanks to OPHERA OPENING THE WORKSHOP EARTHQUAKE-DAMAGED CULTURAL HERITAGE CONSERVATION PROCESS CAMERINO TO COMMUNITIES: METHODS AND TOOLS 6 - 10 September 2021 School of Law - University of Camerino Via D'Accorso c/o Campus Universitario 62032 Camerino (Italy)

OPHERA Workshop Camerino - DAY 3 Wednesday, 8 Septembe r 2021, 10.00-16.00 CEST

CAMERINO Site 1 Site 2

SITE 6 - MONTE SAN MARTINO Palazzetto Urbani & Casa SITE 5 - PIEVE Campili TORINA Site 3 Site 4 Complesso Sant'Agostino

Site 5 Site 6 SITE 1 - VISSO Collegiata Maria Santissima SITE 2 - VISSO SITE 3 - ASCOLI PICENO Palazzo dei Priori Palazzo Saladini di Rovetino SITE 4 - ACQUASANTA TERME Castel di Luco

FIND US ON: Partners ophera.beniculturali.it @Ophera MiC @ophera_project_mic Ophera MiC In collaboration with Special thanks to OPHERA OPENING THE WORKSHOP EARTHQUAKE-DAMAGED CULTURAL HERITAGE CONSERVATION PROCESS CAMERINO TO COMMUNITIES: METHODS AND TOOLS 6 - 10 September 2021 School of Law - University of Camerino Via D'Accorso c/o Campus Universitario 62032 Camerino (Italy)

OPHERA Workshop Camerino - DAY 4 OPHERA Workshop Camerino - DAY 5

Thursday, 9 September 2021 Friday, 10 September 2021 Aula 1 / Aula 3 / Aula 4 Aula 1 / Aula 3 / Aula 4

9.00 - 13.00 9.00 - 13.00

Definition of the "Open-Site" events Definition of the "Open-Site" events concept idea for each concept idea for each cultural heritage site cultural heritage site Teamwork activity Teamwork activity

13.00 - 14.00 - Buffet Lunch 13.00 - 14.00 - Buffet Lunch

14.00 - 18.00 14.00 - 17.00

Definition of the "Open-Site" events "Open-Site" events concept ideas concept idea for each Teams presentations cultural heritage site Site 1 - Visso/Collegiata Maria Santissima Site 2 - Visso/Palazzo dei Priori Teamwork activity Site 3 - Ascoli Piceno/Palazzo Saldini di Rovetino Site 4 - Acquasanta Terme/Castel di Luco

Site 5 - Pieve Torina/Complesso di Sant'Agostino 20.00 - Farewell dinner Site 6 - Monte S. Martino/Casa Campili, Pal. Urbani

Discussion & Wrap-Up

FIND US ON: Partners ophera.beniculturali.it @Ophera MiC @ophera_project_mic Ophera MiC In collaboration with Special thanks to SPEAKERS PROFILE

OPHERA Workshop - Day 1 12.00 OPENING SPEECH

Gianluca Loffredo

Physics PhD, engineer and Academic. He is currently working as the Emergency Sub-Commissioner to the Council of Ministers Presidency for the reconstruction of the central Italy territories damaged by the earthquake. He teaches at the Assisted Structural Planning Laboratory of the Engineering Department at University of Ferrara since 2016.

Abstract

In the last year the restoration of the cultural heritage damaged by the earthquake has improved. The lack of a national rule that manages the recovery and restoration of areas shocked by natural disasters is one of the main factors of the delays. Anyway, nowadays the regulatory framework is completed as the roles and related responsibilities of the stakeholder implemented in the reconstruction process are clarified such as the monetary contribution calculated with well weighted algorithms. The open and never solved challenge has increased the seismic security compared to the cultural heritage conservation values taking under control the economic and environment sustainability. The natural and economic resources are limited so the question is: How is one of the best ways to cope with such complicated issues? How can we measure the impact of cultural heritage conservation on the environment and society?

Partners

In collaboration with Special thanks to SPEAKERS PROFILE

OPHERA Workshop - Day 2 9.30-13.00 ROUND TABLE 1 Stefano Tasso Engineering official at the Firemen Provincial Command of the Macerata Provence, in service at the Operative Sectors and Specialistic Components, Technical Emergency Area and Forest Firefighting. The following months after the 2016 earthquake, he coordinated, in the area in question, several recovery interventions of works of art inside condemned cultural sites. He managed the urgent interventions of demolition and the securing of unsafe buildings, particularly the architectural heritage, in accordance with owners, private and public, and the Crisis Unit and the Regional Coordination of the Ministry of Culture. Francesca Capanna Principal of Central Institute of Restoration Specialization School in Rome. She is supervisor of Giotto’s wall paintings conservation in the Cappella degli Scrovegni in Padua since 2001 and she has been coordinator of the emergency services for damaged heritage of the Abruzzo (2009), Emilia Romagna (2012) and Marche (2016) earthquakes.

Giovanni Cangi Civil Engineer, Research Associate at the ISPC of the CNR, specialized in recovery and structural consolidation of historic buildings and in archaeological contexts. He has supervised numerous anti-seismic consolidation interventions in Italy and abroad, including Palace of the Senators on the Capitol and the Domus Tiberiana at Palatino in Rome, the Sasso Caveoso in Matera, the Insula Meridionalis in Pompeii, the Bedestan of Nicosia - Cyprus, churches, and convents of sixteenth century in the State of Morelos in Mexico on behalf of INAH.

Francesco Karrer Urban planning Professor at University of La Sapienza in Rome and former president of the high council for public works, he has also worked as special commissioner for Naples port and as redactor of several large area planning tools of big, medium, and small cities. In 2020 his team got the commission of the implementing plans to redesign the city of Camerino after the 2016 earthquake.

Roko Zanic

Former Minister for the Environment and Spatial Planning in the Republic of Slovenia (2010-2012). From 1974 to 1993 he was researcher at National Institute for Testing and Research in Materials and Structures in Ljubljana. He is a professor at the Faculty for Civil and Geodetic Engineering of University of Ljubljana since 1993. Currently, he is a co-coordinator of the activities of ECTP Focus Area Cultural Heritage (FACH).

Daniel Oliveira

He is currently a staff member of the Civil Engineering Department of University of Minho. His main research interests include experimental and numerical approaches about the rehabilitation of historic masonry structures, earthquake engineering, use of composite materials and earthen construction.

Partners

In collaboration with Special thanks to SPEAKERS PROFILE

OPHERA Workshop - Day 2 14.30-18.00 ROUND TABLE 2

Matteo D'Ambrosio Director of Fondazione Istituto piemontese Antonio Gramsci and head of the cultural valorisation area and Audience Development of Polo del ‘900. He coordinated the project “La biblioteca e l’archivio del Polo del ‘900. Spazi, funzioni, servizi e attività” from 2014 to 2016. He was vice president of the Piemonte section in the Associazione Italiana Biblioteche from 2014 to 2020.

Carlo Birrozzi Director of the Central Institute for Catalogue and Documentation. He has been Superintendent for the architectural heritage of Molise. Later, he covered the same role in Bari and in Marche. In 2018 he organized the exhibition “Terre in movimento” at the San Gregorio Illuminatore church in Ancona, where were shown pictures of the damaged areas by the earthquake by Paola De Pietri e Olivio Barbieri, and also videos by Petra Nordkamp.

Paolo Belardi

Professor of “Architectural and urban Composition” at the Civil and Environmental Engineering Department at University of Perugia, where he is principal of the Design degree course and the Rector’s delegate for the Heritage, Graphic Image and Environmental Preservation. His research deal with themes like material and immaterial accessibility to historical centers and suburbs redevelopment and typological innovation. In 2020 he published the text “Learning from Norcia. La chiesa delle Macerie”.

Alessandra Sprega Alessandra Sprega has a BA and MA in Architecture from the University of Roma Tre, and an additional Master’s in Conservation Studies from the University of York, where she also obtained her PhD. Her doctoral research utilises participatory mapping methods to define the multi-dimensions of resilience within historic urban centres and their communities threatened by natural hazards.

Antonio Massena

One of the founders of L’Uovo Theatre in L’Aquila, which he directed until 2014. He has been a set designer for multiples theatrical sets, he was also involved in the designing of some theater rooms. He has been consultant of the city of L’Aquila for the project Restart – “Sviluppo delle potenzialità culturali per l’attività turistica del cratere”.

Partners

In collaboration with Special thanks to