Festive Opening Opera Israel Sat. 28 April, 16.00 h, Colonnades Tue. 1 May, 19.30 h, Großes Haus Wed. 2 May, 19.30 h, Großes Haus Hessisches Staatstheater Wiesbaden ‘You Shall Not Query Me’ Tosca A composition for eight brass instruments by An opera in three acts by Giacomo Puccini Ernst August Klötzke In Italian with German surtitles World premiere Musical direction David Stern The Wiesbaden Music Academy Brass Players Direction, set and costume design by Hugo de Ana Direction Joachim Tobschall Opera Opening premiere A feast for the eyes and ears: an opulent, half-cinematic produc- tion of Giacomo Puccini’s Roman operatic thriller ‘Tosca’ staged Sat. 28 April, 17.00 h, Großes Haus and designed by the Argentinean director Hugo de Ana and fea- Thu. 17 May, 17.00 h, Großes Haus turing such internationally renowned performers as Michèle Crider, Kamen Chanev and Ko Seng Hyoun. David Stern, musical Hessisches Staatstheater Wiesbaden director of the Israeli Opera, personal- ly assumes the musical direction of this Lohengrin brilliant production. A romantic opera by Musical direction Marc Piollet Directed by Kirsten Harms The use of dynamic film projections from With surtitles onstage and behind the scenes opens The son of King Percival is sent on a boat drawn by swans to aid up new perspectives and impressions and protect the Duchess of Brabant. He asks but one thing in of Rome during the Baroque period. All return for his service: she may never ask him who he truly is. She video clips were filmed on location at ori- agrees, yet she is cleverly manipulated by Telramund and Ortrud ginal sites in Rome. to violate his condition. He is forced to bid her farewell. At the start of the Internationale Maifestspiele 2012, audiences Opera Israel are invited to the premiere of ‘Lohengrin’ by Richard Wagner, Fri. 4 May, 19.30 h, Großes Haus whose works have helped shape the development of modern musi- cal theatre more than any other composer. In Wagner’s biography, ‘Lohengrin’ represents a point of interface between traditional Israeli Opera Tel Aviv opera and a newer, more trendsetting form of musical drama. Australia An opera in four parts by Gil Shohat Libretto by Gil Shohat and Omri Nitzan Sa. 19 May, 20.00 h, Concert-Shell, Kurpark Based on the play by In Hebrew with German surtitles Co-Opera – Opera on the Move Musical direction David Stern Directed by Omri Nitzan The Marriage of Figaro Set and costume design by Gottfried Helnwein Commedia per musica by W. A. Mozart A holistic work of art comprised of literature, music, theatre, In English | Please wear weather-appropriate clothing! painting and movement based on a play by the renowned Israe- li playwright Hanoch Levin. ‘The Child Dreams’ is a visionary and Musical direction Brian Chatterton touching allegory of children’s fates in Directed by Tessa Bremner a world characterized by war, emigrati- Can you perform opera in the Australian on and the desire for peace. The libretto outback? Of course! For years, the group was developed by composer Gil Shohat Co-Opera has successfully toured through and director Omri Nitzan. The famous the most remote areas of Australia with Austrian painter Gottfried Helnwein desi- its unconventional opera productions. In gned the set and costumes for this pro- May, Wiesbaden audiences will have the duction. opportunity to see a guest performance of Co-Opera’s version of ‘Heartfelt, touching music.’ ‘The Marriage of Figaro’ – a unique open-air opera experience. (Opera Today) Opera China Dance Italy Dance Canada Tue. 22 May, 19.30 h, Großes Haus Wed. 9 May, 19.30 h, Großes Haus Fri. 25 May, 19.30 h, Großes Haus Wed. 23 May, 19.30 h, Großes Haus Thu. 10 May, 19.30 h, Großes Haus Sat. 26 May, 19.30 h, Großes Haus European premiere Celebrating the 20-year partnership between Büchner Year 2012 Year of Chinese Culture in Germany 2012 the regions Emilia-Romagna – Hessen Les Grands Ballets Chongqing Sichuan Opera Theatre Aterballetto Canadiens de Montréal The Chalk Circle Come un respiro (Like a Breath) / Leonce und Lena A Sichuan opera based on the play ‘The Caucasian Les Noces (The Wedding) A ballet by Christian Spuck Based on the comedy Chalk Circle’ by Bertolt Brecht Choreographed by Mauro Bigonzetti Music by by Georg Büchner Music by Johann Strauß, In Chinese with German surtitles Georg Friedrich Händel and Alfred Schnittke and others Artistic direction Shen Tiemei Text adaptation by Yang Xiao ‚With its performance of ‘Come un respiro’ (Like a Breath) and ‘Les Georg Büchner’s satirical comedy about the conditions in absolu- Directed by Ou Yangming Noces’ (The Wedding), Aterballetto, Italy’s largest contemporary tist German towns is one of the greatest German-language come- With its reworking of Bertolt Brecht’s ‘Caucasian Chalk Circle’ ballet company of international repute, is presenting two repre- dies of all time. For this production, FAUST award winner Christian the famous company Chongqing Sichuan Opera Theatre from sentative works by its world-famous head choreographer, Mauro Spuck took it upon himself ‘to reinvent this linguistic caricature southwest China presents a Chinese tale as a Sichuan opera full Bigonzetti. You are invited to this glo- for the body and movement.’ His idea of magnificent sounds and colors. This style of opera, which has rious evening of ballet, which is whole- quickly evolved into an outstanding, been bringing stories to life with a mix heartedly committed to the beauty and internationally acclaimed work of con- of song and performance for more than articulateness of dance. temporary ballet. 200 years, is known to many for its vita- ‘A completely perfect and breathtaking ‘A masterpiece. (…) The opening night lity and dynamic style. The most notable performance: Bigonzetti is a master of audience members were beside them- characteristics of Sichuan opera include poses with a keen sense of elegance.’ selves with enthusiasm about the intel- unique solos, a refined and individualized (Hannoversche Allgemeine Zeitung on ligent choreography in this expertly dan- performance style, the use of dance and ‘Come un respiro’) ced world premiere.’ (Ruhr Nachrichten, acrobatics as well as impressive costu- Essen) mes and masks. Opera gala Dance Concert-/Dance-Performance Ireland Sun. 27 May, 19.30 h, Großes Haus Mon. 14 May, 19.30 h, Großes Haus Wed. 30 May, 19.30 h, Großes Haus Thu. 31 May, 19.30 h, Großes Haus Hessisches Staatstheater Wiesbaden Hessisches Staatstheater Wiesbaden German premiere Turandot Ballet Fabulous Beast Dance Theatre Dramma lirico in three acts by Giacomo Puccini Bluebeard’s Secret Rian In Italian with German surtitles A ballet by Stephan Thoss By Michael Keegan-Dolan (choreography Musical direction Wolfgang Ott Music by Henryk Górecki and Philip Glass and staging) and Liam Ó Maonlaí (music) Directed by Cesare Lievi Musical direction Wolfgang Ott Directed and choreographed by Michael Keegan-Dolan This year’s operatic gala at the Internationale Maifestspiele pro- Musical direction Liam Ó Maonlaí Stephan Thoss’ Wiesbaden ballet ‘Bluebeard’s Secret’ received mises a celebration of superb voices. With Lise Lindstrom, Hui two nominations for the German theatre award DER FAUST in 2011 Eight dancers from around the world and five of Ireland’s top He and Marcello Giordani in the main roles of Puccini’s last opera, – one for ‘Best Choreographer’ (Stephan Thoss) and one for ‘Best musicians unite with Ó Maonlaí and Keegan-Dolan to create an ‘Turandot,’ the most exceptional talents of the international opera Dance Performer’ (Giuseppe Spota). Giuseppe Spota was distin- expressive cultural hybrid. ‘Rian’ taps into healthy life-enhancing scene will be featured in Wiesbaden this year. guished with the much sought-after performance award for his traditions with influences from faraway places to evoke a timeless interpretation of the enigmatic charac- vision of the real indescribable nature of ter of Bluebeard. In this production, Cho- things. ‘Rian,’ the show that premiered reographer Stephan Thoss portrays an in the autumn of 2011 and was met with archetypical relationship-pattern: Inside standing ovations in Dublin and London, her husband’s castle, Bluebeard’s young is making its Germany debut in Wiesba- wife Judith opens door after door to den. reveal a series of eerie discoveries that ‘…a heart-lifting and ingenuous Irish threaten their relationship… dance night that could beat all for pure ‘This kind of dance theatre is addictive.’ delight.’ (The Arts Desk, London) (Die Deutsche Bühne, ) Schauspiel Theatre Theatre Switzerland Sun. 6 May, 19.30 h, Großes Haus Sat. 12 May, 19.00 h, Großes Haus Sat. 19 May, 19.30 h, Großes Haus Mon. 7 May, 19.30 h, Großes Haus Sun. 13 May, 19.00 h, Großes Haus Sun. 20 May, 19.30 h, Großes Haus Thalia Theater Deutsches Theater Berlin Schauspielhaus Zürich Hamlet About Life Platonow By (Lea’s Wedding. Tacking Thread. Simon.) By Anton Chekhov In a new adaptation by Feridun Zaimoglu A trilogy by Judith Herzberg Translated into German by Werner Buhss and Günter Senkel Directed by Stephan Kimmig Directed by Barbara Frey Directed by Luk Perceval ‘About Life’ is one of the most unique productions featured at this For his interpretation of ‘Hamlet’ by William Shakespeare, direc- year’s Internationale Maifestspiele. Stephan Kimmig is the first Barbara Frey has staged Chekhov’s early masterpiece ‘Platonov’ tor Luk Perceval dared to make a casting decision that is just as director to unite Dutch author Judith Herzberg’s trilogy in one with a magnificent ensemble of performers, including Michael spectacular as it is self-explanatory: he chose two actors to por- evening of theatre, thus enabling the family story told in the plays Maertens, Friederike Wagner and Lambert Hamel. The schoolma- tray the prince of Denmark – the older, more experienced Josef ‘Lea’s Wedding,’ ‘Tacking Thread’ and ‘Simon’ to shine as one big ster Platonov, once a hopeful and promising talent, becomes the Ostendorf and his younger colleague Jörg Pohl. Yet this bold move theatrical event. Nearly 20 performers (including Susanne Wolff, object of projection for women’s desires. The action takes place is only one of many reasons why his pro- Maren Eggert and Christian Grashof) at the cottage of Anna Petrovna, the duction has enjoyed critical acclaim and come together to bring this panorama of general’s widow, where he encounters Perceval himself has been nominated personalities to life. a line-up of potential flings. These cha- for the FAUST Award. The ensemble of racters have long-since abandoned con- Hamburg’s Thalia Theater is at its finest ‘This play is far from being like the heavy- cepts such as moral convictions, inner in this fast-paced production. handed classics. It’s more like a floating strength and societal values. feather.’ (Der Tagesspiegel, Berlin) ‘The acting was brilliant – especially from ‘A masterful evening!’ (Tages-Anzeiger, the Hamlets.’ (Hamburger Abendblatt) Zurich)

Theatre Theatre Clown theatre for the whole family Russia Wed. 2 May, 19.30 h, Kleines Haus Wed. 16 May, 19.30 h, stage of the Großes Haus Mon. 28 May, 19.30 h, Großes Haus In cooperation with the Youth Week In cooperation with the Youth Week Deutsches Theater Berlin / Ballhaus Naunynstraße Berlin / Teatr Semianyki Mit freundlicher Unterstützung der Naspa Junges DT Coproduction with the Semianyki – Family Ruhrtriennale Festival Tschick Semianyki is one of the wackiest, most eccentric families, and also Based on the novel by Wolfgang Herrndorf Mad Blood By Nurkan Erpulat and Jens Hillje proof that life simply keeps going no matter what happens. And plenty happens in this crazy family with a perpetually drunken Directed by Alexander Riemenschneider Loosely based on the film ‘La Journée de la Jupe’ father, an extremely pregnant and high-strung mother and their (Skirt Day) four darling brats, who are constantly busy inflicting substantial, A short but stirring novel caused a furor last year: ‘Tschick’ by Directed by Nurkan Erpulat lasting damage on either each other or their parents. This show Wolfgang Herrndorf, a captivatingly funny and telling description by the famous St. Petersburg clown theatre troupe is a firework of pubescent attitudes toward life. With his tender, occasionally With ‘Mad Blood,’ director Nurkan Erpulat has landed the ultima- display of slapstick and special effects which may occasionally bizarre and at times even depressing narrative style, Herrndorf te surprise hit of the season. This play about a class of unruly make your hair stand on end. succeeds in giving young adults a voice as well as finding a way migrant children forced by their tea- to approach them at their level without cher to accept education at gunpoint ‘The hyped up yet touchingly grotesque ingratiation. Using simple yet effective has burst onto the scene amidst our family ‘Semianyki’ … has been hugely means, Alexander Riemenschneider’s society’s everlasting, indignation-fueled successful at festivals in places such as adaptation sends the story’s two won- debate about immigration. Erpulat’s London and Avignon – … it is slapstick at derful protagonists on a journey fueled production has been invited to the Thea- its finest, which will entertain children by fantasy. tertreffen Festival in Berlin, the Theater- and adults alike.’ (Süddeutsche Zeitung, tage in Mühlheim and the ) ‘… a celebration of life that will leave you Stückemarkt. feeling good.’ (Berliner Morgenpost) ‘Theatre doesn’t get more breathtaking, buoyant or clever than this.’ (Bild) Scenic concert Reading Baroque opera (concertante) Mon. 30 April, 19.30 h, Foyer Tue. 15 May, 19.30 h, Großes Haus Thu. 24 May, 19.30 h, Foyer music-theatre-workshop Ulrich Matthes reads Ensemble Mattiacis Happy Birthday, John Cage ‘Lieutenant Gustl’ Amadigi di Gaula Happy Birthday, Fluxus By Arthur Schnitzler An opera by G. F. Händel An evening of texts and music ‘When you’ve lost your honor, With Sharon Kempton, Merit Ostermann, by John Cage (1912-1992) you’ve lost everything.’ Simone Schwark, Felix Uehlein and many more, Ensemble Mattiacis Direction Ernst August Klötzke In commemoration of the Austrian (Artistic direction Thomas de Vries) This year not only marks what would have been American compo- writer’s 150th birthday, actor Ulrich Matthes presents a reading ser John Cage’s 100th birthday but also the 50th anniversary of of the novella ‘Lieutenant Gustl.’ The conventions of life during In Händel’s opera ‘Amadigi di Gaula,’ the hero Amadigi must prove his Fluxus movement. Either of these occasions is reason enough the Habsburg Age – Arthur Schnitzler’s lifetime – are expressed his affections for Princess Oriana by warding off the intrigues of to dedicate an evening to John Cage and interpret his art within through the young officer’s stream of consciousness in nearly the equally infatuated and jealous sorceress Melissa. With this the perspective of Fluxus. satirical ways; his unfiltered statements are sometimes laugh-out- performance of Händel’s magical opera, Ensemble Mattiacis conti- loud humorous in their naiveté. nues its tradition of presenting rarely performed gems of baroque Show music at the Maifestspiele. Tue. 8 May, 19.30 h, Kleines Haus Café Tango Special Argentina Youth Week (Junge Woche) Ursli and Toni Pfister Fri. 18 May, 21.00 h, Malersaal Servus Peter – Oh là là Mireille (The Malersaal bar opens at 20.00 h) 29. April - 6. Mai 2012 Featuring the Jo Roloff Trio In their new show, the Pfister siblings Orquesta Típica Sun. 29 April, 19.30 h, Studio: premiere set their sights on two greats from the Ciudad Baigón Thu. 3 May, 19.30 h, Studio world of German folk music: Peter Alexander and Mireille Buenos Aires-Tango Opening premiere Mathieu. Their portrayal is endearing and ironic, musi- Concert and Milonga of the Youth Week 2012 cally perfect and glamorous. Entertainment at its best! Staatstheater Wiesbaden Youth Department Flip book presentation The concept of tradition no longer func- tions as a mirror, but as a bridge towards Birds 15+ von Juliane Kann Fri. 11 May, 18.00 h, Studio the unexplored. That is the motto shared by twelve young musi- cians from Buenos Aires who make up Ciudad Baigón, a ‘typical Jana, Jannis, Boris and Maria make a disturbing ‘Spring Awakening’ experience of their own Pictures Learn to Walk tango orchestra.’ Their aim: combine historic beats with modern in ruthless reality. ‘Birds’ is a riveting drama When Carried Around experience to revitalize the old típica sound of the golden age of about love, sexual assault and the protagonists’ Flip book art by Volker Gerling tango music. After the concert and between sets the audience is attempts to establish connections in a world utterly devoid of hope. invited to dance the tango to music spun by Gabriel Sala! Volker Gerling is once again returning to Wiesba- Mon. 30 April, 19.30 h, Kleines Haus den to present flipbooks with new and old pictu- Circle of Eleven res of people he has met on his extensive walking Leo 8+ tours of Germany. A theatrical experience that captures the see- Show This uproariously funny one-man show defies mingly insignificant moments of life and allows them to blossom. Sat. 19 May, 21.00 h, Malersaal gravity! Thanks to an original stage concept, the title character plunges into a fanciful world Reading Netherlands (The Malersaal bar opens at 20.00 h) where up and down no longer exist. His ensuing adventures are fantastic in the truest sense of The Shoo-Shoos On Air! the word! Fri. 11 May, 19.30 h, Foyer A 40s-style musical road movie Judith Herzberg reads Di 1. Mai, 19.30, Kleines Haus Switzerland In cooperation with the theatre biennale In this swing comedy, six characters come Junges Theater Basel NEW PLAYS FROM EUROPE. together at a New York train station. A Punk Rock 13+ Judith Herzberg is one of the Netherland’s most sense of adventure and the necessity to By Simon Stephens

distinguished authors. She has written numerous flee from the mafia force them to take the Seven teenagers are getting ready to take their works of poetry, prose and plays and has recei- next train out of the city. This results in an amusing, fast-paced final exams. Yet they are not only fighting for top ved several international awards. While her play journey full of everything from nostalgic ballads and slapstick bits marks but, above all, for respect! This play’s lively ‘About Life’ is featured at this year’s Internationale Maifestspiele to big band numbers. mix of coolness, career-oriented thinking and backfiring hormones is explosive and leads to fateful dynamics. Judith Herzberg herself will be present to read excerpts from her poetry and plays. 01601712 Anzeige Maifestspiele DIN lang RZ:Flyer RZ 30.01.2012 14

Fri. 4 May, 11.00 h, stage of the Kleines Haus Fri. 4 May, 16.00 h, stage of the Kleines Haus Italy Kartenbestellung Compagnia TPO Bitte vermerken Sie die Anzahl der Karten für die Kindur – The Adventurous entsprechende(n) Veranstaltung(en) und markieren Sie den Lives of Icelandic Sheep 4+ gewünschten Preis. Sollte die gewünschte Preisgruppe nicht Interactive children’s theatre mehr verfügbar sein, bestelle ich hiermit Karten in einer ‘Kindur’ means sheep in Icelandic. Told through the eyes of adventure-craving sheep, a fantastic höheren niedrigeren Preisgruppe journey unfolds through a land full of legends, Absender (bitte in Druckbuchstaben) music and encounters that can be experienced firsthand thanks to the use of digital technology. Wir bringen Bewegung Name Fri. 4 May, 18.30 h, Wiesbaden Prison Holzstraße Vorname JVA Wiesbaden / Die Werft Antibody – in Kunst und Kultur. Straße Today is the End of Tomorrow 16+ PLZ/Wohnort ‘Antibody’ takes place in a prison setting and simultaneously represents the attempt to find Tel. tagsüber meaning in the extreme conflicts of this micro- cosm: a parable on the interplay between living E-Mail life in the moment, coping with the events of Die Naspa wünscht Ihnen atemberaubende Momente yesterday and enabling the hopes of tomorrow. Bezahlung mit beigefügtem Blanko-Verrechnungsscheck Tickets only available in advance. Reservations bei den Internationalen Maifestspielen 2012. Bezahlung mit Kreditkarte necessary.

Sat. 5 May, 15.00 h, Studio Nr. Gültigkeitsdatum Sat. 5 May, 16.30 h, Studio Célestine Hennermann Kontrollnummer (Kartenrückseite im Unterschriftenfeld) Elephant Walk 0+ A dance production for the youngest Bezahlung durch Einzugsermächtigung audiences Hiermit ermächtige ich das Hessische Staatstheater Wiesbaden, Two dancers transform the stage into a mul- tifaceted array of landscapes – from the polar den Kartenpreis von meinem Konto einzuziehen. regions to the Savanna – using a dozen bright- colored buckets. They form hills, portals, water Kreditinstitut and clouds and invite their young audience members to come along on a journey into a world full of surprises. BLZ Kontonr. Sat. 5 May, 19.30 h, Kleines Haus Takao Baba / E-Motion 10 seconds 13+ Datum Unterschrift ‘10 seconds’ briefly takes us away from our Für die Bearbeitung und Zusendung der Karten wird eine Gebühr virtual reality to remind us of feelings that can von 1,50 Euro erhoben. only arise through direct contact with another person. With its frenzied mix of contemporary, urban and classic dance styles, it creates fasci- nating portraits of attraction. Bitte senden Sie Ihre Bestellung an Hessisches Staatstheater Wiesbaden Sun. 6 May, 18.00 h, Kleines Haus France Cie. Arcosm Postfach 3247, 65022 Wiesbaden Echoa 6+ What do dancers’ bodies sound like? How do drummers dance? In ‘Echoa,’ the lines between Ermäßigte Preise Schüler, Studenten, Auszubil- music and movement are dissolved as dynamic dende, Wehr- und Zivildienstleistende bis zum 30. Lebens- rhythms, virtuosic dancers and powerful music jahr sowie Schwerbehinderte (ab 70%) erhalten an der are blended together with an ample dose of humor. Dance and musical theatre for the whole Abendkasse bei nicht ausverkaufter Vorstellung eine family!. Ermäßigung von ca. 50 % Plus, don’t miss these Youth Week recommen- für das Große und Kleine Haus. Bitte gültige Ausweise bereithalten. dations: ‘Tschick,’ ‘Mad Blood’ and ‘Semianyki’ Semianyki Teatr Foto: Platzgruppen Information - internationale MA i FES TSPIELE wiesbaden Platzgruppen ANZAHL VI V IV III II I S Programm- Kartenvorverkauf Sa 28. April 16.00 ,Nie sollst du mich befragen‘* Festliche Eröffnung Kolonnaden Eintritt frei Großes Haus Hessisches Sa 28. April 17.00 Lohengrin* Oper von Richard Wagner Eröffnungspremiere Großes Haus 10,20 12,60 22,00 35,50 42,00 50,50 57,00 Platzgruppe S und I Staatstheater I. Rang Mitte So 29. April 19.30 Birds* Junges Staatstheater Wiesbaden Premiere Jungen Woche Studio Einheitspreis 6,50 Logen VII-X Vorderplätze Wiesbaden Christian-Zais-Straße 3 Orchestersessel (Reihe 1-9) Mo 30. April 19.30 Foyer Einheitspreis 10,00 65189 Wiesbaden Happy Birthday, John Cage* musik-theater-werkstatt I. Rang Seite 1. Reihe Montag - Freitag: Mo 30. April 19.30 (Berlin) Junge Woche Kleines Haus 8,50 12,00 16,00 16,00 Logen VIII-X Rückplätze Leo Circle of Eleven 10.00 bis 19.30 Uhr (Loge VIII links Platz 3, Junge Woche Kleines Haus Sa. 10.00 bis 14.00 Uhr Di 1. Mai 19.30 Punk Rock Junges Theater Basel (Schweiz) Einheitspreis 8,50 Loge VIII rechts Platz 4, So. und feiertags: Großes Haus 13,00 26,00 38,00 65,00 80,00 100,00 100,00 Logen IX + X links Platz 3 + 4) Di 1. Mai 19.30 Tosca Israeli Opera Tel Aviv (Israel) Oper 11.00 bis 13.00 Uhr Mi 2. Mai 19.30 Tosca Israeli Opera Tel Aviv (Israel) Oper Großes Haus 13,00 26,00 38,00 65,00 80,00 100,00 100,00 Telefon 0611 / 13 23 25 Mi 2. Mai 19.30 Tschick Deutsches Theater Berlin Schauspiel Kleines Haus 10,00 25,00 25,00 30,00 Platzgruppe II Fax 0611 / 13 23 67 Parkett (Reihe 10-13) vorverkauf@ Do 3. Mai 19.30 Birds* Junges Staatstheater Wiesbaden Junge Woche Studio Einheitspreis 6,50 Orchestersessel Randplätze staatstheater-wiesbaden.de www.staatstheater-wiesbaden.de Fr 4. Mai 11.00 Kindur Compagnia TPO (Italien) Junge Woche Bühne Kleines Haus Einheitspreis 6,50 1.-5. Reihe I. Rang Seite 2. Reihe Fr 4. Mai 16.00 Kindur Compagnia TPO (Italien) Junge Woche Bühne Kleines Haus Einheitspreis 6,50 Logen IV - VI Vorverkaufskasse Tourist Information II. Rang Mitte Fr 4. Mai 18.30 Antikörper JVA Wiesbaden / Die Werft Junge Woche JVA Wiesbaden Einheitspreis 6,50 65183 Wiesbaden, Marktplatz 1 Fr 4. Mai 19.30 The Child Dreams Israeli Opera Tel Aviv (Israel) Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 Telefon 0611 / 1729 930 Platzgruppe III Mo-Fr 10-18 Uhr, Sa 9.45-15 Uhr Sa 5. Mai 15.00 Elephant Walk Célestine Hennermann Junge Woche Studio Einheitspreis 6,50 April bis September So 11-15 Uhr Logen I - III tourist-service@ Sa 5. Mai 16.30 Elephant Walk Célestine Hennermann Junge Woche Studio Einheitspreis 6,50 Logen VII + VIII Rückplätze wiesbaden-marketing.de (Logen VII links und rechts Vorverkaufsgebühr 13% Sa 5. Mai 19.30 10 seconds Takao Baba / E-Motion Junge Woche Kleines Haus 8,50 12,00 16,00 16,00 Platz 3 + 4, So 6. Mai 18.00 Echoa Cie. Arcosm (Frankreich) Junge Woche Kleines Haus 8,50 12,00 16,00 16,00 Logen VIII links Platz 4, Kartenvorverkauf Galeria Kaufhof Loge VIII rechts Platz 3) 65185 Wiesbaden, So 6. Mai 19.30 Hamlet Thalia Theater Hamburg Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 II. Rang 1.-4. Reihe Eingang Friedrichstraße Telefon 0611 / 304808 Mo 7. Mai 19.30 Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 Seitenbogen Hamlet Thalia Theater Hamburg III. Rang Mitte, 1. Reihe oder 0611 / 376444 Kleines Haus 14,00 26,00 26,00 35,00 Mo-Fr 9.15-18.30 Uhr, Sa 9.15-16 Uhr Di 8. Mai 19.30 Servus Peter – Oh là là Mireille Geschwister Pfister [email protected] Mi 9. Mai 19.30 Come un respiro / Les Noces Aterballetto (Italien) Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 Platzgruppe IV Vorverkaufsgebühr 13% Do 10. Mai 19.30 Come un respiro / Les Noces Aterballetto (Italien) Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 II. Rang 1. + 2. Reihe Seite Frankfurt Ticket Studio III. Rang 2.-4. Reihe Mitte Telefon 069 / 1340400, Fr 11. Mai 18.00 Daumenkinographie Volker Gerling Einheitspreis 15,00 Hauptwache Frankfurt (B-Ebene) Fr 11. Mai 19.30 Judith Herzberg liest Lesung Foyer Einheitspreis 10,00 Mo-Fr 9.30-19 Uhr, Sa 9.30-16 Uhr Platzgruppe V So 10-18.30 Uhr (nur telefonisch) Sa 12. Mai 19.00 Über Leben Deutsches Theater Berlin Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 III. Rang 1.-5. Reihe [email protected] So 13. Mai 19.00 Über Leben Deutsches Theater Berlin Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 Seitenbogen www.frankfurt-ticket.de 5. Reihe Seitenbogen/Mitte Vorverkaufsgebühr 13% Mo 14. Mai 19.30 Blaubarts Geheimnis* Ballett von Stephan Thoss Großes Haus 7,00 9,50 14,50 28,00 33,50 39,00 46,00 6. Reihe Mitte Ticketbox e.Kfr. Di 15. Mai 19.30 Leutnant Gustl Ulrich Matthes Lesung Großes Haus 7,50 11,50 14,00 16,50 20,00 Kleine Langgasse 4, 55116 Mainz Bühne Großes Haus Tel. 06131 /2 11 500 oder 22 39 11, Mi 16. Mai 19.30 Verrücktes Blut Ballhaus Naunynstraße Berlin Einheitspreis 25,00 Platzgruppe VI Fax 06131 / 2 11 501 Do 17. Mai 17.00 Lohengrin* Romantische Oper von Richard Wagner Großes Haus 8,00 10,50 17,30 30,00 36,50 47,00 52,00 III. Rang übrige Plätze Mo-Fr 10-14 und 15-18 Uhr, Sa 10-14 Uhr Fr 18. Mai 21.00 Orquesta Típica Ciudad Baigón Café Tango Spezial Malersaal Einheitspreis 25,00 [email protected] Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 www.ticketbox-mainz.de Sa 19. Mai 19.30 Platonow Schauspielhaus Zürich (Schweiz) Schauspiel Vorverkaufsgebühr 13% Sa 19. Mai 21.00 The Shoo-Shoos On Air! Show Malersaal Einheitspreis 25,00 Sa 19. Mai 20.00 Die Hochzeit des Figaro Co-Opera (Australien) Open Air Kurpark Einheitspreis 25,00 Bezahlung mit Kreditkarten So 20. Mai 19.30 Platonow Schauspielhaus Zürich (Schweiz) Schauspiel Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 American Express, Diners nur an der Kasse, Eurocard und Visa gelten Großes Haus 8,00 13,00 18,00 28,50 39,00 50,00 50,00 bei telefonischer und schriftlicher Kartenbestellung. Bitte die Kredit- Di 22. Mai 19.30 Der Kreidekreis Chongqing Sichuan Opera Theatre (China) kartennummer, das Gültigkeitsdatum und die letzten drei Ziffern Mi 23. Mai 19.30 Der Kreidekreis Chongqing Sichuan Opera Theatre (China) Großes Haus 8,00 13,00 18,00 28,50 39,00 50,00 50,00 der Kontrollnummer auf der Kartenrückseite der entsprechenden Kreditkarte angeben. Do 24. Mai 19.30 Amadigi di Gaula Ensemble Mattiacis Barockoper (konzertant) Foyer Einheitspreis 20,00 Fr 25. Mai 19.30 (Kanada) Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 Leonce und Lena Les Grands Ballets Canadiens de Montréal Impressum Herausgeber Hessisches Staatstheater Wiesbaden Sa 26. Mai 19.30 Leonce und Lena Les Grands Ballets Canadiens de Montréal (Kanada) Großes Haus 9,00 15,00 25,00 37,50 48,00 60,00 60,00 Künstlerische Leitung Dr. Manfred Beilharz Kaufmännische Leitung Joachim Bauscher Texte Dramaturgie Redaktion Anika Bárdos, Stephan Steinmetz So 27. Mai 19.30 Turandot* Oper von Giacomo Puccini Operngala Großes Haus 12,00 25,00 35,00 60,00 72,00 90,00 90,00 Titelbild Maarten Evenhuis Gestaltung Maarten Evenhuis, Beate Marx Druck Zeidler GmbH & Co. KG Mo 28. Mai 19.30 Semianyki – Familie Teatr Semianyki (Russland) Großes Haus 7,00 13,00 22,00 28,00 35,00 45,00 45,00 Mi 30. Mai 19.30 Rian Fabulous Beast Dance Theatre Dublin (Irland) Großes Haus 8,00 13,00 18,00 28,50 39,00 50,00 50,00 www.maifestspiele.de Do 31. Mai 19.30 Rian Fabulous Beast Dance Theatre Dublin (Irland) Großes Haus 8,00 13,00 18,00 28,50 39,00 50,00 50,00 [email protected] * Produktion des Hessischen Staatstheaters Wiesbaden Ein ausführlicher Festivalkatalog ist an den Vorverkaufskassen und am Bühneneingang des Staatstheaters kostenlos erhältlich. Gegen die Zusendung eines mit 2,20 ¤ frankierten DIN A4- Karten Insgesamt:___ gesamtPreis:____ Rück­umschlags an das Staatstheater Wiesbaden, Postfach 32 47, 65022 Wiesbaden, senden wir Ihnen den Katalog gerne zu.