ANDREA ZITTEL Lives and Works in Joshua Tree, CA EDUCATION
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ARTIST - ALLAN Mccollum Born 1944, in Los Angeles, CA, USA Lives and Works in New York, NY, USA
ARTIST - ALLAN McCOLLUM Born 1944, in Los Angeles, CA, USA Lives and works in New York, NY, USA EDUCATION - Acting, Essex, UK Management, Los Angeles Technical School, Los Angeles, CA, USA SOLO EXHIBITIONS (SELECTION) - 2017 Works: 1968–1977, Petzel Gallery, New York, NY, USA Lost Objects, Mary Boone Gallery, Chelsea, NY, USA 2016 The Shapes Project: Perfect Couples & Shapes Spinoffs, Galerie Mitterrand, Paris, France Allan McCollum and Claude Rutault: À VENDRE, EXPOSITION, Mfc-michèle didier, Paris, France 2015 The Shapes Project: Shapes Spinoffs, Galerie Thomas Schulte, Berlin, Germany 2014 The Shapes Project: Perfect Couples, Petzel Gallery, New York, NY, USA Twenty Plaster Surrogates, The Artmore Hotel, Atlanta, GA, USA 2013 Allan McCollum: Perpetual photos 1982/90, Art & Public, Geneva, Switzerland The Book of Shapes, mfc-michèle didier, Paris, France Plaster Surrogates Colored and Organized by Andrea Zittel, Petzel Gallery, New York, NY, USA 2012 Drawings: 1988/91, mitterrand+cramer, Geneva, Switzerland The Shapes Project: Perfect Couples, Barbara Krakow Gallery, Boston, MA, USA 2011 Drawings, JGM.Galerie, Paris, France Perfect Vehicles, Art & Public – Cabinet P.H., Geneva, Switzerland Each and Every One of You, Galerie Thomas Schulte, Berlin, Germany 2010/11 Each and Every One of You. Curated by Jill Gasparina, La Salle de Bain, Lyon, France 2010 Stop Motion, Friedrich Petzel Gallery, New York, NY, USA Seriality: Sol le Witt and Allan McCollum, Armond Bartos Fine Art, New York, NY, USA The Shapes Project: Shapes for Hamilton, Clifford -
WHITNEY at ALTRIA to OPEN ANDREA ZITTEL:ZITTEL: SMALL LIBERTIES February 9 – June 18, 2006
Press Release Contact: Jan Rothschild, Stephen Soba, Meghan Bullock (212) 570-3633 or [email protected] www.whitney.org/press December 2005 WHITNEY AT ALTRIA TO OPEN ANDREA ZITTELZITTEL:: SMALL LIBERTIES February 9 – June 18, 2006 Andrea Zittel,Zittel A-Z Wagon Station customized by Russell Whitten Installation view, A-Z West; Courtesy Andrea Rosen Gallery New York From February 9 through June 18, 2006, the Whitney Museum of American Art at Altria presents Andrea Zittel: Small Liberties, a selection of individually customized mobile units, many of which have never been previously exhibited. Through the research, design and remodeling of her own domestic and external environments, Andrea Zittel creates experimental living structures that comprise an evolving body of different systems for living. Her work, which was seen in the 2004 Whitney Biennial, centers on the recognition that rules—generally understood as externally prescribed and largely inviolable--are fundamentally arbitrary and can be reconfigured, investigated and explored on an individual basis. Embracing the notion that all aspects of ones existence, however quotidian and typically overlooked, can be an opportunity for contemplation, Zittel’s practice explodes the unfortunate move towards universal standardization we experience in contemporary life, seeking to balance the tension between individuality and community, beauty and use, material clarity/truthfulness and conceptual rigor This exhibition is organized by Shamim M. Momin, Associate Curator, Whitney Museum of America Art, and Branch Director and Curator, Whitney Museum of American Art at Altria. Zittel's current project A-Z West (in Joshua Tree, CA), a culmination of the past ten years of experimentation with these systems of living, is a fully realized compound and community within the harsh, largely inhospitable, desert environment. -
Andrea Zittel
Biography Andrea Zittel Sprüth Magers geboren / born 1965 in Escondido, USA lebt und arbeitet / lives and works in Los Angeles and Joshua Tree, USA Ausbildung / Education 1990 MFA Sculpture, Rhode Island School of Design 1988 BFA Painting/Sculpture (Honors), San Diego State University Preise und Stipendien / Awards and fellowships 2016 GSA Design Awards, Citation in Art 2012 Österreichischer Friedrich Kiesler-Preis für Architektur und Kunst / Frederick Kiesler Prize for Architecture and the Arts 2007 AICA Awar Best Architecture or Design Show 2006 College Art Association Distinguished Body of Work Award 2005 Lucelia Artist Award (Smithsonian American Art Museum) 1999 Alfred Krupp con Bohlen und Halbach Foundation, Zürich, CH 1997 Oribe Award 1996 Coutts Contemporary Art Foundation Award 1995 DAAD (Stipendium/ Grant), Berlin, DE 1990 Award of Excellence, Rhode Island School of Design 1989 Award of Excellence, Rhode Island School of Design 1988 Dinstinction in Art, San Diego State Universitiy Patricia Clapp Scholarship in Fine Art 1986 Elizabeth Kraft Scholarship in Sculpture Einzelausstellungen (Auswahl) / Selected solo exhibitions 2020 'Works on Paper', Sprüth Magers Berlin, DE 'An Institute of Investigative Living', Miller ICA Carnegie Mellon University, Purnell Center for the Arts, Pittsburgh, USA ‘Works 2005 – 2020’, Regen Projects, Los Angeles, USA 2018 'Clutch by Andrea Zittel', Kunsthall Stavanger, Stavanger, NO 2017 ‘Andrea Zittel: The Flat Field Works’, New Art Centre, Wiltshire, UK 'On the Grid: a look at settlement patterns in -
Regen Projects
REGEN PROJECTS ANDREA ZITTEL BIOGRAPHY Born in Escondido, CA, 1965. Lives and works in Joshua Tree, CA. Education: B.F.A., Painting/Sculpture (Honors), San Diego State University, CA, 1988 M.F.A., Sculpture, Rhode Island School of Design, Providence, RI, 1990 Selected Solo Exhibitions: 2020 “Andrea Zittel: Works on Paper,” Sprüth Magers, Berlin, Germany, November 27, 2020 – February 13, 2021 “Andrea Zittel: Works 2005 – 2020,” Regen Projects, Los Angeles, CA, July 13 – August 21, 2020 “Andrea Zittel: An Institute of Investigative Living,” Miller Institute for Contemporary Art at Carnegie Mellon University, Pittsburgh, PA, January 25 – March 8, 2020 2018 “Clutch by Andrea Zittel,” Kunsthall Stavanger, Stavanger, Norway, August 30 – October 21, 2018 2017 “Andrea Zittel: The Flat Field Works,” New Art Centre, Wiltshire, UK, July 8 – September 17, 2017 “Andrea Zittel,” Regen Projects, Los Angeles, CA, June 8 – August 12, 2017 “On the Grid: a look at settlement patterns in the high desert,” Palm Springs Art Museum Architecture and Design Center, Palm Springs, CA, March 11 – May 25, 2017 2016 “Andrea Zittel,” Andrea Rosen Gallery, New York, NY, September 9 – October 8, 2016 2015 “Parallel Planar Panels,” Sprüth Magers, Berlin, Germany, November 3, 2015 – January 16, 2016 “Andrea Zittel: The Flat Field Works,” Middelheim Museum, Antwerp, Belgium, June 13 – September 27, 2015; catalogue “Eye On Design: Andrea Zittel’s Aggregated Stacks and the Collection of the Palm Springs Art Museum, Palm Springs Art Museum, Palm Springs, CA, March 14 – July -
Andrea Zittel: Critical Space
Andrea Zittel: Critical Space �PRESTEL Andrea Zittel Critical Space Paola Morsiani / Trevor Smith with contributions by Cornelia Butler Beatriz Colomina / Mark Wigley Robert Cook CONTEMPORARY ARTS MUSEUM HOUSTON NEW MUSEUM OF CONTEMPORARY ART , NEW YORK PRESTEL , MUNICH , BERLIN , LONDON , NEW YORK This catalogue has been published to accompany the exhibition © Prestel Verlag, Munich · Berlin · London · New York 2005 Andrea Zittel: Critical Space organized by Paola Morsiani, © 2005 Contemporary Arts Museum Houston and New Museum of Contemporary Art, New York Curator, Contemporary Arts Museum Houston, and Trevor Smith, © Andrea Zittel for reproduced artwork by Andrea Zittel Curator, New Museum of Contemporary Art, New York, for both institutions and a North American tour. All rights reserved. No part of this publication may be reproduced without the written permission of the publishers. Contemporary Arts Museum Houston Published by October 1, 2005-January 1, 2006 Prestel Verlag New Museum of Contemporary Art, New York Kiiniginstrasse 9 January 26-April 29, 2006 80539 Munich Tel: +49 (89)38 17 09-0 Fax:+49 (89) 38 17 09-35 Albright-Knox Art Gallery, Buffalo, New York www.prestel.de October 6, 2006-January 7, 2007 Prestel Publishing Ltd. 4 Bloomsbury Place The Museum of Contemporary Art, Los Angeles London WC1A 2QA March 4-May 21, 2007 Tel: +44 (20)7323-5004 Fax:+44(20)7636-8004 Vancouver Art Gallery, British Columbia June 9-September 16, 2007 Prestel Publishing 900 Broadway, Suite 603 New York, NY 10003 Tel: +1(212) 995-2720 Fax:+1 (212)995-2733 -
ALLAN Mccollum Brief Career Summary Allan Mccollum
ALLAN McCOLLUM Brief career summary Allan McCollum was born in Los Angeles, California in 1944 and now lives and works in New York City. He has spent over thirty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970 in Southern California, where he was represented throughout the early 70s in Los Angeles by the Nicholas Wilder Gallery, until it’s closing in the late 70s, and subsequently by the Claire S. Copley Gallery, also in Los Angeles. After appearing in group exhibitions at the Pasadena Art Museum and the Los Angeles County Museum of Art, his first New York showing was in an exhibition at the Sidney Janis Gallery, in 1972. He was included in the Whitney Museum of American Art Biennial Exhibition in 1975, and moved to New York later that same year. In 1978 He became known for his series Surrogate Paintings, which were shown in solo exhibitions in New York at Julian Pretto & Co., Artistspace, and 112 Workshop (subsequently known as White Columns), in 1979. In 1980, he was given his first solo exhibition in Europe, at the Yvon Lambert Gallery, in Paris, France, and in that same year began exhibiting his work at the Marian Goodman Gallery in New York, where he introduced his series Plaster Surrogates in a large solo exhibition in 1983. McCollum began showing his work with the Lisson Gallery in London, England, in 1985, where he has had a number of solo exhibitions since. -
Curriculum Vitae
Michael Ashkin www.michaelashkin.com [email protected] EDUCATION 1993 MFA, The School of the Art Institute of Chicago, Painting/Drawing, Full Merit Scholarship 1980 MA, Columbia University, New York, Middle East Languages and Cultures, Honorary President’s Fellowship, Pahlavi Foundation Scholarship 1977 BA, The University of Pennsylvania, Philadelphia, Oriental Studies, magna cum laude SOLO EXHIBITIONS 2020 “were it not for,” Kaktos Gallery, Athens, Greece, January – March 2018 “Horizont,” Bibliowicz Gallery, Cornell Unversity, Ithaca, New York, March 19– April 20 2016 “Dismal Dreaming,” Cathouse Funeral, Brooklyn, New York, March 26– May 5, and Cathouse Proper, Brooklyn, NY, April 22 – June 1 2013 “Architecture is for Creeps,” Milstein Hall Gallery, Cornell University, Ithaca, NY, March 10–April 12 2010 Johnson Museum of Art, Cornell University, Ithaca, New York, curated by Andrea Inselmann, April 3 – July 11 (artist’s book) Weatherspoon Museum of Art, Greensboro, North Carolina, January 17– April 18 2009 Secession, Vienna, Austria, curated by Annette Südbeck, November 20 – January 26, 2010 (monograph) SculptureCenter, Long Island City, New York, In Practice Projects, curated by Sarina Basta, May 10 – August 10 2005 Andrea Rosen Gallery, Gallery 2, New York, May 6– June 28 2002 Andrea Rosen Gallery, New York, November 29 – January 18, 2003 Galerie Otto Schweins, Cologne, Germany, October 30– December 21 Emily Tsingou Gallery, London, September 10 – 30 2000 Andrea Rosen Gallery, New York, January 28 – March 4 1999 Emily Tsingou Gallery, -
2015 AAU B.Arch Architecture Program Report
Academy of Art University School of Architecture Architecture Program Report for 2015 NAAB Visit for Initial Accreditation Bachelor of Architecture 162 Credits Year of the Previous Visit: 2014 Current Term of Accreditation: “the proposed professional architecture program: Bachelor of Architecture was formally granted continuation of its candidacy for a period of not less than two years. The continued candidacy term is effective January 1, 2014.” “The request for a visit for initial accreditation in fall 2015 is approved and the visit has been added to the 2015 NAAB Visit List.” Submitted to: The National Architectural Accrediting Board Date: March 13, 2015 ii Academy of Art University Architecture Program Report-Initial Accreditation March 2015 Program Director: Jennifer Asselstine, AIA, [email protected], 415-274-2200 School of Architecture Executive Director: Mimi Sullivan, AIA, [email protected],415-274-2200 Chief Academic Officer of the Institution: Alana Addison, [email protected], 415-274-2200 President of Academy of Art University: Dr. Elisa Stephens, [email protected] 415-274-2200 Individual submitting the Architecture Program Report: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-274-2200 Name of individual to whom questions should be directed: Mr. Joe Vollaro, Executive Vice President of Financial Aid and Compliance, [email protected], 415-274-2200 iii Academy of Art University Architecture Program Report-Initial Accreditation March 2015 -
Biography Andrea Zittel
Biography Andrea Zittel Escondido, CA, USA, 1965. Lives and works in New York. SOLO EXHIBITIONS 2020 2020 - A-Z West, Frieze, Los Angeles, USA 2019 2019 - Still I Rise: Feminisms, Gender, Resistance, De La Warr Pavilion, Marina, UK 2018 2018 - Still I Rise: Feminisms, Gender, Resistance, Nottingham Contemporary, Nottingham, UK 2017 2017 - On the Grid: a look at settlement patterns in the high desert, Palm Springs Art Museum Architecture and Design Center, Palm Springs, USA 2017 - Andrea Zittel: Te Flat Field Works, New Art Centre, Wiltshire, UK 2017 - Andrea Zittel, Regen Projects, Los Angeles, USA 2017 - Tom Burr Andrea Zittel concrete realities, Bortolami Gallery, New York, USA 2016 2016 - Andrea Zittel, Andrea Rosen Gallery, New York, USA 2015 2015 - Wallsprawl, Nevada Museum of Art, Reno, USA 2015 - SHORT: Andrea Zittel: Art & Design, Palm Springs Art Museum Architecture and Design Center, Palm Springs, USA 2015 - Andrea Zittel. Te Flat Field Works, Middelheim Museum , Antwerpen, B 2015 - PARALLEL PLANAR PANELS, Sprüth Magers, Berlin, D 2013 2013 - How To Live?, Massimo De Carlo, Milano, I 2012 2012 - Lay of My Land, Te Baltic Centre for Contemporary Art, Gateshead, UK 2011 2011 - Andrea Zittel - Pattern of Habit, Sprüth Magers, Berlin, D 2011 - Andrea Zittel, Regen Projects, Los Angeles, USA 2011 - Lay of my Land, Magasin III, Stockholm, S 2010 2010 - Andrea Zittel: Clasp, Sadie Coles HQ, London, UK 2010 - Between Art and Life, La Galleria del Costume, Palazzo Pitti, Firenze, I 2009 2009 - Andrea Zittel - single strand, forward motion, -
Making Design Concepts in the Nineties. Theoretical Models of UN
Ŕ periodica polytechnica Making design concepts in the nineties. Architecture Theoretical models of UN Studio 40/2 (2009) 55–63 doi: 10.3311/pp.ar.2009-2.02 Zoltán Bun web: http://www.pp.bme.hu/ar c Periodica Polytechnica 2009 RESEARCH ARTICLE Received 2010-02-18 Abstract At the very end of the 1980s, the previously determinative Attending to the thinking of the second half of the twentieth past that had been incarcerated in the museum and globalisa- century there has been a shift from the related-causal image tion hand in hand with capitalism were to change gear to turbo- of science to a kind of classification (the examination of local boost. ‘Poststructuralism’ was at war with ‘postmodernism’, singularities), from closed disciplines to their in-betweenness, both in general and architectural thinking. Following difference- from abstract views to pragmatic, then in the territory of archi- philosophy and other social studies, architectural deconstruc- tecture from the direct representation of drawings to generative- tion had questioned the logos-centrism of the discipline and it organisational model of a diagram, from reactive-post-critical had success and great influence in the fields of liberating var- theory to a proactive and productive one. Pluralism and rela- ious layers of rigid structures and rules. The abstract theory, tivity has taken the place of dominating and universal modes of a kind of ‘textual organisation’ that meets material world, did thought, discrete-networked models have been playing a lead- not just pose important questions but it caused serious problems ing role beside continuous-linear ones, as have digital aspects itself: theory made an elitist exodus from everyday life, differ- beside analogue ones, as blob forms beside boxes. -
Selected Works Contents
selected works Contents Contact 02 Profile 05 Architecture Cultural 21 Infrastructure 47 Office & Commercial 73 Residential 105 Units Urban 135 Interior 153 Product 163 Innovation Knowledge 177 Futures 189 UNSense 193 Contact UNStudio UNStudio Asia Business Development Business Development Amsterdam Shanghai contacts: contacts: Stadhouderskade 113 Machteld Kors Room 4606 Nora Schueler 1073 AX Amsterdam [email protected] Raffles City, No. 268 [email protected] PO Box 75381 Xizang Middle Road Teun Bimbergen Maggie Sun 1070 AJ Amsterdam Shanghai 200001 [email protected] [email protected] The Netherlands China T +31 (0)20 570 20 40 Marisa Cortright T +86 21 6340 5088 Sarah Zheng F +31 (0)20 570 20 41 [email protected] F +86 21 3366 3302 [email protected] [email protected] [email protected] Giulia Carravieri www.unstudio.com www.unstudio.com [email protected] Niki Pliakogianni 中国上海市西藏中路268号 Frankfurt [email protected] 来福士广场办公楼4606室 邮编 200001 Carleigh Shannon An der Welle 4 #528 [email protected] 60322 Frankfurt Germany Hong Kong T +49 69 6593 7580 [email protected] Room 1102-1105 Yu Yuet Lai Building 43-55 Wyndham Street UNSense Central, Hong Kong T +852 3499 1261 F +852 3563 8200 Plantage Middenlaan 62 [email protected] 1018 DH Amsterdam www.unstudio.com The Netherlands [email protected] www.unsense.com 4 Profile Profile 5 Profile Background About UNStudio Selected Pivotal Projects Founded in 1988 by Ben van Berkel and Acclaimed UNStudio projects include Caroline Bos, UNStudio is an international Arnhem Central Station (The Netherlands), architectural design studio specialising the Mercedes-Benz Museum, Stuttgart in architecture, urban development, (Germany), the Raffles City Hangzhou infrastructure and interior and product mixed-use development (China), the design. -
BNA Kubus for Ben Van Berkel and Caroline Bos of Unstudio
BNA Kubus for Ben van Berkel and Caroline Bos of UNStudio The 2016 BNA Kubus has been awarded to the founders of UNStudio, Ben van Berkel (architect) and Caroline Bos (art historian / urban planner). The aim of the architecture prize, this year bestowed for the 41st time by the Royal Institute of Dutch Architects (abbreviated as BNA), is to express the institute’s appreciation for an exceptional contribution to architecture. The Kubus was awarded on the recommendation of a jury made up of Nathalie de Vries (chair), Steven Nobel, Ton Idsinga, Wienke Bodewes, Willem Hein Schenk and Willem Jan Neutelings. The presentation ceremony will take place on 3 November in Amsterdam. Extract from the jury report The jury concluded that Van Berkel and Bos, together with their UNStudio team, are more than deserved winners of the 2016 BNA Kubus. 'No one controls the creative and technical process better than UNStudio. They prove that in-depth research pays off, as does network-driven collaboration with professionals in the fields of architecture, infrastructure and urban development. The cutting-edge nature and absolute craftsmanship of their body of work makes it both exemplary and innovative.' High quality, iconic buildings and international appeal The jury’s decision was based on three criteria: excellent craftsmanship, a recognisable and innovative body of work, and a relevant contribution to the profession. From the time UNStudio was established in 1988, Van Berkel and Bos have been building up an impressive body of work, according to the jury. Their work is always of high quality, the buildings are iconic and have international appeal.