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STORY IS EVERYTHING Story telling connects us all. As a producer, I have chosen a career that allows me to col laborate and contribute to story telling on a national and sometimes global level. My cre CLIENTS ativity is boundless & off-beat while rooted in the traditions of motion picture story telling. I am in love with the world, with media, and with seeing people smile or feel when they ABC - NBC - CBS - MTV - VH1 - CMT - TLC - watch and experience a story I am part of creating. I believe my sincere charisma is moti HGTV - Golf Channel - Rachel Ray - College vational, my years of experience builds confidence, and my pure love of this art inspires Humor - Universal - G4 - Discovery - Marvel - those around me. I know what I am doing because I have lived, breathed, and performed Snap Chat - Animal Planet - Nickelodeon - in this industry for 18 years. Oreck Vacuums, Atlantic Records, Spike TV, EXPERIENCE The Director's Bureau, Zoetrope Studios, Walt Disney Entertainment, Disney Digital, Executive Producer/ Director SnapChat -The Backstreet Boys 20th Anniversary Fan Celebration Live Webcast -The Whole Foods Planet Foundation Pre-Grammy Red Carpet Event SKILLS -Diamond Comics Free Comic Book Day Promo w/ Jay Mewes -The Reality Wanted TV Awards Red Carpet Event Professional Producer & Director -Golf Channel's School of Golf Seasoned Live & Multi-Cam Director Skilled Post and Story Producer Supervising Producer/ Director Experienced Production Manager -Discovery's Naked and Afraid Competent Assistant Director -The CW's Vacation Creation Versed In Current TV Trends -CMT's My Big Redneck Wedding Aficionado Of Pop Culture -VH1 's Luke's Parental Advisory Accomplished Writer -MTV I Want A Famous Face -Oreck Vacuums' Halo Infomercial Campaign GEAR & SOFTWARE Field Producer/ Director -Rachel Ray's Adult Temper Tantrums and Gastric Bypass Gone Wrong Complete iMac Editing Suite Owner -Golf Channel's Big Break Ireland & Dominican Republic AVID & Final Cut Pro Experienced -VH1 's Brooke Knows Best Nikon D 7200 Camera w/ Pro Lenses -VH1 's Hogan Knows Best VIP Lighting Kit w/ Soft Boxes & Backdrops -VH1 's Mission Man Band PhotoShop & Light Room -CMT's Danger Coast Final Draft Story Producer MOTTO -NBC's American Ninja Warrior -Animal Planet's Swamp Wars -TLC's Risking It All "I lead with inspiration, not intimidation." Assistant Director REFERENCES -Ice Cube's Good Cop, Bad Cop Music Video -Universal Music's INXS 30th Release of the Album Kick JASON HARPER -ABC & Marvel's Agent's of Shield Web Companion Series Executive Producer -Snap Chat & ABC's Bachelor Post Show Nickelodeon, The WB -The Director's Bureau 202-559-5862 -ABC Digital Studios -Michelob Ultra JOHN TESSIER Executive Producer Production Manager/ Coordinator The CW -Discovery's The Girls of Palm Beach Polo 213-840-2328 -Walt Disney World Entertainment -Nickelodeon's Slimetime Live CALVIN SIMMONS -Spike TV's MXC Executive Producer EDUCATI ON Animal Planet 818-381-7606 1996 - 1998 The University of Central Florida - BA Film Production .

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EDITION 14 2008.Indd
T H E V I K I N G Volume XLI Edition 14 March 20, 2008 CSPA Gold Medalist SagaThe Student Newspaper of East Lyme High School East Lyme, Connecticut Heading East A Little Corn Beef ELHS teachers plan summer trip to China and Tibet Goes A Long Way by Ellie Kleinhans she study with a lama (a While the student Tibetan teacher.) body is awaiting summer Along with about dismissal, World History 20 other teachers from and Religions teacher Connecticut, Ms. Alice Pembrook and Pembrook and Ms. African American Studies Anderson will embark on teacher Cortney Anderson their voyage on June 26th are anticipating their trip and return on July 12th. to Tibet. “If you go by yourself, “We’ll be ﬂ ying into you do not have a Beijing, visit Shanghai and sounding board and the Great Wall of China. ability to brainstorm. Then we will visit schools You don’t have the initial to try to make connections contacts that you have and visit three different when you go with people monasteries,” said Ms. who are really interested Photo Submitted/J. Christensen Anderson. She became in the topic,” said In spirit of St. Patrick’s Day, ELHS freshman James Christensen nurses a 1-year old vulture interested in Eastern Ms. Pembrook. back to good health with his mother’s corn beef. Christensen was taking a walk in the woods philosophy last year The group will be behind his Grassy Hill Road home with his brother and friend when they came across a when her acupuncturist in guided by Pit Peng, a citizen vulture stuck in a coyote trap.
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University of Huddersfield Repository
University of Huddersfield Repository Chard, Holly and Litherland, Benjamin “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration Original Citation Chard, Holly and Litherland, Benjamin (2019) “Hollywood” Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal, 58 (4). pp. 21-44. ISSN 0009-7101 This version is available at http://eprints.hud.ac.uk/id/eprint/33851/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ University of Huddersfield Repository Litherland, Benjamin ªHollywoodº Hulk Hogan: Stardom, Synergy and Field Migration Original Citation Litherland, Benjamin (2018) ªHollywoodº Hulk Hogan: Stardom, Synergy and Field Migration. Cinema Journal. ISSN 00097101 (In Press) This version is available at http://eprints.hud.ac.uk/id/eprint/33851/ The University Repository is a digital collection of the research output of the University, available on Open Access.
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Lionsgate and Ish Entertainment Form New
LIONSGATE AND ISH ENTERTAINMENT FORM NEW TELEVISION JOINT PROGRAMMING VENTURE Ish Entertainment Enters into New Partnership with Three Greenlit Series Including ‘Paris Hilton’s My New BFF’ for MTV SANTA MONICA, CA, April 30, 2008 -- Lionsgate (NYSE: LGF), the leading independent filmed entertainment studio, and Ish Entertainment, the company recently formed by Michael Hirschorn and Stella Stolper, today announced the formation of a joint venture to produce original entertainment for television. With offices in Santa Monica and New York, Ish Entertainment will continue to operate under its own banner with financial, production and distribution support from Lionsgate. Hirschorn, who was executive vice president of original programming and production at VH1, and Stolper, VH1’s former senior vice president of celebrity talent development, recently departed the network to form Ish. The company was launched in January with a commitment for three television series under a first-look deal with MTV, VH1, CMT and Logo. MTV last month green-lit the first project to come out of that deal, “Paris Hilton’s My New BFF,” a new reality competition series. Ish will marry formats and talent, continuing a strategy that helped VH1 launch a host of hit shows, including “I Love the 80s,” “Best Week Ever,” “Hogan Knows Best,” “The (White) Rapper Show,” “The Salt n’ Pepa Show,” “Flavor of Love” and its many spin- offs, all of which Hirschhorn oversaw during his six years at the network. These shows helped VH1 to an unprecedented 22 straight quarters in year-over-year ratings growth. The new joint venture allows Lionsgate to quickly expand its imprint in the area of alternative programming and is the latest in a number of strategic deals, including the Company’s acquisition of top television distributor Debmar-Mercury LLC, that underscore the importance of television to Lionsgate’s overall business.
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1 United States District Court for The
UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek.
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Ghost Town Adventures Nov
SPORTS: Vince Young proves Madden game cover is PAGE 3 NEWS not a curse, it’s a scientific formula, page 12 CSUF student is FEATURES:Sea-faring student makes sailing his passion symbol of courage through involvement in scouts, page 5 Since 1960 Volume 85, Issue 29 Thursday October 18, 2007 DailyThe Student Voice of California StateTitan University, Fullerton DTSHORTHAND Registration looms for proficiency test The deadline to register for the Ghost town adventures Nov. 3 EWP test ends at 5 p.m. today. A standby basis is offered to students if there are no more Out to the desert available seats. Students are re- quired to pass the EWP test be- fore graduating. Special accommodations will looking for a thrill be made for students with dis- abilities or if Saturday conflicts with a religious holiday. Registration is $20, payable at the time of application. For more information, contact the Testing Center at 714-278-3838. Squirrely surrogate cares for rodents SAN CARLOS, Calif. (AP) – Some people might think Mary Nacey’s devotion to her fos- ter pets is a little nutty, but she says mothering abandoned baby squirrels is a privilege. As a volunteer with the Penin- sula Humane Society’s Wildlife Care Center, Nacey has cared for nearly 150 squirrels, bottle-feed- ing them in her home, naming them and undoing the damage they exert on her flowerpots. “They’re God’s creatures,” Nac- ey said. “They were put here for a purpose. They’re so much like us with different personalities.” Nacey said that even though the job is time-consuming, she would rather stay home and watch the squirrels grow than go BY ROB WEAVER/Daily Titan Staff Writer out for dinner or a movie.
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Volume 50 • Number 3 • May 2009
VOLUME 50 • NUMBER 3 2009 • MAY Feedback [ [FEEDBACK ARTICLE ] ] May 2009 (Vol. 50, No. 3) Feedback is an electronic journal scheduled for posting six times a year at www.beaweb.org by the Broadcast Education Association. As an electronic journal, Feedback publishes (1) articles or essays— especially those of pedagogical value—on any aspect of electronic media: (2) responsive essays—especially industry analysis and those reacting to issues and concerns raised by previous Feedback articles and essays; (3) scholarly papers: (4) reviews of books, video, audio, film and web resources and other instructional materials; and (5) official announcements of the BEA and news from BEA Districts and Interest Divisions. Feedback is editor-reviewed journal. All communication regarding business, membership questions, information about past issues of Feedback and changes of address should be sent to the Executive Director, 1771 N. Street NW, Washington D.C. 20036. SUBMISSION GUIDELINES 1. Submit an electronic version of the complete manuscript with references and charts in Microsoft Word along with graphs, audio/video and other graphic attachments to the editor. Retain a hard copy for refer- ence. 2. Please double-space the manuscript. Use the 5th edition of the American Psychological Association (APA) style manual. 3. Articles are limited to 3,000 words or less, and essays to 1,500 words or less. 4. All authors must provide the following information: name, employer, professional rank and/or title, complete mailing address, telephone and fax numbers, email address, and whether the writing has been presented at a prior venue. 5. If editorial suggestions are made and the author(s) agree to the changes, such changes should be submitted by email as a Microsoft Word document to the editor.
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Keeping It Real: a Historical Look at Reality TV
Graduate Theses, Dissertations, and Problem Reports 2011 Keeping It Real: A Historical Look at Reality TV Jessica Roberts West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Roberts, Jessica, "Keeping It Real: A Historical Look at Reality TV" (2011). Graduate Theses, Dissertations, and Problem Reports. 3438. https://researchrepository.wvu.edu/etd/3438 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Keeping It Real: A Historical Look at Reality TV Jessica Roberts Thesis submitted to the P.I. Reed School of Journalism at West Virginia University in partial fulfillment of the requirements for the degree of Master of Science in Journalism Sara Magee, Ph.D., Chair Steve Urbanski, Ph.D. George Esper, Ph.D. Krystal Frazier, Ph.D. School of Journalism Morgantown, West Virginia 2011 Keywords: reality TV, challenge, talent, makeover, celebrity, product placement Copyright 2011 Jessica Roberts ABSTRACT Keeping It Real: A Historical Look at Reality TV Jessica Roberts In the summer of 2000 CBS launched a wilderness and competition reality show called “Survivor.” The show became a monster hit with more than fifty million viewers watching the finale, ratings only second to Super Bowl.
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2017 Durango Songwriters Expo Industry Bios – Ventura, CA
2017 Durango Songwriters Expo Industry Bios – Ventura, CA Abbey Adams (Nashville) – Senior Creative Director, Sony/ATV Music Publishing. Focused on Artist Development, Producer/Writers and Sync-friendly writers - mostly country, but not limited. She has placed numerous cuts and hits with such artists as Keith Urban, Billy Currington, Tim McGraw, Dierks Bentley, Jake Owen, Ronnie Dunn, Lady Antebellum, and Martina McBride. She has placed songs in “Grey’s Anatomy,” “Nashville” and “Country Strong.” Kristen Agee (Los Angeles) - Founder & CEO at 411 Music Group. 411 provides custom score and one-stop, artist- driven music licensing for artists, by artists with placements in “Crazy Ex-Girlfriend” (CW), “Grimm” (NBC), “Guild” (ABC), “Into The Badlands” (AMC), “Viceland” (MTV), “Keeping Up with the Kardashians” (E!) and much more. Ad Campaigns for Sherwin-Williams, Samsung, Beanpole, Rooms To Go, Trailers, Video games. Looking for Indie artists, underscore and sound design for use in Film & TV, advertising, radio, and interactive media services. Walt Aldridge (Muscle Shoals) – Lorraine Parkway Music. Songwriter, singer, musician, engineer and producer has exercised his musical skills in Muscle Shoals and Nashville for more than thirty years. During that time he has written more than 50 top 40 songs, 7 reaching the #1 spot. His work spans a wide spectrum of music, including Lou Reed, Peter Cetera and Blessid Union of Souls, Conway Twitty, Reba McEntire and more! Al Anderson (Nashville) - Mega-hit songwriter and monster guitar player with #1 Hits… such as "The Cowboy In Me," "Trip Around The Sun," "Unbelievable," and “Love’s Gonna Make It Alright.” Big Al is a very important part of The Expo and was a founding member of the legendary rock group NRBQ.
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Glenn Douglas Packard EMMY AWARD NOMINEE/CHOREOGRAPHER
Glenn Douglas Packard EMMY AWARD NOMINEE/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARD NOMINATIONS CBS Michael Jackson’s 30th Anniversary Special Emmy Nomination Outstanding Choreography FILM “Rhythm” Choreographer/Self Dir: Vivek Kumar “Pitchfork” Producer/Created/Chor. Dir: Glenn Douglas Packard “MOVE” Documentary Himself Dir: Kirk & Melinda Soderling “Little Hercules” Choreographer Dir: Mohamed Khashoggi “Dancing on the Edge” Choreographer Dir: Jonathan Krane TELEVISION PERSONALITY Men of the Strip Producer/Created/Himself E! Brooke Knows Best - Season 1 & 2 Himself VH1 Hogan Knows Best - All Seasons Himself VH1 Dance Slam Cam Himself/Expert Judge VH1 True Hollywood Story - “Hulk Hogan & Family” Himself E! Mission: MANBAND Himself/Expert Judge VH1 Best Week Ever Himself VH1 TELEVISION Michael Jackson’s 30th Anniversary Special Choreographer/Dancer CBS Michael Jackson, The Jacksons, Missy Elliot, Usher, Whitney Houston, Liza Minnelli, Destiny’s Child, Nelly Furtado, Mya, Deborah Cox, Al Jarreau, Jill Scott, Monica, Gloria Gaynor, Chris Tucker, 98 Degrees, Tamia, Slash, Rah Digga Latin Grammy’s w/ Ricky Martin ‘11 & ‘16 Choreographer Univision Grachi 2 Choreographer Nickelodeon “Premio Lo Nuestro” w/ Ricky Martin Choreographer Telemundo “Premios Juventud” w/ Daddy Yankee Choreographer Univision/Prince Royce Disney Concert Series w/ Jessica Simpson Choreographer Disney Channel Robert Klein Special “Child in His 50s” Choreographer HBO Robert Klein SPecial “Amorous
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Why Congress Should Protect Children in Reality Programming Dayna B
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals June 2015 Jon & Kate Plus the State: Why Congress Should Protect Children in Reality Programming Dayna B. Royal Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the Constitutional Law Commons, Family Law Commons, First Amendment Commons, and the Juvenile Law Commons Recommended Citation Royal, Dayna B. (2010) "Jon & Kate Plus the State: Why Congress Should Protect Children in Reality Programming," Akron Law Review: Vol. 43 : Iss. 2 , Article 2. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol43/iss2/2 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Royal: Jon & Kate Plus the State ROYAL FINAL WITH EDITS ACCEPTED.DOC 5/3/2010 11:28 AM JON & KATE PLUS THE STATE: WHY CONGRESS SHOULD PROTECT CHILDREN IN REALITY PROGRAMMING Dayna B. Royal∗ To turn children into profit is to touch profanely a sacred thing. Dr. Felix Adler.1 The term child labor is a paradox, for when labor begins . the child ceases to be. 2 Rabbi Stephen S. Wise. I. Introduction ....................................................................... 436 II. Reality Programming Harms Children and Society .........
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Warren Jared Cohen
44 1st Street Brooklyn, NY 11231 718-875-2818 WARREN COHEN [email protected] www.warrencohen.com / @wjcohen Seeks production and development management role to create captivating video content across all new and emerging media platforms. Desires leadership position to help shape the future of sharable video content. EXPERIENCE VH1 Vice President, June 2014 – March 2015 Executive Producer, 2010-2014; Supervising Producer, 2005- 2010; Senior Producer, 2003–2005; Music News Editor, 2002–2003 Two-time Emmy award winning producer and development executive. Oversaw all non-show original digital video and led 15 person bicoastal internal production team as well as managed all third party productions and acquisitions. Created business model and production process to incubate new voices and formats that had built-in social strategies. Developed ideas from conception to air. Liaison to internal ad sales, marketing, legal, press and talent relations. Maintained key relationships with talent, producers, digital influencers and production companies. Ability to meet and adapt to changing industry demands and assumed a major leadership role in shaping future of the digital video space. Past year saw annual streams increases double on VH1.com and the VH1 app, Facebook and YouTube. Social TV pioneer who has created integrated linear and digital interactive programming. Expertise in audience development strategies and interactive experimentation. Created, curated, and customized video content with a unique point of view. Digital series credits: Madonna Dearest, Behind the Tweet, Huge on the Tub, The Good Parts, WTF Emoji, Very Vh1, Dance Cam Slam, Webcam Confessional and VH1 Eyecandy. TV series credits include: The Gossip Game, Wicked Single, You’re Cut Off, Hogan Knows Best, Luke’s Parental Advisory, Famous Crime Scene, Secret Childhood, Hollywood Secrets Revealed, VH1 News Presents.
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I Declare That This Thesis Is My Own Account of My Research And
I declare that this thesis is my own account of my research and contains as its main content work that has not previously been submitted for a degree at any tertiary institution. ................................................................ Ken Miller i Abstract The dominant discourse of screen acting has always revolved around a commitment to transparent philosophical realism which is grounded in notions of authenticity, coherence and the existence of a deep, unifying vein of human nature – our own and that of the characters we see on screen. The philosophical position of realism is typically associated with the Stanislavskian system of acting. In spite its apparent naturalness, however, this code of performance has been subject to continuous questioning with subtle, and at times not-so-subtle consequences. This thesis explores the trajectory of these challenges to realism within the specific context of screen performance. Departures from the dominant code of psychological realism in screen acting can broadly be accounted for by changes to prevailing philosophical perspectives which bring the interrelated notions of the unified subject and realism into question. Shortly after the invention of cinema, the unified subject begins to be conceptualized as either a psychoanalytical or an ideological subject with correspondent manifestations in the nature of screen performance – typified most vividly by the psychoanalytic emphasis inherent in Method acting and the making-strange techniques of anti-realist formalism respectively. Other developing philosophical fashions similarly have consequences for screen performance: The psychoanalytic and ideological subject gives way to the split subject of Lacan and the schizological subject of R.D. Laing, both of which have the effect of shifting the locus of performance towards the exteriority of the subject rather than its interiority.
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