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Australian SF News 28
NUMBER 28 registered by AUSTRALIA post #vbg2791 95C Volume 4 Number 2 March 1982 COW & counts PUBLISH 3 H£W ttOVttS CORY § COLLINS have published three new novels in their VOID series. RYN by Jack Wodhams, LANCES OF NENGESDUL by Keith Taylor and SAPPHIRE IN THIS ISSUE: ROAD by Wynne Whiteford. The recommended retail price on each is $4.95 Distribution is again a dilemna for them and a^ter problems with some DITMAR AND NEBULA AWARD NOMINATIONS, FRANK HERBERT of the larger paperback distributors, it seems likely that these titles TO WRITE FIFTH DUNE BOOK, ROBERT SILVERBERG TO DO will be handled by ALLBOOKS. Carey Handfield has just opened an office in Melbourne for ALLBOOKS and will of course be handling all their THIRD MAJIPOOR BOOK, "FRIDAY" - A NEW ROBERT agencies along with NORSTRILIA PRESS publications. HEINLEIN NOVEL DUE OUT IN JUNE, AN APPRECIATION OF TSCHA1CON GOH JACK VANCE BY A.BERTRAM CHANDLER, GEORGE TURNER INTERVIEWED, Philip K. Dick Dies BUG JACK BARRON TO BE FILMED, PLUS MORE NEWS, REVIEWS, LISTS AND LETTERS. February 18th; he developed pneumonia and a collapsed lung, and had a second stroke on February 24th, which put him into a A. BERTRAM CHANDLER deep coma and he was placed on a respir COMPLETES NEW NOVEL ator. There was no brain activity and doctors finally turned off the life A.BERTRAM CHANDLER has completed his support system. alternative Australian history novel, titled KELLY COUNTRY. It is in the hands He had a tremendous influence on the sf of his agents and publishers. GRIMES field, with a cult following in and out of AND THE ODD GODS is a short sold to sf fandom, but with the making of the Cory and Collins and IASFM in the U.S.A. -
Blabla Bio Fred Frith
BlaBla Bio Fred Frith Multi-instrumentalist, composer, and improviser Fred Frith has been making noise of one kind or ano- ther for almost 50 years, starting with the iconic rock collective Henry Cow, which he co-founded with Tim Hodgkinson in 1968. Fred is best known as a pioneering electric guitarist and improviser, song-writer, and composer for film, dance and theater. Through bands like Art Bears, Massacre, Skeleton Crew, Keep the Dog, the Fred Frith Guitar Quartet and Cosa Brava, he has stayed close to his roots in rock and folk music while branching out in many other directions. His compositions have been performed by ensembles ranging from Arditti Quartet and the Ensemble Modern to Concerto Köln and Galax Quartet, from the BBC Scottish Symphony Orchestra to ROVA and Arte Sax Quartets, from rock bands Sleepytime Gorilla Museum and Ground Zero to the Glasgow Improvisers’ Orchestra. Film music credits include the acclaimed documentaries Rivers and Tides, Touch the Sound and Leaning into the Wind, directed by Thomas Riedelsheimer, The Tango Lesson, Yes and The Party by Sally Potter, Werner Penzel’s Zen for Nothing, Peter Mettler’s Gods, Gambling and LSD, and the award-winning (and Oscar-nominated) Last Day of Freedom, by Nomi Talisman and Dee Hibbert- Jones. Composing for dance throughout his long career, Fred has worked with Rosalind Newman and Bebe Miller in New York, François Verret and Catherine Diverrès in France, and Amanda Miller and the Pretty Ugly Dance Company over the course of many years in Germany, as well as composing for two documentary films on the work of Anna Halprin. -
BALKAN BLAZE Tuesday 25 October 2016, 7.30Pm Barbican Centre, Silk St, London EC2Y 8DS
th LONDON FESTIVAL 4 OF BULGARIAN CULTURE MUSIC EXHIBITION ART THEATRE BALKAN BLAZE Tuesday 25 October 2016, 7.30pm Barbican Centre, Silk St, London EC2Y 8DS Page 1! LONDON FESTIVAL OF BULGARIAN CULTURE Join the Balkan Adventure LFBC BRIEF HISTORY London Festival of Bulgarian Culture has already celebrated 3 successful editions in 2010, 2012, and 2014. More than 40 events – music, cinema, theatre, and exhibitions have been presented in the month of November every two years since 2010. Over three hundred Bulgarian, British, and international artists and formations such as the English Chamber Orchestra, Royal Philharmonic Orchestra, London Bulgarian Choir, Le WELCOME TO THE 4TH Mystere Des Voix Bulgares, The Big Band of EDITION OF OUR FESTIVAL! Bulgarian National Radio, etc., have participated in concert venues in London, At tonight’s opening concert we are very excited attracting a combined audience of more than 20 to present a programme representing the best of 000. The presentation of lesser known music our Bulgarian and Balkan music heritage. Joining composed by historic Bulgarian composers, and forces as soloists with an orchestra and choir are new music created by both British and Bulgarian two incredible musicians who defy categorization composers has been one of the principal aims of – the superstar and always inventive Nigel the festival which has already seen its objective Kennedy and our very own Bulgarian gudoulka largely fulfilled through the presentation of over virtuoso and composer Georgi Andreev - the 30 World, UK, and London premières. Many fantastic partnership between them on stage will theatre, cinema, exhibitions and cultural events not leave you sitting still in your seats for long! have also been presented and organized by the Bulgarian Cultural Institute as part of the We also have some brilliant events as part of our Festival, showcasing Bulgaria’s rich cultural festival coming up in November; please do heritage. -
Noumenon 41 Outside the Theatre
EDITORIAL “Yes, Brian Thurogood from Waiheke here. You were going to send out that information two weeks ago.” Noumenon is published 10 times per year, hopefully "Yes, Brian. I'm sorry but we've had a terrible at 5-weekly intervals. week. In fact, a terrible fortnight — the worst I've Subscriptions are: ever had. I think. Although the air strike has been . S5.7S/10 issu es NZ [incl. postage] over for two weeks we're still drastically affected S12.25/10 issues | Surface ] S7.00/I0 issues by ” "Oh. I'm sorry to hear that.” S13.25/10 issues Britain [Airmail] . "Well, we've had to borrow equipment hack, . S7.00/I0 issues [Surface] . even go to other suppliers — honestly, it's been Retail |New Zealand] 7 5c/copy diabolical.” Trade Discount . Less ‘6 "In a way it's good to hear we're not the only ones with weeks like that.” Noum mon Is edited end published by: "No, you're not — not by a long shot.” Brian Thurogood “Okay, we'll hear from you soon.” 40 Korora Road, Oneroa "Yes, I'll finish it tonight, or at the latest, to Waiheke Island, HaurakiGulf morrow morning.” NEW ZEALAND Phone WH 8502 Art Consultant: Colin Wlbon Hello again. But let me tell you the good news. Typesetting & Assistance: Kath Alber Next issue, gods and demons willing, will see the Subscription cheques, postal notes or Bank drafts should be introduction of the marvelous made payable to Noumenon and sent to the above address. High Tech, Silicon Chip, Laser Generated We welcome unsolicited contributions. -
Fred Frith Und Die Ungeahnten Klangwelten Der Gitarre (W)
Jazz Collection: Fred Frith und die ungeahnten Klangwelten der Gitarre (W) Samstag, 12. Juli 2014, 22.00 - 24.00 Uhr Der englische Gitarrist und Komponist Fred Frith, geboren 1949, testet seit seinen Anfängen mit der Band «Henry Cow» die Grenzen seines Instruments. Er entführt seine Hörer in entlegene Klangwelten. Der Gitarrist Vinz Vonlanthen ist Gast in der Sendung. Es gibt tausend Arten Gitarre zu spielen. Fred Frith hat noch ein paar Dutzend hinzu erfunden. Vom «Progressive Rock» ausgehend, hat der Klangkünstler aus Yorkshire mit Tonabnehmern und elektronischer Verfremdung experimentiert. Frith hat seine Klangfantasien auch für Gitarrenquartett arrangiert und für das Ensemble Modern komponiert. Schon mit seinem ersten Solo-Album unternahm er 1974 den Versuch, analog John Cage‘s Klavierkompositionen die Gitarre neu zu erfinden. Klangvielfalt und rhythmisch komplexe Muster kennzeichnen seine Arbeit. Der in Genf lebende Gitarrist Vinz Vonlanthen als Gast analysiert die technischen Kniffe des unkonventionellen Virtuosen und würdigt den Sound-Visionär Fred Frith. Redaktion: Beat Blaser Moderation: Andreas Müller-Crepon Henry Cow:”Leg End” CD Virgin, 840 027 Track 5: Nirvana (Reprise) Track 7: Teenbeat (Reprise) Fred Frith Fred Frith: Guitar Solos CD ReR Megacorp, ReR/FRO 02 Track 1: Hello Music Fred Frith/Bob Ostertag/Phil Minton: Voice of America CD Rec-Rec Music, ReCDec 907 Part 1 Fred Frith: Step Across the Border CD RecRec Medien AG, ReCDec 30 Track 1: Sparrow Song Fred Frith: Allies – Music For Dance, Vol.2 CD RecRec Medien, RecDec 70 Track 1: Rifka Fred Frith: Quartetts CD RecRec Medien, ReCDec 44 Track II/2: The As Usual Dance Towards The Other Flight To What Is Not. -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
Elliot Levey
Elliot Levey Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company MURDER ON THE Rabbi Kenneth Branagh Twentieth Century Fox ORIENT EXPRESS DENIAL Roger Levey Mick Jackson Krasnoff / Foster Entertainment FALLEN Dr. Watkins Scott Hicks Lotus Entertainment/ Mayhem Pictures THE MASTER OF YORK Menachem Kieron Quirke Eagle Lion Monster Films FLORENCE FOSTER Edgar Booth Stephen Frears Florence Film Ltd JENKINS Cunningham Jr United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE LADY IN THE VAN Director Nicholas Hytner Van Production Ltd. SPOOKS Philip Emmerson Bharat Nalluri Shine Pictures & Kudos PHILOMENA Alex Stephen Frears Lost Child Limited THE WALL Stephen Cam Christiansen National film Board of Canada THE QUEEN Stephen Frears Granada FILTH AND WISDOM Madonna HSI London SONG OF SONGS Isaac Josh Appignanesi AN HOUR IN PARADISE Benjamin Jan Schutte BOOK OF JOHN Nathanael Philip Saville DOMINOES Ben Mirko Seculic JUDAS AND JESUS Eliakim Charles Carner Paramount QUEUES AND PEE Ben Despina Catselli Pinhead Films JASON AND THE Canthus Nick Willing Hallmark ARGONAUTS JESUS Tax Collector Roger Young Andromeda Prods DENIAL Roger Levey Denial LTD Television Production Character Director Company -
Studenckie Zeszyty Naukowe Instytutu Filologii Słowiańskiej UJ
ISSN 2299-2545 Studenckie Zeszyty Naukowe Instytutu Filologii Słowiańskiej UJ Numer 1(3)/2013 Kraków 2013 Redakcja naukowa dr Robert Sendek, Bartłomiej Rusin Redakcja Bartłomiej Rusin (redaktor naczelny) Aleksandra Głodowska, Aleksander Mąkosa, Monika Sakowska, Anna Sokulska, Krzysztof Romanowski Korekta Monika Sakowska, Krzysztof Popek Publikacja powstała w ramach prac Koła Naukowego Slawistów im. T. Lehra-Spławińskiego Opracowanie grafi czne, dtp Tomasz Sekunda Zdjęcie na okładce Cerkiew Świętego Sawy w Belgradzie, autorstwa użytkownika Threat to Democracy, udostępniony na serwisie Flickr.com na licencji CC BY 2.0 © by Autorzy, 2013 ISSN 2299-2545 Wydanie sfi nansowane ze środków Rady Kół Naukowych UJ Wydawca Wydawnictwo «scriptum» Tomasz Sekunda tel. + 48 60 4532 898 e-mail: [email protected] www.scriptum.strefa.pl Studenckie Zeszyty Naukowe Instytutu Filologii Słowiańskiej UJ nr 1(3)/2013 Spis treści Literatura Anna Król Tam gdzie kwitną konwalie – Sirota Cwetana w świetle zjawiska zbułgarszczania ......................................................5 Małgorzata Dambek Wielość światów. Środkowoeuropejskie przestrzenie wtwórczości Pavla Straussa ..............................................................21 Monika Sakowska Egon Bondy i„realizm totalny”. Słowo oczeskim undergroundzie lat 50. XX wieku ..........................33 Kultura Ewa Lewicka Początki kinematografi i bułgarskiej: życie itwórczość Wasiła Gendowa kadr po kadrze ............................47 Kostiantyn Mazur Promotion of the Bulgarian Culture on the Internet -
Duo Vocal, Musique Électronique Et Multiphonie
MULTIVOX Duo vocal, musique électronique et multiphonie Avec Christine Bertocchi, voix Phil Minton, voix Olivier Sens ou Boris Darley, traitement sonore et multi-diffusion D'un instant à l’autre – 1, route de Chatillon– 21500 Montbard 06 25 11 20 29 - www.uninstantalautre.com 1 LE PROJET Les voix de Christine Bertocchi et Phil Minton se sont rencontrées à plusieurs reprises depuis une quinzaine d'années. Pour Multivox, elles tissent ensemble un parcours vocal, fait d'explorations sur le timbre et la matière sonore de la voix, de recherches sur les registres extrêmes et les usages extra-européens de la voix, de jeux rythmiques. Au fil de ce déroulement, ressurgissent des thèmes issus du jazz, des mélodies suspendues. La variété de leurs possibilités vocales et de leurs imaginaires musicaux, plongent les spectateurs dans une suite musicale faite de reliefs inattendus, relayée par un travail de traitement, transformation, boucles, et reprise en multi-diffusion tout autour des spectateurs. Entourés d'enceintes qui démultiplient les sources sonores, et plongés dans un premier temps dans une quasi pénombre, ils découvrent peu à peu les corps en mouvement, sources premières de l'émission sonore. Parfois, des objets manipulés par les deux chanteurs, leur permettent de jouer encore plus avec l'écoute du public. Les voix traversent ces filtres ou amplificateurs que peuvent être ces caisses de résonance, en forme de cercle ou de tunnel. Les gestes prennent alors une place prépondérante, détachés des voix qui voyagent à travers les différents enceintes : une différenciation de l'émission sonore et gestuelle, à partir de la même source, qui crée une sorte de chorégraphie spontanée, décalée mais intimement reliée. -
Gavin Selerie – Jumping the Limits
Jumping the Limits: the interaction of art forms at Black Mountain & beyond, including UK practice - Gavin Selerie I Fielding Dawson says Black Mountain “had no sides (literally). It was wide open in the mountain.”1 This is a useful reminder that physical space can influence or determine thought. It was significant that the kinds of exploration associated with the college occurred far from recognized centres of learning. You could call it the permission of outlaws, and Ed Dorn, a son of the Prairie, perhaps brings this to fruition with the cinematic-linguistic slides of Gunslinger. On the other hand, no space is definitive, and a key aspect of the Black Mountain community was its willingness to bring people in to work on projects for a limited period. The corollary of this is that skills or modes of inquiry were susceptible of translation to other spheres. Geographically, the dispersal, both before and after the closure of the college, was significant, allowing Bauhaus and related approaches to be taken up in other parts of North America, and finally circulated back to Europe. New York City had a particular cluster of Black Mountain-affiliated artists and San Francisco also, but the small community or individually focused endeavour could happen anywhere. Charles Olson returned to Gloucester but kept ideas afloat through correspondence, appearances in Berkeley, Vancouver and London, and via his two-year teaching stint at Buffalo. What links figures as disparate as the weaver Anni Albers, the writer Robert Creeley and the designer Buckminster Fuller? Olson, in an unsent letter of 1952, describes Black Mountain as an “assembly point of acts”.2 The key elements are a possibility for intersection and the physical shaping of ideas. -
密集报纸第miji Newspaper No.09
密字 2012-6,出版日期 2012 年 6 月 15 日 和李 火 星 即 兴 委 人声和电密集 介绍材料上说:“陈皓伊和菲尔· 明顿的二重奏始于 2006 年,随后逐渐发 Quote from press kit:“The duo of Audrey Chen and Phil Minton began several years ago in 2006 and has been steadily developing since that time into a truly unique 剑 鸿 展为一个非常独特的团体。他们专注于纯然的嗓音和唇齿之声,探索着自身天 ensemble. 然的,身体的‘乐器’。他们的即兴演奏是无所畏惧的,易碎的,饥渴的,激情 With primary focus on the interplay between the uttered sounds of the mouth and vocal 的,放荡的,哀恸的,野兽般的:人所能发出的各种声音⋯⋯今年,他们在比 chords, Minton and Chen plumb the depths of their most inherent and bodily instru- 利时实验大厂 Sub Rosa 发表了首张专辑。” ments; their voices. Their improvisations are fearless, fragile, hungry, passionate, riot- ous, ululating and animalistic yet are, in all respects, human. They are, in collaboration, expressing, pronouncing and articulating (in their fashion) the many nuanced shades of 其实他们已经不是陌生的名字了。陈皓伊曾经两次在中国巡演,参加过二皮音 their individual conditions.” 乐节和水陆观音。她是很多中国即兴乐手的好朋友。她的嗓音,像 Ami 九 Yoshida 一样,有一种电子效果的绝技。她也是一位大提琴即兴高手,全力以 But these are not new names for us. As Audrey is good friend of many Chinese impro musicians. She has toured in China twice. Attended 2pi festival and Waterland 员 赴,充满热量的那种。 Kwanyin. Her voice could be as sharp as from electronic device. Her cello playing is unique and warm. She is definitely a new star in the international improvised music 会 年龄大她一倍的菲尔,是老一代自由即兴乐手中的顶尖高手。一位貌不惊人的 scene. 老头,龇牙咧嘴,飞快地翻动着他的魔术师的嘴皮子,又忘我,又轻松,还带着 Phil Minton is, no doubt, one of the masters in our time. He is a magician of lips and 一分幽默。他会为火星即兴委员会准备一个工作坊,我们打算来一个全火星人 throat. As a traveling musician without luggage he devoted his body to the stage for decades. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.