DOCSLIB.ORG

General Fabric Repair

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
General Fabric Repair *TM 4-42.21 TM 4-42.21 (FM 10-16 ) General Fabric Repair July 2013 Publication of TM 4-42.21, 24 July 2013, supersedes FM 10-16, General Fabric Repair, 24 May 2000. This special conversion to the TM publishing medium/nomenclature has been accomplished to comply with TRADOC doctrine restructuring requirements. The title and content of TM 4-42.21 is identical to that of the superseded FM 10-16. This special conversion does not integrate any changes in Army doctrine since 24 May 2000 and does not alter the publication’s original references; therefore, some sources cited in this TM may no longer be current. For the status of official Department of the Army (DA) publications, consult DA Pam 25-30, Consolidated Index of Army Publications and Blank Forms, at http://armypubs.army.mil/2530.html. DA Pam 25-30 is updated as new and revised publications, as well as changes to publications are published. For the content/availability of specific subject matter, contact the appropriate proponent. DISTRIBUTION RESTRICTION. Approved for public release; distribution is unlimited Headquarters Department of the Army This publication is available at Army Knowledge Online (https://armypubs.us.army.mil/doctrine/index.html). To receive publishing updates, please subscribe at http://www.apd.army.mil/AdminPubs/new_subscribe.asp. *TM 4-42.21 Technical Manual Headquarters No. 4-42.21 (FM 10-16) Department of the Army Washington, DC, 24 July 2013 General Fabric Repair Contents Page PREFACE............................................................................................................... x Chapter 1 INSPECTING AND MARKING CLOTHING AND TEXTILE ITEMS .................. 1-1 Section I – Initial Inspections .......................................................................... 1-1 Section Ii – Final Inspections .......................................................................... 1-2 Chapter 2 HAND SEWING ON CLOTHING AND TEXTILES ............................................ 2-1 Section I – Hand Sewing .................................................................................. 2-1 Section II – Tools .............................................................................................. 2-1 Shears or Craftman’s Knife ................................................................................ 2-1 Pins, Needles, and Thimbles .............................................................................. 2-1 Thread ................................................................................................................ 2-1 Ruler or Measuring Tape .................................................................................... 2-1 Tailor’s Clay Chalk .............................................................................................. 2-1 Iron ...................................................................................................................... 2-3 Buttonhole Cutter ................................................................................................ 2-3 Section III – Preparation of Needle and Thread ............................................. 2-3 Section IV – Hand Stitches .............................................................................. 2-4 Basting Stitch ...................................................................................................... 2-4 Felling Stitch (Vertical Hemming) or Overhand Stitch) ....................................... 2-5 Cross Stitch (Catch Stitch) ................................................................................. 2-6 Stoating Stitch .................................................................................................... 2-6 Whipstitch (Slant Hemming or Overcast Stitch) ................................................. 2-7 Buttonhole Stitch ................................................................................................ 2-8 Chapter 3 MACHINE SEWING ON CLOTHING AND TEXTILES ...................................... 3-1 Section I – Machine Sewing ............................................................................ 3-1 Section II – Sewing Machines ......................................................................... 3-1 Needles ............................................................................................................... 3-2 Thread ................................................................................................................ 3-2 Stitch Length ....................................................................................................... 3-3 Pressure ............................................................................................................. 3-4 Tension ............................................................................................................... 3-4 Distribution Restriction: Approved for public release; distribution is unlimited. *This publication supersedes FM 10-16, 24 May 2000. i Contents Section III – Tacking ......................................................................................... 3-5 Machine without a Reverse ................................................................................. 3-5 Machine with a Reverse ...................................................................................... 3-6 Section IV – Characteristics of Good Seams ................................................. 3-6 Section V – Types of Seams ............................................................................ 3-7 Plain or Simple .................................................................................................... 3-7 Seam Type 1 ....................................................................................................... 3-7 Seam Type 2 ....................................................................................................... 3-8 Seam Type 3 ....................................................................................................... 3-9 Seam Type 4 ..................................................................................................... 3-10 Seam Type 5 ..................................................................................................... 3-12 Seam Type 6 ..................................................................................................... 3-12 Chapter 4 REPAIRING CLOTHING AND TEXTILE ITEMS ............................................... 4-1 Section I – Preparing Supplies and Equipment ............................................. 4-1 Section II – Darning........................................................................................... 4-1 Circular Darn ....................................................................................................... 4-1 One-Way Darn .................................................................................................... 4-2 Zigzag Darn ......................................................................................................... 4-3 Reinforced Darn .................................................................................................. 4-4 Section III – Patching ........................................................................................ 4-5 Simple Clothing Patch ......................................................................................... 4-5 Set-In Patch ........................................................................................................ 4-6 T-Patch ................................................................................................................ 4-7 Iron-On Patch ...................................................................................................... 4-8 Iron-On Patches of Garments ............................................................................. 4-9 Section IV – Replacing Buttons ....................................................................... 4-9 General Directions ............................................................................................ 4-10 Directions for Attaching Sew-Through Buttons ................................................. 4-11 Directions for Attaching Shank Buttons ............................................................ 4-11 Section V – Remaking Buttonholes .............................................................. 4-12 Section VI – Replacing Zippers ..................................................................... 4-12 Replacing A Nonseparating Zipper in Trousers ................................................ 4-13 Replacing a Separating Zipper in Jacket .......................................................... 4-14 Section VII – Replacing Hook and Pile Fastener ......................................... 4-15 Section VIII – Replacing Drawstrings............................................................ 4-15 Section IX – Replacing Buckles ..................................................................... 4-16 Section X – Repairing or Replacing Eyelets ................................................ 4-17 Repairing Stitched Eyelets ................................................................................ 4-17 Replacing Metal Eyelets ................................................................................... 4-18 Section XI – Replacing Snap Fasteners........................................................ 4-19 Section XII – Stitching Bindings .................................................................... 4-21 Section XIII – Repairing Open Seams ..........................................................
Load more

Recommended publications
  • Working with Neon Rays Added Karen Chrissinger As a Teacher
    June 2017 A Message from Jill In this Issue: On October 1, 2009, I took a big step in my and my family’s life - I A Message from Jill purchased Louise’s Needlework. Being an owner of a small business is one of the hardest yet most fulfilling jobs there is. I love the challenge of Yeah….that stitch! growing Louise’s every year and we have come so far yet there is still more Karen Chrissinger discusses the basic types of stitches and growing to do. Our move has been one of the best changes we made. We how they are worked. love our space, light and parking. In fact we wish we had more space than we have now! We have added new thread lines and continue to grow Classes others. Don’t miss out on a wonderful new class beginning soon at Louise’s. We have had great success with our clubs and will continue to add new and exciting ones in the near future. New classes have been added on A Few of Our Newest Arrivals Thursdays and we have hosted Laura Taylor (who will be back in 2018), Canvases just added – and will be hosting Kelly Clark in September. available in the store and online. Even employees have changed. We have Working with Neon Rays added Karen Chrissinger as a teacher. If you Diane Snyder gives several haven’t taken a class from her you should. helpful hints on working with this beautiful, but sometimes Karen has spread her love of needlepoint to frustrating, ribbon.
    [Show full text]
  • Embroiderers' Guild of America Master Craftsman Program Canvas Step 1
    Embroiderers’ Guild of America Master Craftsman Program Canvas Step 1 Basic Canvas Work Purpose: To exhibit mastery of basic canvas techniques and compensation. General Requirements: Please reread information package. Do NOT compensate by using tent stitch or OUTLINING as your ability to compensate will not show. No canvas distortion is allowed in this program. Work on a frame, but DO NOT submit on the frame. Please block your work before submitting if necessary. Design: Use one of the three enclosed designs. No background is to be worked. The circle is part of the design, not part of the background. The straight lines around the design are to be used to align the pattern on the canvas and not to be stitched in an outline stitch. They must not show on the final piece so place the design on the canvas carefully. Design Size: Do not enlarge, reduce, or change the design. Fabric: Mono canvas eighteen (l8) threads per inch. Do not use interlock canvas. Canvas color can coordinate with the color scheme. Fabric Size: Thirteen by seventeen inches (l3" x l7".) Threads: Stranded cotton embroidery floss. Colors: The color scheme must be Monochromatic with only five (5) values used. The color family of black, gray, white can be used, but none of these are to be used in conjunction with any other color family. Stitches: Choose ten (l0) of the twenty (20) stitches listed. Do not use more than ten (l0) and do not use variations. Do not use the stitches in isolation. Each stitch must be used enough times to show proficiency.
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • Attic Sampler Newsletter 02032014
    Where Samplers Rule Just 15 minutes from the Airport at the SE CORNER OF DOBSON & GUADALUPE THE ATTIC 2014 February 03 Issue No. 14-03 www.atticneedlework.com February Sampler of the Month from Gigi R. “The Polka Dot Cow Sampler” Ever since Gigi mentioned the reproduction of Ann Harding’s 1811 sampler on Facebook, needleworkers have been waiting for this release with bated breath ~ and now it is here! Of course I love it, with all of its red scattered throughout, the charming bucolic scene at the bottom fourth of the sampler with the shepherd and his sheep, the shepherdess and windmill, and, of course, the “star” of the sampler, the polka dot cow! All of the charming motifs scattered throughout include many different trees, crowns, cherubs, birds, butterflies, dogs, and more, most created with cross stitch, but a few are embroidered, like the tassels on each side (easy to omit if you prefer to abstain from embroidery.) * chart $24 * Lakeside linen w/2” margins: * 45c = $35 * 40c = $46 * 36c = $52 * Silks ~ $136 (the overdyed silk threadpack uses a combination of Belle Soie, Dinky Dyes, Gloriana, Gumnuts, and ThreadworkX AVAS) Linen & Silk Choices: * Linen - I photographed my favorite Lakeside linen color with reds, and although the camera’s eye doesn’t quite capture its beauty, the color is perfect, I think, for reflecting the rich silken colors. However, we have a lighter linen choice as well for anyone who prefers a lighter-colored linen. * Silk - We’ve done a conversion to exquisite overdyed silks, 22 different colors using 5 different silks.
    [Show full text]
  • Cross Stitch and Other Variations of EXAMPLE of a Into China That Occurred During the Tang Lives
    4 DECCAN HERALD Sunday, May 15, 2016 SundayHerald art & culture Models of nature For the art installation ‘Ash dome’, British artist David Nash planted 22 ash trees in a vortex-like shape near Wales, in 1977! The exact location of this growing artwork in nature remains a guarded secret. EDGY EMBROIDERY TRIBAL DANCE Moves for The global stitch festivities GOPIKA NATHsews the story of the humble cross-stitch that has percolated across ribal dances are fun to watch as the The dance form sua, or sugga dance, costumes, the music and the exu- performed by the women who hail from civilisations and cultures Tberance make for a jaw-dropping Maikal Hills, defines the elegance and experience. A trip to Chhattisgarh grace of tribal women in general. Per- proved this. formed a month before Deepavali, it de- y earliest memory of doing While in Bastar, an opportunity to rives its name from parrot (sua or sugga), cross-stitch is when I was watch the Muria tribals perform their na- and features movements that mimic a about 12 years old. A birth- tive dance excited me. Almost all Murias parrot’s walk. The dancers clap their day gift-set of fabric with de- undergo training in community dances hands and move their heads like a parrot, Msigns to embroider had me at ghotul, a tribal hut which is their cul- and enjoy every bit of it. spend my winter holiday learning this. tural centre. There is a touch of reverence In fact, groups of girls move from one Cross-stitch is not part of the popular to these dances, too.
    [Show full text]
  • Freeze Sharpens Shoppers' Wits by JANE FODERARO Retired Man with a Fixed Income Was Shopping for Two
    •. • " ' ~\fa§sree SEE STORY BELOW Cloudy, Mild Cloudy and mild today, tonight, tomorrow and Satur- j K.MI Hank, I'rnholcl7^ day with a chance of showers. FINAL EDITION 31 on 111 oil fh Ion n< v*s Outstanding Home \<"\\ S|KI|MM* VOL.94 NO.43 RED BANK, N.J. THURSDAY, AUGUST 26,1971 TEN CENTS RUMSONSHOPPER PRICE CONSCIOUS NO EXCEPTIONS ON FIXED INCOME FAMILY OF ELEV- FROZEN FOODS — COLLEGE STUDENT — Mrs. Peter Petlllo of. — Mrs. Anne Hills of — Irving Carol of Rum- — W.J. Florence of Red EN — Mrs. Francis X. Mrs. Richard Walling — Miss Pam Sheehan, Rumson checks shop- Little Silver, shops in son, shops In Red Bank Bank, a retiree, thinks Woods, Red Rank, of New Shrewsbury, se- Rumspn, a student at ping list fn Finast, Red Finast, Red Bank, with A&P. He thinks price consumer eventually leaves Shop Rite, lects frozen vegetables Ohio Wesleyan Univer- Bank. She expresses daughter, Mitly, and freeze can work if there may gain from freeze.. Shrewsbury, after buy- in Finast market. "I sity, shops for her doubts about price her playmate Allison aren't too many ex- Shopping at Finast, he ing food for family of hope it helps," she says mother. She says young freeze, Reid, both age .6, ceptions. says prices-have risen eight children,- husband of the price freeze. people today see in- steadily for years. and mother. flation in costs. Freeze Sharpens Shoppers' Wits By JANE FODERARO retired man with a fixed income was shopping for two. He had himself. "I just get what I want, what looks good.
    [Show full text]
  • Passing on Needlework Skills to Young People
    CT-MMB.700 PASSING ON NEEDLEWORK SKILLS TO YOUNG PEOPLE Why should we pass needlework skills on to young people? Don't they have enough to do with school, sports, music lessons, TV, and video games? And besides, it's so easy to buy needle crafted items at the store—the ones imported from overseas. Before you answer these questions, think about why you enjoy doing needlework yourself. We live in an age of technology and because of this, many parents have failed to see the importance of teaching handwork to their children. Family sociology has changed, families are spread out across the country, and the tradition of passing heritage skills from one generation to the next has almost been lost. Thankfully, the needle arts are experiencing a renewal, and many adults are learning the skills that were abandoned when they were growing up. Needlework includes knitting, crochet, quilting, embroidery, needlepoint, tatting/lacework, and rug making. Simply put, it is handwork that requires some sort of needle or tool and thread or yarn to create an item of decorative or practical use. The benefits of teaching young people needlework are numerous. Handwork develops focus and concentration. It encourages following a process in order to complete a project. It enhances critical thinking and math skills. It increases hand/eye coordination, small motor skills, and builds self-esteem. Moreover, it provides a means to promote healthy, interpersonal relationships between adults and children. Studies show that young people are less likely to engage in risky behaviors when they are bonded to trusted adults.1 Pointers for successfully working with young people Patience is the key when is comes to working with children.
    [Show full text]
  • In This Issue 1
    Subscribe Past Issues Translate View this email in your browser In This Issue 1. Shop News 2. Upcoming Classes 3. Sales Update 4. Painting Update 5. Finishing Update 6. Stitch of the Month Subscribe Past Issues Translate 7. Thread of the Month 8. Russell's Tidbits Shop News: New Threads, Trunk Show, & Pupdate Still wrapped in shipping plastic! We will soon be offering Cosmo embroidery floss. You have read about Cosmo, I'm sure - but if you haven't, well, you are right now! Cosmo is a Japanese thread line available in 462 soft, shiny, vibrant colors. We can't wait to get our hands on this stuff. Trunk Show Alert! This month we have designs from Pippin Studio. They released a number of new designs for 2019. There are some seriously beautiful paintings from the mind of Jennifer Tan. Click here to shop the collection. The Trunk Show Special: Pippin Studio canvases are 20% off for the month of May. You have the option to purchase threads for the canvas as well for 10% off the cost of the threads. If you are interested in a thread pull - order the canvas online and select "Yes" on Fiber For The Canvas. Subscribe Past Issues Translate Once you've placed your order, you'll get an e-mail from us about the thread pull. If you've never had your threads pulled for you before, give it a try! There are many options for the pulls from simple and inexpensive, to silks and wools, to advanced selections. ON TO THE PUPDATE: Subscribe Past Issues Translate Tigger is fitting right in.
    [Show full text]
  • European Embroideries of the Sixteenth and Seventeenth Centuries
    EUROPEANEMBROIDERIES OF THE SIXTEENTH AND SEVENTEENTH C:ENTUBIES • • • THE ANTIQUARIAN SOC:IETY OF THE ABT INSTITUTE 0 F C: H I C: A G 0 MAY TWENTY -TWO TO JUNE TWENTY - NINE NINETEEN FORTY-ONE EUROPEAN EMBROIDERIES OF THE SIXTEENTH AND SEVENTEENTH CENTURIES SPECIAL LOAN EXHIBITION HELD UNDER THE AUSPICES OF THE ANTIQUARIAN SOCIETY THE ART INSTITUTE OF CHICAGO MAY 22 - JUNE 29, 1941 THE ANTIQUARIAN SOCIETY OF THE ART INSTITUTE OF CHICAGO THE ANTIQUARIAN SOCIETY WAS FOUNDED IN 1878, ITS OBJECT BEING TO COLLECT ANTIQUITIES TO BE PRESENTED TO THE ART INSTITUTE. THESE GIFTS TO PERTAIN TO THE IN- DUSTRIAL OR DECORATIVE ARTS SUCH AS CERAMICS, TEXTILES WOOD WORK, FURNITURE, METAL WORK, JEWELRY, SCULPTURE OFFICERS AND DIRECTORS PRESIDENT Mrs. Phillip Miller VICE· PRESIDENT Mrs. A. H. Patterson SECRETARY Mrs. Alfred E. Hamill TR EASU RER Mrs. Edwin W. Ryerson DIRECTORS Mrs. Ogden Armour Mrs. Rob ert H. McCormi ck Mrs . Ambrose C. Cramer Mrs. Potter Palmer Mrs. Charles S. Dewey Mrs. John C. Pitcher Mrs. C. Morse Ely Mrs. George A. Ranney Mrs. Frank Hibbard Mrs. Clive Runnells Mrs. Chauncey McCormick Mrs. Jam es Ward Thorne FOREWORD The Department of Decorative Arts of the Art Institute is glad of the opportunity to express its gratitude to the Anti­ quarian Society for making this exhibit possible. Particular thanks are due to the various lenders to the exhibit ion whose names and generous contributions are noted in the Catalogue, and especially to Mrs. Chauncey B. Borland whose knowledge and enthusiasm have been of the greatest assistance in the assembling and preparation of material.
    [Show full text]
  • Preview Pages
    Easily find the stitch you’re looking for with this handy guide, which is arranged by skill level and then divided into stitch selector functional and decorative stitches. skill level 1 functional stitches Tacking page 56 Slip tacking page 57 Diagonal tacking page 58 Running stitch page 61 Backstitching page 62 Overcasting page 63 Gathering page 64 Gauging page 65 Oversewing page 66 Herringbone stitch Slip stitch page 69 Serge stitch page 70 Prick stitch page 71 Slip hemming page 73 French tack page 78 page 67 Thread marking page 79 Tailor’s tack page 80 Chain bar tack page 81 Bar tack page 82 Straight tack page 83 Stab stitch page 84 Press studs page 88 Covered press studs Hooks and eyes page 90 Hooks and bars page 91 Buttons: two holes Buttons: four holes page 89 page 92 page 93 Mattress stitch, seaming Mattress stitch, seaming Mattress stitch, seaming Darning page 101 Grafting page 102 rows to rows page 96 stitches to stitches page 97 stitches to rows page 98 decorative stitches Split stitch page 113 Daisy stitch page 114 Seed stitch page 115 Sheaf stitch page 116 Stem stitch page 117 Blanket stitch page 120 Long and short blanket Laced running stitch Fly stitch page 126 Closed fl y stitch page 127 stitch page 121 page 123 Feather stitch page 128 Closed feather stitch Long-armed feather stitch Double feather stitch French knots page 132 Brick stitch page 134 page 129 page 130 page 131 Single cross stitch Cross stitch in horizontal Three-quarter cross stitch Horizontal swiss darning Vertical swiss darning Single beads page 158 page 136
    [Show full text]
  • Ridgewood Needlepoint Stitch Guide for Raymond Crawford's New
    Ridgewood Needlepoint Stitch Guide for Raymond Crawford’s New Jersey Star Created by Gretchen Viggiano February 2019 Copyright 2019. All rights reserved. The guide may not be reproduced in any form without written permission from Ridgewood Needlepoint, 391 Clinton Ave., Wyckoff, NJ 07481. (201) 612-7770. Materials List: Beading Needle Chenille Needle Stretcher Bars 2-9-inch sets Tapestry Needle Beading Thread Gloriana #096 (Green) Impressions 1115 (Tan) Kreinik 101 (Silver) Pepper Pot 002 (White) Pepper Pot 004 (Grey) Pepper Pot 016 (Red) Pepper Pot 080 (Bright Green) Pepper Pot 105 (Light Blue) Pepper Pot 199 (Dark Red) Pepper Pot 205 (Green) River Silk 4 mm 157/236 (Red) River Silk 4mm 23/25 (Purple) Silk Lame SL01(Black) Silk Lame SL111 (Gold) Silk Lame SL124 (Blue) Silk Lame SL140 (Teal) Silk Lame SL191 (Orange) Silk Lame SL34 (Yellow) Sundance Beads Rhinestones Scarlet BDS-RH0007 Vineyard Silk C-164 (Yellow) Vineyard Silk C-229 (Gold) Vineyard Silk T-807 (Brown) Please Note: Diagrams for the various stitches can be found on the last page. Copyright 2019. All rights reserved. The guide may not be reproduced in any form without written permission from Ridgewood Needlepoint, 391 Clinton Ave., Wyckoff, NJ 07481. (201) 612-7770. Background: • The background is stitched using Pepper Pot 105 and Silk Lame SL124 using the Hesitation Stitch. Northern Red Oak: • The acorn top is stitched using Vineyard Silk T-807 in the Trellis Cross Stitch. • The acorn bottom is stitched using Impressions 1115 in Kennan Stitch. • The leaf is stitched using Gloriana #096 (3 ply) using the Alternating Continental Stitch.
    [Show full text]
  • Attic Sampler Newsletter 06172016
    Where Samplers Rule Just 15 minutes from the Airport at the SE CORNER OF DOBSON & GUADALUPE 1837 W. Guadalupe Rd, Suite 109 Mesa, AZ 85202 TELEPHONE THE ATTIC (480)898-1838 2016 June 17 Issue No. 16-12 www.atticneedlework.com TOLL-FREE: 1.888.94.ATTIC Our June Sampler of the Month from Darlene O’Steen/The Needle’s Prayse ... now published by Berlin Woolwork Sampler NeedleWorkPress Left, the top several parts, begun in 2004 and, right, all of it, including Part 9 at the bottom, with 4+ motifs to go! I would have loved to be finished as we feature this as our Sampler of the Month, but it’s the closest I’ve been to being done for any other previous SOM! Of course, we won’t talk about how many years it’s taken me. This is a very gratifying reproduction to stitch because after each motif completion there is a strong sense of satisfaction. And there are so many beautiful motifs ~ many are favorites ... and only a few I was happy to be finished with. To read more about Berlin wool work samplers, you can find very This was a monumental project for Darlene to reproduce, and each part interesting information at the Hands includes very clear diagrams of the stitches featured in each part, i.e., tent Across The Sea Samplers Website. ~ some stitch, satin stitch, Irish stitch, Hungarian stitch, eyelet stitch variation, star wonderful photos of sampler motifs that stitch, brick stitch, Florentine stitch, smyrna cross, diagonal mosaic, diagonal will look similar to these.
    [Show full text]