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Joyce's Dubliners and Hemingway's in Our Time
37q i 0 JOYCE'S DUBLINERS AND HEMINGWAY'S IN OUR TIME: A CORRELATION THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Kim Martin Mayo, B. A. Denton, Texas December, 1986 Mayo, Kim M., Joyze's Dubliners and Hemingway's In Our Time: A Correlation. Master of Arts (English), December, 1986. 109 pp., works cited, 50 titles. One rarely sees the names James Joyce and Ernest Hemingway together in the same sentence. Their obvious differences in writing styles, nationalities, and lifestyles prevent any automatic comparison from being made. But when one compares their early short story collections, Dubliners and In Our Time, many surprisingly similarities appear. Both are collections of short stories unified in some way, written by expatriates who knew each other in Paris. A mood of despair and hopelessness pervades the stories as the characters are trapped in the human condition. By examining the commonalities found in their methods of organization, handling of point of view, attitudes toward their subjects, stylistic techniques, and modes of writing, one is continually brought back to the differences between Joyce and Hemingway in each of these areas. For it is their differences that make these artists important; how each author chose to develop his craft gives him a significant place in literature. Copyright by Kim Martin Mayo 1986 TABLE OF CONTENTS Chapter Page I. INTRODUCTION---ESTABLISHING THE SIMILARITIES . .1 II. ORGANIZATION AND UNITY.. ... 8 III. POINT OF VIEW . 0.v.. .......... .27 IV. SUBJECT, STRUCTURE, AND SYMBOLISM. -
Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake. -
Creating Literary Analysis
Creating Literary Analysis v. 1.0 This is the book Creating Literary Analysis (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This book was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. ii Table of Contents About the Authors................................................................................................................. 1 Acknowledgments................................................................................................................. 2 Dedications............................................................................................................................ -
Epiphanies in Dubliners
Epiphanies in Dubliners Epiphanies in Dubliners* Takashi Suzuki Epiphanies appear in Dubliners in various ways. Some stories present them directly. These epipha- nies are apparent to every reader. One of these is in “After the Race”. Jimmy Doyle is a son of the successful father who is called a merchant prince by the Dublin newspapers. Jimmy is a spoiled youth who has money and is popular but of no particular talent. He is very excited, sitting in a car that a wealthy Frenchman drives with his companions through the cheers of spectators. He has joined the Frenchman’s company without no reason. Jimmy takes this car race as the opportunity to deepen his relationship with the Frenchman from mere acquaintance to friendship. The Frenchman is reputed to own some of the biggest hotels in France, and is about to start motor business in Paris. Jimmy is going to “stake”(47)1 the greater part of his money on the Frenchman’s venture, and the Frenchman gives him the impression that the investment is made possible by a favour of friendship. The idea of this investment is initiated by his father’s suggestion. Therefore Jimmy and his father treat them in a very friendly and hospitable manner. But this design leads Jimmy to a fatal card game, and he loses more than he can afford: He knew that he would regret it in the morning, but at present he was glad of the rest, glad of the dark stupor that would cover up his folly. He leaned his elbows on the table and rested his head between his hands, counting the beats of his temples. -
Dubliners by JAMES JOYCE
Dubliners BY JAMES JOYCE P RESTWICK H OUSE L ITERARY T OUC H STONE C L ASSICS TM P. O . B O X 6 5 8 • C LAY to N , D ELAWARE 1 9 9 3 8 SENIOR EDITOR: Paul Moliken EDITORS: James Scott and Lisa M. Miller COVER DESIGN: Kelly Valentine Vasami PRODUCTION: Jerry Clark P RESTWICK H OUSE L ITERARY T OUC H STONE C L ASSICS P. O . B O X 6 5 8 • C LAY to N , D ELAWARE 1 9 9 3 8 T EL : 1.800.932.4593 F AX : 1.888.718.9333 W E B : www.prestwickhouse.com Prestwick House Teaching UnitsTM, Activity PacksTM, and Response JournalsTM are the perfect complement for these editions. To purchase teaching resources for this book, visit www.prest- wickhouse.com/material This Prestwick House edition is an unabridged republication with slight emendations of Dubliners, published in 1914. ©2006 All new material is copyrighted by Prestwick House, Inc. All rights reserved. No portion may be reproduced without permission in writing from the publisher. Printed in the United States of America. ISBN-10 1-58049-165-0 ISBN-13 978-1-58049-165-5 Dubliners BY JAMES JOYCE C O N T EN T S NOTES ...........................................................................4 READING POINTERS FOR SHARPER INSIGHTS .....................6 THE SISTERS ..................................................................9 AN ENCOUNTER ...........................................................17 ARABY .........................................................................25 EVELINE ......................................................................31 AFTER THE RACE ..........................................................35 -
Spiritual Paralysis and Epiphany: James Joyce's “Eveline”
Gaziantep Üniversitesi Sosyal Bilimler Dergisi (http://sbe.gantep.edu.tr) 2012 11(2):587 -600 ISSN: 1303-0094 Spiritual Paralysis and Epiphany: James Joyce’s “Eveline” and “The Boarding House” “James Joyce’un ‘Eveline’ ve ‘The Boarding House’ adlı Hikayelerindeki Ruhsal Çöküntü ve Epifani” Zennure Köseman Inönü University Abstract This article intends to highlight James Joyce’s ironical outlook for the existence of epiphanies in women’s lives to be released from their spiritual paralysis and stagnation as indicated in “Eveline” (1904) and “The Boarding House” (1906) in Dubliners. In “Eveline” and “The Boarding House,” Joyce portrays women who are in a struggle for setting aside the inequalities and miseries of their social environment through their representative wish for emancipation in their lonely and alienated state of minds. Trapped in a web of social expectations and constraints, women intend to escape from the strict patriarchal society of Dublin in these short stories. Structured and controlled by the issue of femininity, James Joyce writes about the effects of the Irish society on female adolescents. “Eveline” and “The Boarding House” offer two portrayals of women who are enclosed by the dominance of the rigid patriarchal society which ends up the need for emancipation from social rigid rules. In these stories, however, the women characters portray a continuation of the choice of their domestic female roles, i.e., their struggle for emancipation turns out to be useless. "Eveline" is the story of a young teenager who faces a dilemma where she has to choose either she has to live with her father or escape with his boyfriend. -
THE THEME of CLASS in JAMES JOYCE's DUBLINERS by David
THE THEME OF CLASS IN JAMES JOYCE'S DUBLINERS by David Glyndwr Clee B.A., University of British Columbia, 1963 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May, 1965 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of FJlglish The University of British Columbia Vancouver 8, Canada Date June k, 1965 ABSTRACT There is evidence throughout the stories, and in Joyce's letters, to show that Dubliners should be considered as a single entity rather than as a series of unconnected short stories. This thesis examines Joyce's presentation of Dublin's middle class as a unifying principle underlying the whole work. Joyce believed that his city was in the grip of a life-denying "paralysis", and this thesis studies his attempt in Dubliners to relate that paralysis to those attitudes towards experience which his Dubliners hold in c ommon. The stories in Dubliners are grouped to form a progression from childhood through adolescence to maturity and public life. -
Dubliners I Booklet
James Joyce Dubliners Part I CLASSIC Read by Jim Norton FICTION MODERN CLASSICS NA317312D The Sisters 1 There was no hope for him this time: it was the third stroke. 6:49 2 The next morning after breakfast,… 4:36 3 In the evening my aunt took me with her… 9:58 An Encounter 4 It was Joe Dillon who introduced the Wild West to us. 3:41 5 The summer holidays were near at hand… 6:39 6 There was nobody but ourselves in the field. 8:06 Araby 7 North Richmond Street, being blind, was a quiet street… 8:26 8 On Saturday morning… 6:46 Eveline 9 She sat at the window watching the evening invade the avenue. 8:58 10 She stood among the swaying crowd in the station at the North Wall. 2:43 2 After the Race 11 The cars came scudding in towards Dublin,… 9:33 12 That night the city wore the mask of a capital. 2:15 13 Cards! Cards! The table was cleared. 2:32 Two Gallants 14 The grey warm evening of August had descended upon the city,… 5:25 15 Lenehan offered his friend a cigarette. 3:44 16 They walked along Nassau Street and then turned into Kildare Street. 4:55 17 He walked listlessly round Stephen’s Green… 5:15 18 His mind became active again. 3:34 The Boarding House 19 Mrs Mooney was a butcher’s daughter. 7:50 20 There must be reparation made in such a case. 7:49 21 Polly sat for a little time on the side of the bed, crying. -
Dubliners and the Joycean Epiphany
DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59). -
Subtexts of the Unoccupied House in James Joyce's "Araby" Jason A
College of DuPage [email protected]. English Scholarship English 4-1-2006 Detached and Empty: Subtexts of the Unoccupied House in James Joyce's "Araby" Jason A. Snart College of DuPage, [email protected] Follow this and additional works at: http://dc.cod.edu/englishpub Part of the English Language and Literature Commons Recommended Citation Snart, Jason A., "Detached and Empty: Subtexts of the Unoccupied House in James Joyce's "Araby"" (2006). English Scholarship. Paper 44. http://dc.cod.edu/englishpub/44 This Article is brought to you for free and open access by the English at [email protected].. It has been accepted for inclusion in English Scholarship by an authorized administrator of [email protected].. For more information, please contact [email protected]. 90 Detached and Empty: Subtexts of the Unoccupied House in James Joyce’s “Araby” Jason Snart Jason is a professor of English at the College of DuPage in Glen Ellyn, IL. In my experience teaching James Joyce’s “Araby,” I’ve found stu- dents will often assume that the central character in the story, the young boy, lives not in one of the houses that face each other, lining North Richmond Street, but rather in the detached house at the dead end of the street. The detached house is specifically described as abandoned, but there seems a natural inclination, particularly for first-time read- ers, to associate the detached house with the central character, as though both were somehow picked out from the surroundings as potentially different. Of course, the misreading is easily clarified, but I’ve found it a useful starting place to elucidate an important set of related subtexts in the story, including those of watching and being watched, not to mention themes of occupation and emptiness. -
Joyce's Dublin
1 James Joyce Centre Mater Misericordiae NORTH CIRCULAR ROAD 2 Belvedere College Hospital A MAP OF 1904 MAP OF 3 St George’s Church 4 7 Eccles St BELVEDERE PLACE ROAD ECCLES STREET 5 Glasnevin Cemetery 6 Gresham Hotel R.C.Ch Joyce’sRICHMOND PLACE 7 The Joyce Statue 4 8 O’ConnellCharleville Bridge Mall 3 Free 9 Night Town Ch. Dublin St. George’s 10 Cabman’s shelter Nelson St. STREET Church Upr. Rutland St. 11 North Wall Quay BLESSINGTON STREET 12 Clarence St. Temple St. PORTLAND Sweny’s ROW Chemist PHIBSBOROUGH 13 The National Maternity MOUNTJOY SQUARE Hospital D O R S E T Wellington St. 14 Finn’s Hotel BUCKINGHAM FREDERICK STREET 2 ERHILL 15 The National Library Hardwicke St. Hill St. 16 Davy Byrnes T MID. GARDIN E 17 UCD Newman House E Nth.Gt.George’s St. SUMM R STREET 18 The Volta Cinema T Grenville St. S 19 Barney Kiernan’s Pub Y GREAT DENMARK STREET O 20 Ormond Hotel J STREET T CAVENDISH ROW 1 Empress Place N E R S T. 21 The Dead House L B R O A D S T O N E U L 22 Sandymount Strand S T A T I O N I DOMINICKO 19 H M Cumberland St. 23 Sandycove Tower SEVILLE PLACE N G R A N B Y R O W O 24 The School I T RUTLAND NORTH STRAND Oriel St. MARLBOROUGH ST. Tramlines in 1904 U Granby Lane SQUARE LWR. GARDINER ST. T GLOUCESTER STREET I Henrietta St. STREET T Rotunda TYRONE STREET S M A B B O T S T. -
The Interior and Exterior Depictions of the House in Araby by James Joyce
Iğd Üniv Sos Bil Der / Igd Univ Jour Soc Sci Sayı / No. 21, Ocak / January 2020 Araştırma Makalesi / Article: 83-94 _____________________________________________________ The Interior and Exterior Depictions of the House in Araby by James Joyce SADAGAT ABBASOVA a Geliş Tarihi: 19.12.2019 Kabul Tarihi: 30.01.2020 Öz: Bir ailenin yaşadığı ev, o evin görüntüsü, evin çevresi, eşyası zaman zaman günümüze kadar her türlü dünya edebiyatında tasvir edilmiştir. Bu tür kültürel kalıntıların ve alışkanlıkların varlığı, dünya halklarının mitolojisinde ve gele- neklerinde uzun ve derin bir tarihe sahiptir. “Araby” de, XIX yüzyılın sonlarında İrlanda edebiyatında bir evin ortaya çıkması ve dolayısıyla bu evi oluşturan unsurlar ve bu unsur- ların birbirine bağımlılığı incelenmiştir. Bu hikâyede yazar ayrıca evin ve içinde yaşayan kahramanın farklı bir yönünü göstermeye çalıştı. Joyce fikrini daha iyi açıklamak için okur- larına bir pencere açar, evi ayrıntılı olarak açıklar, ancak içinde yaşayan insanları sanatsal bir tarzda, daha muazzam ve farklı bir biçimde tasvir etmeye çalışmıştır. Bildiğiniz gibi, bu hikâyede, Joyce hiçbir zaman dine ve diğer sosyo-politik du- rumlara ve dokunsal inceliklere dokunmadı. Aksine, “Araby” de, Batı felsefesi düşüncesinin etkisini ve düşünce birliğinin varlığını ortaya çıkarmaya çalışmıştır. Hikâyede, temel bir problem olarak insan anlayışı, psikolojik durum ve diğer ruh- sal-psikolojik nedenler bir bütün olarak açıklanmaktadır. Aynı zamanda, Joyce, evin temel unsurları, mekânı, bireyleri ve on- ların hayata bakış biçimleri